Selected Bibliography
ARTIST PUBLICATIONS AND PROJECTS
Cattelan, Maurizio. Die/Die More/Die Better/Die Again. Paris: Three Star Books, 2008. With a text by Bice Curiger, translated by Catherine Schelbert. (English and German)
———. Hollywood. Turin: Fondazione Sandretto Re Rebaudengo per l’arte, 2001. Artist project for the Venice Biennale, 2001.
———. “Maurizio Cattelan.” Photographs by Pierpaolo Ferrari. Art Issue, W (New York) 38, no. 11 (Nov. 2009), pp. 26, 110–33, cover.
———. “Maurizio Cattelan: Scrapbook.” Blind Spot (Annandale-on-Hudson, N.Y.), no. 23 (2003), pp. 18–25. Photo-essay.
———. “Il problema che non ha nome/The Problem that Has No Name.” Diario, edited by Loredana Mascheroni. Domus (Milan), no. 945 (Mar. 2011), pp. I–II. (English and Italian)
———. The Three Qattelan. Paris: Three Star Books, 2010. With text by Francesco Bonami, translated by Bram Opstelten. Sequel to Die/Die More/Die Better/Die Again. (English and German)
———. Untitled. Photographs by Pierpaolo Ferrari. Tar (New York), no. 3 (Spring 2010), unpaginated.
———. “Visual Essay.” Part of “Purple Special: Maurizio Cattelan.” Purple (Paris), no. 12 (Summer 2002), pp. 72–78. (English and French)
Cattelan, Maurizio, Dominique Gonzalez-Foerster, and Paola Manfrin, eds. Permanent Food (Dijon, France), nos. 1–15 (1995–2007). Published by Les presses du réel, Dijon, France.
Cattelan, Maurizio, Massimiliano Gioni, and Ali Subotnick. The Wrong Times (New York), nos. 1–3 (2002–09). Special 2008 reprint edition of all issues produced for theanyspacewhatever, Solomon R. Guggenheim Museum, New York, Oct. 24, 2008–Jan. 7, 2009.
Cattelan, Maurizio, and Pierpaolo Ferrari. Toilet Paper (Milan), no. 1 (June 2010), no. 2 (Jan. 2011), no. 3 (June 2011), and special edition produced for Tar (New York) (Summer 2011). Initially launched as a satellite project for the exhibition Maurizio Cattelan, Slaughterhouse, Deste Foundation Project Space, Hydra, Greece, June 16–Sept. 30, 2010. (See also Solo Exhibitions.)
Cattelan, Maurizio, et al., eds. Charley (2002–10). (In chronological order.)
Cattelan, Maurizio, Bettina Funcke, Massimiliano Gioni, and Ali Subotnick, eds. Charley, no. 1 (Dijon, France: Les presses du réel/Janvier, 2002).
Cattelan, Maurizio, Massimiliano Gioni, and Ali Subotnick, eds. Charley, no. 2 (Dijon, France: Les presses du réel; Athens: Deste Foundation for Contemporary Art, 2002).
———. Charley, no. 3 (Dijon, France: Les presses du réel; Athens: Deste Foundation for Contemporary Art, 2003).
———. Checkpoint Charley. Project for the Berlin Biennial. (Berlin: 4th Berlin Biennial for Contemporary Art and KW Institute for Contemporary Art, 2006).
———. Charley, no. 5 (Athens: Deste Foundation for Contemporary Art, 2007).
Alemani, Cecilia, Maurizio Cattelan, Massimiliano Gioni, and Ali Subotnick, eds. Charley Independents. Exh. cat., No Soul For Sale: A Festival of Independents, Tate Modern, London (Athens: Deste Foundation for Contemporary Art, 2010).
ARTIST WRITINGS
Cattelan, Maurizio. “Army of One: Maurizio Cattelan.” As told to Katy Siegel. Artforum International (New York) 43, no. 2 (Oct. 2004), pp. 148–49.
———. “Every Other Decade.” Kaleidoscope (Milan), no. 3 (Sept.–Oct. 2009), pp. 64–65.
———. “The Fat is on the Table: Maurizio Cattelan on Joseph Beuys.” Tate Etc. (London), no. 3 (Spring 2005), pp. 80–81.
———. “Hindsight Foresight.” Art Review (London) 4, no. 5 (May–June 2006), p. 130.
———. “Lectio Magistralis.” Work: Art in Progress (Trento, Italy), no. 9 (Summer 2004), pp. 30–31. (English and Italian)
———. “Qui dovrebbe esserci il titolo ma io non lo so fare.” Ventiquattro, magazine of Il Sole 24 Ore (Milan), no. 5 (May 6, 2006), p. 11. (Italian)
———. Statement. Flash Art (Italian edition, Milan) 31, no. 213 (Dec. 1998–Jan. 1999), pp. 72–73. (Italian)
———. Untitled. In “Surrealism, Sex and Desire.” Edited by David Hopkins. Tate Magazine (London) (Autumn 2001), p. 30.
Cattelan, Maurizio, and Philippe Daverio. “Ma è davvero arte mostrare tre bimbi impiccati?” Edited by Renzo Magosso. Gente (Milan), May 10, 2004, p. 21. (Italian)
Cattelan, Maurizio, et al. “Dedicato all’abitare.” Gap Casa (Milan), no. 58 (June 1989), pp. 105–06. (Italian)
———. “New York Stories: Art & the Art World After the Attack in New York.” Flash Art (International edition, Milan) 34, no. 221 (Nov.–Dec. 2001), p. 62.
INTERVIEWS BY THE ARTIST
“Absolute Beginners: Madonna.” Part of “Purple Special: Maurizio Cattelan.” Purple (Paris), no. 12 (Summer 2002), p. 60.
“Catch a Tiger by Its Toe: Nathalie Djurberg intervistata da Maurizio Cattelan.” Urban (Milan), no. 67 (Apr. 2008), pp. 27–31. (Italian)
“Cezary Bodzianowski Interviewed by Maurizio Cattelan.” Untitled (London), no. 43 (Autumn 2007).
“Christian Holstad: I Am an Outsider Who Got Let It [sic].” Flash Art (International edition, Milan) 39, no. 251 (Nov.–Dec. 2006), pp. 70–73.
“Codice Zmijewski: Maurizio Cattelan in conversazione con Artur Zmijewski/Maurizio Cattelan in Conversation with Artur Zmijewski.” Work: Art in Progress (Trento, Italy) 7, no. 21 (Winter 2007), pp. 48–51. (English and Italian)
“A Conversation: Uklanski/Cattelan: Earth, Wind, and Fire.” Flash Art (International edition, Milan) 37, no. 236 (May–June 2004), pp. 92–94. Reprinted in Flash Art (International edition) 41, no. 261 (July–Sept. 2008), pp. 217–19. Published in Italian as “Una conversazione: Uklanski/Cattelan.” Flash Art (Italian edition, Milan) 37, no. 246 (June–July 2004), pp. 95–99.
“Dan Colen.” Muse Magazine (Milan), Dec. 12, 2008, pp. 98–109. (English and Italian)
“Dan Perjovschi.” In Le dictateur (Milan), no. 2. Edited by Federico Pepe. Published by Les presses du réel, Dijon, France, 2007.
“Dana Schutz: Me, Frank and My Studio.” Flash Art (International edition, Milan) 38, no. 244 (Oct. 2005), pp. 82–85. Published in Italian as “Dana Schutz: In studio con Frank.” Flash Art (Italian edition, Milan) 39, no. 257 (Apr.–May 2006), pp. 98–100.
“Dash Snow: The Wrong Interview.” Muse Magazine (Milan), Dec. 1, 2008, pp. 72–79. (English and Italian)
“Death is Like the Shadow of Life.” Interview with Francis Bacon. Printed Project (Dublin), edited by Kim Levin, no. 7 (June 2007), pp. 11–18.
“Doctor Strangelove.” Interview with Pino Pascali. In Pino Pascali. Exh. cat. New York: Gagosian Gallery, 2006, pp. 9–11.
“Dorothy Iannone: A Revolutionary Life.” Flash Art (International edition, Milan) 39, no. 247 (Mar.–Apr. 2006), pp. 78–81.
“Elad Lassry: Take a Break.” Flash Art (International edition, Milan) 43, no. 274 (Oct. 2010), pp. 88–91. Published in Italian as “Facciamo una pausa.” In Flash Art (Italian edition, Milan) 43, no. 288 (Nov. 2010), pp. 70–72.
“Ferran Adrià: Eating Thought.” Flash Art (International edition, Milan) 42, no. 267 (July–Sept. 2009), pp. 38–43. Published in Italian as “Ferran Adrià: Riflessioni sul cibo.” Flash Art (Italian edition, Milan) 42, no. 277 (Aug.–Sept. 2009), pp. 74–77.
“The First, the Worst, the Shortest, the Most Boring and the Missed Concert: Maurizio Cattelan Meets Annika Ström.” Bon Magazine (Stockholm), Fall 2007, pp. 174–78.
“Flogging a Dead Horse.” Interview with Eva and Franco Mattes. In Eva and Franco Mattes: 0100101110101101.org. Milan: Edizioni Charta, 2009, pp. 134–37.
“Guy Ben-Ner: Feeling Lured.” Flash Art (International edition, Milan) 42, no. 266 (May–June 2009), pp. 110–12.
“Hernan Bas: Something a Bit Off.” Flash Art (International edition, Milan) 42, no. 268 (Oct. 2009), pp. 54–57.
“I Have a Cheap Plastic Camera: Maurizio Cattelan Meets Roman Ondák.” Bidoun (New York), no. 9 (Winter 2007), p. 44.
“In 2 alla rivoluzione.” Interview with Patrick Tuttofuoco. Rolling Stone (Italian edition, Milan), Oct. 2007, pp. 142–44. (Italian)
“Infiniti Noi: Intervista con Alighiero e Boetti.” Flash Art (Italian edition, Milan) 34, no. 230 (Oct.–Nov. 2001), pp. 94–96. (Italian)
“Interview with Elmgreen & Dragset.” Bing, magazine of Galerie Emmanuel Perrotin (Paris), no. 5 (May–Sept. 2007), pp. 60–63.
“Marinetti Lives.” Interview with Filippo Tommaso Marinetti. Introduction by Leland de la Durantaye. Modern Painters (New York) 21, no. 1 (Feb. 2009), pp. 44–49, cover.
“Matthew Monahan: I Was a God Adorned with Gold.” Flash Art (International edition, Milan) 41, no. 259 (Mar.–Apr. 2008), pp. 102–05. Published in Italian as “Matthew Monahan: Ero un Dio adornato d’oro.” Flash Art (Italian edition, Milan) 41, no. 273 (Dec. 2008–Jan. 2009), pp. 56–57.
“Maurizio Cattelan Interviews Aleksandra Mir/Maurizio Cattelan intervista Aleksandra Mir.” Work: Art in Progress (Trento, Italy) 5, no. 19 (Summer 2007), pp. 52–55. (English and Italian)
“Maurizio Cattelan Interviews Felix Gonzalez-Torres.” Mousse (Milan), no. 9 (Summer 2007), pp. 40–43. (English and Italian)
“Maurizio Cattelan Interviews George Condo, Chuck Close, Rita Ackermann.” Diaries. Whitewall (New York), no. 7 (Fall 2007), pp. 42–47.
“Maurizio Cattelan Interviews Joep Van Lieshout.” Mousse (Milan), no. 8 (Apr. 2007), pp. 31–33. (English and Italian)
“Maurizio Cattelan Interviews Urs Fischer.” Mousse (Milan), no. 11 (Nov. 2007), pp. 28–31. (English and Italian)
“Maurizio Cattelan intervista Roberto Cuoghi.” Mousse (Milan), no. 5 (Dec. 2006), pp. 24–26. (Italian)
“Maurizio Cattelan vs. Filippo Tommaso Marinetti.” Rolling Stone (Italian edition, Milan), May 2009, pp. 75–77. (Italian)
“Passa il tempo.” Interview with Elio e le Storie Tese. Photographs by Max & Douglas. Rolling Stone (Italian edition, Milan), Nov. 2009, pp. 53–55. (Italian)
“The Past Is Today: An Impossible Interview with Tadeusz Kantor.” Kaleidoscope (Milan), no. 1 (Mar.–Apr. 2009), pp. 115–19. (English and Italian)
“Paul Chan: Some Things Just Stick in Your Mind.” Flash Art (International edition, Milan) 41, no. 262 (Oct. 2008), pp. 110–13. Published in Italian as “Paul Chan: La natura del pensiero.” Flash Art (Italian edition, Milan) 41, no. 272 (Oct.–Nov. 2008), pp. 74–76.
“Peter Coffin: A Heap of Language.” Flash Art (International edition, Milan) 40, no. 256 (Oct. 2007), pp. 106–10.
“Seth Price: Prima Linea.” Flash Art (International edition, Milan) 40, no. 252 (Jan.–Feb. 2007), pp. 78–81.
“Shadows on the Façade: An Interview with Andro Wekua.” Flash Art (International edition, Milan) 40, no. 254 (May–June 2007), pp. 108–10.
“Something to Work For: Martin Creed Interviewed by Maurizio Cattelan.” Flash Art (International edition, Milan) 38, no. 242 (May–June 2005), pp. 110–11. Published in Italian as “Qualcosa per cui lavorare: Martin Creed intervistato da Maurizio Cattelan.” Flash Art (Italian edition, Milan) 39, no. 258 (June–July 2006), pp. 74–75.
“Tino Sehgal: Economics of Progress.” Flash Art (International edition, Milan) 42, no. 264 (Jan.–Feb. 2009), pp. 90–91.
“The Urge to Disappear.” Interview with Gianfranco Baruchello. Introduction by Eva Fabbris. Kaleidoscope (Milan), no. 6 (Apr.–May 2010), pp. 48–51.
“Verne Dawson: Interstellar Overdrive.” Flash Art (International edition, Milan) 35, no. 226 (Oct. 2002), pp. 62–65. Published in Italian with eponymous title in Flash Art (Italian edition, Milan) 35, no. 237 (Dec. 2002–Jan. 2003), pp. 102–04.
“Voci d’artista: Alfabeti nascosti sul fondo dell’oceano.” Interview with Michael Sailstorfer. Il Manifesto (Rome), July 5, 2007, p. 14. (Italian)
“Voci d’artista: I maestri vanno mangiati in salsa piccante.” Interview with Elisabetta Benassi. Il Manifesto (Rome), Mar. 25, 2007, p. 10. (Italian)
INTERVIEWS AND CONVERSATIONS WITH THE ARTIST
Armleder, John, Parker Williams, and Maurizio Cattelan. “Holy Cannoli I: Maurizio Cattelan, John Armleder and Parker Williams Exchange Thoughts about the World’s End.” Work: Art in Progress (Trento, Italy) 5, no. 18 (Spring 2007), pp. 66–69. (English and Italian)
Bellini, Andrea. “An Interview with Maurizio Cattelan.” Sculpture (Washington, D.C.) 24, no. 7 (Sept. 2005), pp. 54–59.
Bombino, Silvia, ed. “Caro Maurizio, ti scrive Vanessa Beecroft: Sempre che sia tu a rispondere.” Conversation between Cattelan and Beecroft. Vanity Fair (Italian edition, Milan), no. 32 (Aug. 18, 2005), p. 134. (Italian)
Bonami, Francesco. “The Wrong Way.” Interview of Cattelan, Massimiliano Gioni, and Ali Subotnick. Modern Painters (New York), no. 18 (Mar. 2006), pp. 86–91.
Bonazzoli, Francesca. “Cattelan: « Così ho abbattuto mio padre ».” Corriere Della Sera (Milan), Sept. 13, Arte e Cultura, p. 33. (Italian)
Budney, Jen, and Uwe Schwarzer. “Cityscape: Milan.” Flash Art (International edition, Milan) 30, no. 194 (May–June 1997), pp. 61–63. With interviews of Cattelan et al.
Capasso, Angelo. “Maurizio Cattelan: The Mouse that Roared.” Time (New York) 152, no. 17 (Oct. 26, 1998).
Casavecchia, Barbara. “Voglio essere famoso.” Flash Art (Italian edition, Milan) 32, no. 215 (Apr.–May 1999), pp. 80–81. (Italian)
Cervi, Giovanni. “Murizio [sic] Cattelan.” Pig Mag (Milan), Feb. 3, 2003, http://www.pigmag.com/it/2003/02/03/murizio-cattelan. (Italian)
Corbetta, Caroline. “Maurizio Cattelan.” Klat (Milan), no. 2 (Spring 2010), pp. 36–52. (English and Italian)
Corvi-Mora, Tommaso. “In Italy There Is No Sport as Popular as Football.” Purple Prose (Paris), no. 3 (Summer 1993), pp. 30–32.
Debailleux, Henri-François. “L’œuvre n’est jamais un scandale.” Le mag, magazine of Libération (Paris), Sept. 12, 2009. (French)
De Cecco, Emanuela, and Roberto Pinto. “Incursioni.” Flash Art (Italian edition, Milan) 27, no. 182 (Mar. 1994), pp. 116–18. (Italian)
De Ruyter, Thibaut. “Des souris et des hommes: 4e Biennale d’art contemporain [Berlin].” Interview with Cattelan, Massimiliano Gioni, and Ali Subotnick. Art Press (Paris), no. 322 (Apr. 2006), pp. 18–21. (English and French)
Didero, Maria Cristina. “Some Days I Laugh, Some Days I Cry.” Sleek (Berlin), no. 10 (Spring 2006), pp. 42–49. (English and German)
Di Nardo, Francesca. “Interview with Maurizio Cattelan.” Janus (Brussels), no. 20 (2006), p. 35. (English and Italian)
Dünser, Severin, Vivian Kea, and Florian Rehn. “Falling and Walking Ahead.” Interview of Cattelan, Massimiliano Gioni, and Ali Subotnick. Mono.Kultur (Berlin), no. 5 (Feb.–Mar. 2006), entire issue.
Estep, Jan. “I’ll Be Right Back: An Interview with Maurizio Cattelan.” New Art Examiner (Chicago) 29, no. 4 (Mar.–Apr. 2002), pp. 38–45.
Galdieri, Francesco. “Cattelan: ‘Provocare è arte.’” Il Mattino (Naples), Jan. 12, 2006, p. 23. (Italian)
Gioni, Massimiliano. “Blown Away—Blown to Pieces: Interview mit Maurizio Cattelan und Jens Hoffmann.” Material, no. 2 (1999). (German)
———. “Lessico famigliare/Family Sayings.” Work: Art in Progress (Trento, Italy), no. 8 (Jan.–Mar. 2004), pp. 46–49. (English and Italian)
———. “Maurizio Cattelan: Face Off.” Flash Art (International edition, Milan) 34, no. 218 (May–June 2001), pp. 114–17, cover.
———. “Maurizio Cattelan: Giù la maschera.” Flash Art (Italian edition, Milan) 34, no. 227 (Apr.–May 2001), pp. 78–81. (Italian)
Gregoretti, Marco. “Maurizio Cattelan: Creare, che rottura.” Class (Milan), no. 259 (Nov. 2007), pp. 56–60, cover. (Italian)
Heiser, Jörg. “4th Berlin Biennial 2006.” Interview of Cattelan, Massimiliano Gioni, and Ali Subotnick. Frieze (London), no. 96 (Jan.–Feb. 2006), pp. 126–27.
Jouannais, Jean-Yves, and Christophe Kihm. “The Witz Kid.” Art Press (Paris), no. 265 (Feb. 2001), pp. 18–23. (English and French)
Kontova, Helena. “Maurizio Cattelan: No Cakes for Special Occasions.” Translated by Chris Sharp. Flash Art (International edition, Milan) 40, no. 257 (Nov.–Dec. 2007), pp. 74–76, cover.
———. “Maurizio Cattelan: Qualunque cosa è interessante, se la guardi a lungo.” Flash Art (Italian edition, Milan) 40, no. 257 (Dec. 2007–Jan. 2008), pp. 66–68. (Italian)
———. “The Wrong Gallery.” Flash Art (International edition, Milan) 36, no. 228 (Jan.–Feb. 2003), p. 45.
LeMieux-Ruibal, Bruno. “No disparen a la ardilla/Don’t Shoot the Squirrel.” LÁPIZ (Madrid) 25, no. 223 (May 2006), pp. 28–41, cover. (English and Spanish)
Mammì, Alessandra. “Lei non sa chi sono io.” Interview with Cattelan and Massimiliano Gioni. L’espresso (Rome) 50, no. 20 (May 20, 2004), pp. 98–100. (Italian)
Mendini, Alessandro. “Intervista/Interview.” Conversation with Cattelan. Domus (Milan), no. 945 (Mar. 2011), pp. III–V. (English and Italian)
Møller, Lotte. “bb4.” News and Around. Tema Celeste (Milan) 23, no. 114 (Mar.–Apr. 2006), pp. 94–97. (English and Italian)
Moulton, Aaron. “Taking the Wrong’s Way to Berlin: Interview with the Curators of Berlin Biennale [sic] 4.” Interview with Cattelan, Massimiliano Gioni, and Ali Subotnick. Flash Art (International edition, Milan) 39, no. 247 (Mar.–Apr. 2006), pp. 46–47.
Murakami, Takashi, and Maurizio Cattelan. “Maurizio and Takashi: Two Monsters Unleashed.” Whitewall (New York), no. 4 (Winter 2006–07), pp. 92–107, 158–59.
