Abbey Theatre Minute Books. NLI Acc 3961. National Library of Ireland.
Sara Allgood, ‘Memories.’ Belfast Public Record Office.
F.R. and May Higgins Papers. National Library of Ireland.
Joseph Holloway papers. ‘Diary of a Dublin Playgoer’. National Library of Ireland.
Joseph Hone, ‘Autobiography.’ Private collection.
Hedda Hopper archive. Margaret Herrick Library, Academy of Motion Picture Arts and Sciences, Beverly Hills, California.
Denis Johnston Papers. TCD MSS 10066. Trinity College Dublin.
John Ford Archive. Lilly Library. University of Indiana.
Maire nic Shiublaigh Papers. NLI MSS 27631. National Library of Ireland.
Paramount Papers. Margaret Herrick Library, Academy of Motion Picture Arts and Sciences, Beverly Hills, California.
RKO Papers. Special Collections, Arts Library, UCLA.
Shields Family Papers. Special Collections, National University of Ireland, Galway.
Twentieth Century Fox Papers. Special Collections, Arts Library, UCLA.
Adams, Bernard, Denis Johnston: A Life (The Lilliput Press: Dublin 2002).
Affron, Charles, Lillian Gish: Her Legend, Her Life (University of California Press: Berkeley, Los Angeles, London 2002).
Agee, James, Agee on Film, vol. 1 (Grosset and Dunlap: New York 1969).
Anderson, Lindsay, ‘John Ford: his work is a portrayal of the righteous man’, Films in Review, February 1951.
Andrews, C.S., Dublin Made Me: An Autobiography (Mercier Press: Dublin and Cork 1979).
Balio, Tino, Grand Design: Hollywood as a Modern Business Enterprise, 1930–39 (Scribner’s Sons: New York 1993).
Barton, Ruth, Acting Irish in Hollywood: From Fitzgerald to Farrell (Irish Academic Press: Dublin 2006).
Barton, Ruth (ed.), Screening Irish-America: Representing Irish-America in Film and Television (Irish Academic Press: Dublin 2009).
Bazin, André, What is Cinema?, vol. 2 (University of California Press: Berkeley and Los Angeles 1971).
Birchard, Robert S., Cecil B. DeMille’s Hollywood (UP of Kentucky: Lexington 2004).
Biskind, Peter, Seeing is Believing: How Hollywood Taught us to Stop Worrying and Love the Fifties (Henry Holt: New York 1983).
Black, Gregory D., The Catholic Crusade Against the Movies, 1940–1975 (CUP: Cambridge 1997).
Black, Stephen A. Eugene O’Neill: Beyond Mourning and Tragedy (Yale UP: New Haven and London, 1999).
Bogdanovich, Peter, John Ford (University of California Press: Berkeley and Los Angeles 1978).
Bowe, Nicola Gordon, Harry Clarke: Exhibition Catalogue (Douglas Hyde Gallery: Trinity College Dublin, 12 November to 8 December 1979).
Braudy, Leo and Marshall Cohen (eds), Film Theory and Criticism: Introductory Readings (OUP: Oxford and New York 2004).
Butler, Jeremy, ‘The star system and Hollywood’, Oxford Guide to Film Studies (OUP: Oxford and New York 1998).
Cameron, Ian and Douglas Pye (eds), The Movie Book of the Western (Studio Vista: London 1996).
Campbell, Joseph, ‘As I was among the captives’: Joseph Campbell’s Prison Dairy, 1922–1923, ed. Eileán Ní Chuilleanáin (Cork UP: Cork 2001).
Canfield, Curtis, Plays of a Changing Ireland (Macmillan: New York 1936).
Carroll, Paul Vincent, Shadow and Substance (Macmillan: London 1938).
Caulfield, Max, The Easter Rebellion (Gill and Macmillan: Dublin 1963, 1995).
Cohen-Stratyner, Barbara Naomi, The Biographical Dictionary of Dance (Shirmer Books: New York 1982).
Coxhead, Elizabeth, Daughters of Erin: Five Women of the Irish Renascence (Colin Smythe: Gerrards Cross, Bucks. 1979).
Crosson, Seán and Rod Stoneman (eds), The Quiet Man … and Beyond: Reflections on a Classic Film, John Ford, and Ireland (Liffey Press: Dublin 2009).
Doherty, Thomas, Hollywood’s Censor: Joseph I. Breen & The Production Code Administration (Columbia UP: New York 2007).
Dolan, J.P., The American Catholic Experience (University of Notre Dame Press: Notre Dame 1992).
Drazin, Charles, Korda: Britain’s Only Movie Mogul (Sidgwick and Jackson: London 2002).
Dunne, Philip, How Green Was My Valley: The Screenplay for the Darryl F. Zanuck Film Production, Directed by John Ford (Santa Teresa Press: Santa Barbara, California 1990).
Durkheim, Emile, Division of Labour in Society, trans. W.D. Halls (Macmillan: London 1984).
English, Richard, Ernie O’Malley: IRA Intellectual (OUP: Oxford 1998).
Ervine, St John, Selected Plays of St. John Ervine, ed. John Cronin (Colin Smythe: Gerrards Cross, Bucks. 1988).
Eyman, Scott, Print the Legend: The Life and Times of John Ford (Simon and Schuster: New York 1999).
Fallon, Gabriel, ‘Sitting at the play: those dramatists of Inish’, Irish Monthly, 64 (1936): 614.
Fallon, Gabriel, ‘The ageing Abbey – II’, Irish Monthly, 66 (1938), 344.
Fallon, Gabriel, ‘The celluloid menace’, Capuchin Annual (1937), 248–50.
