Bibliography

Introduction: Warhols Without Warhol

A matter of opinion – ARTnews. Accessed 11 January 2019. www.artnews.com/2012/02/28/a-matter-of-opinion.

Art authentication board – an idea that fell through. Widewalls. Accessed 11 January 2019. www.widewalls.ch/art-authenti-cation-board.

Artist Paul Stephenson poses contentious questions of authorship with After Warhol series. It‘s Nice That, 26 October 2017. www.itsnicethat.com/news/paul-stephenson-after-warhol-prints-art-261017.

Baudrillard, Jean. 1994. Simulacra and Simulation (The Body, in Theory). Ann Arbor, MI: University of Michigan Press.

———. 1996. The System of Objects. New York, NY: Verso.

Benjamin, Walter. 2008. The Work of Art in the Age of Mechanical Reproduction. Penguin Great Ideas 56. London: Penguin.

Charney, Noah. 2015. The Art of Forgery: The Minds, Motives and Methods of the Master Forgers (1st ed.). London; New York, NY: Phaidon Press.

———. Is there a place for fakery in art galleries and museums? Aeon Essays. Aeon. Accessed 18 September 2016. https://aeon.co/essays/is-there-a-place-for-fakery-in-art-galleries-and-museums.

Denis Dutton on art forgery. Accessed 14 August 2016. www.denisdutton.com/artistic_crimes.htm.

Dutton, Denis. Artistic crimes. The British Journal of Aesthetics 19 (1979): 302–41.

———. Authenticity in art. In The Oxford Handbook of Aesthetics, edited by Jerrold Levinson. 2003. New York, NY: Oxford University Press,.

Geurds, Alexander & Laura Van Broekhoven. 2013. Creating Authenticity: Authentication Processes in Ethnographic Museums. Leiden: Sidestone Press.

Hogenboom, Melissa. Can you love a fake piece of art? BBC News, 4 June 2012. www.bbc.com/news/magazine-18180057.

‘It’s like DJing with paintings’: artist Paul Stephenson on being Warhol, 30 years after his death – I. Accessed 5 September 2018. https://inews.co.uk/culture/arts/like-djing-paintings-artist-paul-stephenson-recreating-warhol.

Lanchner, Carolyn. 2008. Andy Warhol. New York: Museum of Modern Art: distributed in the United States and Canada by DAP/Distributed Art Publishers.

Mattick, Paul. The Andy Warhol of philosophy and the philosophy of Andy Warhol. Critical Inquiry 24, no. 4 (1998): 965–87.

Perman, Stacy. This is bad news for people who spend millions on art. Authentication in Art, 24 September 2015, sec. Fortune.

Stokstad, Marilyn. 2008. Art History (3rd ed.). Upper Saddle River, NJ: Pearson Prentice Hall.

Twain, Mark. 2010. The Innocents Abroad. Wordsworth Classics Edition. Ware, Hertfordshire: Wordsworth Editions Ltd.

Youngs, Ian. The artist making ‘new’ Warhol paintings. BBC News, 18 October 2017, sec. Entertainment & Arts. www.bbc.co.uk/news/entertainment-arts-41634496.

Chapter 1: This Solemn Mockery

A look at Belle da Costa Greene – rare book collections @ Princeton, 18 March 2014. https://web.archive.org/web/20140318181732/http://blogs.princeton.edu/rarebooks/2010/08/a_look_at_belle_decosta_greene.html.

Antiques Roadshow. PBS. Accessed 11 January 2019. www.pbs.org/wgbh/roadshow/season/6/indianapolis-in/appraisals/spanish-forger-painting--200106T28.

Ardizzone, Heidi. 2007. An Illuminated Life: Belle Da Costa Greene’s Journey from Prejudice to Privilege (1st ed.). New York, NY: W. W. Norton & Co.

Backhouse, Janet. The Spanish Forger. The British Museum Quarterly 33, no. 1/2 (1968): 65–71.

Barker, Nicolas. 2012. Introduction. In The Stuart B. Schimmel Forgery Collection & Other Properties, 4–6. London: Bonhams.

Charney, Noah. 2015. The Art of Forgery: The Minds, Motives and Methods of the Master Forgers (1st ed.). London; New York, NY: Phaidon Press.

———. Is there a place for fakery in art galleries and museums? Aeon. Accessed 18 September 2016. https://aeon.co/essays/is-there-a-place-for-fakery-in-art-galleries-and-museums.

———. This is your brain on knockoffs: the science of how we trick ourselves into not believing our eyes. Salon. Accessed 29 January 2017. www.salon.com/2017/01/29/this-is-your-brain-on-knockoffs-the-science-of-how-we-trick-ourselves-into-not-believing-our-eyes.

Durrieu, Paul, Pol de Limbourg & Jean Colombe. Les très riches Heures de Jean de France, duc de Berry. Paris, Plon-Nourrit, 1904. http://archive.org/details/gri_33125010357792.

Freeman, Arthur. William Henry Ireland’s ‘authentic original dorgeries’: an overdue rediscovery. Houghton Library Blog (blog), 24 October 2012. https://blogs.harvard.edu/houghton/files/2012/08/Ireland.pdf.

———. The actual originals – the TLS. Accessed 6 April, 2018. www.thetls.co.uk/articles/private/the-actual-originals.

Greene, Belle da Costa. Letter to Charles Cunningham, Curator of Paintings, Museum of Fine Arts, Boston, MA, 27 September 1939. 2006 Expansion, B2, 03 Vault, Bay 073 Shelf A. Morgan Library.

———. Letter to Charles Cunningham, Curator of Paintings, Museum of Fine Arts, Boston, MA, 6 November 1939. 2006 Expansion, B2, 03 Vault, Bay 073 Shelf A. Morgan Library.

———. Letter to Charles Cunningham, Curator of Paintings, Museum of Fine Arts, Boston, MA, 15 October 1941. 2006 Expansion, B2, 03 Vault, Bay 073 Shelf A.

Hoover, John Neal. Stuart B. Schimmel: 16 May 1925–4 January 2013. The Papers of the Bibliographical Society of America 107, no. 2 (1 June, 2013): 142–45. https://doi.org/10.1086/680793.

Ireland, William Henry & Richard White. 1969. Confessions of William-Henry Ireland, Containing the Particulars of His Fabrication of the Shakspeare Manuscripts. A new ed. Burt Franklin Bibliography & Reference Series. Essays in Literature and Criticism 30. New York: B. Franklin.

Kramer, Hilton. Art: Morgan offers first-rate fakes. New York Times, 26 May 1978, sec. Archives. www.nytimes.com/1978/05/26/archives/art-morgan-offers-firstrate-fakes.html.

Kurz, Otto. 1948. Fakes: A Handbook for Collectors and Students. London: Faber and Faber.

Lacroix, Paul. 1870. The Arts in the Middle Ages and the Renaissance (1st ed.). London: Chapman & Hall.