Naldi, Paola. “Maurizio Cattelan: Vi seduco. No, scherzo!” Riflessi (Bologna) 12, no. 8 (Sept. 2007), pp. 43–47, cover. (Italian)
Nedo, Kito. “Es gibt kein Konzept.” Interview of Cattelan, Massimiliano Gioni, and Ali Subotnick. Art: Das Kunstmagazin (Hamburg, Germany), no. 4 (Apr. 2006). (German)
Nickas, Bob. “Maurizio Cattelan.” Photographs by Anders Edström. Index (New York), no. 20 (Sept. 1999).
Obrist, Hans Ulrich. “Cattelan Meets Rondinone.” Vogue Hommes International (Paris), Fall/Winter 2004/05, pp. 152–58.
———. “Maurizio Cattelan.” In Hans Ulrich Obrist: Interviews. Vol. 1, edited by Thomas Boutoux, pp. 141–54. Florence: Pitti Immagine; Milan: Edizioni Charta, 2003.
———. “We Are Too Many.” Work: Art in Progress (Trento, Italy), no. 8 (Jan.–Mar. 2004), pp. 32–41. (English and Italian)
Perra, Daniele. “Concentrate a Houston le visioni di Maurizio Cattelan.” Luxury24, online supplement to Il Sole 24 Ore, Feb. 11, 2010. http://www.luxury24.ilsole24ore.com/ArteCreativita/2010/02/maurizio-cattelan-new-york-milano_PRN.php. (Italian)
———. “Maurizio Cattelan.” Kult Magazine (Milan), May 2009, p. 106. (Italian)
Pinchbeck, Daniel. “Maurizio Cattelan.” Art Newspaper (London), no. 88 (Jan. 1, 1999).
Pinto, Roberto. “Maurizio Cattelan: Un artista abusivo sempre presente.” Flash Art (Italian edition, Milan) 24, no. 164 (Oct.–Nov. 1991), pp. 82–83. (Italian)
Politi, Giancarlo, and the readers of Flash Art (Italian edition, Milan). “Coraggio fatti ammazzare: Intervista a più voci con Maurizio Cattelan.” Flash Art (Italian edition) 37, no. 247 (Aug.–Sept. 2004), pp. 92–97, cover. (Italian)
———. “Killing Me Softly: A Conversation with Maurizio Cattelan.” Flash Art (International edition, Milan) 37, no. 237 (July–Sept. 2004), pp. 90–95, cover. Reprinted in Flash Art (International edition, Milan) 41, no. 261 (July–Sept. 2008), pp. 220–23.
Polveroni, Adriana. “Ground Zero: Cai Guo-Qiang and Maurizio Cattelan rispondono all’11 settembre/Cai Guo-Qiang and Maurizio Cattelan Respond to the 11th September.” Work: Art in Progress (Trento, Italy), no. 1 (Apr.–June 2002), pp. 8–17. (English and Italian)
Robecchi, Michele. “Maurizio Cattelan.” Interview (New York), 39, no. 5, June/July 2009, pp. 63–65.
———. “Maurizio Cattelan and Massimiliano Gioni.” Contemporary (London) 21, no. 77 (Fall 2005), pp. 43–45, cover.
Roccasalva, Pietro, and Maurizio Cattelan. “Bang: Maurizio Cattelan in conversazione con Pietro Roccasalva/Maurizio Cattelan in Conversation with Pietro Roccasalva.” Work: Art in Progress (Trento, Italy) 7, no. 22 (Spring 2008), pp. 48–51. (English and Italian)
Romano, Gianni. “Maurizio Cattelan: ‘No soy un profeta. Como mucho un ladrón.’” Exit Express (Madrid), no. 6 (Oct. 2004), pp. 6–7. (Spanish)
Sbisà, Annamaria. “Due giorni d’artista inventati sul web.” La Repubblica (Rome), July 1, 2006, p. 12. (Italian)
Smith, Roberta. “Cattelan Uncovered.” Photographs by Todd Eberle. Art Review (London), no. 54 (June 2003), pp. 40–47, cover.
Sobieski, Elizabeth. “The Mysteries and Magic of Maurizio Cattelan.” Art Economist (West Palm Beach, Fla.) 1, no. 3 (Mar. 1, 2011), pp. 42–47, cover.
Soulou, Christiana, and Maurizio Cattelan. “Un mondo di silenzio: Una conversazione in due parti tra Maurizio Cattelan e Christiana Soulou/A World of Silence: A Conversation in Two Parts between Maurizio Cattelan and Christiana Soulou.” Work: Art in Progress (Trento, Italy) 7, no. 23 (Summer 2008), pp. 70–73. (English and Italian)
Tokion. “Maurizio Cattelan.” High Low issue, Tokion (New York/Tokyo), no. 47 (Mar.–Apr. 2005), pp. 50–54.
Vele, Ivan Maria. “La Nona Ora, an Interview to [sic] Maurizio Cattelan.” Boiler Magazine (Milan), Sept. 24, 2000. Originally published on Boilermag.it (blog) (now defunct). Published in Italian as “Mai far sapere alla tua mano destra quello che sta facendo la mano sinistra: Intervista di Ivan Maria Vele a Maurizio Cattelan.” KM/n (Perugia, Italy) 2, no. 2 (July 2001).
PUBLICATIONS
Andersson, Patrik, and Judith Steedman, eds. Selections from Permanent Food. In Inside Magazines: Independent Pop Culture Magazines. London: Thames & Hudson, 2002. With texts by Raif Adelberg; Andersson; Andersson and Steedman; Co Ito and Takaya Goto; Brian Jungen; Terence Koh; Myfanwy MacLeod; Casey McKinney; Robin Mitchell; Joseph Monteyne; Uscha Pohl; Re-Magazine; Jeff Rian; Maria Ben Saad, Stefania Malmsten, and Tina Axelsson; and Ian Skedd. Interviews of Gert Jonkers, John Kelsey, Cory Reynolds, and Olivier Zahm.
Avgikos, Jan. “Maurizio Cattelan.” In The Hugo Boss Prize 2000 (New York: Guggenheim Museum, 2000).
Bonami, Francesco. Maurizio Cattelan: Autobiografia non autorizzata. Strade Blu. Milan: Mondadori, 2011. (Italian)
———. Si crede Picasso: Come distinguere un vero artista contemporáneo da uno che non lo è. Strade Blu. Milan: Arnoldo Mondadori Editore, 2010. (Italian)
Bonami, Francesco, Nancy Spector, and Barbara Vanderlinden, eds. Maurizio Cattelan. London: Phaidon Press, 2000. Texts by Bonami, Vanderlinden, and Cattelan. Text excerpts by Philip Roth and unknown authors (suicide notes edited by Marc Etkind). New or excerpted interviews and conversations with Cattelan by Barbara Casavecchia, Emanuela De Cecco and Roberto Pinto, Giacinto Di Pietrantonio, Massimiliano Gioni and Jens Hoffmann, Robert Nickas, and Spector. Revised and reformatted edition (2003) includes interview of Cattelan by Alma Ruiz and new text by Gioni.
Bortolotti, Maurizio. Il critico come curatore. Photographs by Attilio Maranzano. Milan: Silvana Editoriale and Artshow Edizioni, 2003. (Italian)
Bourriaud, Nicolas. “When Screenplays Become Form: A User’s Guide to the World.” In Postproduction: Culture as Screenplay, How Art Reprograms the World. Translated by Jeanine Herman. New York: Lukas & Sternberg, 2002. Reprinted with a new preface in 2005.
———. “Foreword,” “Relational Form,” and “Art of the 1990s.” In Relational Aesthetics. Translated by Simon Pleasance and Fronza Woods with Mathieu Copeland. Dijon, France: Les presses du réel, 2002. Published in French as Esthétique relationnelle, 1998.
Browne, Alix, and Christopher Bollen, eds. Artists. Photographs by Jason Schmidt. Paris: Edition 7L, 2006. Entry on Cattelan.
Castello di Rivoli, Museo d’Arte Contemporanea. La collezione. Milan: Edizioni Charta, 1994. Entry on Cattelan. With texts by Maurizio Fagiolo dell’Arco, Ida Gianelli, et al. (Italian) Published in English as The Collection, 1995.
Cwalinski, Vladek, ed. Animali nell’arte: Dalla preistoria alla nuova figurazione. Milan: Skira Editore, 2004. With texts by Cwalinski, Fulco Pratesi, and Vittorio Sgarbi. (Italian)
Fundación Montenmedio arte contemporánea (NMAC). “Maurizio Cattelan.” In Arte y naturaleza: Montenmedio arte contemporáneo. Cádiz, Spain: Fundación NMAC, 2001. Chapter on Cattelan by Estrella de Diego. With a preface by Magda Bellotti and texts by Jimena Blázquez Abascal, X. Antón Castro, et al. (English and Spanish)
———. “Recuperación de un espacio urbano a través de un proyecto de arte público” and “Resultado de las encuestas.” In Proyectos de arte contemporáneo en espacios públicos, naturales y urbanos: Guía de buenas prácticas. Cádiz, Spain: Fundación NMAC, 2002. (English, Italian, Spanish, and Swedish)
Gianelli, Ida, ed. Castello di Rivoli Museo d’Arte Contemporanea: La residenza Sabauda, la collezione. Milan: Skira Editore, 2008. Entry on Cattelan by Marcella Beccaria. With texts by Chiara Oliveri Bertola, Gaia Casagrande, Carolyn Christov-Bakargiev, Giorgio Verzotti, et al. Published in English as Castello di Rivoli Museo d’Arte Contemporanea: The Castle, The Collection.
Gianelli, Ida, and Marcella Beccaria, eds. Castello di Rivoli: 20 anni d’arte contemporanea. Milan: Skira Editore, 2005. Entries on Cattelan by Chiara Oliveri Bertola and Luigi Fassi. With additional texts by Beccaria, Carolyn Christov-Bakargiev, Donatella Galasso, Francesca Gambetta, Karin Gavassa, Bruna Genovesio, Andrea Viliani, Ugo Volli, et al. (Italian)
———. Castello di Rivoli Museo d’Arte Contemporanea: La residenza Sabauda, la collezione. Turin: Umberto Allemandi & C., 2003. Entry on Cattelan by Beccaria. With texts by Maria Grazia Cerri, Laura Cherubini, Carolyn Christov-Bakargiev, Giorgio Verzotti, et al. (Italian) Published in English as Castello di Rivoli Museo d’Arte Contemporanea: The Castle, The Collection.
Gioni, Massimiliano, ed. What Good Is the Moon? The Exhibitions of the Trussardi Foundation. Osfildern-Ruit, Germany: Hatje Cantz Verlag, 2010. With text on Cattelan by Roberta Tenconi, foreword by Hans Ulrich Obrist, a conversation between Massimiliano Gioni and Beatrice Trussardi, and additional texts by various authors.
Grenier, Catherine. L’art contemporain est-il chrétien? Rayon Art. Nîmes, France: Éditions Jacqueline Chambon, 2003. (French)
Heiser, Jörg. “Pathos gegen Lächerlichkeit–Kunst mit Slapstick.” In Plötzlich Diese Übersicht: Was Gute Zeitgenössische Kunst Ausmacht. Berlin: Ullstein Buchverlage GmbH, 2007. (German)
Heydebreck, Amélie von, ed. Stations: 100 Meisterwerke Zeitgenössischer Kunst. Cologne: DuMont, 2008. Entry on Cattelan by Ingolf Kern. With texts by Gesine Borcherdt, Barbara Gärtner, Uta Grosenick, Heydebreck, Silke Hohmann, Oliver Koerner von Gustorf, Daniel Völzke, Brigitte Werneburg, et al. Copublished by Monopol, Berlin. (German)
Holzwarth, Hans Werner, ed. Art Now. Vol. 3. Cologne: Taschen, 2008. With entry on Cattelan by Christy Lange and additional texts by Cecilia Alemani, Jens Asthoff, Andrew Bonacina, Suzanne Hudson, Holger Lund, Astrid Mania, Rodrigo Moura, Simon Rees, Vivian Rehberg, and Eva Scharrer. (English, German, and French)
Manacorda, Francesco. Maurizio Cattelan. Supercontemporanea, edited by Francesco Bonami. Milan: Mondadori Electa, 2006.
Melotti, Massimo. “Le arti visive.” In L’età della finzione: Arte e società tra realtà ed estasi. Rome: Luca Sossella Editore, 2006. (Italian)
Nemitz, Barbara, ed. Trans/plant: Living Vegetation in Contemporary Art. Ostfildern-Ruit, Germany: Hatje Cantz Verlag, 2000. Entry on Cattelan by Massimiliano Gioni. With texts by Peter Herbstreuth, Kim Levin, and Barbara Nemitz. (English and German)
Obrist, Hans Ulrich, and Guy Tortosa, eds. Unbuilt Roads: 107 Unrealized Projects. Ostfildern-Ruit, Germany: Hatje Cantz Verlag, 1997. (English and German)
Onfray, Michel. “Retour à l’immanence” and “Activer une méthode ironique.” In Archéologie du présent: Manifeste pour une esthétique cynique. Paris: Éditions Grasset et Fasquelle and the Société nouvelle Adam Biro, 2003. (French)
Poli, Francesco, Martina Corgnati, Giorgina Bertolino, Elena Del Drago, Francesco Bernardelli, and Francesco Bonami. Contemporanea: Arte dal 1950 a oggi. Milan: Mondadori Electa, 2008. With texts discussing Cattelan by Bonami, Lucia Pesapane, and Valentina Zanetti. (Italian)
Richer, Francesca, and Matthew Rosenzweig, eds. “Maurizio Cattelan.” In No. 1: First Works by 362 Artists. New York: D.A.P./Distributed Art Publishers, 2005. Entry on Cattelan taken from conversation with Giacinto Di Pietrantonio.
Riemschneider, Burkhard, and Uta Grosenick, eds. Art at the Turn of the Millennium/L’art au tournant de l’an 2000. Cologne: Taschen, 1999. Entry on Cattelan by Yilmaz Dziewior. (French and English)
Rosenthal, Mark. “Joseph Beuys: Staging Sculpture.” In Rosenthal with Sean Rainbird and Claudia Schmuckli, Joseph Beuys: Actions, Vitrines, Environments. Exh. cat., Menil Collection, Houston, and Tate Modern, London (Houston: Menil Foundation, 2004).
Siegel, Katy, and Paul Mattick. “Art and Money,” “Credit,” and a roundtable discussion “Talk.” In Money. Art Works. New York: Thames & Hudson, 2004. With a talk among Rainer Ganahl, Mattick, Raymonde Moulin, Lane Relyea, Richard Shiff, and Siegel.
Thornton, Sarah. “The Auction,” “The Magazine,” and “The Biennale.” In Seven Days in the Art World. New York: W. W. Norton & Co., 2008. (Editions in Chinese, Dutch, English, German, Italian, Japanese, Portuguese, and Spanish)
Tomkins, Calvin. “Maurizio Cattelan.” In Lives of the Artists. New York: Henry Holt & Co., 2008. Originally published as “The Prankster.” Profiles, New Yorker 80, no. 29 (Oct. 4, 2004), pp. 80–89.
Vagheggi, Paolo. “Maurizio Cattelan.” In Contemporanei: Conversazioni d’artista. Milan: Skira Editore, 2006. With texts by Achille Bonito Oliva and Germano Celant. (Italian)
Verzotti, Giorgio. Maurizio Cattelan. Translated by Marguerite Shore. Milan: Edizioni Charta, 1997. Revised and updated reprint, 1999. (English and Italian)
Wheelock, Bill. The Wrong Idea: Maurizio Cattelan in the Economy of Attention. Saarbrücken, Germany: VDM (Verlag Dr. Müller), 2011. (Editions in English and German)
Williams, Gilda, ed. Cream: Contemporary Art in Culture. London: Phaidon Press, 1998. Entry on Cattelan by Francesco Bonami and texts by Gilles Deleuze et al.
ARTICLES
1987
Marogna, Gege. “Trash-Design.” Casa Vogue (Milan), no. 188 (Sept.), p. 349. (Italian)
1988
Cavallari, Lino. “Neon/Maurizio Cattelan: Nuovo ‘styling,’ richiami dadaisti.” Il Resto del Carlino (Bologna), Feb. 6. Review. (Italian)
Daolio, Roberto. “Maurizio Cattelan.” Flash Art (Italian edition, Milan), no. 146 (Oct.–Nov.), p. 124. Review. (Italian)
Di Pietrantonio, Giacinto. “Maurizio Cattelan.” Flash Art (Italian edition, Milan), no. 143 (Mar.–Apr.), p. 108. (Italian)
1989
Coen, Vittoria. “Maurizio Cattelan.” Flash Art (Italian edition, Milan), no. 151 (Summer), p. 93. Review. (Italian)
Lacche, Frederico. “Biologia delle passioni.” Mongolfiera, May 8–21. (Italian)
Maggi, Laura. “Oggetti trasfigurati.” Casa Vogue (Milan), no. 210 (July–Aug.), p. 85. (Italian)
Mantica, Clara, and Luciana Cuomo. “Dedicato a . . . Chi produce e a chi vende.” Gap Casa (Milan), no. 58 (June), pp. 90–93. (Italian)
———. “Gli interventi.” Gap Casa (Milan), no. 58 (June), pp. 94–104. (Italian)
“Maurizio Cattelan.” Verona cultura arte spettacolo sec. L’Arena (Verona, Italy), May. Review. (Italian)
Mazzoli, Vittoria. “Il difficile mestiere del designer.” Artinumbria (Perugia, Italy) 6, no. 21 (Autumn), pp. 34–35. (Italian).
Trevisan, Giorgio. “Il giro delle mostre: Catellan [sic] si affida alle radici, Bianchi riscopre le odalische.” L’Arena (Verona, Italy), May 16. (Italian)
1990
Ciavoliello, Giulio. “Maurizio Cattelan.” Flash Art (Italian edition, Milan) 23, no. 158 (Oct.–Nov.), p. 195. Review. (Italian)
Coen, Vittoria, and Roberto Daolio. “I ragazzi della via Emilia.” Flash Art (Italian edition, Milan) 23, no. 158 (Oct.–Nov.), p. 158. (Italian)
Simoni, Serena. “Maurizio Cattelan.” Juliet (Trieste, Italy), no. 47 (Apr.), p. 41. (Italian)
1991
Corgnati, Martina. “Concettuali in città.” Arte (Milan), no. 217 (Apr.), pp. 70–73. (Italian)
Grasso, Sebastiano. “L’arte in cerca di popolarità sposa il calcio.” Corriere della Sera (Milan), May 18, p. 11. (Italian)
Reschia, Carla. “Il calciobalilla fa teatro.” La Stampa (Turin), May 11, p. 44. (Italian)
Romano, Gianni. “A Fragmentary Image.” LÁPIZ (Madrid) 9, no. 78 (June), English-language edition, pp. 54–61.
———. “« Loro » (Them).” LÁPIZ (Madrid) 9, no. 78 (June), p. 66.
1992
Bonami, Francesco. “Family Plot: New Italian Art Caught Between Mom and Legend.” Flash Art (International edition, Milan), no. 167 (Nov.–Dec.), pp. 72–73.
———. “Motivi di famiglia.” Flash Art (Italian edition, Milan) 25, no. 170 (Oct.–Nov.), p. 62. (Italian)
Cherubini, Laura. “Medialismo.” Flash Art (Italian edition, Milan) 25, no. 166 (Feb.–Mar.), p. 96. Review. (Italian)
Ciavoliello, Giulio. “Se avessi cento bocche.” Juliet (Trieste, Italy), no. 60 (Dec. 1992–Jan. 1993), pp. 34–35. (Italian)
Pinto, Roberto. “Ouverture: Maurizio Cattelan.” Flash Art (International edition, Milan) 25, no. 166 (Oct.), p. 90.
Romano, Gianni. “El juego del arte.” LÁPIZ (Madrid) 10, no. 86 (Apr.–May), pp. 42–49. (Spanish) Published in English in the same issue as “Maurizio Cattelan.”
Senaldi, Marco. “Ottovolante.” Flash Art (Italian edition, Milan) 25, no. 169 (Summer), p. 124. Review. (Italian)
1993
Daolio, Roberto. “Presenze: La dissoluzione di un modello utopico.” Flash Art (Italian edition, Milan) 27, no. 180 (Dec. 1993–Jan. 1994), p. 75. (Italian)
De Cecco, Emanuela. “Maurizio Cattelan.” Flash Art (Italian edition, Milan) 26, no. 173 (Mar.), p. 82. Review. (Italian)
Gazzola, Eugenio. “Maurizio Cattelan [at] Galleria De Carlo.” Segno (Pescara, Italy), no. 122 (Mar.), p. 60. Review. (Italian)
Perretta, Gabriele. “Maurizio Cattelan.” Flash Art (Italian edition, Milan) 26, no. 177 (Summer), p. 96. Review. (Italian)
Romano, Gianni. “Cattelan [at] XVL Esposizione internazionale d’arte.” Zoom (Milan), no. 124 (July–Aug.), p. 8. (Italian)
1994
Bonami, Francesco. “Maurizio Cattelan [at] Daniel Newburg.” Flash Art (International edition, Milan) 27, no. 178 (Oct.), pp. 97–98. Review.
Gigli, Nicoletta Cobolli, and Elisabetta Planca. “i Top ten?” Arte (Milan), no. 255 (Oct.), pp. 58–69. (Italian)
Grant, Simon. “Maurizio Cattelan.” Art Monthly (London), no. 174 (Mar.), p. 27. Review.
