What to do?
I was like a man with ADD on a coffee high. The guesthouse was too confining. I took my nerves out for a walk.
Even more people were enjoying the sun, sand, and surf. Some offered a friendly nod; others purposely avoided eye contact. Just like walking up Fifth Avenue, except for the friendly nods.
I paused at the driftwood and walked into the surf to get closer. I tried to budge it, but it seemed to be lodged in the sandy bottom.
“That’d make a lousy fire,” Stew Gentry said, walking toward me. He’d probably just returned to shore with his windboard. He was slipping a plain white tee over his head.
“I don’t remember seeing it here yesterday,” I said.
“It probably wasn’t here. The ocean is always bringing us little gifts like that.”
I joined him on the dry sand.
“How’s it going, Billy? You look like you mighta had a rough night. Were you at Halliday’s?”
“Not at Halliday’s,” I said, “but it was rough.”
“Best thing for that, come on in and have a brew.”
The words made my stomach flip over. “A little early,” I said.
“Coffee, then,” he said. “I was a little rough on you last time we talked. Have a cup of coffee and I’ll have some humble pie.”
I followed him up the beach to his property. His rolled sail and board rested beside the wooden walkway. As we passed the infamous swimming pool, I could almost hear Roger screaming at me.
Stew was at the back door, brushing sand from his bare feet. I removed my flip-flops, slapped the sand off them, then brushed my feet and slipped them back on. You can never get rid of all the sand. It’s part of the price one pays for beachfront living, along with distance to town and incredibly high taxes and devastating storms that destroy your house.
Just call me Mr. Buzzkill.
The interior of the house looked pretty much the same. Spacious and woodsy and masculine. “Park it on the couch,” Stew said, heading for the kitchen. “I’ll get the coffee.”
He disappeared past the swinging doors.
I went to the chocolate-colored leather couch and parked on it, facing a cold, white stone fireplace.
Before too long, he returned with a tray filled with a silver coffeepot, two cups, a pitcher of cream, a sugar bowl, napkins, and a plate on which rested an assortment of cupcakes the size of softballs.
“I’m gonna go get out of these wet trunks,” Stew said. “The cupcakes are part of my apology. The black-and-white is really good.”
He took the stairs two at a time. I poured a cup of coffee, ignored the cream and sugar, and tried to ignore the cupcakes, but they kept calling to me. The black-and-white one was tasty. Even better, it was soft enough not to aggravate my headache.
I picked up my coffee cup and began strolling around the large room, checking out the mounted antlers, the long snakeskin, the oil paintings, and the glass cabinet with its display of handguns and rifles and shotguns. Eventually, I made my way to the round table with the green felt cover, on which rested Stew’s photos in standing frames.
I’d looked at them before, but this time my attention was drawn to a snapshot that had been taken on the rear deck some years ago. Four people in swimsuits, smiling into the sun. Stew, a much younger version of Gloria Ingram, and a couple a few years younger than she. The girl was pretty, petite, with fair skin and a generous mouth. She looked enough like Stew that she had to be his daughter, the one whose death marked the beginning of the end for his marriage to Gloria. The boy seemed shy and a bit nerdy. He was staring at the blond girl with total adoration.
I picked up the framed photo to make sure I wasn’t letting my imagination fool me. No mistake.
The boy was a collegiate edition of Max’s assistant, Trey Halstead.
“ ‘Photographs testify to time’s relentless melt.’ That’s a Susan Sontag quote.” Stew was standing near the staircase, freshly dressed in white slacks and shirt, and staring at me with mild curiosity. He crossed the big room, using that unique high-right-shoulder lope I remembered from his movies.
“I guess Sontag must have spent a lot of her later years thinking about photography,” I said.
“When you love somebody, you do tend to share their lives.” He took the frame from me, studied the photo. His face was expressionless, but his eyes were shiny, and he was probably as close to tears as movie heroes were allowed. “ ‘Time’s relentless melt.’ Damn if that doesn’t hit the nail right on the head.”
“I didn’t know you and Trey were friends.”
“Since he was a baby. Boy grew up next to us. That was when we lived in San Marino. His daddy was a photographer. He took that picture. Gone now, poor fella. He knew his business, sure enough.”
He replaced the frame on its exact spot on the table. “Funny about that photo of the four of us. As many times as I’ve lost myself in it, I never see anybody but Connie. She was beautiful, wasn’t she?”
I nodded. There were a thousand things going on in my head. Connections being made. Conclusions being drawn. Or was I leaping to them?
“Something botherin’ you, Billy? Spit it out.”
“Connie and Trey were close?”
“Planning to marry when she graduated in two years.”
“How long ago was the photo taken?”
“Twenty-four years, seven months, and eight days. Connie was home from Skidmore that summer, the best I ever spent. You sure you don’t want a brew? I think I could use one.”
“I’m fine with my coffee.”
“The coffee. Yeah, I should probably go with that, too. Let’s you and me palaver, amigo.” He delivered that last line sarcastically, a mockery of his movie image.
