Central Mexico––1914
On Earth there were places more inhospitable than battlefields. San Francisco had become such a place for Ambrose. He was now far away from it, far away from the enticements offered by the civilized world that claimed to have all the answers to modern man’s ailments.
The canyon walls rose so high that he thought the sun might shine on the bottom perhaps only a few minutes a day, when at its zenith. Echoing off the walls, the horses’ and mule’s hooves clipped and clopped, and had been for the last five or so hours during which he and two Mexican cowboys had been following the canyon. It twisted through the countryside, like the diamondback rattler that had struck one of their pack mules day before last, east of Vera Cruz, on a parched flat of cane and acacia stretching for miles.
Turkey vultures drifted in the clear blue sky overhead. They had been ghosting their party for three days. After the mule had succumbed to the rattler’s venom, the vultures had been glaringly absent from the sky. That was until this morning when they resumed their lazy, ominous fly-overs. Every once in a while, one crossed the strip of blue overhead, leaving a brief shadow on the canyon floor. Ambrose had come to know the habits of these scavengers intimately when he was a boy in Indiana hunting coyotes with his uncle and father. And he was later reacquainted with them during the Battles of Shiloh and Chickamauga, where they ate the eyes of the dead as if they were appetizers for the feast to come.
He stopped his golden palomino, and the belligerent mule—which was tethered to his saddle—stopped too. The two Mexican cowboys came abreast on their painted quarter horses. Ambrose lifted his tan Stetson and wiped the sweat from his brow with a red handkerchief. He ran a hand through his curly gray hair, then put his hat back on. He reached inside his inner coat pocket and removed a map. It was spotted in rust-colored stains, from the dried blood of its previous owner––a Confederate soldier who had been mortally wounded at the Battle of Kennesaw Mountain in 1864. Ambrose had held the man’s shaky, bloody hand––hand of the enemy––in those final moments, while the life poured out of him with every fading pump of his heart. Muttering incoherently, the man reached into his coat and removed the map along with a letter for his young wife back on their plantation in Alabama. Then he handed them both to Ambrose, entrusting him out of desperation. The battle that day had been ferocious; a battle in which Ambrose himself had been severely wounded, when he was shot in the head by a Confederate round, ending his involvement in the war shortly thereafter.
Ambrose unfolded the map and rested it on the horn of his saddle, the canyon draft fluttering the edges. He whispered the words that were on it, written in faded ink, a quatrain he knew by heart: Up from the Earth’s Centre through the Seventh Gate/I rose, and on the throne of Saturn sate/And many a Knot unraveled by the Road/But not the Master-knot of Human Fate.
“Never have I known this place, señor, and my childhood village is only half a day ride from this ground,” said the old cowboy, scratching his salt-and-pepper whiskers. He spit a gob of black chewing tobacco, then twisted in the saddle to look back as if he might have heard something.
“Me neither, señor,” said the young cowboy.
Ambrose could tell they were blood relatives as they both had heavy jaws and beady eyes like those of an insect. They were loyal to each other, no doubt about it, a trait he admired no matter how foolish the reasons.
“Because you don’t know it, doesn’t mean it’s never existed,” said Ambrose.
The two cowboys looked at each other with a good dose of skepticism. And Ambrose grinned to himself. He was used to this. In San Francisco he had kept the map cloistered away inside the oaken trunk that held his Union Army uniform, service rifle and revolver, and medals and mementos. When he would take the map out to show friends at dinner parties––always after a fair bit of drink––the tattered paper generated much of the same skepticism, usually accompanied by good-humored jeering and laughter. He dealt with it then as he did now: by not paying any attention.
Over the years the map eventually lost its allure as he and his family became more involved in city life, and then as he traveled across the Atlantic to London. Its mystery became relegated to the past like those unforgiving ghosts of war, hidden away but never truly forgotten.
After his marriage crumbled and his two sons died, his life lost all meaning as quickly as a plunge through thin ice. And when writing stories, satire, and criticisms for publication no longer granted their much-needed catharsis, he started to gamble, drink, and carouse.
Then early one morning, after returning from an all-night poker game, he dragged the dusty trunk out from under the bed and flung it open. Feeling the heft of cold steel in his hand instead of the lightness of a pen, he lifted out his Colt revolver for the first time in years and loaded it with a single bullet. He stumbled downstairs and went out into his backyard to where he and his young son had planted Shasta daisies two years before. When he placed the barrel to his temple, the cold steel bit into his skin. He stole his final glance at the sky. And then it surfaced from somewhere deep in his being: The quatrain on the map––word for word––and with this the map’s mystery once again intrigued him, compelled him to lower the revolver before the game of Russian roulette had begun––before it had ended.
Over the following few days he wrote letters to family, friends, and colleagues, telling them he was headed to Mexico to report on Pancho Villa’s revolt. Then he packed up a few personal belongings and boarded a train for Mexico City. This was how he had come to be there in that canyon.