Jeffett, William. “Maurizio Cattelan.” Artefactum (Antwerp, Belgium) 11, no. 52 (Summer), p. 33. Review.
Lillington, David. “Maurizio Cattelan [at] Laure Genillard.” Time Out (London), no. 1228 (Mar. 2–9), p. 44. Review.
Panzera, Mauro. “Cattelan/Kozaris.” Flash Art (Italian edition, Milan) 27, no. 184 (May), p. 59. Review. (Italian)
“Soggetto Soggetto: Una nuova relazione nell’arte di oggi.” Anteprima, Mostre & Musei, Segno (Pescara, Italy), no. 134 (June–July), p. 4. Review. (Italian)
Verzotti, Giorgio. “Once More with Intellect: Italy’s New Idea Art.” Artforum International (New York) 32, no. 9 (May), pp. 90–95, 125.
1995
Rian, Jeff. “Maurizio Cattelan [at] MA Galerie, Paris.” Frieze (London), no. 23 (Summer), pp. 67–68. Review.
Zahm, Olivier. “Maurizio Cattelan.” Openings, Artforum International (New York) 33, no. 10 (Summer), pp. 98–99.
1996
Budney, Jen. “Maurizio Cattelan [at] Galleria Massimo De Carlo.” Flash Art (International edition, Milan) 29, no. 189 (Summer), p. 139. Review.
Guha, Tania. “Maurizio Cattelan [at] Laure Genillard.” Art, Time Out (London), no. 1334 (Mar. 13–20), p. 47. Review.
Rian, Jeff. “Maurizio Cattelan . . . Went Home.” Flash Art (International edition, Milan) 29, no. 190 (Oct.), pp. 80–84, cover.
Santacatterina, Stella. “Strategies towards the Remaking of the Artistic Self.” Third Text (London), no. 37 (Winter 1996–97), pp. 99–103.
Verzotti, Giorgio. “Maurizio Cattelan [at] Galleria Massimo De Carlo.” Art & Text (Prahran, Australia), no. 54 (May), p. 82. Review.
Verzotti, Giorgio, and Giovanna Di Costa. “Maurizio Cattelan.” Flash Art (Italian edition, Milan) 29, no. 198 (June–July), pp. 100–01. Review. (Italian)
Vettese, Angela. “Art in Milan.” Parkett (Zurich), no. 46 (May), pp. 194–99. (English and German)
Winkelmann, Jan. “Crap Shoot: Ein discussie.” Metropolis M (Utrecht, Netherlands), no. 3 (June), pp. 14–16. (Dutch)
Zahm, Olivier. “Maurizio Cattelan, World Tour.” Purple Prose (Paris), no. 11 (Summer), chap. 6. (French)
1997
Baradel, Virginia. “Cattelan a Rivoli ovvero l’arte come contrordine mentale.” Il Mattino di Padova (Padua, Italy), no. 290 (Oct. 22). Review. (Italian)
Conti, Tiziana. “Maurizio Cattelan a Rivoli.” Anteprima Torino (Turin) 3, no. 10 (Oct.), p. 27. Review. (Italian)
Curto, Guido. “E il cavallo sta sul soffitto: Nel mondo tragicomico di Cattelan.” La Stampa (Turin), Oct. 19, p. 3. Review. (Italian)
———. “Maurizio Cattelan.” Flash Art (Italian edition, Milan) 30, no. 207 (Dec. 1997–Jan. 1998), p. 106. (Italian)
Di Pietrantonio, Giacinto. “Cattelan, Cucchi, Spalletti: Appunti nel viaggio verso la 47ma Biennale.” Flash Art (Italian edition, Milan) 30, no. 204 (June–July), pp. 66–68. (Italian)
Gale, David. “Maurizio Cattelan.” Telegraph Magazine, supplement to the Daily Telegraph (London), Nov. 22.
Gauville, Hervé. “Dans un grand espace vide du Consortium, l’Italien a creusé dans le sol, et déposé la terre à côté. Une œuvre « tombale » fort à propos dans la ville d’un célèbre gisant, Jean sans Terre. Cattelan fait son trou à Dijon.” Arts, Libération (Paris), Feb. 13. Review. (French)
Janus, Elizabeth. “Maurizio Cattelan [at] Le consortium, Dijon.” Frieze (London), no. 34 (May), p. 69. Review.
Lorenzi, Faosto. “Cattelan, choc e sberleffo.” Giornale di Brescia (Brescia, Italy), no. 239 (Oct. 9). Review. (Italian)
Martaix, Ingrid, ed. “Maurizio Cattelan.” Documents sur l’art (Dijon, France), no. 10, edited by Allen Ruppersberg, pp. 124–27. Statements by various authors. (English and French)
Meneghelli, Luigi. “Cattelan, l’ironico sabotatore.” Bresciaoggi (Brescia, Italy), no. 349 (Dec. 19). Review. (Italian)
Mitchell, Charles Dee. “Report from Santa Fe: New Narratives.” Art in America (New York) 85, no. 11 (Nov.), pp. 42–47.
Perreau, David. “Maurizio Cattelan: Travail de sape.” Omnibus (Paris), no. 22 (Oct.), p. 3. (French)
Pesch, Martin. “Fast Nichts/Almost Invisible: The Transformer Station, Singen.” Frieze (London), no. 32 (Jan.–Feb.), pp. 68–69. Review.
Vidali, Roberto. “Maurizio Cattelan.” Juliet (Trieste, Italy) 18, no. 83 (June), pp. 34–35. (Italian)
1998
Fusselman, Amy. “Picasso Mouse.” Artnet, Nov. http://www.artnet.com/magazine_pre2000/features/fusselman/fusselman10-27-98.asp. Review.
Meneguzzo, Marco. “Maurizio Cattelan [at the] Castello di Rivoli.” Artforum International (New York) 36, no. 6 (Feb.), p. 100. Review.
Perreau, David. “Maurizio Cattelan: L’idiot du village/The Village Idiot.” Art Press (Paris), no. 233 (Mar.), pp. 44–48. (English and French)
Régnier, Philippe. “Cattelan sonne les cloches: Intervention insolite à Brétigny-sur-Orge.” Le journal des arts (Paris), no. 51 (Jan. 3). (French)
Slyce, John. “Made in Italy.” Spotlight, Flash Art (International edition, Milan) 31, no. 198 (Jan.–Feb.), pp. 106–07. Review.
Smith, Roberta. “Projects 65: Maurizio Cattelan [at the] Museum of Modern Art.” Art Guide, New York Times, Nov. 27, late edition, leisure/weekend desk, sec. E, part 2, p. 44.
Verzotti, Giorgio. “‘Made in Italy’ [at the] Institute for Contemporary Art.” Artforum International (New York) 36, no. 6 (Feb.), p. 102. Review.
———. “La scène italienne: Une politique de l’expérience/A Politics of Experience: New Italian Art.” Art Press (Paris), no. 234 (Apr.), pp. 27–33. (English and French)
1999
Arning, Bill. “Maurizio Cattelan at the Museum of Modern Art.” Art in America (New York) 87, no. 9 (Sept.), pp. 131–32. Review.
Brockington, Horace. “Unfinished Histories, Chicago.” NY Arts Magazine 3, no. 2 (Feb.), pp. 19–21.
Coomer, Martin. “Maurizio Cattelan.” Time Out (London), no. 1503 (June 9–16), p. 43. Review.
Hunt, Ian. “Ever Felt Had?” Art Monthly (London), no. 229 (Sept.), pp. 7–10. Review.
Janus, Elizabeth. “Maurizio Cattelan [at] Kunsthalle Basel.” Preview, Artforum International (New York) 38, no. 1 (Sept.), p. 6.
Jury, Louise. “Suspended Animation.” Independent (London), July 11, final edition, p. 30.
Kent, Sarah. “Spellbound: ‘Abracadabra’ Waves Its Wonder at the Tate.” Art Preview, Time Out (London), no. 1510 (July 28–Aug. 4), p. 51.
Leguillon, Pierre. “Maurizio Cattelan [at the] Museum of Modern Art.” Art Press (Paris), no. 243 (Feb.), pp. 68–69. Review. (English and French)
MacRitchieis, Lynn. “Tate Gallery Shrugs Off Its Serious Side to Get Seriously Silly.” Financial Times (London), July 17, p. 6. Review.
“On a Shoestring.” i-D Magazine (London), no. 187 (June), p. 70.
Pasini, Francesca. “Maurizio Cattelan.” Flash Art (Italian edition, Milan) 32, no. 219 (Dec. 1999–Jan. 2000), p. 112. Review. (Italian)
Searle, Adrian. “Dearth in Venice.” Manchester Guardian Weekly (London), July 26, Arts, p. 26. Review.
Senaldi, Marco. “Italiani dappertutto.” Flash Art (Italian edition, Milan) 32, no. 217 (Summer), pp. 72–74. (Italian)
Sladen, Mark. “The Tate Shows Its Muscle.” Independent (London), July 18, Culture, p. 3. Review.
Storr, Robert. “Art Carnies.” Artforum International (New York) 38, no. 1 (Sept.), p. 146.
Verzotti, Giorgio. “La Biennale delle culture emergenti.” Tema Celeste (Milan) 16, no. 75 (July–Sept.), pp. 46–53. (Italian)
———. “Cattelan è proprio un asino.” Flash Art (Italian edition, Milan) 32, no. 215 (Apr.–May), pp. 74–79. (Italian)
Withers, Rachel. “Body Count.” Artforum International (New York) 38, no. 1 (Sept.), p. 153.
2000
Behrman, Pryle. “Maurizio Cattelan.” Contemporary (London), no. 30, pp. 68–69.
Bonami, Francesco. “Every Artist Can Be a Man/Jeder Künstler kann Mensch sein.” Parkett (Zurich), no. 59, pp. 60–71. (English and German)
Bourriaud, Nicolas. “A Grammar of Visual Delinquency/Eine Grammatik des künstlerischen Schurkenstreichs.” Parkett (Zurich), no. 59, pp. 34–49. (English and German)
De Cruz, Gemma, and Cedar Lewishon. “Apocalypse.” Flash Art (Italian edition, Milan) 33, no. 225 (Dec. 2000–Jan. 2001), pp. 78–79. (Italian)
Gingeras, Alison. “A Sociology Without Truth/Eine Soziologie ohne Wahrheit.” Parkett (Zurich), no. 59, pp. 50–59. (English and German)
Gioni, Massimiliano. “The Beach: Utopia 2000.” Flash Art (International edition, Milan) 33, no. 213 (Summer), pp. 65–66. Review.
———. “Maurizio Cattelan.” Flash Art (International edition, Milan) 33, no. 210 (Jan.–Feb.), p. 107.
Kamper, Dietmar, with Maurizio Cattelan and Attilio Maranzano. “The Four Borders of the Eye.” Janus (Brussels), no. 5 (May), pp. 40–44, front and back cover. Published in Dutch in the same issue as “De vier grenzen van het zicht.”
Liu, Jenny. “Trouble in Paradise: Jenny Liu Visits the Sixth International Caribbean Biennial.” Frieze (London), no. 51 (Mar.–Apr.), pp. 51–53. Review.
Molinari, Guido. “Supernature: Ai confini della realtà.” Flash Art (Italian edition, Milan) 33, no. 225 (Dec. 2000–Jan. 2001), pp. 98–101. (Italian)
Shave, Stuart. “The Artful Dodger.” i–D Magazine (London), no. 195 (Mar.), pp. 206–09.
Smith, Roberta. “Tacita Dean, Maurizio Cattelan.” Art in Review, New York Times, Mar. 17, sec. E, part 2, p. 37. Review.
Wakefield, Neville. “Maurizio Cattelan: Where the Human Condition and the Animal Kingdom Merge.” Interview (New York) 30, no. 6, June, p. 44.
2001
Avgikos, Jan. “Avventure in paradiso.” Flash Art (Italian edition, Milan) 34, no. 227 (Apr.–May), pp. 82–89. (Italian)
Belcove, Julie L. “To Market, to Market.” W (New York) 30, no. 5 (May), pp. 226–29, 252–53.
Bellet, Harry. “Maurizio Cattelan écrit « Hollywood » dans une décharge de Sicile.” Le monde (Paris), June 12, Culture, p. 31. (French)
Bruciati, Andrea. “La biennale di Venezia.” Segno (Pescara, Italy) 25, no. 181 (Nov.–Dec.), p. 30. (Italian)
Casadio, Mariuccia. “The Making of Cattelan’s Tyrannosaurus ‘Felix.’” Vogue Italia (Milan), Oct., pp. 702–09. (Italian)
“Centerfold: Hollywood.” Artforum International (New York) 40, no. 1 (Sept.), pp. 168–69.
Fanelli, Franco. “Un bambino di nome Adolf.” Il giornale dell’arte (Turin), no. 203 (Sept.), pp. 22–23. (Italian)
Gioni, Massimiliano. “Touch Me I’m Sick: Portraits of Power.” Flash Art (International edition, Milan) 34, no. 218 (May–June), pp. 108–13, cover. Reprinted in Flash Art (International edition, Milan), 41, no. 261 (July–Sept. 2008), pp. 202–05.
Kazanjian, Dodie. “The Lying Game.” Vogue (New York) 191, no. 2 (Feb.), pp. 272–77.
Kirshner, Judith Russi. “Palermo Hollywood.” New Art Examiner (Chicago) 29, no. 1 (The 49th Venice Biennale) (Sept.–Oct.), pp. 48, 104, 108. Review.
Muritti, Elisabetta. “Maurizio Cattelan; L’irriverente.” Arte, Elle Italia (Milan), June, pp. 94–98. (Italian)
Nicita, Paola. “Se Palermo fosse Hollywood.” Flash Art (Italian edition, Milan) 34, no. 228 (June–July), p. 91. Review. (Italian)
Nilsson, John Peter. “Maurizio Cattelan.” Nu: The Nordic Art Review (Stockholm) 3, nos. 3–4 (June), pp. 100–01. Review.
Orengo, Nico. “Incontro con la nuova star dell’arte contemporanea, che espone al Castello di Rivoli lo scandaloso Him. Cattelan: Ho messo Hitler in ginocchio.” Societa e Cultura. La Stampa (Turin), Oct. 7, p. 23. (Italian)
Politi, Giancarlo. “Caro Maurizio Cattelan, vota Berlusconi.” Flash Art (Italian edition, Milan) 34, no. 227 (Apr.–May), p. 72. (Italian)
Robecchi, Michele. “Angry Art-Goers Fight Back!” Flash Art (International edition, Milan) 34, no. 217 (Mar.–Apr.), p. 45.
Sanders, Mark. “Maurizio Cattelan.” Dazed and Confused (London), no. 81, Sept., pp. 177–85.
Scherr, Apollinaire. “A Fallen Pope Provokes a Sensation in Poland.” Art/Architecture, New York Times, May 13, final late edition, sec. 2, p. 25.
Senaldi, Marco. “Niente di personale.” Flash Art (Italian edition, Milan) 34, no. 227 (Apr.–May), pp. 110–14. (Italian)
Shanley, Douglas. “Settembre nero.” Flash Art (Italian edition, Milan) 34, no. 231 (Dec. 2001–Jan. 2002), pp. 56–59. (Italian)
Vagheggi, Paolo. “Cattelan, il sogno di Hollywood.” La Repubblica (Rome), May 14, Culture, p. 44. (Italian)
2002
Aletti, Vince. “Hunting and Gathering: Plundering the Image Bank with Cattelan and Feldmann.” Village Voice (New York) 47, no. 16 (Apr. 16), p. 55.
Capasso, Angelo. “Peekaboo!” Tema Celeste (English edition, Milan) 19, no. 91 (May–June), pp. 58–61.
De Jong, Halbe. “De Werelden van Cattelan.” Snoecks (Ghent, Belgium), 2002 (Oct.), pp. 508–25. (Dutch)
Levin, Kim. “Maurizio Cattelan at Marian Goodman Gallery.” Village Voice (New York) 47, no. 23 (June 11), p. 92. Review.
Milroy, Sarah. “Collective Memories.” The Globe and Mail (Toronto), Apr. 8, p. R1. Review.
Rian, Jeff. “Accidentally On Purpose.” Part of “Purple Special: Maurizio Cattelan.” Purple (Paris), no. 12 (Summer), pp. 76–77.
Schwerfel, Heinz Peter. “Kunst unter Schock.” Art: Das Kunstmagazin (Hamburg, Germany), no. 3 (Mar.), pp. 14–27. (German)
Vogel, Carol. “Don’t Get Angry. He’s Kidding. Seriously.” New York Times, May 13, final late edition, sec. E, p. 1.
Yablonsky, Linda. “Piercing Analysis.” Time Out (New York), June 20–27.
Zahm, Olivier. “Don’t Believe in War.” Part of “Purple Special: Maurizio Cattelan.” Purple (Paris), no. 12 (Summer), pp. 72–75. (French)
2003
Beatrice, Luca. “Il corpo degli altri.” Flash Art (Italian edition, Milan) 36, no. 240 (June–July), pp. 126–29. (Italian)
Belclove, Julie L. “Torso de Force.” W (New York) 32, no. 12 (Dec.), pp. 307–11.
Casadio, Mariuccia. “Devilish Cattelan.” Photographs by Helmut Newton. L’uomo vogue (Milan), no. 22 (Sept.), pp. 298–303. (Italian)
———. “Maurizio Cattelan: Self and Portrait.” Photographs by Helmut Newton. Vogue Italia (Milan), no. 637 (Sept.), pp. 556–59. (Italian)
Demir, Anaïd, Charlotte Léouzon-Miran, and Sébastien Pluot. “Subversion.” Beaux Arts Magazine (Issy-les-Moulineaux, France), no. 227 (Apr.), pp. 78–87. (French)
Knight, Christopher. “‘Charlie’ Gets the Point at MOCA: Art Can Be Fun.” Los Angeles Times, July 22, home edition, Calendar Desk, p. E1.
Knöfel, Ulrike. “Kunst trommelt.” Der Spiegel (Hamburg, Germany), Apr. 28, p. 182. (German)
Lageira, Jacinto. “L’absurde pour tous mais à personne: Maurizio Cattelan/Absurdity for All, Belonging to Nobody: Maurizio Cattelan.” Parachute (Montreal), no. 109 (Jan.–Mar.), pp. 11–25, cover. (English and French)
Manacorda, Francesco. “Il modernismo rivisitato: Oltre fallimenti e utopie.” Flash Art (Italian edition, Milan) 36, no. 242 (Oct.–Nov.), p. 119. (Italian)
Millar, Bruce. “Top Cat.” Tate Magazine (London), no. 8 (Nov.–Dec.), pp. 36–44.
Pioselli, Alessandra. “Biennale di Venezia/Un grazie a Cattelan.” Flash Art (Italian edition, Milan) 36, no. 241 (Aug.–Sept.), p. 93. Review. (Italian)
Politi, Giancarlo. “Galleristi allo specchio.” Flash Art (Italian edition, Milan) 36, no. 242 (Oct.–Nov.), pp. 86–87. (Italian)
Rapelli, Roberta. “Il ventesimo secolo gioca a scacchi: In diciannove partite.” Special sculpture issue, Arte (Milan), no. 360 (Aug.), pp. 147–48, cover. (Italian)
Rimanelli, David. Entries. Artforum International (New York) 42, no. 1 (Sept.), p. 33.
Robinson, Walter. “Shapely Venice.” Artnet, June 13. http://www.artnet.com/magazine/reviews/wrobinson/robinson6-13-03.asp. Review.
Rubenstein, Raphael. “The Art Press: Whose 1980s?” Art in America (New York) 91, no. 12 (Dec.), pp. 35, 37, 39.
Sciaccaluga, Maurizio. “Maurizio Cattelan: Un personaggio in cerca d’autori.” Arte (Milan), no. 335 (Mar.), pp. 128–38. (Italian)
Senaldi, Marco. “Iperrealismo: Remake, remix e fattore X.” Flash Art (Italian edition, Milan) 36, no. 239 (Apr.–May), pp. 118–21. (Italian)
2004
Arie, Sophie. “‘I Don’t Do Anything. I Just Eat Images’: Maurizio Cattelan Fills Galleries with Jokes and Dead Animals; Now People Are Taking Him Seriously, and He Doesn’t Like It.” Guardian (London), June 23, final edition, p. 11.
———. “Noose Morals? Milan Artist’s Installation Sparks Outrage and Injury.” Guardian (London), May 8, foreign pages, p. 18.
Aspesi, Natalia. “Se è d’artista la forca in piazza.” La Repubblica (Rome), May 6, pp. 1, 16, and 25. (Italian)
Barachon, Charles. “Requiem for JFK.” Technikart (Paris), no. 87 (Nov.), p. 125. Review. (French)
Barilli, Renato. “Pensare Bellamente/On the « Beautyfully Thinking ».” Work: Art in Progress (Trento, Italy), no. 8 (Jan.–Mar.), pp. 70–73. (English and Italian)
“Il bello e le bestie.” Flash Art (Italian edition, Milan) 38, no. 249 (Dec. 2004–Jan. 2005), p. 70. (Italian)
Belpoliti, Marco. “Uno scandalo utile.” La Stampa (Turin), no. 162 (May 8), p. 32. (Italian)
Berizzi, Paolo. “La risposta c’è già I suoi sono capolavori apprezzati nel mondo.” La Repubblica (Rome), June 1, Milan sec., p. 4. (Italian)
Berizzi, Paolo, and Anna Cirillo. “L’ultima sfida di Cattelan.” La Repubblica (Rome), May 6, Milan sec., p. 2. (Italian)
Besio, Armando. “Carrubba e Cattelan ‘Lo scandalo è l’ipocrisia.’” La Repubblica (Rome), May 9, Milan sec., p. 3. (Italian)
“Bestiary: The Media Responds to Maurizio Cattelan.” Flash Art (International edition, Milan) 37, no. 237 (July–Sept.), pp. 96–97, cover. Published in Italian as “Bestiario: Florilegio di stampa quotidiana.” Flash Art (Italian edition, Milan) 37, no. 247 (Aug.–Sept.), pp. 98–100.