Malone, Edmond. 1796. An Inquiry into the Authenticity of Certain Miscellaneous Papers and Legal Instruments, Published Dec. 24, MDCCXCV. and Attributed to Shakspeare, Queen Elizabeth, and Henry, Earl of Southampton: Illustrated by Fac-Similes of the Genuine Hand-Writing of That Nobleman, and of Her Majesty; a New Fac-Simile of the Hand-Writing of Shakspeare, Never before Exhibited; and Other Authentic Documents: In a Letter Addressed to the Right Hon. James, Earl of Charlemont. London : Printed by H. Baldwin, for T. Cadell, Jun. [etc.]. http://archive.org/details/inquiryintoauthe00malo.

Pierce Card, Patricia. 2004. The Great Shakespeare Fraud: The Strange, True Story of William-Henry Ireland. Stroud: Sutton.

Price, T. D. & J. D. Burton. Provenience and provenance. In An Introduction to Archaeological Chemistry. 2011. New York, NY: Springer.

Stewart, Doug. 2010. The Boy Who Would Be Shakespeare: A Tale of Forgery and Folly (1st Da Capo Press ed.). Cambridge, MA: Da Capo Press.

Stokstad, Marilyn. Art History (3rd ed.). Upper Saddle River, NJ: Pearson Prentice Hall, 2008.

The Stuart B. Schimmel Forgery Collection with an Introduction by Nicolas Barker & Other Properties. 2012. London: Bonhams.

Thompson, Erin L. 2016. Possession: The Curious History of Private Collectors from Antiquity to the Present. New Haven, CT; London: Yale University Press.

———. Email interview with author. 19 March 2018.

Voelkle, William M. 1978. The Spanish Forger. New York: Pierpont Morgan Library.

———. 1987. Spanish Forger: Master of Deception. Milwaukee, WI: Haggerty Museum of Art, Marquette University.

———. The Spanish Forger: master of manuscript chicanery. In The Revival of Medieval Illumination, edited by Thomas Coomans & Jan De Maeyer: 207–27. 2007. Leuven: Leuven University Press.

Wellesley, Mary. Forged lives. Roundtable. Lapham’s Quarterly. Accessed 16 December 2016. www.laphamsquarterly.org/roundtable/forged-lives.

Chapter 2: The Truth About Lying Stones

Baldwin, Stuart A. Educational palaeontological reproductions: the story of a unique small business. Geology Today 2, no. 6 (1986): 186–88.

Bennett, Jim. Museums and the history of science: practitioner postscript. Isis 96, no. 4 (2005): 602–8. https://doi.org/10.1086/498596.

Beringer, Johann Bartholomäus Adam, Georg Ludwig Hueber, Melvin E. Jahn & Daniel J. Woolf. 1963. The Lying Stones of Dr. Johann Bartholomew Adam Beringer, Being His Lithographiæ Wirceburgensis. Berkeley, CA: University of California Press.

Bowler, Peter J. & Morus, Iwan Rhys. 2005. Making Modern Science: A Historical Survey. Chicago, IL: University of Chicago Press.

Chambers, Paul. 2002. Bones of Contention: The Archaeopteryx Scandals (1st ed.). London: John Murray.

Dinosaurs with laser beams on their heads. Burke Museum, 27 May 2015. www.burkemuseum.org/press/dinosaurs-laser-beams-their-heads-0.

Gibson, Susannah. 2015. Animal, Vegetable, Mineral?: How Eighteenth-Century Science Disrupted the NaturalOrder (1st ed.). Oxford: Oxford University Press.

Gould, Stephen Jay. 2001. The Lying Stones of Marrakech: Penultimate Reflections in Natural History. California: Three Rivers Press.

Grene, Marjorie. 2004. The Philosophy of Biology: An Episodic History. Cambridge; New York, NY: Cambridge University Press.

Grimaldi, David A., Alexander Shedrinsky, Andrew Ross & Norbert S. Baer. Forgeries of fossils in ‘amber’: history, identification and case studies. Curator 37, no. 4 (1994): 251–74.

Herbert, Sandra. 2005. Charles Darwin, Geologist. Ithaca, NY: Cornell University Press.

Hochadel, Oliver. One skull and many headlines: the role of the press in the Steinau Hoax of 1911. Centaurus 58 (2016): 203–18.

Howlett, Eliza. Beringer’s Lying Stones: casts & images? Personal communication, email 10 February 2017.

Lane, Meredith A. Roles of natural history collections. Annals of the Missouri Botanical Garden 83, no. 4 (1996): 536–45. https://doi.org/10.2307/2399994.

Mallatt, Jon M. Dr Beringer’s fossils: a study in the evolution of scientific world view. Annals of Science 39, no. 4 (July 1982): 371–80.

Mayor, Adrienne. 2011. The First Fossil Hunters: Dinosaurs, Mammoths, and Myth in Greek and Roman Times: With a New Introduction by the Author. Princeton, NJ: Princeton University Press.

Palmer, Douglas. Fatal flaw fingers fake fossil fly. New Scientist (blog). Accessed 26 January 2017. www.newscientist.com/article/mg14018990-400-fatal-flaw-fingers-fake-fossil-fly.

Pickrell, John. How fake fossils pervert paleontology [excerpt]. Scientific American. Accessed 11 January 2019. www.scientificamerican.com/article/how-fake-fossils-pervert-paleontology-excerpt.

Powell, Philip. Letter between Philip Powell and British Musem. Letter, 22 November 1988.

Pyne, Lydia. 2016. Seven Skeletons: The Evolution of the World’s Most Famous Human Fossils. New York, NY: Viking.

Rowe, Timothy, Richard A. Ketcham, Cambria Denison, Matthew Colbert, Xing Xu & Philip J. Currie. The Archaeoraptor forgery. Nature 410, no. 6828 (March 2001): 539–40. https://doi.org/10.1038/35069145.

Rudwick, Martin J. S. 2014. Earth’s Deep History: How It Was Discovered and Why It Matters. Chicago, IL; London: University of Chicago Press.

Simons, Lewis. Archaeoraptor fossil trail. National Geographic 198, no. 4 (2000): 128–32.

Spencer, Frank. 1990. Piltdown: A Scientific Forgery (1st ed.). New York, NY: Oxford University Press.

Sundaram, Mark. The classical bedrock of fossil. Accessed 14 February 2017. www.alliterative.net/blog/2015/5/26/the-classical-bedrock-of-fossil.

Taylor, Paul. Beringer’s iconoliths: palaeontological fraud in the early 18th century. The Linnean 20 (2004): 21–31.

Thompson, Erin L. 2016. Possession: The Curious History of Private Collectors from Antiquity to the Present. New Haven, CT; London: Yale University Press.

Weiner, J. S., Kenneth Page Oakley & Wilfrid E. Le Gros Clark. 1953. The Solution of the Piltdown Problem. London: British Museum (Natural History).

Chapter 3: Carbon Copy

Artificial production of real diamonds. Mechanics’ Magazine, Museum, Register, Journal, and Gazette 206 (2 August 1828): 300–301.

Aykroyd, W. R. 1935. Three Philosophers (Lavoisier, Priestley and Cavendish). London: W. Heinemann Ltd.

Bergstein, Rachelle. 2016. Brilliance and Fire: A Biography of Diamonds (1st ed.). New York, NY: Harper, an imprint of HarperCollinsPublishers.