I hesitated. Part of me wanted to run out of the house. Another part thought that part was being foolish. By then the schizo discussion was moot. His arm was around my shoulders, and he was herding me toward the coffee.
He indicated I should take the couch, while he sat on a chair to my left. “How’d you like the cupcake?” he asked.
“Good.”
“Don’t go reading too much into that picture, Billy.”
“It’s worth at least a thousand words,” I said.
He picked up one of the remaining cupcakes, broke off a piece, and ate it. “When I was a boy, I used to read mystery stories,” he said. “I was particularly fond of the whodunits. Ellery Queen, Nero Wolfe, Sherlock, of course. I even made a whodunit, maybe forty years ago. Some too-smart screenwriter ripped off a book by a novelist named Donald Westlake. Turned it into a Western and decided to sell it as an original script.
“Hell, I’d never heard of Westlake. Nor had the studio’s story people, the producers, or the horse’s ass directing the film. Problem was, there was a very unique twist in the story. And shortly after the film was released, we all became very aware of Mr. Westlake. And his attorney.” He chuckled.
It was the kind of amusing vignette he’d told when I’d interviewed him on the morning show. Now it seemed a little off point.
I stood up. “I’d better be going, Stew.”
“Just settle down, now, podnah. What’s your hurry?” He glanced at his watch. “Dani’ll be back almost anytime now, and we’ll all go have ourselves a nice seafood lunch at Beau Rivage. Meanwhile, lemme finish up on my little parable. Okay?”
Actually, it wasn’t okay. Not even close. But I looked at this man I thought I knew, sitting there, calmly nibbling on a cupcake, waiting to take his daughter to lunch, and I decided I might as well hear him out.
I sat down.
He smiled, took a sip of coffee to wash down the cake. “So, to return to this Western whodunit tale I’ve been apparently boring you with, our director decided he was too hip to use that time-honored scene where everything gets explained. He felt the script’s twist was so good, it wasn’t needed. ‘We’ve knocked their socks off with this gimmick,’ I remember him braying. ‘They won’t even miss the explanation until after they’ve left the theater. And by then, who the fuck cares?’
“That was the biggest financial turkey I ever unleashed on the moviegoing public. And that includes the stinker I just finished that they’re now spending millions of extra dollars on, hoping a conversion to 3-D is gonna turn it into a silk purse.
“My point, Billy, is we all want explanations. So why don’t we start with your explanation about what you think that picture means?”
I said nothing.
“C’mon, Billy. Something’s made you jumpy as a cat, and we can’t straighten this out until you tell me what’s going on up here.” He pointed to his well-groomed head. The gesture may have been innocent, but it looked suspiciously as though he was pointing a thumb-and-forefinger gun at his temple.
He was older than me, but he was bigger, and in way better shape. I doubted I could make it to the door, even if I tried. And I still wasn’t convinced I was in trouble. So what the hell? I might as well find out.
“It’s a little surprising to discover that you’re only one degree of separation from Des O’Day,” I said.
“Hell, thanks to Clint, I’m also one degree away from Kevin Bacon. So what?”
“There’s not much chance Kevin Bacon killed your daughter.”
“Wh-hoa there! You lost me round that turn.”
“How’d Connie die, Stew?”
He was silent for a beat. “You tell me.”
“It happened less than a year after that picture was taken.”
“How d’you know that?”
I didn’t want to bring Gloria into the conversation, so I asked him a question instead. “She was on a trip to Europe, right? No. You said she was graduating in two years. Junior year abroad?”
“Ellery Queen’s got nothing on you, Billy.”
“Studying in Ireland?”
“Goldsmith’s in London.”
“How’d she die, Stew?”
“You’re the—how do they put it?—the amateur sleuth. You tell me.”
Fitz had told me Des had been serious when he was younger and he’d done something for love of country that had gone bad. Then there was Dr. Dover’s story about the vengeful father. An eye for an eye. A drowned son for a drowned son.
“Did she die in an IRA bombing?” I asked.
Stew gave me a wistful smile that I didn’t think had any relationship to what he was thinking. “In the Mill Hill section of London, Miz Thatcher’s parliamentary constabulary. They were sending the prime minister a message. Connie was spending a few days with a girl she’d met in one of her design classes. They went out to breakfast at a place British Army soldiers frequented.
“The fragile things on which our lives depend.” His eyes filled with tears, but he held on. “Those were the days when you had some control over your privacy. And a macho superstar such as yours truly wasn’t looking for pity from his fans. So to the rest of the world, Connie was just a college kid from Southern California, one of three civilians who died in the explosion. Today there’d be pictures on the Internet of me being held down by a couple of Teamsters and getting tranked by the location nurse after hearing the news.”
He took a deep breath, then let it out slowly.
“All a long time ago,” he said.
“How’d you find out Des was involved?”
“Trey. I hadn’t seen him since Connie’s funeral. About seven or eight months ago, he called, out of the blue, I thought, and suggested we have dinner. Turned out he’d spent a lot of loot on investigators over the years, and one finally came up with a list of the four Mill Hill bombers. Three had died in the Troubles. The survivor, Desmond Rafferty, had been booted out of the IRA shortly before the peace accord. He’d reinvented himself as Desmond O’Day, a comedian who’d migrated to the States and was appearing in a sitcom shot on the East Coast.”
