Anorexia Nervosa
i
Now that it’s fall, they’ve hauled
their difficult beauty—all sharp edges
and shiny joints—back onto campus.
Before our eyes, they’re changing
into something no one understands
but them and the other members
of their strange clan. Gleeful hoarders,
clandestine calculators, secretly they subtract
themselves, calorie by calorie, crumb
by crumb, gram of fat by gram
of fat—disappearing in plain sight, devouring
themselves by devouring nothing . . .
Poured perfectly into brief skirts
and tight capris, their taut flanks
and ridged bellies ripple beneath
the wandering hands of fleshy boys
in caps worn backwards. On party
nights, barely anything’s required
to get them drunk. And so they dance,
flying high above the earthbound burden
of the tiny bodies they’re dying to erase.
In the cafeterias, they perch among us,
primeval, girl-size birds of prey, nibbling
skittishly on leftover bits that anyone
else would throw away. Visualize
a vulture and its ducked, pink head, targeted
on lunch, and you’ll see the similarity
—bony shoulders hunched above almost
empty trays, hooded eyes, claw-like
fingers pecking at undressed bowls
of salad greens. They must be starving.
That’s the trite thought that fills our heads
as we stuff ourselves, looking away to avoid
the violence their images discharge—the sharp
angles and dessicated volumes of shed flesh,
the vacant bellies and caved-in cheeks
they slash us with . . .
ii
Some girls tat themselves up to mark
their difference—and walk about that way,
flaunting the world’s girl-shaming, persecutory gaze,
egging it on, using their bodies to invite altercations
they’re confident they’ll win. The starving girls
size it up differently, their fragilities lacking
the right words to say it. What use are words
when so many can’t read, others won’t,
and almost no one cares anymore
for carefully crafted utterance . . . Images
still slay however, driving themselves deep
in the center where language peters out
and words merge new territories, spreading
into flat puddles, all color and shape. What can’t
be given voice still announces itself in other mediums:
Painted or draped on the human body.
Or carved into a girl’s sweet flesh with a straight
edge blade she’s hidden in the bathroom
and takes to herself, after vomiting
her dinner.
iii
Some madness—is divinest sense.
The Divine Miss D. opined this, waxing psychoanalytic
decades before Freud’s famous theory.
It fills my head now—the sense in madness,
the madness in sense—as my student sits
beside me, protesting her right to have an opinion.
This is probably wrong, she says. Probably
stupid, twisting her hair, and shrinking back
in the chair I have positioned so close
She won’t be able to escape when I need
to remind her she’s more than her body.
iv
Mommy, what is my mind?
My daughter asked me
When she was three.
Strapped in her car seat.
Tapping her temple
As I sometimes do
When I’m writing
A poem, or trying
To think.
A kind of machine,
Was what I said.
You can use it
To build things.
Like ladders,
Or cars.
v
Journal excerpts, over the years . . .
Why has miniaturization mostly been a woman’s art?
*
What exactly is the male attraction to the 20-inch waist?
*
Keeping things small, and manageable: that’s
one way I’ve kept breakdown at bay.
*
Sometimes life is too large to even imagine
what might be required to extract oneself
from the master plot.
*
Found Sonnet from November 9, 1999
Today, ____ , my favorite student in poetry class,
Fainted in my office. One second, she was upright,
Discoursing on the unexpected pleasures
Of Frost’s blank verse. The next, her eyelids
Retracted in her head. Hands twitching,
She fell from her chair, and slid to the floor
And I thought she was dead. Before I reached her,
She was coming back, apologizing. (They always do
Apologize.) “I’m sorry, Professor,” she kept on saying.
“I haven’t eaten a thing today. My parents are paying me
A lot of money to lose some weight before the break.
We’re going on a cruise with my stepfather’s family.”
Then she made it worse: “And they’re all very thin.”
“I’m sorry, Professor,” she apologized again.
*
In the course called “Existentialism,” the exam was only two questions:
1. Define dread.
2. Describe horror.
*
For god’s sake, stop rubbernecking, and read the text!