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Bol, Marjolijn. Coloring topazes, crystals and moonstones: the making and meaning of factitious gems, 300–1500. In F for Fakes: Hoaxes, Counterfeits and Deception in Early Modern Science, edited by Marco Beretta & Maria Conforti, 108–29. 2014. Science History Publications. Leiden: Brill Publishers.

———. Topazes, emeralds, and crystal rubies. The faking and making of precious stones. The Recipes Project (blog). Accessed 31 May 2018. https://recipes.hypotheses.org/4659.

Caley, Earle Radcliffe & William B. Jensen. The Leyden and Stockholm Papyri: Greco-Egyptian chemical documents from the early 4th century ad. Oesper Collections in the History of Chemistry. Cincinnati, OH: University of Cincinnati, 2008.

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Choi, Charles Q. I proposed with a synthetic diamond. 29 July 2016. Popular Science. Accessed 9 May 2018. www.popsci.com/i-proposed-with-diamond-grown-in-lab.

Conflict diamond, 20 October 2000. https://web.archive.org/web/20001020115731/http://www.un.org/peace/africa/Diamond.html.

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Donovan, Arthur. 1993. Antoine Lavoisier: Science, Administration, and Revolution. Blackwell Science Biographies. Oxford; Cambridge, MA: Blackwell.

Doughty, Oswald. 1963. Early Diamond Days: The Opening of the Diamond Fields of South Africa. London: Longmans.

Epstein, Edward Jay. Have you ever tried to sell a diamond? The Atlantic, February 1982. www.theatlantic.com/magazine/archive/1982/02/have-you-ever-tried-to-sell-a-diamond/304575.

———. The Rise and Fall of Diamonds: The Shattering of a Brilliant Illusion. 1982. New York, NY: Simon & Schuster.

Feinstein, Charles H. 2005. An Economic History of South Africa: Conquest, Discrimination and Development. New York, NY: Cambridge University Press.

General Electric diamonds. Democrat and Chronicle, 11 May 1955. www.newspapers.com/image/135557198/?terms=general+electric+synthetic+diamond+Rochester.

H. Tracy Hall Foundation. Accessed 11 January 2019. www.htracyhall.org.

Hannay, James Ballantyne. On the artificial formation of the diamond. Proc. R. Soc. Lond. 30, no. 200–205 (1879): 450–61.

Hazen, Robert M. 1999. The Diamond Makers. New York, NY: Cambridge University Press.

Kaplan, Sarah. Forget the ring: lab-grown diamonds are a scientist’s best friend. Washington Post, 13 February 2017, sec. Speaking of Science. www.washingtonpost.com/news/speaking-of-science/wp/2017/02/13/forget-the-ring-lab-grown-diamonds-are-a-scientists-best-friend.

Klein, Joanna. If diamonds are forever, your data could be, too. New York Times, 26 October 2016. www.nytimes.com/2016/10/27/science/diamonds-data-storage.html.

Kunz, George Frederick. 1938. The Curious Lore of Precious Stones: Being a Description of Their Sentiments and Folk Lore, Superstitions, Symbolism, Mysticism, Use in Medicine, Protection, Prevention, Religion, and Divination, Crystal Gazing, Birthstones, Lucky Stones and Talismans, Astral, Zodical, and Planetary. New York: Halcyon House.

Levy, Arthur V. 2003. Diamonds and Conflict: Problems and Solutions. Hauppauge, NY: Nova Publishers.

Nassau, Kurt. 1980. Gems Made by Man (1st ed.). Radnor, PA: Chilton Book.

New diamonds from General Electric. Evening Independent, 18 February 1955. www.newspapers.com/image/4044984/?terms=General+Electric+synthetic+diamond.

Ozar, Garrett. Making memorial diamonds. Phone interview, 8 June 2018.

Patterson, Scott & Alex MacDonald. De Beers tries to counter a growing threat: man-made diamonds. Wall Street Journal, 6 November 2016, sec. Business. www.wsj.com/articles/de-beers-tries-to-counter-a-growing-threat-man-made-diamonds-1478434763.

Phelan, Matthew. Synthetic diamonds lead Princeton team to quantum computing breakthrough. Inverse. Accessed 7 July 2018. www.inverse.com/article/46728-synthetic-diamonds-are-necessary-for-quantum-computing-privacy.

Pliny the Elder. n.d. Natural History. Vol. Book 33.

Poirier, Jean-Pierre. 1996. Lavoisier, Chemist, Biologist, Economist. Chemical Sciences in Society Series. Philadelphia, PA: University of Pennsylvania Press.

Resnick, Irven M., trans. 2010. Albert the Great On the Causes of the Properties of the Elements: Liber De Causis Proprietatium Elementorum (new ed.). Milwaukee, WI: Marquette University Press.

Revie, James. Heritage: the case of the Hannay diamonds. New Scientist, 21 February 1980, 591.

Revolutionary instruments: Lavoisier’s tools as objets d’art. Science History Institute, 2 June 2016. www.sciencehistory.org/distillations/magazine/revolutionary-instruments-lavoisiers-tools-as-objets-dart.

Shigley, James E., ed. 2005. Synthetic Diamonds. Gems & Gemology in Review. Carlsbad, CA: Gemological Institute of America.

Shor, Russell. De Beers sees growing diamond demand. www.gia.edu/sites/Satellite?c=Page&cid=1495254118454&childpagename=GIA/Page/ArticleDetail&pagename=GIA/Wrapper&WRAPPERPAGE=GIA/Wrapper., n.d.

Sullivan, Paul. A battle over diamonds: made by nature or in a lab? New York Times, 9 February 2018, sec. Your Money. www.nytimes.com/2018/02/09/your-money/synthetic-diamond-jewelry.html.

Tennant, Smithson. On the nature of the diamond. Philosophica Transactions of the Royal Society of London 87 (1797): 123–27.

Tunnell, Christopher. Laboratory diamonds for engagement. Personal communication, email 13 June 2018.

Wellings, Simon. Some facets of the geology of diamonds. Scientific American Blog Network. Accessed 24 May 2018. https://blogs.scientificamerican.com/guest-blog/some-facets-of-the-geology-of-diamonds.

Wells, H. G. ‘The Diamond Maker’. The Pall Mall Budget. 1894.

Why smart people buy cubic zirconia engagement rings. Forbes. Accessed 9 May 2018. www.forbes.com/sites/quora/2017/07/03/why-smart-people-buy-cubic-zirconia-engagement-rings.

Zwick, Edward. Blood Diamond film, 2006.

Chapter 4: A Fake of a Different Flavour

Agapakis, Christina. The essence of taste. Scientific American Blog Network. Accessed 11 January 2019. https://blogs.scientificamerican.com/oscillator/the-essence-of-taste.

Berenstein, Nadia. Flavor added: the sciences of flavor and the industrialization of taste in America. Unpublished PhD dissertation, University of Pennsylvania, 2017.

———. Designing flavors for mass consumption. The Senses and Society 13, no. 1, 2018: 19–40. https://doi.org/10.1080/17458927.2018.1426249.

Bourdieu, Pierre. 1986. Distinction (1st ed.). London: Routledge.

