‘Would Madam care for some white wine or red wine with her Spaghetti alle vongole?’ With a flourish, Tyler whips the pale cream napkin that sits in a fan shape next to my fork and spoon, and lays it gently and expertly across my lap. With an equally elaborate flourish he indicates to the wine bottles in the middle of the table.
He has pushed most of the low coffee tables away and has moved a circular dining table into the middle of the darkened café. Along the counter there are small tea lights in crystal holders, whose flames come together like embers from the Olympic flame to create a gentle wall of light behind him. In the middle of the table stands a silver candlestick with three arms, holding long, red tapered candles. The entire scene is romantic and thoughtful, and I’m honoured.
Like the lights on the counter, a flame of excitement dances and flickers inside me because this is thrilling and new and, well, thrilling. I can’t think outside of those basic, almost teenager-like, terms otherwise the rest of the world where I am adult with adult problems and responsibilities will come gushing in like water into a cracked dam, and spoil it.
Time with Tyler is all about uncomplicated, new, exciting stuff. Time away from him is adult and scary and real. It has been two days since I had to call an ambulance to take my grandmother away and no one from my other ‘family’ has updated me on her condition. Not even a text to let me know if the worst has happened, if she is hanging on, if the doctors are still working on her. I am clearly not part of them. That has been a stark, adult lesson to learn in the last two days. I haven’t been able to concentrate on anything without knowing what is going on. This has also changed everything: the decision might have been taken from my hands, which would be a relief. Or it might have become more pressing, I may need to speed up the deciding process because this is a signal that she doesn’t have much time before something happens and she is as helpless as she fears.
Adult stuff, adult fears and decisions, have no place in the teenagery world of being with Tyler. Being with him is all about hoping my hair looks nice, wondering if my dress is flattering enough, choosing the right wine to go with this pasta dish.
‘Vino bianco is the correct wine to have with vongole, I believe,’ I say to him.
‘Ahh, I see, a woman who is well travelled and well eaten,’ Tyler says. ‘Which could present a problem for me because you actually know what this is meant to taste like.’
‘I do, I’m sorry. It’s one of my favourites.’
‘Well, nothing ventured, no one impressed by the brilliance I have managed to cram into this dish.’
In front of me, on top of the cork place mat, Tyler places a large white bowl into which he has curled spaghetti, with small, black clams studding the creamy-white strands. It is seasoned with flecks of bright green parsley and tiny, almost transparent pieces of garlic. The scent of a decent wine, which will have infused itself into the food, wafts up to me from my plate as it had been doing from the kitchen. ‘You used good wine,’ I say.
‘Only the best for you, my dear – it was on offer for £2.98 in the local shop.’
‘Oh, poor wine,’ I reply, ‘so cheap they couldn’t even get away with charging the extra penny to make it ninety-nine.’ I turn my mouth downwards. ‘I feel sad for the pathetic bargain-bucket wine.’
Tyler’s smile is unexpectedly intimate and affectionate, the beam of someone who has been in love with the person they’re in front of for years. I avert my gaze to the silver fork I have picked up and am about to plunge into the stringy depths of my food.
‘You’re pretty silly, you know that?’ he says, an equal amount of affection in his tone. I stop my fork making contact with my food. Without looking directly at him I watch him unfold his napkin fan, lay it across his jeans-covered lap. ‘It was one of the first things I noticed about you. Not many people are silly in a charming way.’
I say nothing to him, instead I concentrate on finding a Zen state. On bringing calming breath into my body. On not getting up and walking out. This is not teenager-ish, this is adult and serious and not what being with Tyler is all about.
‘That was a compliment, in case you were wondering,’ he tries again.
‘Thank you,’ I mumble into my chest.
Seth and I have split up. It is over between us; we couldn’t be together any more. I am not cheating on him. I am not, I am not, I am not.
White wine glugs softly into my glass, and the lights from the candles flicker throughout the café. Outside is black but I know out there is the sea. If I strain, I’m sure I can hear it, shushing the sky, pouring calm over the pebbles.
‘Are you not having a good time?’ Tyler asks. ‘Is this a bit too much after we’ve only really talked over coffee?’
Brace yourself, I tell myself. Look up. He smiles at me, nervously.
