‘Opinion is not worth a rush.’

     – W. B. Yeats

Who cares what the poets think?

          Shelley said they were ‘unacknowledged

legislators’.

                He made paper boats of his thoughts

and set them sailing

                              on the Thames at Marlow –

much like writing a column for Metro.

              Today a blast from the Pole is keeping

Dunedin city indoors.

                              It makes the Southern Alps

put on that postcard look.

                                         It drives the Aratika

back into port

                     demands chains on the Rimutakas

                                       closes the Desert Road

and puts a dusting of snow even on the Kaimais.

             It climbs the Bombay Hills and unloads

cold rain on the centre-point of the world

        where my Montana Book Awards Prize Pen

                                  touches this sheet of paper.

None of this calls for thought –

                                                         it expels it

like used air from a lung.

                                              When I was young

                                          I needed allegiances

which needed thought.

                                        There was my country

my political party

                                   the community of writers.

I was weak then, I had no self.

Now I have one and shouldn’t be approached.

One day when the ache in my gut

                                      or the pain in my head

has turned into a slavering lion

                                               and eaten me up

someone will say, ‘This is what he thought.

                                       He was right of course

but it’s no longer an issue.’

            Then the poems will come into their own.

‘Listen to us,’ they’ll say. ‘The Odes of Keats

the cantos of Ezra Pound

                                           Jim Baxter’s sonnets

were our brothers and sisters.’

Tübingen

     The leaves on the tower

that was Hölderlin’s prison

                   are turning red

                             and gold.

Down there

    on an island in the river

huge trees are giving up

their ghosts.

In a small tavern

of crooked beams and stairs

                     I eat one slice

                         of onion pie

and drink one glass

of frothy

Swabian wine.

                Through the trees

dismantling themselves

looms the sculpted figure

               of a folk composer

         honoured by the Reich.

Out of his bronze pockets

from under his bronze coat

          climb men-at arms –

        the spirits or sprites

of Germany at war.

Faber & Faber

There was only one Faber

but a second was added

for ballast. I am proposing

the firm should add another –

Faber Faber and Bleistein.

It would counter that cruel canard

about Tom and anti-semitism.

Faber Bleistein and Kwagongkwa

would be culturally sensitive

but perhaps excessive.

I remember back in the ’50s

Tom worked at home in the mornings

writing starchy plays about clerks

and martyrdom in Africa.

Afternoons he came to the office

in Russell Square. Young Valerie

was his secretary. He married her

and the Evening Standard headline

read ‘T. S. Eliot and how the Love

grew Younger than Springtime’.

It was Tom established

the Faber Poetry Principle:

‘Poets are not published by us

because their work is superior.

Rather, the work is superior

because it is published by us.’

Around in Queen’s Square

little Craig has maintained it,

and more recently, little Christopher.

‘Life is very long,’ Tom wrote

and so is the Faber list.

Treasure Island

The Treaty of Waitangi

                         or Treedee

as our Orange calls it –

What is it?

                    the visitor asks

who hears it at midnight

in the next room

              outside the window

under the bed

                      ‘The Treedee!’

                  as in ghost-speak

‘Whooooaah. The Treedee!’

It’s a shibboleth

                           I tell him

a jackup that went wrong

                   a royal present

              an exploding cigar.

                    It’s a mantra

             a midden

     a mistake

a line from an old song

come back to haunt us.

It’s a heaviness in the limbs

                       a very private

                            very secret

boredom.

When I call her at the library

‘Kia ora Kay’

I say

                       ‘Kia ora Karl’

                           she replies

then we go out

                         to an Italian

                   meal or a movie.

Auckland

Lovely for the long ago

child in the night

to hear the huge rain

beating on iron.

No fibre-glass muffle –

only that raw rough

sleep-inducing

din.

We’ve eaten the 12

jars of plums

I stewed and froze

at Christmas.

Now it’s the season

for early apples

autumn dowsings

and olives.

Last Poem

‘What have I to use?’

        grumbled the poet

        ugly and old.

‘What have you to lose?’

        responded

        the bodiless Muse.

‘Straw into gold’

        she urged him –

        ‘straw into gold.’