Breslin, Paul. An evolutionary perspective on food and human taste. Current Biology 23, no. 9 2013: 409–18. https://doi.org/10.1016/j.cub.2013.04.010.

Broderick, James. The practical flavorist vs. the basic researcher. Food Technology 26 (1972): 37–42.

———. Reflections of a retired flavorist before he forgets: strawberry. Perfumer & Flavorist 17, no. 3 (1992): 33–34.

Buddies, Science. Super-tasting science: find out if you’re a ‘supertaster’! Scientific American. Accessed 11 January 2019. www.scientificamerican.com/article/super-tasting-science-find-out-if-youre-a-supertaster.

Chapman, Peter. 2007. Bananas: How the United Fruit Company Shaped the World (1st US ed.). Edinburgh; New York: Canongate.

Classen, Constance, David Howes & Anthony Synnott. Artificial flavours. In The Taste Culture Reader: Experiencing Food and Drink, Carolyn Korsmeyer. 2005. Oxford; New York, NY: Bloomsbury.

Company history, Jelly Belly Candy Company. Accessed 20 July 2018. www.jellybelly.com/company-history.

Flandrin, Jean-Louis & Massimo Montanari (eds). 1999. Food: A Culinary History. Trans. by Albert Sonnenfeld. New York, NY: Columbia University Press.

Holmes, Bob. 2017. Flavor: The Science of Our Most Neglected Sense (1st ed.). New York, NY: W. W. Norton & Company.

Hoover, Kara C. The geography of smell. Cartographica: The International Journal for Geographic Information and Geovisualization, 20 January 2010. https://doi.org/10.3138/carto.44.4.237.

Hoover, Kara C., Jessie Roberts & J. Colette Berbesque. Market smells: olfactory detection and identification in the built environment. BioRxiv, 26 February 2018, 270744. https://doi.org/10.1101/270744.

Jelly Belly Candy Company, official website & online candy store. Accessed 20 July 2018. www.jellybelly.com.

Kavaler, Lucy. 1963. The Artificial World Around Us. New York: John Day Company.

Khatchadourian, Raffi. The taste makers. New Yorker, 16 November 2009. www.newyorker.com/magazine/2009/11/23/the-taste-makers.

Korsmeyer, Carolyn. 2002. Making Sense of Taste: Food and Philosophy. Ithaca, NY: Cornell University Press.

Laudan, Rachel. 2015. Cuisine and Empire: Cooking in World History (1st ed.). Berkeley, CA: University of California Press.

Laurent, Anna. 2016. Botanical Art from the Golden Age of Scientific Discovery. Chicago, IL: University of Chicago Press.

Lloyd, John Uri. 1883. Pharmaceutical Preparations. Elixirs, Their History, Formulae, and Methods of Preparation … with a Résumé of Unofficinal Elixirs from the Days of Paracelsus. Cincinnati, OH: R. Clarke & Company, http://archive.org/details/pharmaceuticalp00lloygoog.

Mayer, Johanna. Why doesn’t fake banana flavor taste like real bananas? Science Friday, 27 September 2017. www.sciencefriday.com/articles/why-dont-banana-candies-taste-like-real-bananas.

Murphy, Kate. Not just another jelly bean. New York Times, 26 June 2008, sec. Small Business. www.nytimes.com/2008/06/26/business/smallbusiness/26sbiz.html.

Musicant, Ivan. 1990. The Banana Wars: A History of United States Military Intervention in Latin America from the Spanish-American War to the Invasion of Panama. New York, NY: Macmillan.

Ordonez, Nadia, Michael F. Seidl, Cees Waalwijk, André Drenth, Andrzej Kilian, Bart P. H. J. Thomma, Randy C. Ploetz & Gert H. J. Kema. Worse comes to worst: bananas and panama disease – when plant and pathogen clones meet. PLOS Pathogens 11, no. 11 (19 November 2015): e1005197. https://doi.org/10.1371/journal.ppat.1005197.

Patterson, Daniel & Mandy Aftel. 2017. The Art of Flavor: Practices and Principles for Creating Delicious Food. New York, NY: Riverhead Books.

Perry, Jana. Jelly Belly flavors. Interview with author. 22 August 2018.

Ruppel Shell, Ellen. Chemists whip up a tasty mess of artificial flavors. Smithsonian Magazine, May 1986, 78–88.

Shapin, Steven. Changing tastes: how foods tasted in the Early Modern Period and how they taste now. In Salvia Smaskrifter, vol. 14. Uppsala University, 2011.

Spackman, Christy. Perfumer, chemist, machine: gas chromatography and the industrial search to ‘improve’ flavor. The Senses and Society 13, no. 1 (2 January 2018): 41–59. https://doi.org/10.1080/17458927.2018.1425210.

Spence, Charles. 2017. Gastrophysics: The New Science of Eating. New York, NY: Viking.

Speth, John. Putrid meat and fish in the Eurasian Middle and Upper Paleolithic: are we missing a key part of Neanderthal and modern human diet? PaleoAnthropology 2017, no. 44–72 (2017): 44–72.

Taste and smell: a new theory. Scientific American. Accessed 24 July 2018. https://doi.org/10.1038/scientificamerican04101869-234.

Weird and gross jelly bean flavors – JellyBelly.Com, Jelly Belly Candy Company. Accessed 20 July 2018. www.jellybelly.com/weird-wild-and-gross-jelly-beans/c/289.

Wrangham, Richard W. 2009. Catching Fire: How Cooking Made Us Human. New York, NY: Basic Books.

Yeomans, Martin R., Lucy Chambers, Heston Blumenthal & Anthony Blake. The role of expectancy in sensory and hedonic evaluation: the case of smoked salmon ice-cream. Food Quality and Preference 19, no. 6 (1 September 2008): 565–73. https://doi.org/10.1016/j.foodqual.2008.02.009.

Chapter 5: Taking a Look Through Walrus Cam

Alaska Department of Fish and Game. Alaska’s game species. dfg.webmaster@alaska.gov.

———. Lemming suicide myth. Accessed 1 August 2017. www.adfg.alaska.gov/index.cfm?adfg=wildlifenews.view_article&articles_id=56.

Alaska Walrus Cam joins a menagerie of wildlife video streams. NBC News, 28 May 2015. www.nbcnews.com/science/weird-science/walrus-cam-joins-menagerie-wildlife-video-streams-n366291.

BBC Worldwide Press Office – The Blue Planet set for movie release. Accessed 5 February 2018. www.bbc.co.uk/pressoffice/bbcworldwide/worldwidestories/pressreleases/2003/03_march/bp_movie.shtml.

Boswall, Jeffrey. Wildlife film ethics: time for screen disclaimers. Image Technology 80, no. 9 (1998): 10–11.

Bousé, Derek. 2000. Wildlife Films. Philadelphia, PA: University of Pennsylvania Press.

———. False-intimacy: close-ups and viewer involvement in wildlife films. Visual Studies 18, no. 2 (2003): 123–32.

Crowther, Bosley. The screen: Disney’s ‘Peter Pan’ bows; full-length color cartoon, an adaptation of Barrie play, is feature at the Roxy. New York Times, 12 February 1953. www.nytimes.com/movie/review?res=940CE3DF1F3AE23BBC4A52DFB4668388649EDE&pagewanted=print.

