Index
“Again the Antilles,” 2,
25,
29
alcohol 47–48,
59,
64–65,
67,
69,
70,
72,
78,
85–86,
93,
94–95,
97,
100,
102,
108
Allfrey, Phyllis Shand 113
Angier, Carole 4,
6,
10,
30,
97,
104,
108,
114–115,
118 nn. 1, 6, 11, 15,
119 nn. 17, 18, 19, 21, 22, 24, 28, 31, 32, 34, 35, 36,
120 nn. 37, 38, 39, 40, 41, 42, 43
A Portrait of the Artist as a Young Man 15
Beardsley, Aubrey 45,
124–125 n. 20
Bradbury, Malcolm, and James McFarlane 120 n. 5
Brontë, Emily 103,
130–131 n. 66
Brooker, Jewel Spears and Joseph Bentley 120 n. 6
Byron, George Gordon, Lord 12,
96
Campbell, Elaine and Pierrette Frickey 126 n. 51
Catholic church 3,
57,
90
child 13,
32,
37–38,
46,
61,
63,
85,
87,
88,
90,
95,
98,
100–101,
101–102,
104
cinema 31,
43,
44,
47,
49,
55,
62,
63,
70,
71,
73,
76,
123 n. 6
Condé, Maryse 114,
130–131 n. 66
confinement, ix 33,
63,
80prison 6,
10,
28,
30,
31,
32,
36,
37,
38,
39,
41,
50,
53,
63,
75,
80,
93
“Consolation à Monsieur Du Périer,” 91
Creole 2,
3,
5,
8,
13,
22,
24,
31,
59,
81,
113,
115
deNève, Edouard (Jean Lenglet) 8,
98,
107
Dominica 1,
2,
3,
4,
13,
18,
23,
25,
56,
61,
63,
65,
66,
79,
82,
99,
100,
103,
107,
113,
114,
118 nn. 2, 4, 10, 11, 12, 13,
123 n. 34,
125 n. 21,
126 nn. 39,
40,
41,
128 n. 15
dysfunctional sexuality and emotions 4,
46,
48,
49,
51,
52,
57,
59–60,
64,
76,
77,
79,
91,
97,
98
Eliot, T. S., x 15–16,
38,
52,
108,
122 nn. 15, 16, 17,
124 nn. 8, 16,
125 n. 36
England and the English 4,
12,
13,
27,
30,
32,
48,
58,
59,
86,
92,
96,
101,
103,
108,
109,
110
Ford, Ford Madox, ix 3,
7,
8,
9,
15,
18,
30,
25,
28,
34,
106,
119 nn. 25, 26, 27, 29, 30,
120 n. 3,
121 nn. 12, 14,
122 n. 23,
123 n. 3
“From a Diary: At the Ropemaker’s Arms,” 10–11,
104–105
Garcia Marquez, Gabriel 120–121 n. 7
gender 17–18,
18–20,
21,
52,
56,
60,
68,
75,
77,
112,
116
“Good-bye Marcus, Good-bye Rose,” 98
Good Morning, Midnight 9,
11,
17,
21,
66–79,
80,
92,
96,
107,
110,
111,
115,
126 n. 50
In the Castle of My Skin 21
“In the Luxemburg Gardens,” 28
“In the Rue de l’Arrivée,” 29
“Invitation to the Dance,” 102
Jhabvala, Ruth Prawer 110,
116
Joyce, James x,
15,
16,
19,
21,
38,
79,
116,
121 n. 16,
125 n. 36
“La Grosse Fifi,” 25,
29–30
“Learning to be a Mother,” 27
Lenglet, Maryvonne 6,
9–10,
13
Lenglet, Willem Johan Marie (Jean) 6,
8,
9,
13,
28,
34,
98,
104,
119 nn. 23, 33, 35,
123 n. 2,
124 n. 9,
126 n. 50,
128 n. 13
“Let Them Call It Jazz,” 93–94
Letters 1931–1966 9,
11,
19,
21,
23,
30,
67,
79,
80,
87–88,
91
London 5,
8,
9,
10,
11,
25,
28,
38,
44–45,
46,
61,
62–63,
71,
72,
74,
77,
93,
94,
97,
98,
104
Malcolm, Cheryl Alexander and David Malcolm 104,
126–127 n. 54
Mardorossian, Carine 114,
130–131 n. 66
Menand, Louis and Lawrence Rainey 120–121 n. 7
“Mixing Cocktails,” 2–3,
25,
27
money and class 4–5,
28,
30,
39,
49,
55,
60,
62,
63,
65,
68,
69,
72,
76,
77,
78,
81,
83,
87
Morrell, A. C. 104,
126–127 n. 54
narrative strategies 27,
30–32,
43–44,
53–54,
56,
66–67,
70,
79–81,
81–82,
92–93,
98,
101,
147
Olmos, Marguerite Fernández and Lizabeth Paravisini-Gebert 125 n. 27
“On Not Shooting Sitting Birds,” 98–99
“Outside the Machine,” 14,
93,
96
“Overture and Beginners Please,” 99
Paravisini-Gebert, Lizabeth and Olga Torres-Seda 114,
131 n. 75
Paris 6,
7,
11,
13,
14,
15,
17,
19,
20,
25,
26,
27,
29,
30,
34,
36,
38,
39,
41,
42,
44,
45,
48,
66,
69,
71,
74,
75,
98,
108,
122 n. 19
pastoral 33,
123–124 n. 7
Perkins Gilman, Charlotte 116
“Pioneers, Oh, Pioneers,” 100–101
race and racism, ix 2,
3,
8,
13,
15,
17,
28,
29,
58–59,
82,
86–87,
93–95,
101–102,
103,
112–113,
123 n. 34,
126 n. 45
Rees Williams, Ella Gwendoline (also Gwendolen), ix 1
rooms 34,
40,
56,
57,
58,
60,
62,
63,
66,
75,
89,
97
Rushdie, Salman 120–121 n. 7
Shakespeare, William 81,
91
“Sleep It Off Lady,” 98,
100
Smile Please 1,
2,
3,
4,
5,
6,
10,
11,
12,
13,
19,
20,
23,
53,
90,
104–105
Smith, Leslie Tilden 8–10,
23
“Tea with an Artist,” 28–29
“The Black Exercise Book,” 3–4,
23,
118–119 n. 16
“The Day They Burned the Books,” 13,
15,
93,
95
“The Love Song of J. Alfred Prufrock,” 15
The Sacred Wood: Essays on Poetry and Criticism 121 n. 15
“The Snows of Kilimanjaro,” 38
“The Sound of the River,” 92,
95
The Torrents of Spring 16
“Tigers Are Better-Looking,” 92,
94–95
“Till September Petronella,” 93,
96
“Tout Montparnasse and a Lady,” 26,
28
Voyage in the Dark 3,
8,
23,
52–66,
67,
72,
76,
78,
79,
84,
86,
87,
106,
111,
119 n. 21,
124 n. 17,
126 n. 50
“Who Knows What’s Up in the Attic?,” 98,
99
Wide Sargasso Sea 3,
9,
11,
19,
20,
21,
22,
23,
65,
66,
79–92,
93,
103,
104,
107,
108,
109,
110,
111,
112,
113,
114,
115,
120 n. 4,
123 n. 34,
130 n. 50
Williams, William Carlos 15