‘I’m sorry,’ I say. ‘I’m in a bit of a strange place, my head is a bit fried at the moment. Lots of other things going on.’ I open my mouth to start to explain. Then shut it again. Where would I even start with the tangled, knotted mess that is my life at the moment? I open my mouth again and: ‘But I’m having a great time. This is all amazing. Especially for someone who makes questionable coffee at the best of times,’ comes out.
‘Lady, you can insult my cooking and my taste in décor but never, ever insult my coffee.’
‘I wasn’t insulting your coffee, the coffee can’t help it, I was questioning your ability to make it.’
‘I am wounded,’ he says. ‘Especially after I imparted my expert knowledge, that is usually only handed down from barista to barista, to you.’
‘I’m sorry for wounding you,’ I say.
‘No, no, nothing short of loving my vongole will make up for it,’ he says.
I grin at him. I slip the fork into the waves of the spaghetti, twirl them into a ball on the end of my fork using my spoon. Tyler watches me slip the food between my lips and chew. ‘It’s divine,’ I say.
‘You got yourself out of trouble there,’ he states.
‘Phew!’ I can do this. Honestly I can.
‘How about you try to leave all that head-frying stuff to one side for the rest of tonight?’ Tyler says. He is suddenly serious, his dark, velvety eyes trained on me so I can’t look away even if I want to. ‘If it’s truly important, it’ll still be there to worry about in a couple of hours.’
He’s right. All of it: my grandmother, my other mother, Seth, Mum, Nancy, and all the ways they touch and influence my life will still be there in a couple of hours. If I set them to one side, I’ll be free to exist, to be a teenager, to even be an adult who has fun. I can almost taste the liberation of that.
The next bite of vongole tastes incredible now that I’ve been unhooked from the rest of my life.
‘I thought you said you’d done this before,’ Tyler states.
‘When, pray tell, did I say that?’ I reply.
‘I asked if you’d ever been roller-skating along the promenade and you said …’
‘I said nothing. I shook my head because I hadn’t ever been roller-skating along the promenade or anywhere else in fact.’
Tyler has lent me skates with white boots, red wheels and red ribbon laces. The rubber stopper at the front is red, too. So much cooler than Hillary Senton’s. When he produced them as my designated pair for the evening, I wondered if he probably took all his dates roller-skating and I would be wearing a dumped woman’s skates. But no, they had the label on and as soon as we’d checked to see if they fitted me, he removed and binned the label.
‘I suppose I should have asked if you’d been roller-skating anywhere, ever,’ Tyler states.
‘Yes, I think you should have.’ I am clinging on to the clammy sea wall that runs along the promenade outside his café. He’d laced me into the boots while we sat on this bench because locking up in roller skates would have been too difficult. Once the last lace was tied, I’d got up and had promptly fallen over. I had made progress in the last ten minutes in that I had now managed to go from the bench to the wall without falling over. I am currently working on letting go of the wall.
‘In my mind’s eye,’ Tyler says wistfully, ‘I saw us skating up and down here, undaunted by the lack of light, holding hands, showing off to each other, maybe one of us “accidentally” falling and bringing the other one down with us, landing in a happy heap and …’ His voice trails off.
‘Oh, no, don’t stop. You were just getting to the good part. You weren’t making me feel at all guilty for not having a clue how to do this. Not one little bit.’
‘Revenge for the coffee dig earlier.’ Tyler skates nearer. ‘Haven’t you ever been ice skating?’
‘Yes. I ended doing this that time, too. I’d completely forgotten how much I didn’t like that out-of-control feeling then, how anything can just go off in any direction it pleases and you can’t do a thing about it.’ My left leg, as if to prove my point, decides to slide away and I have to bring it back sharply while my fingers grope for purchase on the wall. This is actually worse than ice-skating. This is a different kind of powerlessness that I’m having to navigate.
Tyler stands in front of me. Slung across his body is the large black messenger bag containing our shoes and my bag. Despite the cool night, he’s wearing a white T-shirt so his arms are bare – I’m sure he’s wearing it to show off the sleek muscles of his upper body. (I don’t blame him, they’re pretty impressive arms and I’m surprised I’ve managed to avoid running my fingers over them for so long.)
‘Take my hands,’ he says.
‘Yeah, I’m not going to do that.’