Cruz, Robert. 2012. The animated roots of wildlife films: animals, people, animation and the origin of Walt Disney’s True-Life Adventures. MA: Montana State University. https://scholarworks.montana.edu/xmlui/bitstream/handle/1/1127/CruzR0512.pdf?sequence=1.

Daston, Lorraine. On scientific observation. Isis 99, no. 1 (2008): 97–110. https://doi.org/10.1086/587535.

Daston, Lorraine & Katharine Park. 2001. Wonders and the Order of Nature, 1150–1750 (revised ed.). New York, NY: Zone Books.

Daston, Lorraine & Peter Galison. 2010. Objectivity. New York, NY: Zone Books.

Davies, Gail. Networks of nature: stories of natural history film-making from the BBC. PhD, University College London, 1998. Explore.Org. https://explore.org.

Foote, Peter (ed.). 1996. Olaus Magnus: A Description of the Northern Peoples, 1555, Vol. 1. Trans. by Peter Fisher & Humphrey Higgens. London: Hakluyt Society.

Frozen Planet: controversial BBC climate change episode to air in America. Telegraph. Accessed 4 February 2018. www.telegraph.co.uk/news/earth/earthnews/8939592/Frozen-Planet-controversial-BBC-climate-change-episode-to-air-in-America.html.

Gingras, Murray K., Ian A. Armitage, S. George Pemberton & H. Edward Clifton. Pleistocene walrus herds in the Olympic Peninsula area: trace-fossil evidence of predation by hydraulic jetting. PALAIOS 22, no. 5 (2007): 539–45.

Gladdis, Keith. BBC’s little white lie: Polar Bear cubs were filmed for Frozen Planet in a zoo, not the Arctic. Mail Online, December 12, 2011. www.dailymail.co.uk/news/article-2073024/BBCs-little-white-lie-Polar-bear-cubs-filmed-Frozen-Planet-zoo-Arctic.html.

Goldenberg, Suzanne. Extreme Arctic sea ice melt forces thousands of walruses ashore in Alaska. Guardian, 27 August 2015, sec. Environment. www.theguardian.com/environment/2015/aug/27/walruses-alaska-arctic-sea-ice-melt.

Horak, Jan-Christopher. Wildlife documentaries: from classical forms to reality TV. Film History: An International Journal 18, no. 4 (2006): 459–75.

Krupnik, Igor & G. Carleton Ray. Pacific walruses, indigenous hunters, and climate change: bridging scientific and indigenous knowledge. Deep Sea Research Part II: Topical Studies in Oceanography, Effects of Climate Variability on Sub-Arctic Marine Ecosystems, 54, no. 23 (1 November 2007): 2946–57. https://doi.org/10.1016/j.dsr2.2007.08.011.

Lambert, Laura. Blue Planet II is the biggest show of 2017: 14 million watch opener. Mail Online, November 7, 2017. www.dailymail.co.uk/~/article-5056457/index.html.

Lawrence, Natalie. Decoding the morse: the history of 16th-century narcoleptic walruses. The Public Domain Review. Accessed 15 June 2017. /2017/06/14/decoding-the-morse-the-history-of- 16th-century-narcoleptic-walruses.

———. There be monsters: from cabinets of curiosity to demons within. Aeon. Accessed 12 January 2019. https://aeon.co/essays/there-be-monsters-from-cabinets-of-curiosity-to-demons-within.

Lendon, Brad. 35,000 walruses ‘haul out’ on Alaska Beach. CNN.Com. Accessed 31 May 2017. www.cnn.com/2014/10/01/us/alaska-massive-walrus-gathering/index.html.

Louson, Eleanor. Never before seen: spectacle, staging, and story in wildlife film’s blue-chip renaissance. PhD, York University, 2018.

———. Taking spectacle seriously: wildlife film and the legacy of natural history display. Science in Context 31, no. 1 (March 2018): 15–38. https://doi.org/10.1017/S0269889718000030.

McIntosh, Steven. 22 things you need to know about Blue Planet II. BBC News, 29 October 2017, sec. Entertainment & Arts. www.bbc.com/news/entertainment-arts-41692370.

Minteer, Ben A. 2018. The Fall of the Wild: Extinction, De-Extinction, and the Ethics of Conservation. New York, NY: Columbia University Press.

Mitman, Gregg. 2009. Reel Nature: America’s Romance with Wildlife on Film (2nd ed.). Seattle, WA: University of Washington Press.

Palmer, Chris. 2010. Shooting in the Wild: An Insider’s Account of Making Movies in the Animal Kingdom (1st ed.). San Francisco, CA: Counterpoint,.

Planet Earth II’s dangerous aestheticization of nature. New Republic, 14 February 2017. https://newrepublic.com/article/140252/view-kill-planet-earth-ii-review-bbc.

Richards, Morgan. The wildlife docusoap: a new ethical practice for wildlife documentary? Television & New Media XX, no. X (2012): 1–15.

———. Greening wildlife documentary. In Environmental Conflict and the Media, edited by Libby Lester & Brett Hutchins. 2013. New York, NY: Peter Lang.

Schuessler, Ryan. Indigenous cooperation a model for walrus conservation. Hakai Magazine. Accessed 12 January 2019. www.hakaimagazine.com/news/indigenous-cooperation-model-walrus-conservation.

Singh, Anita. Frozen Planet: BBC ‘faked’ Polar Bear birth. Telegraph. sec. Culture. 12 December 2011. www.telegraph.co.uk/culture/tvandradio/bbc/8950070/Frozen-Planet-BBC-faked-polar-bear-birth.html.

Sir David Attenborough forced to explain when animals are not filmed in the wild for new BBC documentary after fakery row. Daily Mail Online. Accessed 11 June 2017. www.dailymail.co.uk/news/article-2254131/Sir-David-Attenborough-forced-explain-animals-filmed-wild-new-BBC-documentary-fakery-row.html.

Sitka, Emily Russell, KCAW. In unnerving trend, 35,000 walrus haul out at Point Lay. Alaska Public Media (blog). Accessed 1 June 2017. www.alaskapublic.org/2015/09/11/in-unnerving-trend-35000-walrus-haul-out-at-point-lay.

Sohn, Emily. What now, walrus? Hakai Magazine. Accessed 19 February 2018. www.hakaimagazine.com/features/what-now-walrus.

Tanaka, Yoshihiro & Naoki Kohno. A new Late Miocene odobenid (Mammalia: Carnivora) from Hokkaido, Japan suggests rapid diversification of basal Miocene odobenids. PLOS ONE 10, no. 8 (5 August 2015): e0131856. https://doi.org/10.1371/journal.pone.0131856.

‘The world has not improved:’ David Attenborough on Blue Planet II and how the ocean needs our attention. CBC News, 15 October 2017. www.cbc.ca/news/entertainment/blue-planet-2-1.4350287.

Thomas, Bob. 1976. Walt Disney: An American Original. New York, NY: Simon and Schuster.