Camorani, Annalisa. “I bambini impiccati finiscono in Consiglio.” La Repubblica (Rome), May 10, Milan sec., p. 2. (Italian)
Campagnola, Sonia. “Progetti e speranze: Desideri e contraddizioni di una regione attraverso le voci di alcuni dei suoi protagonisti.” Flash Art (Italian edition, Milan) 37, no. 244 (Feb.–Mar.), p. 94. (Italian)
Casadio, Mariuccia. “Torno subito.” Work: Art in Progress (Trento, Italy), no. 8 (Jan.–Mar.), pp. 74–77. (English and Italian)
“Cattelan a Parigi.” Flash Art (Italian edition, Milan) 37, no. 248 (Oct.–Nov.), p. 83. (Italian)
“Cattelan, docente universitario–Trento.” Flash Art (Italian edition, Milan) 37, no. 245 (Apr.–May), p. 79. (Italian)
“Cattelan torna a Milano.” Flash Art (Italian edition, Milan) 37, no. 246 (June–July), p. 65. (Italian)
Cavallucci, Fabio. “Arte Pubblica: Un tentativo di cronistoria/Public Art: Attempt of a Chronicle.” Work: Art in Progress (Trento, Italy), no. 9 (Summer), pp. 9–14. (English and Italian)
———. “Editoriale/Editorial.” Work: Art in Progress (Trento, Italy), no. 8 (Jan.–Mar.), p. 5. (English and Italian)
———. “Editoriale/Editorial.” Work: Art in Progress (Trento, Italy) 3, no. 10 (Autumn), p. 9. (English and Italian)
———. “Storia di un’eterna bocciatura/The Story of a Repeated Failure.” Work: Art in Progress (Trento, Italy), no. 8 (Jan.–Mar.), pp. 42–45. (English and Italian)
Cavallucci, Fabio, Antonio Scaglia, Pierangelo Schiera, Antonio Strati, and Cristina Natalicchio. “Sociologia fuori dagli schemi: Dibattito sulle lauree ad honorem a Tina Anselmi e a Maurizio Cattelan/Sociology Out of the Norm: Discussion Held on the Honorary Degrees to Tina Anselmi and Maurizio Cattelan.” Work: Art in Progress (Trento, Italy), no. 8 (Jan.–Mar.), pp. 55–59. (English and Italian)
Champenois, Michèle. “Maurizio Cattelan: Aux arts citoyens!” Le monde 2 (Paris), Oct. 2, pp. 34–39. Review. (French)
Cirillo, Anna, and Massimo Pisa. “Guerra sui bimbi di Cattelan le opere traslocano a Siviglia.” La Repubblica (Rome), May 8, Cronaca sec., p. 14. (Italian)
Corbetta, Caroline. “Voltarsi dall’altra parte?/Looking the Other Way?” Domus (Milan), no. 871 (June), pp. 94–96. (English and Italian)
Cullinan, Nicholas. “State of Play.” Frieze (London), no. 82 (Apr.), pp. 93–94. Review.
“I dieci comandamenti.” Flash Art (Italian edition, Milan) 37, no. 247 (Aug.–Sept.), p. 47. (Italian)
Dillon, Brian. “Seven Faces of the Art Vandal.” Tate Etc. (London), no. 2 (Autumn), pp. 68–77.
Dunn, Melissa. “Fuori da questo mondo: Biennale del Whitney 2004.” Flash Art (Italian edition, Milan) 37, no. 245 (Apr.–May), p. 74. Review. (Italian)
———. “Whitney Biennial 2004: A Good-Looking Corpse.” Flash Art (International edition, Milan) 37, no. 236 (May–June), pp. 63, 80. Review.
Fabbri, Paolo. “The Angel of the Odd.” Work: Art in Progress (Trento, Italy), no. 8 (Jan.–Mar.), pp. 64–69. (English and Italian)
Fenner, Danilo. “Il buco velato/The Veled [sic] Hole: Danilo Fenner Interviews Pier Aldo Rovatti.” Work: Art in Progress (Trento, Italy), no. 8 (Jan.–Mar.), pp. 60–63. (English and Italian)
“Flirt tra arte e pubblicità–Bolzano.” Flash Art (Italian edition, Milan) 37, no. 245 (Apr.–May), p. 80. (Italian)
Grenier, Catherine. “Maurizio Cattelan o la potenza scandalosa della vita/Maurizio Cattelan or the Scandalous Power of Life.” Work: Art in Progress (Trento, Italy), no. 8 (Jan.–Mar.), pp. 28–31. (English and Italian)
Hoptman, Laura. “Progetto sociale: Maurizio Cattelan/Trickster.” Work: Art in Progress (Trento, Italy), no. 8 (Jan.–Mar.), pp. 18–27. (English and Italian)
Januszczak, Waldemar. “A Funny Thing Happened on the Way to the New Serpentine Show: The Gallery Got a Sense of Humour.” Sunday Times (London), Feb. 22, Culture, pp. 8–9. Review.
King, Emily. “Fantasy Publishing: Maurizio Cattelan’s Publication Permanent Food,” 032c (Berlin), no. 8 (Winter 2004–05), pp. 128–31.
Lerín, Vanessa. “Polémica en Italia por un montaje de Cattelan con figuras de niños ahorcados.” El país (Madrid), May 8, La cultura, p. 47. (Spanish)
“Maurizio Cattelan in strada.” Flash Art (Italian edition, Milan) 37, no. 245 (Apr.–May), p. 72. (Italian)
Montesano, Gian Marco. “Cattelan è Bin Laden.” Letter to the editor. Flash Art (Italian edition, Milan) 37, no. 248 (Oct.–Nov.), p. 101. (Italian)
———. “Un trekking come opera d’arte.” Flash Art (Italian edition, Milan) 37, no. 248 (Oct.–Nov.), p. 98. (Italian)
Morton, Tom. “Bob Nickas, The Wrong Gallery, New York.” Frieze (London), no. 82 (Apr.), p. 100. Review.
Polveroni, Adriana. “Un grande asino tra I dottori/A Big Donkey Among Doctors.” Work: Art in Progress (Trento, Italy), no. 9 (Summer), pp. 26–29, contents page. (English and Italian)
Povoledo, Elisabetta. “Artwork Torn Down from a Tree in Milan.” New York Times International Herald Tribune (Global edition, Neuilly Cedex, France), May 8, p. 6.
“Prima biennale di Siviglia.” Flash Art (Italian edition, Milan) 37, no. 246 (June–July), p. 60. (Italian)
Rebollar, Mónica. “Carne trascendida/ Transcendent Flesh.” LÁPIZ (Madrid), no. 199–200 (Jan.–Feb.), pp. 68–84. (English and Spanish)
Rehberg, Karl-Siegbert. “Zero in condotta: Annotazioni sull’opera dell’artista italiano Maurizio Cattelan/Notes on the Work of the Italian Artist Maurizio Cattelan.” Work: Art in Progress (Trento, Italy), no. 8 (Jan.–Mar.), pp. 50–55. (English and Italian)
Saugo, Alessandra. “Pianeta Cattelan.” Donna (Milan) (June), pp. 50–53. (Italian)
“Scandalo a Milano.” Flash Art (Italian edition, Milan) 37, no. 247 (Aug.–Sept.), p. 57. (Italian)
Scarpa, Tiziano. “Organismi foneticamente modificati/Phonetically Modified Organisms.” Work: Art in Progress (Trento, Italy), no. 8 (Jan.–Mar.), pp. 78–81. (English and Italian)
Senaldi, Marco. “L’asino diventa dottore.” Flash Art (Italian edition, Milan) 37, no. 246 (June–July), p. 123. Review. (Italian)
Smith, Roberta. “Why Attack Art? Its Role Is to Help with Problems, Not Become a Problem.” Critic’s Notebook, New York Times, May 13, Arts, sec. E, p. 5.
Soglio, Elisabetta. “Bimbi fantoccio rimossi Albertini: Milano becera.” Corriere della Sera (Milan), May 8, p. 18. (Italian)
Tomkins, Calvin. “The Prankster.” Profiles, New Yorker 80, no. 29 (Oct. 4), pp. 80–89.
Vendrame, Simona. “Playing Field/Terreno di gioco.” Tema Celeste (Milan) 21, no. 103 (May–June), p. 9. (English and Italian)
“Villa Croce–Genova.” Flash Art (Italian edition, Milan) 37, no. 245 (Apr.–May), p. 81. (Italian)
2005
Bonami, Francesco. “Ma è davvero bravo questo Cattelan?” Vanity Fair (Italian edition, Milan), no. 32 (Aug. 18), pp. 132–34. (Italian)
Cavallucci, Fabio. “Maurizio Cattelan è il vero readymade/Maurizio Cattelan Is the True Readymade.” Work: Art in Progress (Trento, Italy), no. 13 (Summer), pp. 15–18. (English and Italian)
Filipovic, Elena. “Dionysiac: Art in Flux.” Frieze (London), no. 93 (Sept.), p. 140. Review.
Fiz, Alberto. “Signor Cattelan, impiegato di concetto.” Style Magazine (magazine of Corriere della Sera, Milan), no. 1 (Oct.), pp. 43–46, cover. (Italian)
Kerr, Merrily. “54th Carnegie International.” Flash Art (International edition, Milan) 38, no. 240 (Jan.–Feb.), p. 51. Review.
Morton, Tom. “Infinite Jester.” Frieze (London), no. 94 (Oct.), pp. 150–57, cover. Reprinted as “Maurizio Cattelan: Infinite Jester.” In The Artist’s Joke. Edited by Jennifer Higgie. Documents of Contemporary Art (London: Whitechapel; Cambridge, Mass.: MIT Press, 2007), pp. 205–11.
Torri, Maria Grazia. “Cattelan Tour.” Flash Art (Italian edition, Milan) 38, no. 252 (June–July), p. 71. Review. (Italian)
“Verba volant.” Flash Art (Italian edition, Milan) 38, no. 255 (Dec. 2005–Jan. 2006), p. 112. (Italian)
2006
Allen, Jennifer. “The 4th Berlin Biennial.” Artforum International (New York) 44, no. 9 (May), p. 281. Review.
Bae, James. “If the Sun and Moon Should Doubt, They’d Immediately Go Out.” Art Lies (Houston), no. 49 (Winter), pp. 56–59.
Campagnola, Sonia. “La Fondazione Pinault.” Flash Art (Italian edition, Milan) 39, no. 258 (June–July), p. 52. (Italian)
Colman, David. “Possessed: Of Objects, Direct and Indirect.” New York Times, June 25, late final edition, style desk, sec. 9, p. 10.
Januszczak, Waldemar. “Maurizio Cattelan: The Provocateur.” Spotlight. Vanity Fair (New York), no. 556 (Dec.), p. 312.
“Permanent Food.” Work: Art in Progress (Trento, Italy), no. 15 (Spring), p. 73. (Italian)
Sanders, Mark. “Bring Me the Head of Maurizio Cattelan.” Another Magazine (London), no. 10 (Spring–Summer), pp. 394–407. With statements by Francesco Bonami, Gavin Brown, Bice Curiger, Massimo De Carlo, Jeffrey Deitch, Eric Doeringer, Massimiliano Gioni and Ali Subotnick, Marian Goodman, Dodie Kazanjian and Calvin Tomkins, Paola Manfrin, Paul McCarthy, “Mike,” and Emmanuel Perrotin.
Thon, Ute von. “Hauptsraße der Kunst.” Art: Das Kunstmagazin (Hamburg, Germany), no. 4 (Apr.), pp. 10–12, cover. (German)
2007
Attolico, Eleonora. “Pitti, la moda uomo fa il tris.” L’espresso (Rome), May 24. http://espresso.repubblica.it/dettaglio/pitti-la-moda-uomo-fa-il-tris/1470069. (Italian)
Kittelmann, Udo. “The Frankfurt Project: Artists Lead, the Museum Follows.” Flash Art (International edition, Milan) 40, no. 257 (Nov.–Dec.), pp. 77–79, cover. Published in Italian as “A carte scoperte.” Flash Art (Italian edition, Milan) 40, no. 267 (Dec. 2007–Jan. 2008), pp. 69–71.
Lotta, Daniela. “Folgorazioni sulla via del Grand Tour.” Flash Art (Italian edition, Milan) 40, no. 265 (Aug.–Sept.), p. 39. (Italian)
“News–Cattelan guida la giornata AMACI.” Flash Art (Italian edition, Milan) 40, no. 265 (Aug.–Sept.), p. 47. (Italian)
2008
Bonazzoli, Francesca. “Maurizio Cattelan: L’esatto contrario.” Urban (Milan), no. 66 (Mar.), pp. 34–39, cover. (Italian)
Carrion-Murayari, Gary. “Time in Space.” Domus (Milan), no. 920 (Dec.), pp. 59–62. Review. (English and Italian)
Cavallucci, Fabio. “Maurizio Cattelan.” Spotlight. Flash Art (International edition, Milan) 41, no. 260 (May–June), p. 147. Review.
———. “Maurizio Cattelan Show.” Flash Art (Italian edition, Milan) 41, no. 269 (Apr.–May), pp. 80–82. Review. (Italian)
———. “Un monumento ideale alla famiglia reale/An Ideal Monument to the Real Family.” Work: Art in Progress (Trento, Italy) 7, no. 23 (Summer), pp. 15–16. (English and Italian)
Celant, Germano. “Memoriale Cattelan.” L’espresso (Rome) 54, no. 10 (Mar. 13), p. 143. (Italian)
Corbetta, Caroline. “Art Is a Never Ending Project.” L’uomo vogue (Milan), no. 394 (Oct.), p. 68. (Italian)
———. “Cose d’artista: Maurizio Cattelan.” Ventiquattro, magazine of Il Sole 24 Ore (Milan), no. 6 (June 13), pp. 154–55. (Italian)
Diez, Renato. “I magnifici Quattro.” Arte (Milan) (Aug.), pp. 62–67. (Italian)
Di Pietrantonio, Giacinto. “What’s After Italy? From the end of Modernity to Cattelan.” Focus Italy. Flash Art (International edition, Milan) 41, no. 260 (May–June), pp. 108–11.
Foradini, Flavia. “Memento morgue.” Vernissage, Il giornale dell’arte (Turin), no. 274 (Mar.), pp. 4–5. (Italian)
Günzel, Ann-Katrin. “Maurizio Cattelan: Ecclesia und Synagoge.” Kunstforum International (Cologne), no. 192 (July–Aug.), pp. 316–17. Review. (German)
Kemp, Martin. “Message from the Heavens.” Nature (London), no. 435 (June 26), p. 1185.
Lanzanova, Elena. “Maurizio Cattelan Raises Scandal Once Again.” Arcadja Art Magazine, June 10. http://www.arcadja.com/artmagazine/en/2008/06/10/maurizio-cattelan-raises-scandal-once-again.
Mittringer, Markus. “Himmel, Höllensturz und Gruft.” Der Standard (Vienna), Feb. 2–3, p. 34. Review. (German)
Pendle, George. “How Unlike You: The Phony Warhol and Other Artistic Imposters.” Modern Painters (New York) 20, no. 10 (Dec. 2008–Jan. 2009), pp. 68–73.
Prete, Maria Luisa. “Fedeli solo al dubbio.” Inside Art (Milan), no. 42 (Apr.), pp. 28–29. (Italian)
Questioli, Stefano. “Dubious Rhetoric: Maurizio Cattelan Meets Banksy.” NYArts, July–Aug. http://www.nyartsmagazine.com/index.php?option=com_content&task=view&id=224912&Itemid=752.
Stech, Fabian. “Maurizio Cattelan: No hope for the dead oder ist Maurizio Cattelan ein guter Koch?” Kunstforum International (Cologne), no. 190 (Mar.–Apr.), pp. 378–80. (German)
Zuccari, Maurizio. “Contemporanei, stupire è un po’ morire.” Inside Art (Milan), no. 42 (Apr.), p. 24. (Italian)
2009
“Against the Odds: The Strange Case of Maurizio Cattelan.” Art.view. Economist.com, Oct. 2. http://www.economist.com/displaystory.cfm?story_id=14576280&CFID=83381521&CFTOKEN=72033080&preview=33.
Connor, Steven. “The Right Stuff.” Modern Painters (New York) 21, no. 2 (Mar.), pp. 58–63.
Gambari, Olga. “Indagini di un cane.” Flash Art (Italian edition, Milan) 43, no. 279 (Dec. 2009–Jan. 2010), p. 91. (Italian)
Politi, Giancarlo. “Katarzyna Kozyra ha anticipato Cattelan?” Letter to the editor. Flash Art (Italian edition, Milan) 43, no. 279 (Dec. 2009–Jan. 2010), p. 24. (Italian)
———. “Maurizio Cattelan: Speciale Top 50.” Flash Art (Italian edition, Milan) 41, no. 274 (Feb.–Mar.), p. 74. (Italian)
Robecchi, Michele. “Pop Life: Art in a Material World.” Flash Art (Italian edition, Milan) 42, no. 278 (Oct.–Nov.), pp. 110–11, cover. Review. (Italian)
2010
Bonazzoli, Francesca. “Urban Presenta: Micro Cattelan.” Urban (Milan) 10, no. 91 (Sept.), pp. 35–48. (Italian)
Cavera, Valentina. “Tanto rumore per i soliti tabù.” Inside Art (Rome) 7, no. 69 (Oct.), pp. 28–29. (Italian)
Coffield, Cynthia. “Maurizio Cattelan: The Menil Collection.” Art Lies (Houston), no. 65 (Spring). http://www.artlies.org/article.php?id=1875&issue=65&s=1. Review.
Diez, Renato. “Grandi maestri: Maurizio Cattelan.” Arte (Milan) (Apr.), pp. 110–17. (Italian)
Dillon, Brian. “Maurizio Cattelan.” Art Review (London), no. 38 (Jan.–Feb.), pp. 82–85.
Di Pietrantonio, Giacinto. “Il manifesto: Purché se ne parli.” Flash Art (Italian edition, Milan) 43, no. 288 (Nov.), p. 28. (Italian)
French, Christopher. “Maurizio Cattelan.” Spotlight. Flash Art (International edition, Milan) 43, no. 273 (July–Sept.), pp. 96–97. Review.
———. “Maurizio Cattelan: C’è vita prima della morte?” Flash Art (Italian edition, Milan) 43, no. 282 (Apr.), p. 35. Review. (Italian)
Gioni, Massimiliano. “Maurizio Cattelan: Infiniti Noi.” Flash Art (Italian edition, Milan) 43, no. 287 (Oct.), p. 90. (Italian)
———. “Me, Myself, and I.” Flash Art (International edition, Milan) 43, no. 274 (Oct.), p. 64. Review.
Leung, Jennifer W. “Maurizio Cattelan.” artUS (Los Angeles) no. 29, pp. 4–7.
Lundin, Jenna. “Maurizio Cattelan’s Spectacular New Piece at the DESTE Foundation’s Hydra Space.” Vogue, Oct. 23. http://www.vogue.com/culture/article/maurizio-cattelans-spectacular-new-piece-at-the-deste-foundations-hydra-space.
Mammì, Alessandra. “Il mio Craxi incompreso.” L’espresso (Rome), May 24. http://espresso.repubblica.it/dettaglio/il-mio-craxi-incompreso/2127560. (Italian)
Nicolin, Paola. “Maurizio Cattelan [at] Piazza degli Affari/Palazzo Reale.” Artforum International (New York) 49, no. 4 (Dec.), pp. 273–74. Review.
Politi, Giancarlo. “Cattelan e la mozzarella in carrozza.” Letter to the editor. Flash Art (Italian edition, Milan) 43, no. 285 (July), p. 12. (Italian)
Simblist, Noah. “Maurizio Cattelan: Is There Life Before Death?” Daily Serving, June 9. http://dailyserving.com/2010/06/maurizio-cattelan-is-there-life-before-death. Review.
Sischy, Ingrid. “Irony Man.” Vanity Fair (New York) 52, no. 2 (Feb.), p. 109.
Stoilas, Helen. “Maurizio Cattelan; Isamu Noguchi.” Art Newspaper supplement (London), no. 19 (June), p. 14.
Trezzi, Nicola. “The Art of Curating.” Flash Art (International edition, Milan) 43, no. 271 (Mar.–Apr.), pp. 62–66.
Worth, Alexi. “A Fine Italian Hand: The Work of Maurizio Cattelan.” Women’s Issue, T Magazine, New York Times, Oct. 17, pp. 68–72.
2011
Allen, Jennifer. “Cattelan Gives Finance the Finger.” International News Digest. Artforum.com, Jan. 11. http://artforum.com/news/mode=international&week=201102.
Kuspit, Donald. “Maurizio Cattelan, La nona Ora (The Ninth Hour).” Art Economist (West Palm Beach, Fla.) 1, no. 3 (Mar. 1), p. 4, cover.