It occurred to me that, like Des, I’d engineered my own reinvention. I’d walked out of those prison gates with a new skill set, new ambition, and, within a few weeks, a new name. But even if there’d been a reason to mention this to Stew, he was too deep into his own story to have paid it much mind.
“Trey asked me what I thought about Connie’s killer leading the good life in New York. I must admit I told him I wished I could get my hands on the mick bastard. To my surprise, he said he could arrange that.
“I started backpedalin’. I said it was macho bluster, that I really didn’t give a damn about the asshole. Twenty-three years was a long time. And it wasn’t like he’d aimed a gun at my baby and pulled the trigger. He was fighting a war, and Connie just happened to get in the way.
“But Trey was deep in vengeance valley. He said he had no interest in anything but avenging Connie. He had no personal life, no desire for fortune or fame. And he’d wound up in a position to get O’Day to come to him. Then he’d make the man pay.
“I told him he was on his own. Next I knew, the papers are talking about O’Day doing a nighttime TV show from out here, exec-produced by Max Slaughter and line-produced by Trey. So I sat back and waited to see what would happen.”
“Accessory before the fact. And after.”
“Oh, hell, Billy. I didn’t know for certain what Trey had in mind. And I sure as hell felt no obligation to warn the Irish prick.”
Stew’s story was pretty convincing. I knew that Trey had sold Max on hiring Des. But I also remembered something else he did. “If you weren’t involved in Trey’s murder plan, why’d he pick a house for Des barely a grenade throw from yours?”
“That’s something you’d have to ask him. Maybe he figured my being that close to the guy, seeing him in all his glory, might change my mind. It didn’t, but … I have to fess up. I did leave a rat in his oven.”
“That adds breaking and entering to the accessory charge.”
“I hope you’re toying with me, Billy. It was a joke, for Christ’s sake. I was joggin’ by and saw the damn back door hanging open. If Rafferty or O’Day or whatever the hell he called himself was stupid enough to go off and leave his door open, I figured I might as well poke around a little.
“I found a stash of pills and cocaine in the party room. Typical. I could have made an anonymous call to the cops, but, like I said, I wasn’t looking for any serious payback.
“So I tossed his stash in the ocean. And I took his broiling pan back to my place. I found a nice juicy rodent in the walk-in traps they’ve got all round the palms and fixed up a little dinner surprise.”
“It scared the crap out of him,” I said. “So much so, he immediately moved out of the villa.”
He smiled. “So the little rat chased the big rat away.”
“He was scared of you, Stew. According to his friend, Fitzpatrick, on our first night out here, when I passed along your party invitation, it sent him into a dark mood that ended with him getting drunk and nearly killing someone.”
“Sounds like the kind of guy who made a lot of enemies,” he said. “Maybe it wasn’t Trey took him out. I’d be surprised if your cop friends didn’t wind up with a list of suspects long as your arm.”
“My cop friends.”
“The two detectives who were prowling the beach with you. What brought ’em out here, anyway?”
He popped the remains of his cupcake into his mouth.
“I asked them to come. Last night—”
I was interrupted by door chimes.
“Hold that thought,” Stew said, and hopped from the chair. He was halfway to the front door by the time I stood.
I’d barely made it around the couch when he said, “Don’t run off, Billy. I want you to meet an old friend.”
A tall man with gray hair was standing in the open doorway. He was wearing odd octagon-shaped sunglasses. I’d seen them and him at the theater the day before the explosion. I was pretty sure that if he took the glasses off, there’d be a milky film over at least one of his eyes.
“Meet Doc Blaney. He’s the troubleshooter you went to in the old days when the job was too shady for Pellicano to handle.” Anthony Pellicano, the so-called “private eye to the stars,” had recently been convicted on charges of wiretapping and racketeering, among others.
“Then it’ll be four of us for lunch at Beau Rivage?” I asked.
Stew smiled. “Trey should be arriving shortly,” he said. “Fact is, we’d been plannin’ to just rustle somethin’ up here.”
“And Dani?”
“She’s in Coral Gables. I got her a script-girl job on a TV pilot.”
“So it was all a lie?”
“I’d prefer to call it acting.”
“What’s goin’ on, Stew?” Pellicano’s moral inferior asked.
“Billy brought the cops out here today,” Stew said with a hint of regret.
Blaney removed a gun from beneath his rumpled jacket. “Told you we shoulda just wasted him last night. Dumping two is as easy as dumping one.”
“Billy’s a friend. I was hoping he was so drunk that … Hell, in the light of day I can see it was a dumb idea.”
“Like I told you before, simple is better. You can fuck yourself up trying to be too clever.”
“That’s one of the problems with spending a lifetime pretending,” Stew said. “The movies I make, the plans always work out in the end.”
“This sure isn’t any movie,” Blaney said.
“No. But it will work out. Only not so nice for you, Billy.”
I guessed they were not planning for me to be around to see this flick released on Blu-ray or DVD.