Weiss, Edward. P. & Ryan P. Morrill. Walrus Islands State Game Sanctuary Annual Management Report 2016. Division of Wildlife Conservation: Alaska Department of Fish and Game, 2016.

Yong, Ed. Blue Planet II is the greatest nature series of all time. The Atlantic, 16 January 2018. www.theatlantic.com/science/archive/2018/01/blue-planet-ii-is-the-greatest-nature-series-of-all-time/550583.

Chapter 6: The Great Blue Whale

Abbott, Sam. Whales smelled out the $$. The Billboard, 28 June 1952, 94–96.

About Blue Whales. Beaty Biodiversity Museum. Accessed 28 March 2017. http://beatymuseum.ubc.ca/whats-on/exhibitions/permanent-exhibitions/blue-whale-display/about-blue-whales.

Alberti, Samuel J. M. M. (ed.). 2011. The Afterlives of Animals: A Museum Menagerie. Charlottesville, VA: University of Virginia Press.

Blue Whale. National Geographic. Animals, 10 September 2010. www.nationalgeographic.com/animals/mammals/b/blue-whale.

Blue Whale skeleton ‘Hope’ takes centre stage in museum. Natural History Museum. Accessed 20 February 2018. www.nhm.ac.uk/press-office/press-releases/blue-whale-skeleton-takes-centre-stage-in-museum.html.

Burnett, D. Graham. 2012. The Sounding of the Whale: Science and Cetaceans in the Twentieth Century (1st ed.). London; Chicago, IL: University of Chicago Press.

Canterbury Museum’s Blue Whale to return to public view. Staff. Accessed 26 March 2018. www.stuff.co.nz/environment/83263626/canterbury-museums-blue-whale-to-return-to-public-view.

Chindahl, George L. 1959. A History of the Circus in America. Caldwell, ID: Caxton Printers.

Daston, Lorraine & Katharine Park. 2001. Wonders and the Order of Nature, 1150–1750 (revised ed.). New York, NY: Zone Books.

de Roos, Michael. Big Blue. Email interview, 27 March 2018. ———. Re: Beaty museum exhibit?, Email interview, 28 March 2018.

Haraway, Donna. Teddy bear patriarchy: taxidermy in the Garden of Eden, New York City, 1908–1936. Social Text, no. 11 (1984): 20–64. https://doi.org/10.2307/466593.

Kohler, Robert. Finders, keepers: collecting sciences and collecting practice. History of Science 45, no. 4 (2007): 428–54.

Miller, Mark. Raising Big Blue. Documentary. Discovery Channel, 2011. https://vimeo.com/19403399.

Museum unveils ‘Hope’ the Blue Whale skeleton. Natural History Museum. Accessed 20 February 2018. www.nhm.ac.uk/about-us/news/2017/july/museum-unveils-hope-the-blue-whale-skeleton.html.

Nance, Susan. 2013. Entertaining Elephants: Animal Agency and the Business of the American Circus. Animals, History, Culture. Baltimore, MD: Johns Hopkins University Press.

Pfening, Fred. Moby Dick on rails. The Bandwagon, 1987, 14–17.

Poliquin, Rachel. 2012. The Breathless Zoo: Taxidermy and the Cultures of Longing. University Park, PA: Pennsylvania State University Press.

Pyenson, Nick. Your work with whales. Email interview, 21 March 2017.

———. 2018. Spying on Whales: The Past, Present, and Future of Earth’s Most Awesome Creatures (1st ed.). New York, NY: Viking.

Raising Big Blue. Beaty Biodiversity Museum. Accessed 21 May 2016. http://beatymuseum.ubc.ca/whats-on/exhibitions/permanent-exhibits/blue-whale-display/raising-big-blue.

Rossi, Michael. Modeling the unknown: how to make a perfect whale. Endeavour 32, no. 2 (June 2008): 58–63. https://doi.org/10.1016/j.endeavour.2008.04.003.

———. Fabricating authenticity: modeling a whale at the American Museum of Natural History, 1906–1974. Isis 101, no. 2 (2010): 338–61. https://doi.org/10.1086/653096.

———. Whale models, history of science. Skype interview, 28 February 2017.

Scheer, Rachel. Scientific American co-hosts whale tweet-up at American Museum of Natural History. Scientific American Blog Network. Accessed 13 January 2019. https://blogs.scientificamerican.com/at-scientific-american/scientific-american-co-hosts-whale-tweet-up-at-american-museum-of-natural-history.

Stocking, George W. 1988. Objects and Others: Essays on Museums and Material Culture. Madison, WI: University of Wisconsin Press.

Stoddart, Helen. 2000. Rings of Desire: Circus History and Representation. Manchester: Manchester University Press.

UBC Blue Whale. Accessed 13 January 2019. www.cetacea.ca/ubc-blue-whale.html.

Van Gelder, Richard. Whale on my back. Curator XIII, no. 2 (1970): 95–118.

Yanni, Carla. 2006. Nature’s Museums: Victorian Science and the Architecture of Display (1st ed.). New York, NY: Princeton Architectural Press.

Chapter 7: And Now It’s The Real Deal

Arroyo, Barbara, Ronald L. Bishop, Oswaldo Chinchilla Mazariegos, John E. Clark, Barbara W. Fash, Virginia Fields, Stephen D. Houston et al. 2012. Ancient Maya Art at Dumbarton Oaks. Edited by Joanne Pillsbury, Miriam Doutriaux, Reiko Ishihara-Brito & Alexandre Tokovinine. Washington, DC: Dumbarton Oaks Research Library and Collection.

Art Authentication Board – an idea that fell through. Widewalls. Accessed 11 January 2019. www.widewalls.ch/art-authentica­-tion-board.

Batres, Leopoldo. Antiguidades Mejicanas Falsificadas, 1910. http://archive.org/details/BatresLeopoldoAntiguidadesMejicasFalsificadasCopy.compressed.

Bender, Rose. America’s ‘new’ oldest book: researchers confirm the authenticity of the ancient Mayan Grolier Codex. Yale Scientific Magazine (blog), 11 January 2017. www.yalescientific.org/2017/01/americas-new-oldest-book-researchers-confirm-the-authenticity-of-the-ancient-mayan-grolier-codex.

Berger, Dina & Andrew Grant Wood. 2009. Holiday in Mexico: Critical Reflections on Tourism and Tourist Encounters. Durham, NC: Duke University Press.

Blakemore, Erin. New analysis shows disputed Maya ‘Grolier Codex’ is the real deal. Smithsonian. Accessed 13 January 2019. www.smithsonianmag.com/smart-news/maya-codex-once-thought-be-sketchy-real-thing-180960466.

Calvo Del Castillo, Helena, Ruvalcaba Sil, Jose Luis, Tomás Calderón, Marie Vander Meeren & Laura Sotelo. The Grolier Codex: A PIXE & RBS study of the possible Maya document, 2007. http://orbi.ulg.ac.be/handle/2268/111350.

Carter, Nicholas P. & Jeffrey Dobereiner. Multispectral imaging of an Early Classic Maya Codex fragment from Uaxactun, Guatemala. Antiquity 90, no. 351 (June 2016): 711–25. https://doi.org/10.15184/aqy.2016.90f.