Mascheroni, Loredana, ed. “Domus Cattelan.” Domus (Milan), no. 945 (Mar. 2011), pp. I–XXX, cover. (English and Italian)
Sacco, Pierluigi. “L’invasione dell’ultraseno.” Flash Art (Italian edition, Milan) 44, no. 290 (Feb.), pp. 90–91. (Italian)
Wesolowska, Justyna. “Papier Toaletowy: La nuova rivista di Maurizio Cattelan a Varsavia/The New Magazine of Maurizio Cattelan in Warsaw.” Abitare (Milan) 3, no. 510 (Mar.) (English and Italian)
Selected Exhibition History
ACTIONS AND PROJECTS
1991
Bologna Arte Fiera, Italy, Stand abusivo.
1992
Accademia di belle arti di Brera, Milan, Fondazione Oblomov, 1992–93.
1995
University of South Florida Contemporary Art Museum, Tampa, Choose Your Destination: How to Get a Museum-Paid Vacation, Nov. 17.
1999
The Golden Lemon, Saint Kitts, British West Indies, The 6th Caribbean Biennial: Blown Away, Nov. 10–17. Organized by Cattelan and Jens Hoffmann. Exh. cat./artist’s book by Cattelan and Bettina Funcke, edited by Funcke, with texts by Funcke, Massimiliano Gioni, Hoffmann, Jenny Liu, Ann Magnuson, and David Foster Wallace, and an interview with Rirkrit Tiravanija by Laura Hoptman. Published by Les presses du réel/Janvier, Dijon, France, Aug. 2001.
2002
516A ½ West Twentieth Street, New York, The Wrong Gallery, Oct. 2002–Oct. 2005. Forty-seven exhibitions organized by Cattelan, Massimiliano Gioni, and Ali Subotnick.
2003
Frieze Art Fair, London, The Wrong Gallery, Oct. 2003–Oct. 2006. Four exhibitions organized by Cattelan, Massimiliano Gioni, and Ali Subotnick.
2003
Deste Foundation for Contemporary Art, Athens, Yesterday Begins Tomorrow: Works from the Dakis Joannou Collection, Dec. 2, 2003–Mar. 13, 2004. Organized by Cattelan, Massimiliano Gioni, and Ali Subotnick.
2004
CCA Kitakyushu, Japan, The Wrong Gallery at CCA, Big in Japan, initiated Sept. 2004. Big in Japan: Martin Creed, July 25–Sept. 22, 2005; Big in Japan: Hiroshi Sugimoto, Jan. 16–Mar. 31, 2006; and Big in Japan: Nathalie Djurberg, Feb. 5–Mar. 9, 2007. Curated by Cattelan, Massimiliano Gioni, Akiko Miyake, and Ali Subotnick.
2005
Punki, performance conceived by Cattelan, performed by Bernard Wilson. Presented at Musée national d’arte moderne, Centre Pompidou, Paris, as part of Dionysiac, Feb. 16–May 9; at Tate Modern, London, as part of The Long Weekend, May 25–28, 2007; and at MMK Museum für moderne Kunst, Frankfurt, as Punki, Sept. 28–Oct. 14. Exh. cat., Dionysiac, by Christine Macel, with texts by Jean-Pierre Criqui, Macel, and Barbara Stiegler. (English and French); Exh. cat., Punki, by Cattelan, edited by Andreas Bee and Udo Kittelmann, with text by Wilson. Published by MMK Museum für moderne Kunst and Buchhandlung Walther König, Cologne, 2009. (English and German) (See also Solo Exhibitions.)
2005
Gagosian Gallery, Berlin, Sept. 2005–June 2006, in conjunction with the Berlin Biennial.
2005
Cattelan, Massimiliano Gioni, and Ali Subotnick, The Wrong Gallery, Dec. 2005. 1:6 scale model of The Wrong Gallery, New York. In partnership with and sold by Cerealart. Introduced at the Rubell Family Collection/Contemporary Arts Foundation, Miami, during Art Basel Miami Beach.
2005
Tate Modern, London, The Wrong Gallery, Dec. 21, 2005–Dec. 31, 2007. Six exhibitions organized by Cattelan, Massimiliano Gioni, and Ali Subotnick, with Ann Coxon.
2006
Whitney Museum of American Art, New York, The Wrong Gallery, Down by Law, organized by Cattelan, Massimiliano Gioni, and Ali Subotnick with Cecilia Alemani and Jenny Moore. Presented as part of the Whitney Biennial: Day for Night, Mar. 2–May 28. Exh. cat. edited by Chrissie Iles and Philippe Vergne with texts by Toni Burlap, Johanna Burton, Bradley Eros, Lia Gangitano, Bruce Hainley, Bernard Henri-Lévy, Molly Nesbit, Siva Vaidhyanathan, and Neville Wakefield.
2006
KW Institute for Contemporary Art (and various locations along Auguststraße in Berlin Mitte), Berlin, Berlin Biennial: Von Mäusen und Menschen (Of Mice and Men), Mar. 25–June 5. Curated by Cattelan, Massimiliano Gioni, and Ali Subotnick. Three publications: Exh. cat. by Cattelan, Gioni, and Subotnick, with texts by Klaus Biesenbach, Gabriele Horn, Bernd Neumann, and Hortensia Völckers, and an interview with the curators by Nancy Spector. Published by KW Institute for Contemporary Art, Berlin, and Hatje Cantz Verlag, Ostfildern-Ruit, Germany. (English and German); Exh. guide. Published by Hatje Cantz Verlag. (English and German); Related publication, Checkpoint Charley. Copublished by the 4th Berlin Biennial for Contemporary Art and the KW Institute for Contemporary Art.
2009
X-Initiative, New York, No Soul For Sale: A Festival of Independents, June 24–28. Curated by Cecilia Alemani, Cattelan, and Massimiliano Gioni.
2010
Tate Modern, London, No Soul For Sale: A Festival of Independents, May 14–16. Curated by Cecilia Alemani, Cattelan, Massimiliano Gioni, and Tate Modern. Two publications: Exh. cat. Published by Deste Foundation for Contemporary Art; Related publication, Charley Independents, edited by Alemani, Cattelan, Gioni, and Subotnick.
SOLO EXHIBITIONS
1988
Galleria Neon, Bologna, Natura Codarda, Jan. 16–Feb. 13. Exh. cat. with texts by Angelo Ventrone and Stefano Verdicchio. (Italian)
1989
Galleria Neon, Bologna, Biologia delle passioni, May 6–June 2. Traveled to Galleria Fuxia, Verona, Italy, and Loggetta Lombardesca (now MAR, Museo d’arte della città di Ravenna), Ravenna, Italy, Nov. Exh. cat. with texts by Bruno Bandini, Franco Bolelli, Stefano Casciani, Clara Mantica, and Alessandro Mendini. Published by Edizioni Essegi, Ravenna. (Italian)
1990
Galleria Neon, Bologna, Maurizio Cattelan–Tommaso Tozzi, May 11–June 12. Traveled to Studio Oggetto, Milan, as Strategie, June 12–July 12, and Leonardi V-Idea, Genoa, June 20–July 20. Solo show after first venue. Exh. cat., Strategie, with text by Roberto Daolio. (English and Italian)
1992
Spazio Juliet, Trieste, Italy, Edizioni dell’obbligo, Feb. 6–28.
1993
Galleria Massimo De Carlo, Milan, Maurizio Cattelan, Jan.–Feb. 14.
1993
Galleria Raucci/Santamaria, Naples, Tarzan & Jane, Apr. 27–May 15.
1994
Laure Genillard Gallery, London, Jan. 28–Mar. 5.
1994
Daniel Newburg Gallery, New York, May 28–29.
1994
Galerie Daniel Buchholz, Cologne, Maurizio Cattelan, Dec. 15, 1994–Jan. 22, 1995.
1995
Galerie Emmanuel Perrotin (now Galerie Perrotin), Paris, Errotin, le vrai lapin, Jan. 26–Mar. 11.
1996
Laure Genillard Gallery, London, Feb. 7–Mar. 23.
1996
Galleria Massimo De Carlo, Milan, Maurizio Cattelan, Feb. 16–Mar.
1996
Ars Futura Galerie, Zurich, Sun Temple Sect, Oct.
1996
Castello di Rivoli, Museo d’Arte Contemporanea, Rivoli-Turin, Maurizio Cattelan: Tre installazioni per il Castello, Oct. 21, 1996–June 18, 1997. Exh. cat., Maurizio Cattelan, with text by Giorgio Verzotti. Published by Edizioni Charta, Milan, 1997 (updated version 1999). (English and Italian)
1997
Le consortium, Dijon, France, Maurizio Cattelan, Jan. 24–Mar. 22. Exh. cat. Copublished by Centre d’art de Brétigny-sur-Orge, France; Le consortium; and Galerie Emmanuel Perrotin (now Galerie Perrotin), Paris, 1998, to accompany the three institutions’ exhibitions. (English and text excerpts in other languages)
1997
Vereinigung bildender Künstler, Wiener Secession, Vienna, Maurizio Cattelan: Dynamo Secession, Jan. 31–Mar. 9. Exh. cat., Maurizio Cattelan, edited by Kathrin Rhomberg, with text by Francesco Bonami. (English and German)
1997
Galerie Emmanuel Perrotin (now Galerie Perrotin), Paris, Moi-même-Soi-même, May 24–July 19. Exh. cat. (See Le consortium entry, 1997.)
1997
Galleria Massimo Minini, Brescia, Italy, Maurizio Cattelan, Oct. 9–Nov. 20.
1997
Centre d’art–Espace Jules Verne, Brétigny-sur-Orge, France, Maurizio Cattelan, Dec. 13, 1997–Feb. 21, 1998. Exh. cat. (See Le consortium entry, 1997.)
1998
Museum of Modern Art, New York, Projects 65: Maurizio Cattelan, Nov. 6–Dec. 4. Exh. brochure with text by Laura Hoptman.
1999
Anthony d’Offay Gallery, London, Maurizio Cattelan, Apr. 30–June 16.
1999
Galleria Massimo De Carlo, Milan, Maurizio Cattelan, Sept.–Oct.
1999
Kunsthalle Basel, Maurizio Cattelan, Oct. 16–Nov. 21. Exh. cat. with texts by Laura Hoptman and Madeleine Schuppli. Published by Schwabe & Co., Basel, and Kunsthalle Basel. (English and German)
2000
Marian Goodman Gallery, New York, Maurizio Cattelan, Feb. 22–Mar. 25.
2000
Artpace San Antonio, Tex., Maurizio Cattelan, June 8–July 16. Exh. cat. with text by Katy Siegel.
2000
migros museum für gegenwartskunst, Zurich, Maurizio Cattelan: La rivoluzione siamo noi, June 17–Aug. 13.
2000
CCA Kitakyushu, Japan, Maurizio Cattelan, Nov. 27–Dec. 15. Artist’s publication Lupetto, edited by Akiko Miyake. Published 2001.
2001
Färgfabriken, Stockholm, Maurizio Cattelan: Him, Feb. 10–Apr. 8.
2001
Palermo, Sicily, Hollywood (special project for the Venice Biennale), June 10–Nov. 4. Two publications: Exh. cat., La biennale di Venezia: 49. esposizione internazionale d’arte; Platea dell’umanità, Plateau of Humankind, Plateau der Menschheit, Plateau de l’humanité, edited by Harald Szeemann, Cecilia Liveriero Lavelli, and Lara Facco, with texts by Bazon Brock and Szeemann. Published by Mondadori Electa, Milan, and the Venice Biennale. (English, French, German, and Italian); Related publication, Hollywood. Artist’s book. Published by Fondazione Sandretto Re Rebaudengo per l’arte (now Fondazione Sandretto Re Rebaudengo), Turin.
2002
Marian Goodman Gallery, New York, Maurizio Cattelan, Apr. 30–June 15.
2002
Museum of Contemporary Art, Chicago, Maurizio Cattelan: Felix, Nov. 28, 2002–Apr. 4, 2003.
2003
Museum Ludwig, Cologne, Maurizio Cattelan, May 16–Sept.
2003
Museum of Contemporary Art, Los Angeles, Maurizio Cattelan, July 20–Oct. 27. Exh. cat. (updated version of 2000 Phaidon monograph) with new texts by Massimiliano Gioni and Alma Ruiz. Published by Phaidon Press, London.
2004
Università degli Studi di Trento, Faculty of Sociology, Italy, Maurizio Cattelan (project for the Galleria civica di arte contemporanea, Trento), Mar. 31–Sept. 26.
2004
Fondazione Nicola Trussardi, Piazza XXIV Maggio, Milan, Untitled by Maurizio Cattelan, May 5–6 (work destroyed one day after opening).
2004
École nationale supérieure des beaux-arts, Chapelle des Petits Augustins, Paris (organized by the Musée d’art moderne de la Ville de Paris/ARC), Now, Oct. 1–31, and as part of Nuit blanche 2004, Oct. 31. Two publications: Now: Exh. cat., Maurizio Cattelan, with texts by Laurence Bossé, Hans Ulrich Obrist, and Angeline Scherf. Published by Paris-Musées. (English and French); Nuit blanche: Exh. cat., with texts by Alix Aramendia, Ami Barak, Fanny Étienne, Nicolas Frize, Christophe Girard, Hou Hanru, Valérie Mréjen, Vera Tollmann, et al. Published by Paris-Musées, 2005. (English and French)
2007
MMK Museum für moderne Kunst, Frankfurt, Maurizio Cattelan, Mar.–Dec. 13. (See also Actions and Projects.)
2007
Portikus, Frankfurt, Maurizio Cattelan, June 13–Sept. 23.
2008
Kunsthaus Bregenz, Austria, Maurizio Cattelan, Feb. 2–Mar. 24. Exh. brochure with text by Eckhard Schneider. (English and German)
2008
Synagoge Stommeln, Pulheim-Stommeln, Germany, Maurizio Cattelan, June 1–Aug. 10.
2010
The Menil Collection, Houston, Maurizio Cattelan, Feb. 12–Aug. 15. Exh. cat., Maurizio Cattelan: Is There Life Before Death?, edited and with text by Franklin Sirmans.
2010
Deste Foundation Project Space, Slaughterhouse (organized by the Deste Foundation for Contemporary Art, Athens), Hydra, Greece, Maurizio Cattelan, June 16–Sept. 30. Satellite project: first issue of Toilet Paper.
2010
Palazzo Reale, Milan, Maurizio Cattelan, Sept. 25–Oct. 24.
2010
Piazza Affari, Milan, L.O.V.E., in conjunction with Maurizio Cattelan at the Palazzo Reale, Milan, Sept. 25–Oct. 24.
GROUP EXHIBITIONS
1987
Galleria Neon, Bologna, Emergenze I-II-III, May 15 and 29, June 12.
1988
Galleria Neon, Bologna, Aumento di temperatura, Sept. 24–Oct. 9. Exh. cat. with text by Patrizia Giambi. (Italian)
1989
Oratorio San Sebastiano, Forlì, Italy, I Quaderni del San Sebastiano. Exh. cat. (Italian)
1989
Primo Piano Gallery, Milan, La mostra non mostra. Exh. cat. with text by Giulio Ciavoliello. (Italian)
1989
Galleria Lidia Carrieri, Rome, Metessi: Tracce, passaggi, scritture, gesti, impronte d’arte contemporanea, Dec. 5, 1989–Jan. 15, 1990. Exh. cat. edited and with text by Gabriele Perretta. (Italian)
1990
Galleria Neon, Bologna, Prodotti recenti, Jan. 27–Feb. 16.
1990
Castello di Belgioioso, Italy, La carta dell’artista, May 4 and 5. Exh. cat. with texts by Martina Corgnati et al. Published by Ente Fiere dei Castelli di Belgioioso e Sartirana, Italy. (Italian)
1990
Centro per l’arte contemporanea Luigi Pecci (in collaboration with the Consorzio teatro metastasio), Prato, Italy, Improvvisazione libera: Esperienza musicale per 70 solisti, Sept. 29. Small exh. publication with texts by Amnon Barzel and Giuseppe Chiari. (Italian)
1991
Castello di Belgioioso, Italy, Rassegna Piccoli Editori.
1991
Galleria Luciano Inga-Pin, Milan, Briefing.
1991
Galleria comunale d’arte moderna (now Istituzione galleria d’arte moderna), Bologna, AnniNovanta, Mar. 28–Sept. 8. Exh. cat. edited by Dede Auregli, Renato Barilli, and Carlo Gentili, with texts by Auregli, Jan Avgikos, Barilli, Roberto Daolio, José Lebrero Stals, and Françoise-Claire Prodhon. Published by Arnoldo Mondadori Arte, Milan. (Italian)
1991
Galleria Paolo Vitolo, Rome, Medialismo, Oct. 26–Nov. 30. Exh. cat. edited by Gabriele Perretta, with texts by Maurizio Archangeli, Cattelan, and Daniela Cignini. (Italian)
1992
Galleria d’arte moderna e contemporanea, Accademia Carrara, Bergamo, Italy, Ottovolante: Per una collezione d’arte contemporanea, June 5–July 26. Exh. cat. edited by Attilo Pizzigoni and Francesco Rossi, with text on Cattelan by Gregorio Magnani and additional texts by various authors. Published by Pierluigi Lubrina Editore, Bergamo. (Italian)
1992
Castello di Rivara, Centro d’arte contemporanea, Italy, Una domenica a Rivara, July 4–31.
1992
Galerie Analix–B & L Polla (now Galerie Analix Forever), Carouge-Geneva, Twenty Fragile Pieces, Oct. 31–Dec. 5. Exh. cat., Twenty Fragile Pieces, edited and with texts by Gianni Romano et al. Published by Art Studio Edizioni, Milan. (English and French)
1992
Galleria Neon, Bologna, Trekking, Nov. 22.
1993
Trevi Flash Art Museum of Contemporary Art, Italy, L’Arca di Noé. Exh. cat. by Robert Graves, Paolo Nardon, and Francesca Pietracci. Published by Giancarlo Politi Editore, Milan. (Italian)
1993
Museum Fridericianum (now Kunsthalle Fridericianum), Kassel, Germany, Nachtschattengewächse: The Nightshade Family, May 16–Aug. 8. Exh. cat. edited by Veit Loers, with texts by Jan Avgikos, Diedrich Diedrichsen, and Loers. (English and German)
1993
Venice Biennale: Aperto ’93: Emergency/Emergenza, June 14–Oct. 10. Two publications: Exh. cat., La Biennale di Venezia: XLV Esposizione internazionale d’arte, with texts by Francesco Bonami et al. Published by Marsilio Editori, Venice. (English and Italian); Special edition of Flash Art, Aperto ’93: Emergency/Emergenza, edited by Achille Bonito Oliva and Helena Kontova, with texts by Roberto Pinto et al. Published by Giancarlo Politi Editore, Milan. (English and Italian)
1993
Hôtel Carlton Palace, Paris, Hôtel Carlton Palace: Chambre 763, Aug. 22–Sept. 25. Exh. cat. (box of postcards designed by the participating artists) edited by Hans Ulrich Obrist, with text by Joan U. Halperin. Published by Oktagon Verlag, Stuttgart, Germany. (English, French, and German)
1993
Trevi Flash Art Museum of Contemporary Art, Italy, Medialismo, Oct. Exh. cat. with text by Gabriele Perretta. Published by Giancarlo Politi Editore, Milan. (Italian)
1993
Dépot Club and Hip Hop Gallery, Bologna, Maurizio (organized by Galleria Neon, Bologna), Dec. 6, 13, 20, 27.
1993
Galerie Emmanuel Perrotin (now Galerie Perrotin), Paris, Maurizio Cattelan, Colette Hyvrard, Philippe Parreno, Mark Wallinger, Dec. 9, 1993–Jan. 8, 1994.
1994
Trevi Flash Art Museum of Contemporary Art, Palazzo Lucarini, Italy, Prima linea: La nuova arte italiana (Prima linea: The New Italian Art). Exh. cat. edited and with text on Cattelan by Gianni Romano and additional texts by Francesco Bonami and Giacinto Di Pietrantonio. Published by Giancarlo Politi Editore, Milan, Apr. (English and Italian)
1994
Musée d’art moderne de la Ville de Paris/ARC, L’hiver de l’amour, Feb. 10–Mar. 13. Traveled to P.S.1 Contemporary Art Center (now MoMA PS1), New York, as Winter of Love, Oct. 9, 1994–Jan. 8, 1995. Exh. cat., L’hiver de l’amour bis, with texts by Cattelan, Dominique Gonzalez-Foerster, Carsten Höller, Rirkrit Tiravanija, Olivier Zahm, et al. Published by the Société des amis du Musée d’art moderne de la Ville de Paris/ARC, 1994. (English and French)
1994
Castello di Rivoli, Museo d’Arte Contemporanea, Rivoli-Turin, Soggetto-Soggetto: Una nuova relazione nell’arte di oggi, June 24–Aug. 28. Exh. cat., soggettoSoggetto: Una nuova relazione nell’ arte di oggi, edited by Francesca Pasini and Giorgio Verzotti, with texts by Pasini, Antonella Russo, and Verzotti. Published by Charta, Milan. (Italian)
1994
Galerie Analix–B & L Polla (now Galerie Analix Forever), Geneva, Rien à Signaler, June 25–Sept. Exh. cat. edited by Barbara S. Polla and Gianni Romano, with texts by Polla, Romano, et al. (English and French)
1994
Galerie Analix–B & L Polla (now Galerie Analix Forever), Geneva, Incertaine identité, Nov. 5–Dec. 17. Exh. cat. edited by Barbara S. Polla, Luigi L. Polla, and Olivier Zahm, with an interview with Cattelan by Barbara Polla and Gianni Romano, and additional texts by various authors. Published by Georg Éditeur, Geneva. (French)
1994
Galerie Analix–B & L Polla (now Galerie Analix Forever), Geneva, Maurizio Cattelan–Mark Gonzales, Dec. 17, 1994–Jan. 15, 1995.
