THE CHANGES

Even at sea the bodies of the unborn and the dead

Interpenetrate at peculiar angles. In a displaced channel

The crew of a tanker float by high over the heads

Of a village of makers of flint knives, and a woman

In one round hut on a terrace dreams of her grandsons

Floating through the blue sky on a bubble of black oil

Calling her in the unknown rhythms of diesel engines to come

Lie down and couple. On the ship, three different sailors

Have a brief reverie of dark, furry shanks, and one resolves

To build when he gets home a kind of round shrine or gazebo

In the small terraced garden of his house in a suburb.

In the garden, bees fumble at hydrangeas blue as crockery

While four children giggle playing School in the round gazebo.

(To one side, the invisible shaved heads of six priests

Bob above the garden’s earth as they smear ash on their chests,

Trying to dance away a great epidemic; afterwards one priest,

The youngest, founds a new discipline based on the ideals

Of childlike humility and light-heartedness and learning.)

One of the sailor’s children on his lunch hour years later

Writes on a napkin a poem about blue hydrangeas, bees

And a crockery pitcher. And though he is killed in a war

And the poem is burned up unread on a mass pyre with his body,

The separate molecules of the poem spread evenly over the globe

In a starlike precise pattern, as if a geometer had mapped it.

Overhead, passengers in planes cross and recross in the invisible

Ordained lanes of air traffic—some of us in the traverse

Passing through our own slightly changed former and future bodies,

Seated gliding along the black lines printed on colored maps

In the little pouches at every seat, the webs of routes bunched

To the shapes of beaks or arrowheads at the black dots of the cities.