“One more bend,” said Ambrose, folding the map. He slid it into his pocket and nudged his palomino forward, the pack mule following along. No hooves behind him, only whispers in Spanish like a breeze carrying the rumor of uncertain weather. He turned back. The old cowboy jutted his heavy jaw forward and dug heels into the flank of his stallion, sending it into a trot, his amigo following closely behind.
No sooner had the party rounded the bend than their horses neighed loudly and started backing up, spooked. Ahead of them the canyon ended ten horse lengths away. A large opening gaped in the wall like the maw of some hellish fiend none knew existed in this world, but only in the nightmares of small children. Its mouth sucked the air as if drinking life from the world, making strange rasping noises from deep within. The old cowboy shifted awkwardly in his saddle and leaned forward to stare into the darkness.
Ambrose dismounted his palomino and she stepped back and hoofed the ground. He rubbed her muzzle, whispering soothing words in her ear, but it had little effect on the skittishness she had been exhibiting all morning.
Ambrose left the reins on the saddle horn and went back to the mule. He opened one of the pine supply boxes on its back and took out the naphtha lantern. The mule eyed him anxiously and nudged his hand with its muzzle. Holding the lantern, Ambrose walked past his palomino toward the cave, the draft tugging at his clothes and the hair about his nape. The cowboys remained seated on their horses, silently watching.
Carved in stone above the opening of the cave were worn and faded glyphs that looked as though they were thousands of years old. A stirring aroused in his stomach. The hair on his arms rose. This fascinated him, enticing him forward the way mystery does to brave enough to learn of its secrets. As he rested the lantern on a boulder, a black scorpion emerged from the cave’s shade and skittered between his legs toward the horses.
He traced his fingertips in the grooves of the glyphs. There were two eyes set directly above the center as though watching for intruders, and below a row of pointed teeth ran the length of the entire top. He turned back to the cowboys. They looked as pale as corpses on display in a funeral parlor.
“I’ll scout out the cave,” said Ambrose. The old cowboy leaned forward and spat a gob of tobacco. It struck the scorpion, flipping it over. Its legs scurried in the air before it righted itself and skittered off between some rocks.
Ambrose headed into the cave. A moment later his eyes adjusted. The cave sloped down like a gullet leading into the Earth’s bowels. This affirmed what he had suspected. He removed a match from his coat pocket, knelt down, and struck the match and lit the lantern, catching a whiff of naphtha. Unholstering the Colt revolver on his hip, he thumbed the hammer. During the war enough men had been pounced on by bears or mountain lions―or even worse, a wounded soldier―upon entering a cave in which they had hoped to find shelter, or a place to hide their spoils.
Without glancing back, he headed farther in. The coolness of the cave enveloped him. His palomino gave a terrified whinny at what she must have thought was her rider being eaten. The cool draft swayed the lantern in his hand, sputtering the flame inside the glass enclosure. He walked down the slope until the opening was no longer visible, only a bit of light from over the brow. There was a hint of dampness in the air. The horses, the cowboys, even the mule were silent as though all were holding their breath, as though waiting to see if some calamity would befall him.
The cave narrowed and the slope steepened downward. He waved the lantern back and forth at a dark that seemed to be living and breathing, almost pulsing against him. Then he saw them on the cave wall: crudely painted ochre images of animals and stick men with spears, like the cave paintings in southern France. He raised the lantern and leaned in close to see a depiction: stick men herding a long line of animals through a circle, like a door or a portal of some type.
A hiss sound suddenly filled the cave. A sound he had not forgotten since the war––a lit fuse.
He rushed up the slope, lantern swinging wildly in hand. Rifle shots cracked. Rounds struck the ceiling above his head and ricocheted, stone shards stung his face. He dropped the lantern. The flame went out. He ducked another shot that whizzed by his head. Back against the wall, he lifted the Colt and inched slowly up, his heart firing like a cannonade. Then there was a commotion––curses in Spanish, hooves scrambling, the mule braying frightfully. He stepped forward and popped over the brow. He fired three shots at the cowboys’ silhouettes. The pack mule charged into the cave, over the spark of the lit dynamite fuse, pine boxes knocking about.
Ambrose whirled around, took four steps down the slope, then leapt. He landed face down and put his arms over the back of his head just in time. The crackle of the fuse silenced for that split second it does before the nitro-glycerine ignited. The explosion shook the cave, buffeting the air, tearing off his Stetson, and pounding his eardrums. Rubble rained down on his body.
The mule scrambled past him, bawling wildly, and cordite-laced dust swirled in the air. He waited for the ceiling to collapse and crush him to death. He cursed himself for not being a better judge of the old cowboy’s deceitful character. But why had the scoundrels sealed him in? To rob him of a few meager supplies? Highly unlikely.
He held that position for a minute, allowing the dust to settle. When he felt a nudge against his shoulder, he opened his eyes. His palomino stood over him, eyes wide with fright. He slowly rose from the ground, picked up his Stetson. He coughed and waved at the dusty air. Not a flicker of light remained from the outside world. The exit had been sealed. No matter. He did not plan on using that exit anyhow. No, quite a different exit, or perhaps he should say entrance, an entrance to a far different place.