1995
Pescara, Italy, FuoriUso’95: Caravanserraglio Arte Contemporanea (FuoriUso’95: Caravanseray of Contemporary Art). Exh. cat. edited by Giacinto Di Pietrantonio, with text on Cattelan by Alessandra Pioselli and additional texts by Laura Cherubini, Giacinto Di Pietrantonio, Antonella Marino, Alice Rubbini, Gilda Williams, et al. Published by Umberto Sala Editore, Pescara, 1996. (English and Italian)
1995
Le consortium, Dijon, France, Le labyrinthe moral (Moral Maze), June 22–Aug. 12.
1995
Neue Galerie am Landesmuseum Joanneum, Graz, Austria, Quasi per gioco: Das Spiel in der Kunst, Sept. 1–Oct. 22, and AR/GE KUNST Galerie Museum/Galleria Museo, Bolzano, Italy, Gaiety and Subversion, Sept. 8–Oct. 21, 1995. Exh. cat. edited by Chiara Bertola, with texts by Bertola, Pier Aldo Rovatti, Angela Vettese, et al. (German and Italian)
1995
Joong Oe Park, Gwangju, South Korea, Gwangju Biennial: Beyond the Borders, Sept. 20–Nov. 20. Exh. cat., 95 Kwangju Biennale, with text on Cattelan by Giacinto Di Pietrantonio and additional texts by Clive Adams, Kathy Halbreich, Lee Yongwoo, Lim Young-bang, Jean de Loisy, Oh Kwang-su, Anda Rottenberg, Sung Wan-kyung, You Hong-june, et al. Published by the Kwangju Biennale Foundation and Life & Dream. (English and Korean)
1996
CAPC Musée d’art contemporain de Bordeaux, France, Traffic, Jan. 26–Mar. 24. Exh. cat. with texts by Nicolas Bourriaud and Jean-Louis Froment. (English and French)
1996
Färgfabriken, Stockholm (in collaboration with the Contemporary Art Center in Moscow), Interpol, Feb. 2–Mar. 17. Exh. cat. edited by Jan Åman, with texts by Cattelan et al. (English and Swedish)
1996
Laure Genillard Gallery, London, Once Removed, Mar. 29–May 11.
1996
de Appel, Amsterdam, Crap Shoot, Apr. 12–May 19 (work removed before exhibition opening). In conjunction with the exhibition, two editions of the publication The Crap Shooter were written and published by the 1995–96 Curatorial Training Programme: Annie Fletcher, Nina Folkersma, Clive Kellner, Kay C. Palllister, and Adam Szymczyk, with text on Cattelan by Otto Berchem and Saskia Bos, and additional texts by Berchem, Bos, Sjoukje van der Meulen, et al.
1996
Clocktower Gallery (operated by P.S.1 Contemporary Art Center [now MoMA PS1]), New York, Departure Lounge, Apr. 20–June 30.
1996
Galerie Emmanuel Perrotin (now Galerie Perrotin), Paris, Exposition évolutive, Apr. 20–May 25.
1996
Le nouveau musée/Institut d’art contemporain, Villeurbanne-Lyon, France, Collections du Castello di Rivoli, June 14–Sept. 21.
1996
Mac, galleries contemporaines des Musées de Marseille, France, L’art au corps: Le corps exposé de Man Ray à nos jours, July 6–Oct. 15. Exh. cat. with texts by Antoine de Baecque, Sally Banes, Carlos Basualdo, Liza Bear and Willoughby Sharp, Laura Cottingham, Jacques Donguy, Robert Fleck, Michel Giroud, Chrissie Iles, Vincent Labaume, Irmeline Lebeer, Tom Marioni, Catherine Millet, Sylvie Mokhtari, Frank Perrin, François Pluchart, Suely Rolnik, Olivier Saillard, Christian Schlatter, Philippe Vergne, Miloo Vojtûchovsk and Jiri Zemanec, et al. (French)
1996
Palazzo delle Esposizioni and Mazzoni wing of Stazione Termini, Rome Quadrennial: Ultime generazioni, Sept. 25–Nov. 25. Exh. cat. with texts by Gianni Borgna, Eugenio Busmanti, Fernando De Filippi, Floriano De Santi, Bruno Mantura, Antonio Lorenzo Necci, Sandra Pinto, Ludovico Pratesi, Francesco Rutelli, Duccio Trombadori, Lorenza Trucchi, et al. Published by Edizioni De Luca, Rome. (Italian)
1996
GAM Galleria civica d’arte moderna e contemporanea, Turin (organized by Fondazione Sandretto Re Rebaudengo per l’arte [now Fondazione Sandretto Re Rebaudengo], Turin), Campo 6: Il villaggio a spirale (Campo 6: The Spiral Village), Sept. 28–Nov. 3. Traveled to Bonnefanten Museum, Maastricht, Netherlands, Jan. 19–May 25, 1997. Exh. cat. with texts by Francesco Bonami, Ellen Dissanayake, and Vittorio Gregotti. Published by Skira Editore, Milan, 1996. (English and Italian)
1996
Magasin, Centre national d’art contemporain de Grenoble, France, Joep Van Lieshout, Jouke Kleerebezem & Paul Perry, Maurizio Cattelan, Oct. 20, 1996–Jan. 5, 1997.
1996
Center for Contemporary Studies, Bard College, Annandale-on-Hudson, N. Y., a/drift, Oct. 26, 1996–Jan. 5, 1997. Two publications: Exh. cat. edited by Joshua Decter, with texts by Judith Barry and Ken Saylor, Douglas Blau, Decter, Russell Ferguson, John Miller, Elizabeth Peyton, Purple Prose (Elein Fleiss and Olivier Zahm), David Robbins, Jeff Wall, et al. Published by the Bard Publications Office, 1997; Purple Prose (Paris) special edition for a/drift (Fall 1996–Fall 1997).
1997
Magasin, Centre national d’art contemporain de Grenoble, France (co-organized by Färgfabriken, Stockholm), Moment Ginza, Apr. 5–Sept. 7. Traveled to Färgfabriken, Oct. 18–Dec. 7. Exh. cat., Moment Ginza: City Guide, with text by Dominique Gonzalez-Foerster. (English, French, and Swedish)
1997
Stadio della vittoria, Bari, Italy, Odisseo (Ulysses), May 1–June 23. Exh. cat. edited and with text by Giacinto Di Pietrantonio. Published by Edizioni Arte Nova, Pescara, Italy. (English and Italian)
1997
École nationale supérieure des beaux-arts, Paris, Connexions implicites, May 13–July 13. Exh. cat. with texts by Pierre Lamaison and Jean de Loisy; a conversation among de Loisy, Fabrice Hybert, and Hans Ulrich Obrist; and a conversation among Nicolas Bourriaud, Eric Troncy, de Loisy, and Caroline Naphegyi. (French)
1997
Centre d’art contemporain, Geneva, Fatto in Italia, May 24–Oct. 5. Traveled to the Institute of Contemporary Arts, London, Oct. 22–Dec. 22. Exh. cat. with texts by Francesco Bonami, Carolyn Christov-Bakargiev, Paolo Colombo, Pappi Corsicato, Nadia Fusini, and Elizabeth Janus. Published by Mondadori Electa, Milan. (English, French, and Italian)
1997
Muzej suvremene umjetnosti, Zagreb, Croatia, Kartografi; geo-gnosticne projekcije za 21.stoletje (Cartographers: Geo-gnostic Projections for the 21st Century), June 6–July 27. Traveled to Centrum Sztuki Współczesnej Zamek Ujazdowski, Warsaw, Jan. 23–Feb. 15, 1988; and to Mücsarnok Kunsthalle, Budapest, as Kartográfusok, Apr. 4–May 3, and Umetnostna galerija Maribor, Slovenia, June 4–July 5. Exh. cat., Cartographers/Kartografowie/Kartográfusok/Kartografi, edited by Želimir Koščević, with texts by Ina Blom, Wystan Curnow, Ingo Günther, Koščević, Miljenko Lapaine, Catherine Millet, Irit Rogoff, Laura Safred, and Robert Storr. (Croatian, English, and Slovene)
1997
Venice Biennale: Futuro Presente Pasato/Future Present Past, Italian Pavilion, (dall’Italia], June 15–Nov. 9. Exh. cat., (dall’Italia]: Maurizio Cattelan, Germano Celant, Enzo Cucchi, Ettore Spalletti, with text by Germano Celant. Published by Mondadori Electa, Milan. (Italian)
1997
Various locations, Münster, Germany (organized by the Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster), Skulptur: Projekte in Münster 1997, June 22–Sept. 28. Exh. cat. edited by Klaus Bußmann, Kasper König, and Florian Matzner, with texts by Daniel Buren and Walter Grasskamp. Published by Verlag Gerd Hatje, Osfildern-Ruit, Germany. (English [Contemporary Sculpture: Projects in Münster 1997] and German)
1997
Marian Goodman Gallery, New York, A Summer Show, July–Aug.
1997
Santa Fe, N.Mex., SITE Santa Fe: TRUCE: Echoes of Art in an Age of Endless Conclusions, July 18–Oct. 12. Exh. cat. with texts by Francesco Bonami, Bobbie Foshay-Miller and Joann Phillips, Thomas Friedman, Louis Grachos, and Collier Schorr.
1997
École nationale supérieure des beaux-arts, Paris, Transit: 60 artistes nés après 60, Sept. 16–Nov. 2. Exh. cat. edited by Christine Macel, with texts by Paul Ardenne, Pascal Beausse, Nicolas Bourriaud, Anaïd Demir, Claudia Hart, Jean-Yves Jouannais, Macel, Isabelle Manci, Jean-Charles Masséra, Caroline Naphegyi, Hans Ulrich Obrist, Eric Troncy, and Philippe Vergne. Copublished by the Centre national des arts plastiques, Paris. (French)
1997
Various locations throughout Istanbul, International Istanbul Biennial, Oct. 5–Nov. 9. Exh. cat. with texts by N. Fulya Erdemci and Rosa Martínez. Published by the Istanbul Kültür ve Sanat Vakfi for Culture and Arts. (English and Turkish)
1997
Musée d’art moderne de la Ville de Paris/ARC, Delta, Dec. 4, 1997–Jan. 18, 1998. Exh. cat. edited and with text by Francesco Bonami. Published by Paris-Musées. (French)
1998
Museu d’art contemporani de Barcelona, Artificial, Jan. 21–Mar. 15. Exh. cat. with texts by Francesco Bonami, Teresa Grandas, José Lebrero Stals, and Rosario Peiró. (Catalan, English, and Spanish)
1998
Moderna Museet, Stockholm, Wounds: Mellan demokrati och förlösning I samtida konst (Wounds: Between Democracy and Redemption in Contemporary Art), Feb. 14–Apr. 19. Exh. cat. edited by David Elliot and Pier Luigi Tazzi, with texts by Tazzi et al. (English and Swedish)
1998
Institute of Visual Arts (Inova), Peck School of the Arts, University of Wisconsin, Milwaukee, Maurizio Cattelan, Kelly Wood, Erwin Wurm, Mar. 13–May 3.
1998
Wiener Secession, Vienna, Secession: Das Jahrhundert der künstlerischen Freiheit (Secession: A Century of Artistic Freedom), Apr. 3–June 21. Traveled to the Rudolfinum, Prague, Nov. 19, 1998–Jan. 31, 1999. Two publications: Exh. brochure (French); Exh. cat. edited by Robert Fleck, with texts by Iaroslava Boubnova, Horst Christoph, John Miller, and Michel Onfray. Published by Prestel, Munich and New York. (English [Vienna Secession, 1898–1900: The Century of Artistic Freedom] and German)
1998
CAPC Musée d’art contemporain de Bordeaux, France, Echos et chaos, June 16–Sept. 13.
1998
migros museum für gegenwartskunst, Zurich, Ironisch/Ironic, June 27–Aug. 9. Exh. cat. edited by Rein Wolfs, with texts by René Ammann, Daniel Binswanger, Christoph Doswald, Gianni Jetzer, Michelle Nicol, and Wolfs. (English and German)
1998
Various locations throughout Luxembourg, Manifesta 2, June 28–Oct. 11. Exh. cat. with text by Robert Fleck, Maria Lind, and Barbara Vanderlinden. Published by Agence luxembourgeoise d’action culturelle. (English and French)
1998
Centre régional d’art contemporain Languedoc-Rousillon, Sète, France, Cet été là . . . exposition de variétés, July 14–Oct. 4. Exh. cat. (French)
1998
Galerie für zeitgenössische Kunst, Leipzig, Germany, Weather Everything, Aug. 31–Nov. 1. Exh. cat. with a conversation between Eric Troncy and Jan Winkelmann. Published by Hatje Cantz Verlag, Osfildern-Ruit, Germany, 1999. (English, French, and German)
1998
Walker Art Center, Minneapolis, Unfinished History, Oct. 18, 1998–Jan. 10, 1999. Traveled to the Museum of Contemporary Art, Chicago, Jan. 30–Apr. 4. Exh. cat. with texts by Francesco Bonami, Douglas Fogle, et al.
1999
Académie de France à Rome, Villa Medici, La ville, le jardin, la mémoire. Exh. cat. by Laurence Bossé, Carolyn Christov-Bakargiev, M/M (Paris), and Hans Ulrich Obrist, with texts by Geoffrey Bawa, Bossé, Hervé Brunon, Laura Cherubini, Christov-Bakargiev, Gilles Clément, Massimiliano Gioni, Dan Graham, Hou Hanru, Obrist, Guy Tortosa, and Massimo Venturi Ferriolo. Published 2000. (English, French, and Italian)
1999
Bavel Hoogeind (former landfill), Breda, Netherlands (organized by Fundament Foundation, Tilburg, Netherlands), Tales of the Tip: Art on Garbage, Jan. 5–Mar. 10.
1999
Seattle Art Museum, The Virginia and Bagley Wright Collection, Mar. 4–May 9. Exh. cat. with texts by Trevor Fairbrother, Bagley Wright, et al. Published in association with the University of Washington Press, Seattle.
1999
Melbourne Biennial: Signs of Life, May 14–June 27. Exh. cat. with texts by Juliana Engberg and Shane Murray. Published by the City of Melbourne.
1999
Venice Biennale: Aperto: dAPERTutto (Aperto Over All), June 12–Nov. 7. Exh. cat. edited by Harald Szeemann and Cecilia Liveriero Lavelli, with text on Cattelan by Agnes Kohlmeyer, and additional texts by Harald Szeemann et al. Published by Marsilio Editori, Venice.
1999
Museum moderner Kunst Stiftung Ludwig Wien, Vienna, La casa, il corpo, il cuore: Konstruktion de Identitäten, June 24-Oct. 10. Exh. cat. edited by Lóránd Hegyi, with text by Sania Papa. (German)
1999
Tate Gallery, London, Abracadabra: International Contemporary Art, July 15–Sept. 26. Exh. cat. with texts by Catherine Grenier, Matthew Higgs, Catherine Kinley, and Martin van Nieuwenhuyzen.
1999
Kunsthalle Wien, Karlsplatz, Vienna, Get Together–Kunst als Teamwork, Oct. 8, 1999–Jan. 9, 2000. Exh. cat. edited by Paolo Bianchi, Wolfgang Fetz, Gerald Matt, and Marion Piffer Damiani, with text on Cattelan by Line R. Nissen and additional texts by Konrad Becker, Karin Knorr-Cetina, Peter Lewis, Michel Onfray, Piffer Damiani, Craig Saper, Julio Velasco, Angela Vettese, and Sabine B. Vogel. Published by Folio Verlag, Vienna-Bozen. (German)
1999
CAPC Musée d’art contemporain de Bordeaux, France, Dehors-Dedans, Nov. 17, 1999–Dec. 31, 2000.
1999
Kunstmuseum Bonn (co-organized by the Stiftung für Kunst und Kultur), Zeitwenden–Ausblick, Dec. 4, 1999–June 4, 2000. Traveled to the Museum moderner Kunst Stiftung Ludwig Wien, Vienna, July 5–Oct. 1. Exh. cat. edited by Dieter Ronte and Walter Smerling, with texts by Lóránd Hegyi, Paulo Herkenhoff, Jan Hoet, Benjamin Katz, Ronte, Smerling, et al. Copublished by Stiftung für Kunst und Kultur, Kunstmuseum Bonn, and DuMont Buchverlag, Cologne. (German)
2000
Walker Art Center, Minneapolis (co-organized by Musée national d’art moderne, Centre Pompidou, Paris), Let’s Entertain: Life’s Guilty Pleasures, Feb. 12–Apr. 30. Traveled to the Portland Art Museum, Ore., July 7–Sept. 17; Musée national d’art moderne, Centre Pompidou, as Au-delà du spectacle, Nov. 22, 2000–Jan. 8, 2001; Kunstmuseum Wolfsburg, Germany, Mar. 16–July 15; and Miami Art Museum, Sept. 14–Nov. 18. Exh. cat., with texts by Dike Blair, Akiko Busch, Susan G. Davis, Steve Dietz, Emma Duncan, Joshua Gamson, Mike Kelley, Pierre Lévy, Greil Marcus, Neil Postman, Richard Shusterman, et al., and a conversation between Olukemi Ilesanmi and Philippe Vergne. Published by Walker Art Center. (English and French [Au-delà du spectacle])
2000
S.M.A.K. Stedelijk Museum voor actuele Kunst, Ghent, Belgium, Over the Edges: The Corners of Ghent, part of Charles V 1500–2000, Apr. 1–June 30. Exh. cat. with texts by Giacinto Di Pietrantonio and Jan Hoet. (English, Dutch, and French)
2000
Museum of Contemporary Art, Chicago, Age of Influence: Reflections in the Mirror of American Culture, Apr. 8–June 4.
2000
Hannover, Germany, Expo 2000, In Between (art project of Expo 2000), June 1–Oct. 31. Exh. cat., In Between: The Art Project of Expo 2000, edited by Wilfried Dickhoff and Kasper König, with texts by Dickhoff, Martin Fritz, Holger Liebs, Florian Waldvogel, et al. Published by DuMont Buchverlag, Cologne. (English and German [In Between: Das Kunstprojekt der Expo 2000])
2000
CAPC Musée d’art contemporain de Bordeaux, France, Présumés innocents: L’art contemporain et l’enfance, June 8–Oct. 1. Exh. cat. with texts by Marie-Laure Bernadac, Joshua Decter, Elisabeth Lebovici, Bernard Marcadé, Jean-Charles Masséra, Stéphanie Moisdon, Mignon Nixon, Eric Troncy, et al. (English and French)
2000
Lyon, France, Halle Tony Grenier, Lyon Biennial: Partage d’exotismes, June 27–Sept. 24. Exh. cat., two volumes, with texts by Marc Augé, Alban Bensa, Jacques Leenhardt, Jean-Hubert Martin, Philippe Peltier, Thierry Prat and Thierry Raspail, Carlo Severi, and John E. Stanton. Published by Réunion de musées nationaux, Paris. (English and French)
2000
Royal Academy of Arts, London, Apocalypse: Beauty and Horror in Contemporary Art, Sept. 23–Dec. 15. Exh. cat., with text on Cattelan by James Hall and additional texts by Michael Archer, Michael Bracewell, Nathan Kernan, and Norman Rosenthal.
2000
Domaine de Kerguéhennec, Centre d’art contemporain, Bignan, France (organized by Fondazione Sandretto Re Rebaudengo per l’arte [now Fondazione Sandretto Re Rebaudengo], Turin), La jeune scène artistique italienne dans la Collection de la Fondation Sandretto Re Rebaudengo, Oct. 14–Dec. 10.
2000
Museum van Loon, Amsterdam, Home Is Where the HeArt Is, Nov. 3, 2000–Jan. 7, 2001. Exh. cat. edited and with texts by Diana Stigter and Philippa van Loon.
2001
Stazione Leopolda, Florence, Uniform: Order and Disorder, Jan. 11–Feb. 18. Traveled to P.S.1 Contemporary Art Center (now MoMA PS1), New York, May 20–Sept. 23. Exh. cat. edited by Francesco Bonami, Maria Luisa Frisa, and Stefano Tonchi, with texts by Bonami, Daniele Brolli, Richard Buckley, Patrizia Calefato, Giusi Ferré, Frisa, Lorenzo Greco, Cristina Lucchini, Stefano Pistolini, James Sherwood, Amy Spindler, Nick Sullivan, Tonchi, and Rebecca Voight, and image commentary by Emanuela De Cecco and Massimiliano Gioni. Published by Charta, Milan, 2000.