Casas, Bartolomé de las & Manuel Serrano y Sanz. 1909. Apologética historia de las Indias. Madrid: Bailly Bailliére é hijos.

Charney, Noah. 2015. The Art of Forgery: The Minds, Motives and Methods of the Master Forgers (1st ed.). London; New York, NY: Phaidon Press.

Chinchilla Mazariegos, Oswaldo Fernando. 2017. Art and Myth of the Ancient Maya. New Haven, CT: Yale University Press.

Christenson, Allen J., trans. 2007. Popol Vuh: The Sacred Book of the Maya: The Great Classic of Central American Spirituality, Translated from the Original Maya Text. Norman, OK: University of Oklahoma Press.

Cline, Eric H. & Glynnis Fawkes. 2017. Three Stones Make a Wall: The Story of Archaeology. Princeton, NJ: Princeton University Press.

Coe, Michael D. 1973. The Maya Scribe and His World. New York, NY: The Grolier Club.

———. 1998. Art of the Maya Scribe (1st ed.). New York, NY: Harry N. Abrams.

———. 2012. Breaking the Maya Code (3rd ed.). New York, NY: Thames & Hudson.

Coe, Michael D. & Mark Van Stone. 2005. Reading the Maya Glyphs (2nd ed.). New York, NY: Thames & Hudson.

Coe, Michael D. & Stephen D. Houston. 2015. The Maya (9th ed.). New York, NY: Thames & Hudson.

Coe, Michael, Mary Miller, Stephen Houston, Karl Taube, Simon Martin, Takeshi Inomata, Daniela Triadan et al. 2015. Maya Archaeology 3: Featuring the Grolier Codex. San Francisco, CA: Precolumbia Mesoweb Press.

Cummings, Mike. Authenticating the oldest book in the Americas. YaleNews, 18 January 2017. https://news.yale.edu/2017/01/18/authenticating-oldest-book-americas.

FAMSI – Maya codices – the Grolier Codex. Accessed 3 August 2017. www.famsi.org/mayawriting/codices/grolier.html.

Geurds, Alexander & Laura Van Broekhoven. 2013. Creating Authenticity: Authentication Processes in Ethnographic Museums. Leiden: Sidestone Press.

Holmes, William Henry. 1882. Pottery of the Ancient Pueblos. Washington, DC: Smithsonian.

———. Archaeological Studies Among the Ancient Cities of Mexico. Anthropological Series. Field Columbian Museum; v. 1, No. 1. Chicago, 1895. https://catalog.hathitrust.org/Record/009443928.

https://onlinebooks.library.upenn.edu/webbin/gutbook/lookup?num=41998.

———. The Painter and the National Parks. Washington: Govt. print. off., 1917. https://catalog.hathitrust.org/Record/009591420.

Kelker, Nancy L. & Karen Olsen Bruhns. 2010. Faking Ancient Mesoamerica. Walnut Creek, CA: Left Coast Press.

Kettunen, Harri & Christophe Helmke. 2014. Introduction to Maya Hieroglyphs (14th ed.). Comenius University in Bratislava: The Slovak Archaeological and Historical Institute.

Landa, Diego de. 1565. Relación de las Cosas de Yucatán.

Love, Bruce. Authenticity of the Grolier Codex remains in doubt. Mexicon 39, no. 4 (2017): 88–95.

Meyer, Karl E. 1973. The Plundered Past. New York, NY: Atheneum.

Milbrath, Susan. New questions about the authenticity of the Grolier Codex. Latin American Indian Literatures Journal, 18(1): 50–83. Accessed 3 August 2017.

Newitz, Annalee. Confirmed: mysterious ancient Maya book, Grolier Codex, is genuine. Ars Technica, 12 September 2016. https://arstechnica.com/science/2016/09/confirmed-mysterious-ancient-maya-book-grolier-codex-is-genuine.

Peterson, Daniel. Defending the faith: an ancient American book, dismissed as a fraud, proves to be genuine. DeseretNews.com, 22 September 2016. www.deseretnews.com/article/865663001/An-ancient-American-book-dismissed-as-a-fraud-proves-to-be-genuine.html.

Ruvalcaba, Jose Luis, Sandra Zetina, Helena Calvo del Castillo, Elsa Arroyo, Eumelia Hernández, Marie Van der Meeren & Laura Sotelo. The Grolier Codex: a non destructive study of a possible Maya document using imaging and ion beam techniques. MRS Online Proceedings Library Archive 1047 (ed 2007). https://doi.org/10.1557/PROC-1047-Y06-07.

Sharer, Robert J. & Loa P. Traxler. 2006. The Ancient Maya (6th ed.). Stanford, CA: Stanford University Press.

Stephens, John Lloyd. 1993. Incidents of Travel in Central America, Chiapas, and Yucatan. Washington, DC: Smithsonian Institution Press.

Thompson, Erin L. Enduring appeal of fakes? Email, 19 March 2018.

Vail, Gabrielle. The Maya codices. Annual Review of Anthropology 35, no. 1 (2006): 497–519. https://doi.org/10.1146/annurev.anthro.35.081705.123324.

Vitelli, Karen D. The antiquities market. Journal of Field Archaeology 4, no. 4 (1 January 1977): 459–72. https://doi.org/10.1179/009346977791490168.

Yates, Donna. Museums, collectors, and value manipulation: tax fraud through donation of antiquities. Journal of Financial Crime 23, no. 1 (31 December 2015): 173–86. https://doi.org/10.1108/JFC-11-2014-0051.

———. Maya artefacts and Mexican bandits: trafficking tall tales. Accessed 14 August 2017. www.anonymousswisscollector.com/2014/07/maya-artefacts-and-mexican-bandits-trafficking-tall-tales.html.

———. Grolier Codex « trafficking culture. Accessed 16 August 2017. http://traffickingculture.org/encyclopedia/case-studies/grolier-codex.

———. Appeal of fake artifacts? Email interview, 19 March 2018.

Chapter 8: The Art of Making the Palaeolithic Come to Life

Bahn, Paul. Putting a brave face on a fake. Cambridge Core. Cambridge Archaeological Journal 6, no. 2 (1996): 309–10.

———. A lot of bull? Pablo Picasso and Ice Age cave art. Munibe 57 (2005): 217–23.

Bahn, Paul G. & Jean Vertut. 1997. Journey Through the Ice Age. Berkeley, CA: University of California Press.

Baudrillard, Jean. 1994. Simulacra and Simulation (The Body, in Theory). Ann Arbor, MI: University of Michigan Press.

———. 1996. The System of Objects. New York, NY: Verso.

Bradshaw Foundation. Chauvet Cave granted World Heritage status. Bradshaw Foundation. Accessed 25 June 2018. www.bradshawfoundation.com/chauvet/chauvet_cave_UNESCO_world_heritage_site.php.

Brown, Bill. Thing theory. Critical Inquiry 28, no. 1 (1 October 2001): 1–22. https://doi.org/10.1086/449030.

Caverne Du Pont d’Arc Press Kit. Caverne Pont d’Arc, 2017.

Chauvet, Jean-Marie, Eliette Brunel Deschamps & Christian Hillaire. 1996. Dawn of Art: The Chauvet Cave: The Oldest Known Paintings in the World. New York, NY: H. N. Abrams.