‘Trust me, do it one at a time. Just reach out and take my hand.’ Gingerly, carefully, I reach out for him and his hand is there, immediately, clamped around mine, holding me steady. My legs wobble, slip a little, but mostly I am fine, I am upright, I am not sprawled all over the promenade showing myself up. ‘Now, the other hand. You’ll be fine, trust me.’ That’s twice he’s asked me to trust him, twice he’s used the word as though trusting someone is the easiest thing in the world. That when you need to, all you do is close your eyes and believe and everything will be tied up in a happily ever after bow. Trust, blind trust, is easy to give when you’re young and naïve and have never been hurt, it’s even easy to give when you’ve met someone new when you’re not so young. But when you are older, when you have been hurt, when it seems every incidence of trust you’ve given to others has been betrayed in some way, you don’t become jaded, you become suspicious and mistrustful of every act of trust you’re asked to perform – even the most trivial ones. I don’t trust Tyler not to let me fall. But there’s also a part of me that needs to let go so I can prove that people always, always let you down if you trust them.
I push myself away from the wall slightly as I reach for his other hand and it is there. His hand, strong and sure, encircles mine and holds me safe and upright. ‘I told you,’ he says. His hands tighten around mine. ‘First thing, stop looking down,’ he tells me. Reluctantly I raise my head. Looking down lets me check what my feet are doing and it prevents me from … looking directly at him.
Tyler is like the Sun sometimes – you have to try to avoid looking directly at it because of what it can do to your body. The Sun can damage your eyes if you look directly at it – with Tyler, he’ll make your stomach flip several times in a few seconds, and will unleash unnecessarily potent lust throughout your veins.
‘Now, I’m going to skate backwards for a bit …’ I must look horrified because he adds quickly: ‘I won’t let you go. I’m going to skate slowly backwards, taking you with me until you feel safe.’ He moves while he speaks, carefully but slowly dragging me with him. ‘Any time you feel yourself slipping, grab tightly on to my hands.’ We continue to move. It’s not so bad now. I’m actually enjoying the feeling of passive motion, of moving forwards without even trying. ‘See, this isn’t so bad, is it?’ he asks.
‘No,’ I reply. I don’t want to speak too much in case I throw my balance off and end up on the floor.
‘Good, this is good. You’re doing well. Keep moving, keep coming forwards. That’s it.’ He keeps looking behind him, to check where he is heading, but at that time of night there are few people around and the promenade is thankfully hazard-free.
We’ve moved quite far despite my terror and I am starting to feel comfortable on wheels, as though I could one day possibly, maybe feel like I belong on them.
‘Now, I’m going to let go of one of your hands. I’ll still have the other one so once I let go, if you feel at all worried, you can just grab my hand again. OK?’
‘OK.’ I can do this. I remember when Dad sat me down and told me that it was back, that there was nothing they could do, that it was now just a question of marking time on our new calendars, I thought I couldn’t do it. I thought I would never get through. But at some point, I don’t remember when, I realised I was doing it. I could do it because I was doing it. I had no choice, and because I had no choice, I managed to do it.
At some point, when exactly I didn’t notice, my feet have stopped being passive, they have started to move, to be the cause of my motion. Clumsy, clunky and awkward at first, then smoother, easier, nearly a hint of graceful. ‘Put your free arm out to balance yourself,’ Tyler says. He is beside me now, holding on to one hand as we move. Without hesitation or fear, I put my arm out, and without panic I feel the shift of my weight as I find my centre on the two lines of wheels.
‘See? See?’ Tyler says. ‘You can do it. You’re doing it.’ I can hear pride in his voice.
I can do it. I am doing it.
Looming right ahead of us is my building. We have skated all the way from Beached Heads to my flat and I haven’t fallen over, Tyler hasn’t let me down. ‘That’s where I live,’ I say to him.
‘Really?’ he replies. ‘I’ve always wanted to see inside that building. It looks incredible. Is it authentic on the inside?’
‘The communal areas are, and the windows have to be the right style for the planning department, but most of them are double-glazed. And there’s a cage lift like you see in old American movies.’
‘You do realise that you’re talking and skating now?’ Tyler replies. ‘You’ve done brilliantly.’
‘Yeah, yeah, but tell me, how am I going to stop?’ My building is coming towards us very fast. ‘Because it seems my only option is to fall over or crash into the wall.’
Turns out that stopping involves hitting the wall with my hands instead of my body, and pulling myself to a standstill. I watched Tyler do it gracefully then did it myself.
Unusually, for that time of night, the car park is virtually empty. Normally it’s a bun fight to get any space here because it is free, off-street parking that is exempt from the attentions of traffic wardens. Red, white and shiny, Lottie sits in her place at the far end of the car park, probably loving the view she has of the sea but not loving what the salt is doing to her metal parts. I need to take better care of her, take her out for a drive more.