2001
Gemeentemuseum Den Haag, The Hague, Netherlands, The Beauty of Intimacy: Lens and Paper, Feb. 10–Apr. 15. Traveled to Staatlichen Kunsthalle Baden-Baden, Germany, Sept. 14–Nov. 4, and Kunstraum Innsbruck, Austria, Nov. 24, 2001–Jan. 12, 2002. Two publications: Exh. cat. by Carel Balth. Published 2000. (English and German); Extended exh. cat. Copublished by Staatliche Kunsthalle Baden-Baden, 2000. (English and German)
2001
Hara Museum of Contemporary Art, Tokyo, Visioni a catena: Famiglia, politica e religione nell’ultima generazione di arte italiana contemporanea (Chain of Visions: Family, Politics and Religion in the Last Generation of Italian Contemporary Art), Apr. 20–July 1. Exh. cat., with texts by Francesco Bonami and Yasuda Atsuo. Published by Fondazione Sandretto Re Rebaudengo per l’arte (now Fondazione Sandretto Re Rebaudengo), Turin; Hara Museum of Contemporary Art; and Canale Arte Edizioni, Turin. (English and Italian with Japanese supplement)
2001
Institut d’art contemporain, Villeurbanne, France, Dévoler: Vivent les Frac (suite), June 22–Nov. 18. Free newspaper, Le petit bulletin, with short notes about the participating artists. (French)
2001
Various locations, Yokohama, Japan, Yokohama Triennial: Yokohama 2001, Sept. 2–Nov. 11. Exh. cat., with text on Cattelan by Nakamura Nobuo, and additional texts by Kohmoto Shinji, Fumio Nanjo, and Tatehata Akira. Published by the Organizing Committee for Yokohama Triennale. (English and Japanese)
2001
Landesmuseum Joanneum, Graz, Austria, Abbild: Recent Portraiture and Depiction, Oct. 16–Dec. 16. Exh. cat. edited by Peter Pakesch, with texts by Antonin Artaud, Samuel Beckett, Benjamin Buchloh, Anne Krauter, Alexander Marzahn, Ingo Niermann, Pakesch, Alex Pentland and Matthew Turk, Georg Simmel, and Sissi Tax. Published by Springer Verlag, Vienna and New York. (English and German)
2001
Galerie Emmanuel Perrotin (now Galerie Perrotin), Paris, Maurizio Cattelan, Doug Aitken, Jack Pierson, Ed Ruscha, Terry Richardson, Jeff Burton, Dec. 8, 2001–Jan. 19, 2002.
2002
Musée de Grenoble, France (in partnership with Fnac), L’art d’aujourd’hui: Un choix dans la collection du Fonds national d’art contemporain, Feb. 3–Apr. 28. Two publications: Related brochure. Published by the Musée de Grenoble. (French); Related book, Art contemporain: Un choix de 200 oeuvres du Fonds national d’art contemporain (1985–1999), by Elisabeth Bret-Besson. Published by Fnac and Éditions du Chêne, Paris. (French)
2002
Museum Boijmans Van Beuningen, Rotterdam, Netherlands, Out of Senses: Seven Exhibitions where Artists Use the Museum as a Laboratory, Feb. 25–Apr. 21.
2002
Paula Cooper Gallery, New York, From the Observatory, Mar. 16–Apr. 20. Exh. cat., After the Observatory, edited and with text by Bob Nickas. Published 2003.
2002
Ydessa Hendeles Art Foundation, Toronto, sameDIFFERENCE, Mar. 16, 2002–June 30, 2004.
2002
Galleria Massimo De Carlo, Milan, H, Mar. 18–Apr. 16.
2002
Centre d’art de l’Yonne, Château de Tanlay, Perrigny, France, Le portrait s'envisage, June 1–Sept. 29. Exh. cat., with text by Michelle Debat and Jacques Py. (French)
2002
Collection Lambert en Avignon, Musée d’art contemporain, France, Photographier, June 1–Nov. 24.
2002
Marianne Boesky Gallery and Friedrich Petzel Gallery, New York, Penetration, June 6–Aug. 15.
2002
Kunsthaus Zürich, Zurich, Wallflowers, June 14–Sept. 15. Exh. cat. edited and with text by Tobia Bezzola. (English and German)
2002
La comunale, Galleria comunale d’arte contemporanea di Monfalcone, Italy, Ouverture . . . Arte dall’Italia, June 15–July 28. Exh. cat. edited by Andrea Bruciati. (English and Italian)
2002
Carnegie Museum of Art, Pittsburgh, Hello, My Name is . . . , June 29–Sept. 29.
2002
Kunsthaus Zürich, Zurich, Public Affairs: Von Beuys bis Zittel. Das Öffentliche in der Kunst, Sept. 13–Dec. 1. Exh. cat. edited by Bice Curiger, with texts by Curiger and Boris Groys, and an interview with Cattelan by Bob Nickas. (German)
2002
Gagosian Gallery, London, Hollywood is a Verb, Oct. 29–Dec. 20.
2002
Mamco, Musée d’art moderne et contemporain, Geneva, Rien ne presse/Slow and Steady/Festina lente (part 2): French Collection, Nov. 1, 2002–Jan. 19, 2003. Related journal edition, French Collection, no. 2 issue of Les cahiers du Fnac, 2002. (French)
2002
Museum of Contemporary Art, Chicago, Life, Death, Love, Hate, Pleasure, Pain: Selected Works from the Museum of Contemporary Art, Nov. 16, 2002–Apr. 20, 2003. Exh. cat., with text on Cattelan by Julie Rodrigues Widholm and additional texts by Alison Pearlman, Elizabeth A. T. Smith, et al.
2003
Macedonian Museum of Contemporary Art, Thessaloníki, Greece, © EUROPE EXISTS, June 4–Sept. 15. Exh. cat. with texts by Rosa Martínez, Harald Szeemann, and Antonio Tabucchi. (English and Greek)
2003
MGLC Mednarodni grafični likovni center, Moderna galerija, Gallery at Cankarjev dom, Narodni muzej Slovenije, and Park Tivoli, Ljubljana, Slovenia (coproduced by Cankarjev dom, Cultural and Congress Center), Mednarodni grafični bienale (International Biennial of Graphic Arts), June 10–Sept. 28. Exh. cat. edited by Christophe Cherix and Madeleine Goodrich Noble, with texts by Cherix, Zoran Krzisnik, Bob Nickas, Breda Škrjanec, Lilijana Stepančič, et al. Published by JRP Ringier, Zurich, in collaboration with the International Centre of Graphic Arts, Ljubljana. (English and Slovene)
2003
Venice Biennale: Dreams and Conflicts: The Dictatorship of the Viewer, June 15–Nov. 2. Exh. cat. edited by Francesco Bonami and Maria Luisa Frisa, with texts by Carlos Basualdo; Bonami; Bonami and Daniel Birnbaum; Catherine David; Massimiliano Gioni; Hou Hanru; Molly Nesbit, Hans Ulrich Obrist, and Rirkrit Tiravanija; Gabriel Orozco; Gilane Tawadros; Igor Zabel; et al.
2003
The Gilbert Collection, Somerset House, London (organized by RS&A, London), The Art of Chess, June 28–Sept. 28. Traveled to Luhring Augustine Gallery, New York, Oct. 28–Dec. 23, 2005; Gary Tatintsian Gallery, Moscow, Apr. 13–May 15, 2006; Sebastian Guinness Gallery, Dublin, Sept. 12–Oct. 9, 2008; Listasafn Reykjavíkur, Reykjavik, Iceland, Jan. 24–Apr. 13, 2009; Gallery BMB, Mumbai, India, Dec. 14, 2009–Jan. 29, 2010; Dox Centre for Contemporary Art, Prague, Apr. 1–June 28; and ProjectB, Milan, Apr. 14–May 14. Two publications: Exh. cat. with text by Ernst Strouhal et al. Published by the Gilbert Collection Trust; Exh. cat. with texts by Vitaly Pazukov and Victoria Pukemova. Published by Gary Tatintsian Gallery, 2006. (English and Russian)
2003
Lyon, France, Lyon Biennial: C’est arrivé demain (It Happened Tomorrow), Sept. 18, 2003–Jan. 4, 2004. Exh. cat., 2 volumes, Avant and Après, with texts by Xavier Douroux, Franck Gautherot, Robert Nickas, Anne Pontégnie, Thierry Raspail, and Eric Troncy. Published by Les presses du réel/Fage éditions, Dijon, France. (English and French)
2003
CAPC Musée d’art contemporain de Bordeaux, France, Objets? Objets!, Oct. 23, 2003–Apr. 28, 2004.
2003
Haus der Kunst, Munich, Partners: The Ydessa Hendeles Art Foundation, Toronto, Nov. 7, 2003–Feb. 15, 2004.
2004
Serpentine Gallery, London, State of Play, Feb. 3–Mar. 28. Exh. cat. with text by Rochelle Steiner.
2004
Whitney Museum of American Art, New York, Whitney Biennial, Mar. 11–May 30. Exh. cat. with texts by Jorge Luis Borges; Susan Buck-Morss; Samuel R. Delany; Johanna Fateman and Rachel Greene; Tim Griffin; Chrissie Iles; Iles, Shamim M. Momin, and Debra Singer; Wayne Koestenbaum; Momin; Laura Mulvey; Anaïs Nin; Scott A. Sandage; Debra Singer; Robert Smithson; Catherine de Zegher; et al.
2004
Albright-Knox Art Gallery, Buffalo, N.Y., Bodily Space: New Obsessions in Figurative Sculpture, Apr. 20–Sept. 7. Exh. brochure, with text by Holly E. Hughes. Published by the Buffalo Fine Arts Academy.
2004
Museion, Museo d’arte moderna e contemporanea di Bolzano, Bolzano-Bozen, Italy, FLIRTS: Kunst und Werbung/Arte e pubblicità, May 27–Aug. 29. Exh. cat. with texts by Andreas Hapkemeyer, Letitzia Ragaglia, and Siegfried J. Schmidt. (German and Italian)
2004
Azienda Speciale Villa Manin, Passariano, Italy, Love/Hate: From Magritte to Cattelan, Masterpieces from the Collection of the Museum of Contemporary Art, Chicago, May 30–Nov. 7. Exh. cat. edited by Francesco Bonami and Sarah Cosulich Canarutto, with texts by Stefano C. Gagol and Giulia Pezzoli. (English and Italian)
2004
Institute of Contemporary Arts, London, Artists’ Favourites: An Exhibition in Two Acts, June 5–July 23 and July 30–Sept. 5. Two exh. brochures edited by Jens Hoffmann.
Copublished by Revolver Publishing, Archiv für aktuelle Kunst, Frankfurt.
2004
Marian Goodman Gallery, New York, Reflecting the Mirror, June 14–Aug. 27.
2004
Deutsche Hygiene-Museum, Dresden, Germany, Die Zehn Gebote: Politik–Moral–Gesellschaft (The Ten Commandments), June 19–Dec. 5. Exh. cat., Die Zehn Gebote, edited by Klaus Biesenbach, with texts by Dennis Altman, Kevin Bales, Biesenbach, Gabriele Cleve, Frank Crusemann, Isabelle Graw, Christiane Grefe, Geneviève Hesse, Carsten Höller, Navid Kermani, Harmut Krauss, Roger N. Lancaster, Christiane Leidinger, Niklas Maak, Alexander Meschnig, Dietmar Mieth, Desmond Morris, Ilona Ostner, Ulf Poschardt, Linda Singer, Susan Sontag, and Jan Verwoert. Published by Hatje Cantz Verlag, Ostfildern-Ruit, Germany. (German)
2004
Deste Foundation for Contemporary Art, Athens, Monument to Now, part of ATHENS 2004 Culture, June 22–Dec. 31. Exh. cat., Monument to Now: The Dakis Joannou Collection, with texts by Dan Cameron, Jeffrey Deitch, Alison M. Gingeras, Massimiliano Gioni, Dakis Joannou, Nancy Spector, et al.
2004
Centro Andaluz de arte contemporanea and the Monasterio de la Cartuja de Santa María de las Cuevas, Seville Biennial, Spain: La alegría de mis sueños (The Joy of My Dreams), Oct. 3–Dec. 5. Exh. cat. with texts by Juana de Aizpuru, Hans-Joachim Müller, Harald Szeemann, et al. (English and Spanish)
2004
Carnegie Museum of Art, Pittsburgh, Carnegie International, Oct. 9, 2004–Mar. 20, 2005. Exh. cat. with text on Cattelan by Francesco Bonami, and additional texts by Laura Hoptman, Sarah Hromack, Jean-Pierre Mercier, et al.
2004
Gagosian Gallery, New York, What’s Modern?, Nov. 5–Dec. 18. Exh. cat. with a text by Alfred H. Barr, Jr.
2004
MART Museo di arte moderna e contemporanea di Trento e Rovereto, Italy, Il Bello e le bestie: Metamorfosi, artifici e ibridi dal mito all’immaginario scientifico, Dec. 11, 2004–May 8, 2005. Exh. cat. with texts by Beatrice Avanzi, Elisabetta Barisoni, Gabriella Belli, Gian Piero Brunetta, Massimiano Bucchi, Giorgio Celli, Giacomo Di Marco, Enrico Magliano, Renato G. Mazzolini, Markus Müller, Giuseppe Olmi, Nicolaas A. Rupke, Edoardo Sanguineti, Maria Grazia Tolomeo, Lea Vergine, Giorgio Verzotti, Karen Wonders, and Francesco Zambon. Published by Skira Editore, Milan. (Italian)
2005
Museum of Contemporary Art, Chicago, Universal Experience: Art, Life, and the Tourist’s Eye, Feb. 12–June 5. Traveled to the Hayward Gallery, London, Oct. 6–Dec. 11; MART Museo d’arte moderna e contemporanea di Trento e Rovereto, Italy, Feb. 11–May 14, 2006. Exh. cat. with texts by Francesco Bonami et al. Published by the Museum of Contemporary Art.
2005
Musée national d’art moderne, Centre Pompidou, Paris, Dionysiac, Feb. 16–May 9. Exh. cat. by Christine Macel, with texts by Jean-Pierre Criqui, Macel, and Barbara Stiegler. (English and French)
2005
Galerie Analix Forever, Geneva, Fragile, May 20–July 16. Exh. brochure.
2005
Galleria d’arte moderna, Bologna, Bologna Contemporanea, 1975–2005, May 20–Sept. 26. Exh. cat. edited by Peter Weiermar, with texts on Cattelan by Dede Auregli and Roberto Daolio, and additional texts by Renato Barilli, Claudio Spadoni, Weiermar, and Uliana Zanetti. Published by Damiani Editore, Bologna. (Italian)
2005
Karlin Hall, Prague, Prague Biennial: Expanding Painting, May 26–Sept. 15. Exh. cat., Prague Biennale 2: Expanding Painting, by Helena Kontova and Giancarlo Politi. Published by Giancarlo Politi Editore, Milan. (English and Italian)
2005
Palazzo Re Rebaudengo, Guarene d’Alba, and Cavallerizza Chiablese e Salone delle Guardie, Turin (organized by the Fondazione Sandretto Re Rebaudengo, Turin), Bidibidobidiboo: Works from the Sandretto Re Rebaudengo Collection, May 31–Oct. 2. Exh. cat. edited by Francesco Bonami, with texts by Bonami and an interview with Patrizia Sandretto Re Rebaudengo by Cesare Cunaccia. Published by Skira Editore, Milan. (English and Italian)
2005
Palais de Tokyo, Paris, TRANSLATION, June 23–Sept. 18. Exh. cat., Translation: A Visual Trip Operated and Articulated by M/M (Paris) with the Dakis Joannou Collection, with texts by Katia Arfara, Nicolas Bourriaud, and M/M (Paris), and a conversation among Bourriaud, Jérome Sans, Marc Sanchez, and M/M (Paris). Published by the Deste Foundation for Contemporary Art, Athens, 2006.
2005
Fondazione Arnaldo Pomodoro, Milan, La scultura italiana del XX secolo, Sept. 24, 2005–Jan. 22, 2006. Exh. cat. with texts by Giovanni Maria Accame, Luca Massimo Barbero, Achille Bonito Oliva, Lorenzo Canova, Luciano Caramel, Carlo Fabrizio Carli, Ada Masoero, Marco Meneguzzo, Elena Pontiggia, Arturo Carlo Quintavalle, Giorgio Verzotti, et al., and a conversation between Pomodoro and Francesco Leonetti. Published by Skira Editore, Milan. (Italian)
2005
Galleria d’arte moderna e contemporanea di Bergamo (co-organized by the Cultura del Comune di Bergamo), Italy, WAR IS OVER: 1945–2005, La libertà dell’arte da Picasso a Warhol a Cattelan, Oct. 15, 2005–Feb. 26, 2006. Exh. cat. with texts by Giacinto Di Pietrantonio, Maria Cristina Rodeschini Galati, et al. Published by Silvana Editoriale, Cinisello Balsamo, Italy. (English and Italian)
2005
Künstlerhaus Bremen, Germany, Not a Drop but the Fall, Oct. 15, 2005–Jan. 8, 2006. Exh. cat. edited by Susanne Pfeffer, with texts by Stefan Heidenreich and Pfeffer. Published by Revolver Publishing, Archiv für aktuelle Kunst, Frankfurt. (English and German)
2005
Kunsthalle Wien and BA-CA Kunstforum, Vienna, Superstars: Das Prinzip Prominenz, von Warhol bis Madonna, Nov. 4, 2005–Feb. 22, 2006. Exh. cat. with texts by Elisabeth Bronfen, Matthias Dusini, Heike Eipeldauer, Georg Franck, Stefan Grissemann, Siegfried Mattl, Thomas Mießgang, Florian Steininger, Martin Zeiller, et al. Published by Hatje Cantz Verlag, Ostfildern-Ruit, Germany. (German)
2005
Rubell Family Collection/Contemporary Arts Foundation, Miami, Seriality, Nov. 28, 2005–May 28, 2006.
2005
California College of the Arts, Logan Galleries, San Francisco (organized by the CCA Wattis Institute for Contemporary Arts, San Francisco), A Brief History of Invisible Art, Nov. 30, 2005–Feb. 21, 2006. Exh. cat. with text by Ralph Rugoff.
2006
Spazio Oberdan, Milan, Ecce Uomo (33+1), Mar. 23–May 21. Exh. cat. with texts by Gemma De Angelis Testa and Sergio Risaliti, with additional texts by Caroline Corbetta and Edoardo Testori. Published by Mondadori Electa, Milan. (Italian)
2006
Villa Manin, Centro d’arte contemporanea, Passariano, Italy, Infinite Painting: Pittura contemporanea e realismo globale (Infinite Painting: Contemporary Painting and Global Realism), Apr. 9–Sept. 24. Exh. cat. edited by Francesco Bonami and Sarah Cosulich Canarutto, with texts by Bonami, Canarutto, et al. (English and Italian)
2006
Palazzo Grassi, Venice, “Where Are We Going?”, Apr. 30–Oct. 1. Exh. cat. edited by Jack Bankowsky and Alison M. Gingeras, with texts by Jean-Jacques Aillagon, Bankowsky and Gingeras, and Francesco Bonami, et al. Copublished by Skira Editore, Milan. (English [“Where Are We Going?” Selections from the François Pinault Collection], French [“Where Are We Going?” Un choix d’œuvres de la Collection François Pinault], and Italian [“Where Are We Going?” Opere scelte dalla Collezione François Pinault])
2006
Chiesa del Suffragio, Carrara, Italy (organized in collaboration with Fondazione Cassa di Risparmio di Carrara), Allegra con brio: Arte italiana dalla Pop a oggi, May 20–June 30. Exh. cat. with text by Walter Guadagnini. Published by Edizioni Gabriele Mazzotta, Milan. (English and Italian)
2006
Galleria d’arte moderna, Palermo, Sicily, Eretica: L’arte contemporanea dal sacro al profano, Aug. 1–Nov. 3. Exh. cat. edited by Demetrio Paparoni, with texts by Georges Bataille, Jean Baudrillard, Roger Caillois, Arthur C. Danto, Michel Maffesoli, Vito Mancuso, Gianni Mercurio, Paparoni, Pierre Riches, Julie Ries, Arturo Schwarz, and Gore Vidal. Published by Skira Editore, Milan. (English [Heretics: The Transcendent and the Profane in Contemporary Art], French [Eretica: La transcendance et le profane dans l’art contemporain], and Italian [Trascendenza e profano nell’arte contemporanea])
2006
Palazzo Grassi, Venice, La collezione François Pinault: Una selezione Post-Pop, Nov. 11, 2006–Mar. 11, 2007. Exh. cat. with texts by Emanuela Mazzonis et al. Published by Skira Editore, Milan. (English, Italian, and French)
2006
Istituto nazionale per la grafica, Palazzo Fontana di Trevi, Rome, Idea: Disegno italiano degli anni novanta, Dec. 15, 2006–Jan. 26, 2007. Traveled to the Archivio di Stato, Turin, Feb. 1–23. Exh. cat. with texts by Laura Cherubini, Anna Mattirolo, Antonella Renzitti, and Giorgio Verzotti. Published by Silvana Editoriale, Cinisello Balsamo, Italy. (English and Italian)
2007
Palazzo Reale, Milan, Camera con vista: Arte e interni in Italia, 1900–2000, Apr. 18–July 1. Exh. cat., two versions, edited by Rachele Ferrario and Luigi Settembrini, with texts by Amerigo Daveri, Manolo De Giorgi, Ferrario, Claudia Gian Ferrari, Maria Paola Maino, Settembrini, and Vittorio Sgarbi. Published by Skira Editore, Milan. (English and Italian)
2007
Seattle Art Museum, SAM at 75: Building a Collection for Seattle, May 5–Sept. 9. Related book, A Community of Collectors: 75 Anniversary Gifts to the Seattle Art Museum, edited by Chiyo Ishikawa, with texts by Barbara Brotherton, Michael Darling, Ishikawa, Patricia Junker, Pamela McClusky, Marisa C. Sánchez, Yukiko Shirahara, Josh Yiu, et al. Published by the University of Washington Press, Seattle, 2008.