Clottes, Jean, ed. 2003. Return to Chauvet Cave: Excavating the Birthplace of Art: The First Full Report. London: Thames & Hudson.

———. Rock art: an endangered heritage worldwide. Journal of Anthropological Research 64, no. 1 (1 April 2008): 1–18. https://doi.org/10.3998/jar.0521004.0064.101.

Deutsches Museum. Altamira – Höhlenmalerei Der Steinzeit. Deutsches Museum, 2012.

———. Deutsches Museum: Altamira-Höhle. Accessed 13 January 2019. www.deutsches-museum.de/ausstellungen/kommunikation/altamira-hoehle.

———. Deutsches Museum: Literatur. Accessed 13 January 2019. www.deutsches-museum.de/sammlungen/meisterwerke/meisterwerke-vi/altamira-hoehle/literatur.

Furness, Hannah. Mary Beard: it doesn’t really matter if tourists damage Pompeii. Telegraph, 6 April 2016. www.telegraph.co.uk/news/2016/04/06/mary-beard-it-doesnt-really-matter-if-tourists-damage-pompeii.

Hammer, Joshua. Finally, the beauty of France’s Chauvet Cave makes its grand public debut. Smithsonian Magazine. Accessed 20 June 2018. www.smithsonianmag.com/history/france-chauvet-cave-makes-grand-debut-180954582.

Hatala Matthes, Erich. Digital replicas are not soulless – they help us engage with art. Apollo Magazine, 23 March 2017. www.apollo-magazine.com/digital-replicas-3d-printing-original-artworks.

———. Palmyra’s ruins can rebuild our relationship with history – Erich Hatala Matthes. Aeon ideas. Aeon. Accessed 21 April 2018. https://aeon.co/ideas/palmyras-ruins-can-rebuild-our-relationship-with-history.

‘Historic’ agreement resolves dispute over Chauvet Cave (and replica). The Art Newspaper. Accessed 20 June 2018. www.theartnewspaper.com/news/historic-agreement-resolves-dispute-over-chauvet-cave-and-replica.

James, Nicholas. Replication for Chauvet Cave. Antiquity 90, no. 350 (April 2016): 519–24. https://doi.org/10.15184/aqy.2016.63.

———. Our fourth Lascaux. Antiquity 91, no. 359 (October 2017): 1367–74. https://doi.org/10.15184/aqy.2017.145.

Jones, Jonathan. Don’t fall for a fake: the Chauvet Cave art replica is nonsense. Guardian, 15 April 2015, sec. Art and design. www.theguardian.com/artanddesign/jonathanjonesblog/2015/apr/15/chauvet-cave-art-replica-is-nonsense.

Korsmeyer, Carolyn. 2002. Making Sense of Taste: Food and Philosophy. Ithaca, NY: Cornell University Press.

———. Touch and the experience of the genuine. The British Journal of Aesthetics 52, no. 4 (1 October 2012): 365–77. https://doi.org/10.1093/aesthj/ays043.

———. 2019. Things: In Touch with the Past. Oxford; New York, NY: Oxford University Press.

Lascaux IV: The International Centre for Cave Art. Accessed 27 June 2018. /projects/322-lascaux-iv-the-international-centre- for-cave-art.

Lascaux’s 18,000 year-old cave art under threat. Accessed 27 June 2018. https://phys.org/news/2011-06-lascaux-hands-off-approach-threatened-art.html.

Leadbeater, Chris. Lascaux Cave and the rise of the fake attraction. Telegraph, 5 February 2016. www.telegraph.co.uk/travel/destinations/europe/france/aquitaine/articles/Lascaux-Cave-and-the-rise-of-the-fake-attraction.

Martin-Sanchez, Pedro Maria, Alena Nováková, Fabiola Bastian, Claude Alabouvette & Cesareo Saiz-Jimenez. Two new species of the genus Ochroconis, O. Lascauxensis and O. Anomala isolated from black stains in Lascaux Cave, France. Fungal Biology 116, no. 5 (1 May 2012): 574–89. https://doi.org/10.1016/j.funbio.2012.02.006.

Peixotto, Becca. Perot Museum replicas of rising star caves? In-person interview. 9 July 2018.

Photos behind the scenes of the construction site at the Pont d’Arc Cavern. The Pont d’Arc Cavern. Accessed 21 April 2018. http://en.cavernedupontdarc.fr/discover-the-pont-darc-cavern/the-pont-d-arc-cavern-site/technological-mastery-to-stir-the-emotions.

Pyne, Lydia. The art of creating replicas of Ice Age cave paintings. Hyperallergic, 4 June 2018. https://hyperallergic.com/445675/the-art-of-creating-replicas-of-ice-age-cave-paintings.

Reyonlds, Natasha. Paleolithic replicas? Email interview, 27 April 2018.

Ruiz, Aitor. Paleolithic replicas? Skype interview, 25 April 2018.

Wilkening, Susie & James Chung. 2009. Life Stages of the Museum Visitor: Building Engagement over a Lifetime. Washington, DC: AAM Press.

Conclusion: As Seen in the British Museum

Banksy. 2007. Wall and Piece. Mainaschaff: Publikat.

Banksy hoax caveman art back on display. BBC News, 16 May 2018, sec. Entertainment & Arts. www.bbc.com/news/entertainment-arts-44140200.

Brown, Mark. Ian Hislop picks Banksy hoax for British Museum dissent show. Guardian, 16 May 2018, sec. Arts and Culture sec. www.theguardian.com/culture/2018/may/16/ian-hislop-picks-banksy-hoax-for-british-museum-dissent-show.

Cave art hoax hits British Museum, 19 May 2005. http://news.bbc.co.uk/2/hi/entertainment/4563751.stm.

Charney, Noah. 2015. The Art of Forgery: The Minds, Motives and Methods of the Master Forgers (1st ed.). London: Phaidon Press.

———. Is there a place for fakery in art galleries and museums? Aeon. Accessed 18 September 2016. https://aeon.co/essays/is-there-a-place-for-fakery-in-art-galleries-and-museums.

Dickens, Luke. Placing post-graffiti: the journey of the Peckham Rock. Cultural Geographies; London 15, no. 4 (October 2008): 471–96. http://dx.doi.org.ezproxy.lib.utexas.edu/10.1177/1474474008094317.

Geurds, Alexander & Laura Van Broekhoven. 2013. Creating Authenticity: Authentication Processes in Ethnographic Museums. Leiden: Sidestone Press.

Han, Byung-Chul. 2017. Shanzhai: Deconstruction in Chinese. Trans. by Philippa Hurd. Bilingual edition. Boston, MA: MIT Press.

Prankster infiltrates NY museums, 25 March 2005. http://news.bbc.co.uk/2/hi/americas/4382245.stm.

Shafir, Nir. Why fake miniatures depicting Islamic science are everywhere. Aeon. Accessed 13 September 2018. https://aeon.co/essays/why-fake-miniatures-depicting-islamic-science-are-everywhere.

Stevens, Kati. 2018. Fake (Object Lessons). London: Bloomsbury Academic.