Now that I’ve stopped, I feel a little less steady on my feet. ‘I think my days of skating are over,’ I say to Tyler, who is standing beside me at the wall. ‘Maybe I should quit while I’m upright.’ His laughter in reply is easy and calming. From the bag slung across his body he produces my flat red ballet pumps. He bobs down as though he isn’t on skates and starts to unlace me. Every so often his hands stray to my ankle, and the heat of his touch sends pleasure all the way up my legs. It’s a let down almost literally when my left foot is freed from the skate and returned to my shoe. I feel like I have fallen from a great height. Once I am back in my pumps I feel tiny compared to him. The speed with which he changes into his own trainers tells me that he was lengthening the process of taking off my shoes so he could touch me. Which I do not mind at all.
‘So, that was an experience,’ he says, once we are both back to normal height and on solid ground.
‘It certainly was.’
‘One you might want to repeat?’
This is ‘end of the date’ talk – we’re not only talking about skating, we’re discussing whether we’re going to ‘see’ each other again.
‘I feel strange not rolling around,’ I say. ‘I almost feel unsteady on my feet because I’m steady on my feet.’
‘Ah, classic avoidance of the question,’ Tyler says. He drops the bag, which now contains the two sets of skates, on to the ground.
‘More like nerves about what might happen next,’ I explain.
‘What do you think might happen next?’ he asks.
‘Well, on any other normal date I might ask you in for a coffee – only instant, I’m afraid – and see once we’re inside if I fancy progressing it to something more, tonight or another night … But, right now, I not only have my mother staying with me, my cousin and her daughter are here as well. I have a full house so it’d require far too much sneaking around. And anyway, who’s to say you’d want to come up? Drink my coffee? Want to progress things? You might not even want to see me again. I realise those were some pretty big assumptions I was making, which makes me nervous.’
Tyler takes my hand, slowly presses his palm against mine until they are flat against each other like a reflection in a mirror. Staring intently at me, he reaches out with his other hand and slips it around my waist. His body against mine feels different to— I stop myself short. I’m not supposed to be thinking about him. He’s all part of the stuff that’s been put to one side.
Tyler is simply different. I haven’t related to another man’s body in this way in over a decade. A frisson of excitement at being about to embark on something new tingles down my spine.
‘I told you before, you’re silly,’ he says quietly. ‘How could I not want to see you again?’
Our lips are suddenly millimetres apart and then they are together. My body feels like it did when I first stood up on the skates, wobbly and out of control. This is all good, wanted, though. This is the kind of out of control I enjoy. Tyler’s kisses intensify, he presses me back against the wall, my hands go to his face, and he moves his body so close to mine I can feel the hammer of his heart against my chest. These mouth touches are incredible, they shoot shards of pleasure through me that pool in my stomach, explode in my chest, cause an ache between my legs.
‘Get a room!’ someone shouts at us from a passing car, and we immediately jump apart. Above the sound of the car engine driving away, we can hear the shouter and his friends laughing loudly.
Tyler lowers his forehead on to mine and chortles. ‘That’s the sort of thing that would only happen to me when I’m with you.’
‘I’m not sure if that’s a good thing or not,’ I reply.
‘It’s a good thing. Being with you is a good thing.’ He lowers his head. ‘Here, let me prove it to you.’
Right before our lips slot together again he pauses as though something is wrong. Tyler frowns, then turns his head towards the sea, towards where Lottie is parked. My heart almost leaps out of my chest when I realise there is someone leaning against Lottie in the otherwise empty car park.
That person wasn’t there before. At least, I don’t think they were. But I maybe didn’t notice much in the excitement of being with Tyler. I had glanced at Lottie, noted how shiny she looked, decided I needed to drive her more, but did I really look, take a note of the shadows she cast, the shadows others cast upon her? The shadow stops reclining against my car and stands to its full height.
‘Sorry, is there something I can do for you, mate?’ Tyler asks. He sounds pleasant and reasonable enough, but the way he has stepped slightly in front of me, has checked over his shoulder to make sure we’re not going to be pounced on from behind, suggests he thinks trouble could be about to come our way. It is, unfortunately. But not in the way he thinks.
‘No, not really,’ the man who was watching us replies. ‘Not unless you want to tell me why you’re kissing my wife.’