2007
Paula Cooper Gallery, New York, Still Life and Kicking, May 10–June 8.
2007
BALTIC Centre for Contemporary Art, Gateshead, United Kingdom, Freakshow: An Unnatural History, May 16–Aug. 26.
2007
Museion, Museo d’arte moderna e contemporanea, Bolzano, Italy, Ironia Domestica: Uno sguardo curioso tra collezioni private italiane/Ironie der Objekte: Ein neugieriger Blick in italienische Privatsammlungen/Domestic Irony: A Curious Glance on Italian Private Collections, May 26–Sept. 2. Exh. cat. with texts by Ludovico Pratesi, Letitzia Ragaglia, et al. Published by Folio Verlag, Bolzano, Italy, and Vienna. (English, German, and Italian)
2007
Kunsthalle Wien, Vienna, and MUMOK Museum moderner Kunst Stiftung Ludwig Wien, Vienna (in collaboration with the Deste Foundation for Contemporary Art, Athens), Dream & Trauma: Works from the Dakis Joannou Collection, Athens, June 29–Oct. 4. Exh. cat. edited by Edelbert Köb, Gerald Matt, and Angela Stief, with texts by Elisabeth Bronfen, Hilary Rubenstein Hatch, Köb, Köb and Matt, Matt, and Stief. Published by Hatje Cantz Verlag, Ostfildern-Ruit, Germany. (English and German)
2007
Tel Aviv Museum of Art (organized by the Italian Cultural Institute at Tel Aviv), Mentalgrafie: Viaggio nell’arte contemporanea (Mentalscapes: A Journey Through Contemporary Art), July 19–Oct. 6. Exh. cat. with texts by Demetrio Paparoni and Arturo Schwarz. Published by Skira Editore, Milan. (Hebrew and Italian)
2007
Deste Foundation for Contemporary Art, Athens, Fractured Figure: Works from the Dakis Joannou Collection, organized by Urs Fischer with Cassandra MacLeod, Sept. 6, 2007–July 31, 2008. Exh. cat. with text by Jeffrey Deitch.
2007
Marian Goodman Gallery, New York, 30/40 (part I), Sept. 10–Oct. 13. Exh. cat., 30/40:
A Selection of Forty Artists from Thirty Years at Marian Goodman Gallery, edited and with text by Benjamin H. D. Buchloh, interviews with Marian Goodman by Jean-François Chevrier and Lynne Cooke.
2007
Rubell Family Collection/Contemporary Arts Foundation, Miami, Euro-Centric, Part 1: New European Art from the Rubell Family Collection, Dec. 5, 2007–Nov. 8, 2008.
2008
Institute of Contemporary Art, University of Pennsylvania, Philadelphia, The Puppet Show, Jan. 18–Mar. 30. Traveled to the Santa Monica Museum of Art, Calif., May 24–Aug. 9; Contemporary Museum, Honolulu, Sept. 6–Nov. 23; Contemporary Arts Museum Houston, Jan. 17–Apr. 12, 2009; and Frye Art Museum, Seattle, May 16–Sept. 13. Exh. cat. with texts by John Thomas Bell, Terence Gower, Carin Kuoni, Jena Osman, John Pemberton, Ingrid Schaffner, Jane Taylor, Michael Taylor, Allen Weiss, et al. Published by the Institute of Contemporary Art.
2008
Thyssen-Bornemisza Art Contemporary, Vienna, Other than Yourself: An Investigation between Inner and Outer Space, Feb. 8–Sept. 21. Exh. cat., with previously published interview with Cattelan by Nancy Spector and new texts by Gabrielle Cram and Daniela Zyman, et al. Published by Verlag der Buchhandlung Walther König, Cologne.
2008
Azienda speciale Villa Manin and Villa Manin, Centro d’arte contemporanea, Passariano, Italy, God & Goods: Spiritualità e confusione di massa (God & Goods: Spirituality and Mass Confusion), Apr. 20–Sept. 28. Exh. cat. edited by Francesco Bonami and Sarah Cosulich Canarutto, with texts by Bonami, Canarutto, et al. (English and Italian)
2008 Musée national d’art moderne, Centre Pompidou, Paris, Traces du Sacré, May 7–Aug. 11. Traveled to the Haus der Kunst, Munich, Sept. 19, 2008–Jan. 11, 2009. Exh. cat. with texts by Geneviève Debien, Catherine Grenier, Jean de Loisy, Charlotte Van Santen, et al. Published by Éditions du Centre Pompidou. (French)
2008
Museion, Museo d’arte moderna e contemporanea, Bolzano, Italy, Peripherer Blick und kollektiver Körper (Sguardo periferico e corpo collettivo) (Peripheral Vision and Collective Body), May 24–Sept. 21. Exh. cat. with texts by Doris Agotai, Fulvia Carnevale, Mike Davis, Corinne Diserens, Eva Fabbris, Fabrizio Gallanti, John Kelsey, Gianni Pettena, Letizia Ragaglia, Jacques Rancière, Suely Rolnik, Yehuda E. Safran, and Christopher Wavelet. Copublished by Hatje Cantz Verlag, Bozen–Bolzano, Italy. (English, German, and Italian)
2008
Museum of Contemporary Art, Sydney, Sydney Biennial: Revolutions–Forms That Turn, June 18–Sept. 7. Exh. cat. edited by Carolyn Christov-Bakargiev, with texts by Iwona Blazwick, Iara Boubnova, Christov-Bakargiev, Natasha Conland, Jonathan Crary, Massimiliano Gioni, Charles Harrison, Raimundas Malašauskas, Jessica Morgan, Hans Ulrich Obrist, Hetti Perkins, Kathryn Smith, Russell Storer, Jane Taylor, et al. Published in association with Thames & Hudson, Victoria.
2008
New Museum, New York, After Nature, July 17–Sept. 21. Exh. cat. with text by Massimiliano Gioni, composed of brochure wrapped around a repurposed copy of W. G. Sebald, After Nature (1998; New York: Modern Library, 2003), with 25 images from the exhibition inserted between the pages of the book.
2008
Palazzo Grassi, François Pinault Foundation, Venice (co-organized by the Museum of Contemporary Art, Chicago), Italics: Italian Art between Tradition and Revolution, 1968–2008, Sept. 27, 2008–Mar. 22, 2009. Traveled to the Museum of Contemporary Art, Chicago, Nov. 14, 2009–Feb. 14, 2010. Exh. cat. edited by Francesco Bonami, with text on Cattelan by Emanuela Mazzonis and additional texts by Bonami, Giuliano da Empoli, Guido Guerzoni, Francesco Manacorda, Paola Nicolin, et al. Published by Mondadori Electa, Milan. (English and Italian)
2008
CAPC Musée d’art contemporain de Bordeaux, France, Trahison, Oct. 3, 2008–Aug. 30, 2009.
2008
Solomon R. Guggenheim Museum, New York, theanyspacewhatever, Oct. 24, 2008–Jan. 7, 2009. Two publications: Exh. cat. edited by Nancy Spector, with texts by Jan Avgikos, Francesco Bonami, Massimiliano Gioni, Jens Hoffmann, Spector, et al.; Related publication, special reprint edition of all three issues of Cattelan, Massimiliano Gioni, and Ali Subotnick’s The Wrong Times.
2008
La maison rouge–Fondation Antoine de Galbert, Paris, Mexico: Expected/Unexpected, Collection Isabel and Agustín Coppel, Oct. 26, 2008–Jan. 18, 2009. Traveled to the Museum of Contemporary Art San Diego, La Jolla, Calif., Feb. 5–May 15, 2011; and the Museum of Latin American Art, Long Beach, Calif., Feb. 20–May 15. Exh. cat. with texts by Sabina Berman, Antoine de Galbert, and Elmer Mendoza, and an interview with Isabel and Agustín Coppel by Mónica Amor and Carlos Basualdo. Published by Fage éditions, Lyon, France. (English and French)
2009
Palazzo Barnaba, Martina Franca, Italy
(organized by the Associazione amici dell’arte Studio Carrieri and the Fondazione Noesi per l’arte contemporanea), Metessi 2, Jan. 31–Mar. 14. Exh. brochure with text by Gabriele Perretta. (Italian)
2009
Museu da cidade, Lisbon (co-organized by Colecção Madeira Corporate Services), Desenhos de A–Z, Feb. 6–Mar. 29. Related book, Desenhos [drawings]: A–Z, edited by Adriano Pedrosa, with texts by Alexandre Melo, Pedrosa, Carla Zaccagnini, et al. Published by Colecção Madeira Corporate Services, Funchal, Portugal, 2006. (English and Portuguese)
2009
Scottsdale Museum of Contemporary Art, Ariz., Seriously Funny, Feb. 14–July 5. Exh. brochure with texts by and a discussion between Cassandra Coblentz and Claire Schneider.
2009
Riso, Museo d’arte contemporanea della Sicilia, Palazzo Belmonte Riso, Sicily, Sicilia 1968/2008: Lo spirito del tempo, Feb. 21–May 31. Exh. cat. with texts by Valentina Bruschi, Salvatore Lupo, Renato Quaglia, Sergio Troisi, et al. Published by Silvana Editoriale, Cinisello Balsamo, Italy. (Italian)
2009
Palazzo Manganelli, Catania, Italy, Spazio libro d’artista, Feb. 24–Mar. 21.
2009
Weserburg, Museum für moderne Kunst, Bremen, Germany, Noble Gäste: Meisterwerke der Kunsthalle Bremen, Feb. 27, 2009–Jan. 13, 2011.
2009
Garage Center for Contemporary Culture, Moscow, Un certain état du monde? A Certain State of the World? Works from the François Pinault Foundation, Mar. 19–June 14. Exh. cat. by Caroline Bourgeois. Published by Skira Editore, Milan. (English and Russian)
2009
Deste Foundation for Contemporary Art, Athens, A Guest + A Host = A Ghost: Works from the Dakis Joannou Collection, May 7–Dec. 31. Exh. cat. with text by Massimiliano Gioni.
2009
Palazzo Grassi and Punta della Dogana, François Pinault Foundation, Venice, Mapping the Studio: Artisti dalla collezione François Pinault (Mapping the Studio: Artists From the François Pinault Collection) (Mapping the Studio: Artistes de la collection François Pinault), June 6, 2009–Jan. 10, 2001 (Palazzo Grassi, until Apr. 10, 2011). Exh. cat. edited and with text by Francesco Bonami and Alison Gingeras. Published by Mondadori Electa, Verona, Italy. (English, French, and Italian)
2009
Venice Biennale: Making Worlds (Fare Mondi), June 7–Nov. 22. Exh. cat., 2 volumes, edited by Daniel Birnbaum and Jochen Volz, with texts by Savita Apte, Claudia Battistella, Birnbaum, Öyvend Fahlström, Katerina Gregos, Hu Fang, Renata Lucas, Sarat Maharaj, Boris Manner, Moscow Poetry Club, Molly Nesbit, Saskia Neuman, Yoko Ono, Lygia Pape, Philippe Parreno, Brian J. Sholis, Tijs Visser, Volz, Sven-Olov Wallenstein, and Kim West. Published by Marsilio Editori, Venice. (English and Italian)
2009
Le palais des arts et du festival de Dinard, France, Qui a peur des artistes?: Une sélection d’œuvres de la François Pinault Foundation, June 14–Sept. 13. Exh. cat. with texts by Caroline Bourgeois, Sylvie Mallet, François Pinault, and Clara Schulmann. Published by Skira Flammarion, Paris. (French)
2009
ALT Arte contemporanea, Bergamo, Italy, Una collezione trasversale: Da Duchamp a Nino Calos, da Cattelan e Entang Wiharso, June 29–.
2009
Marian Goodman Gallery, New York, As Long as It Lasts, July 1–Sept. 4.
2009
21st Century Museum of Contemporary Art, Kanazawa, Japan, 200 Artworks–25 Years: Artists’ Editions for Parkett, Sept. 4–26. Traveled to the Singapore Tyler Print Institute, May 22–July 17, 2010, and Seoul Arts Center, Hangaram Museum, South Korea, Dec. 17, 2010–Feb. 25, 2011. Exh. cat. with texts by Susan Tallman and Deborah Wye. Published by Parkett, Zurich and New York, 2009. (English and Japanese) Alternate version of exh. cat. includes texts by Hongki Chae and Shim Chung. (Korean)
2009
Tate Modern, London (in collaboration with Hamburger Kunsthalle, Hamburg, Germany), Pop Life: Art in a Material World, Oct. 1, 2009–Jan. 17, 2010. Traveled to Hamburger Kunsthalle, as Pop Life: Warhol, Haring, Koons, Hirst . . ., Feb. 12–May 9, and to the National Gallery of Canada, Ottawa, as Pop Life: Art in a Material World, June 11–Sept. 19. Exh. cat. edited by Jack Bankowsky, Alison M. Gingeras, and Catherine Wood, with texts by Bankowsky, Nicholas Cullinan, Gingeras, Scott Rothkopf, and Wood. Published by Tate Publishing.
2009
Fondazione galleria civica di Trento, Italy, Civica 1989–2009: Celebration, Institution, Critique, Oct. 10, 2009–Jan. 31, 2010. Exh. booklet serving as exhibition and city guide. (Italian and English)
2009
Fondazione Sandretto Re Rebaudengo, Turin (organized by FACE [Foundation of Arts for a Contemporary Europe]), Investigations of a Dog: Work from the FACE Collections, Oct. 21, 2009–Mar. 4, 2010. Traveled to the Ellipse Foundation, Contemporary Art Collection, Art Centre, Cascais, Portugal, May 15–Sept. 5; La maison rouge–Fondation Antoine de Galbert, Paris, Oct. 23, 2010–Jan. 16, 2011; Magasin 3, Stockholm Konsthall, Feb. 17–May 29; Deste Foundation for Contemporary Art, Athens, June 22–Oct. 15. Exh. cat., FACE–Investigations of a Dog: Works from Five European Art Foundations, with short stories by Aristide Antonas, Jonas Hassen Khemiri, Rui Cardoso Martins, Emmanuelle Pagano, and Tiziano Scarpa. Copublished by JRP–Ringier, Zurich, and FACE, 2011. Paperback published by Cornerhouse, Manchester, United Kingdom, 2011.
2009
Rubell Family Collection/Contemporary Arts Foundation, Miami, Beg Borrow and Steal, Dec. 2, 2009–May 29, 2010. Exh. cat. with texts by Karl Haendel, Thomas Houseago, David Moos, Heidi Zuckerman Jacobson, et al.
2010
New Museum, New York, Skin Fruit: Selections from the Dakis Joannou Collection, Mar. 3–June 20. Exh. cat. with texts by Nicolas Bourriaud, Jeffrey Deitch, Massimiliano Gioni, Peter Halley, Nancy Spector, and Lynne Tillman, et al., and an interview with Jeff Koons by Lisa Phillips.
2010
PAC Padiglione d’arte contemporanea, Milan (co-organized by the Comune di Milano-Cultura and MiArt, Milan), Ibrido: Genetica delle forme d’arte, Mar. 13–31. Exh. cat. edited and with text by Giacinto Di Pietrantonio and Francesco Garutti. Published by Silvana Editoriale, Cinisello Balsamo, Italy. (English and Italian)
2010
Musée d’art moderne de la Ville de Paris/ARC, Seconde main, Mar. 25–Oct. 24. Exh. guide. (English and French)
2010
PinchukArtCentre, Kiev, Ukraine, Sexuality and Transcendence, Apr. 24–Sept. 19. Exh. brochure, with text by Eckhard Schneider. (English and Ukrainian)
2010
Musée national d’art moderne, Centre Pompidou, Paris, Dreamlands, May 5–Aug. 9. Exh. cat. with texts by Montse Aguer Teixidor, Quentin Bajac, Sophie Basch, Aaron Beebe, Bruce Bégout, Clément Chéroux, François Cusset, Jean-Michel Frodon, Roberto Gargiani, Arnaud Labelle-Rojoux, Karal Ann Marling, Frédéric Migayrou, Pascal Ory, Didier Ottinger, Martino Stierli, Aron Vinegar, et al. (French)
2010
MART Museo di arte moderna e contemporanea di Trento e Rovereto, Italy, Languages and Experimentations: Giovani artisti in una collezione contemporanea (Languages and Experimentations: Young Artists in a Contemporary Collection), May 8–Aug. 22. Exh. cat. edited by Giorgio Verzotti, with texts by Elisabetta Barisoni, Gabriella Belli, Hans Ulrich Obrist, and Verzotti. Published by Silvana Editoriale, Cinisello Balsamo, Italy. (English and Italian)
2010
MAXXI, Museo nazionale delle arti del XXI secolo, Rome, Spazio: Dalle collezioni di arte e architettura del MAXXI (Space: From MAXXI’s Collections of Art and Architecture), May 30, 2010–Jan. 23, 2011. Exh. cat. with texts by Marco Belpoliti, Pippo Ciorra, Alessandro D’Onofrio, Bartolomeo Pietromarchi, Gabi Scardi, Maurizio Vitta, et al. Published by Mondadori Electa, Milan. (English and Italian)
2010
Deste Foundation for Contemporary Art, Athens, Alpha Omega: Works from the Dakis Joannou Collection, June 16–Dec. 29. Exh. cat. with text by Massimiliano Gioni.
2010
Carrara, Italy, Piazza Gramsci, Carrara International Sculpture Biennial: Post Monument, June 26–Oct. 31. Exh. cat. with texts by Fabio Cavalucci, Massimiliano Gioni, Davide Lambruschi, Corrado Lattanzi, Manuela Lietti, Viktor Misiano, Cristina Natalicchio, Francesca Alix Nicòli, Massimiliano Nocchi, Luisa Passeggia, Nico Stringa, Laura Tedeschi, Nicola Trezzi, Angelo Zubbani, et al., and an interview with Mikhail Gorbaciov by Cavalucci. Published by Silvana Editoriale, Cinisello Balsamo, Italy. (English and Italian)
2010
Biennale Hall, Gwangju, South Korea, Gwangju Biennial: 10,000 Lives, Sept. 3–Nov. 7. Three publications: Exh. cat. edited by Massimiliano Gioni and Judy Ditner, with texts by Gioni et al.; Exh. cat. (short version), edited by Gioni and Ditner, with text by Gioni; and sourcebook, I’m Not There: A Sourcebook for the 8th Gwangju Biennale (English and Korean)
2010
Sotheby’s, New York, Divine Comedy, Sept. 30–Oct. 19. Exh. cat. with texts by Lisa Dennison and James Frey.
2010
Fondazione Arnaldo Pomodoro, Milan, La scultura italiana del XXI secolo, Oct. 20, 2010–Jan. 30, 2011. Exh. cat. with text on Cattelan by Rossella Farinotti and additional texts by Arianna Baldoni, Paola Boccaletti, Simone Menegoi, Marco Meneguzzo, Roberto Pinto, and Lorenzo Respi. (English and Italian)
2010
Palais de Tokyo, Paris, Fresh Hell, Oct. 20, 2010–Jan. 16, 2011. Related magazine, Palais/, no. 13 (fall).
2010
MAGA Museo arte Gallarante, Italy, Cosa fa la mia anima mentre sto lavorando?: Opere d’arte contemporanea dalla collezione Consolandi, Nov. 13, 2010–Feb. 13, 2011. Exh. cat. edited by Francesca Pasini and Angela Vettese. Published by Mondadori Electa, Milan. (English and Italian)
2010
MACRO Testaccio, Museo d’arte contemporanea Roma, Rome, PLUS ULTRA: Works from the Sandretto Re Rebaudengo Collection, Dec. 18, 2010–Mar. 20, 2011. Exh. cat. with text by Francesco Bonami and an interview with Patrizia Sandretto Re Rebaudengo by Luca Massimo Barbero. Published by Marsilio Editori, Venice, 2011. (English and Italian)
2011
Fondazione Nicola Trussardi (in collaboration with the Fondazione Pitti Discovery), Stazione Leopolda, Florence, 8 ½, Jan. 13–Feb. 6.
2011
GL STRAND, Copenhagen, WAX: Sensation in Contemporary Sculpture, Feb. 5–May 15.
2011
Santander Art Gallery of the Ciudad Grupo Santander, Madrid (organized by Fundación Banco Santander, Madrid), Espíritu y Espacio: Colección Sandretto Re Rebaudengo, Feb. 9–Apr. 29.
2011
Punta della Dogana, François Pinault Foundation, Venice (organized in conjunction with The World Belongs to You, Palazzo Grassi), In Praise of Doubt, Apr. 10, 2011–Dec. 31, 2012. Exh. cat. with interviews by Alison Gingeras, Elisabeth Lebovici, Joan Simon, et al. Published by Mondadori Electa, Milan. (English, French, and Italian)
2011
Palazzo Grassi, François Pinault Foundation, Venice (organized in conjunction with In Praise of Doubt, Punta della Dogana), The World Belongs to You, June 2–Dec. 31. Exh. cat. with a conversation between Caroline Bourgeois and Elisabeth Lebovici and interviews by Douglas Fogle, Alison Gingeras, Lebovici, et al. Published by Mondadori Electa, Milan. (English, French, and Italian)
2011
Fondazione Prada, Ca’Corner della Regina, Venice, Fondazione Prada_Ca’ Corner dell Regina, June 4–Oct. 2. Exh. cat. to be published.
2011
Venice Biennale: ILLUMInazioni (ILLUMInations), June 4–Nov. 27. Exh. cat. edited by Bice Curiger, with statements by the participating artists. Published by Marsilio Editori, Venice. (English and Italian)