Fallon, Gabriel, ‘The genius of Barry Fitzgerald’, The Leader, 74, 2 (1937), 40–1.
Fallon, Gabriel, Sean O’Casey: The Man I Knew (Routledge and Kegan Paul: London 1965).
FitzGerald, Desmond, The Memoirs of Desmond FitzGerald (Routledge and Kegan Paul: London 1968).
Fitzgerald, F. Scott, The Love of the Last Tycoon: A Western, ed. Matthew J. Bruccoli (Simon and Schuster: New York 1941, 1993).
Fitz-Simon, Christopher, The Boys: A Biography of Micheal Mac Liammóir and Hilton Edwards (Nick Hern Books: London 1994).
Ford, Dan, Pappy: The Life of John Ford (Da Capo Press: New York 1979).
Foster, R.F., W.B. Yeats: A Life, II: The Arch-Poet (OUP: Oxford 2003).
Foy, Michael and Brian Barton, The Easter Rising (Sutton: Phoenix Mill 1999, 2004).
Frazier, Adrian (ed.), Playboys of the Western World: Production Histories (Carysfort Press: Dublin 2004).
Frazier, Adrian, ‘McGuinness and the boys’, Dublin Review (Summer 2002), 72–86.
Frazier, Adrian, Behind the Scenes: Yeats, Horniman, and the Struggle for the Abbey Theatre (University of California Press: Berkeley and Los Angeles 1990).
Frazier, Adrian, George Moore: 1852–1933 (Yale UP: London and New Haven 2000).
Gallagher, Tag, John Ford: The Man and His Films (University of California Press: Berkelely and Los Angeles 1986).
Gehring, Wes D., Leo McCarey: From Marx to McCarthy (The Scarecrow Press Inc.: Lanham 2005).
Gibbons, Luke, The Quiet Man (Cork UP: Cork 2002).
Giovacchini, Saverio, Hollywood Modernism: Film and Politics of the New Deal (Temple UP: Philadelphia 2001).
Gregory, Augusta Isabella, Lady Gregory’s Journals, vol. 2, ed. Daniel Murphy (Colin Smythe: Gerrards Cross, Bucks. 1987).
Grene, Nicholas. The Politics of Irish Drama (CUP: Cambridge 1999).
Harmon, Maurice. Sean O’Faolain (Constable: London 1994).
Harris, Warren G., Cary Grant, A Touch of Elegance (Doubleday: New York 1987).
Hazlitt, William, Essays (Blackie and Son: London, Glasgow, and Bombay 1906).
Hogan, Robert and Michael J. O’Neill (eds), Joseph Holloway’s Abbey Theatre: A Selection from his Unpublished Journal (Southern Illinois UP: Carbondale and Edwardsville, Illinois; Feffer and Simons: London and Amsterdam 1967).
Hogan, Robert and Michael J. O’Neill (eds), Joseph Holloway’s Irish Theatre, vols 1–3 (Proscenium Press: Dixon, California, 1968, 1969, 1970).
Hogan, Robert and Richard Burnham, The Years of O’Casey, 1921–1926, A Documentary History (Colin Smythe: Gerrards Cross, Bucks. 1992).
Hutchinson, John and Anthony D. Smith (eds), Ethnicity (OUP: Oxford 1996).
Jacobs, Lewis, The Rise of American Film: A Critical History (Harcourt Brace and Co.: New York 1939).
Kellner, Bruce (ed.), Letters of Carl Van Vechten (Yale UP: New Haven 1987).
King, Desmond, The Liberty of Strangers: Making the American Nation (OUP: Oxford 2005).
Kitses, Jim, Horizons West: Directing the Western from John Ford to Clint Eastwood (BFI Publishing: London 2004).
Krause, David, The Letters of Sean O’Casey, 1910–1941, vol. 1 (Macmillan: New York 1975).
Krause, David, The Letters of Sean O’Casey, 1942–1954, vol. 2 (Macmillan: New York 1980).
Lathem, Edward Connery (ed.), The Poetry of Robert Frost: The Collected Poems, Complete and Unabridged (Henry Holt and Company: New York 1979).
Lyons, F.S.L., Ireland Since the Famine (Fontana Collins: London 1973).
MacHale, Des, Picture the Quiet Man (Appletree Press: Belfast 2004).
Mann, William J., Kate: The Woman Who Was Katherine Hepburn (Faber and Faber: London 2006).
Matthews, James, Voices: A Life of Frank O’Connor (Atheneum: New York 1983).
McCormack, W.J., Fool of the Family: A Life of J.M. Synge (Weidenfeld & Nicolson: London 2000).
McBride, Joseph, Searching for John Ford (Faber and Faber: London 2003).
McCann, Graham, Cary Grant: A Class Apart (Columbia UP: New York 1996).
McCarthy, Todd, Howard Hawks: The Grey Fox of Hollywood (Grove Press: New York 1997).
McGilligan, Patrick, Alfred Hitchcock: A Life in Darkness and Light (Wiley: London 2003).
McGlone, James P., Ria Mooney: The Life and Times of the Artistic Director of the Abbey Theatre, 1948–1963 (McFarland & Co.: Jefferson, NC, and London 2002).
McNee, Gerry, In the Footsteps of the Quiet Man (Mainstream Publishing: Edinburgh and London 1990, 2004).
Moore, George, Salve (William Heinemann: London 1912).
Morley, Sheridan, Tales from the Hollywood Raj: The British Film Colony on Screen and Off (Weidenfeld & Nicolson: London 1983).
Mosley, Leonard, Zanuck: The Rise and Fall of Hollywood’s Last Tycoon (Little, Brown and Co.: Boston 1984).
Murray, Christopher (ed.), Selected Plays of Lennox Robinson (Colin Smythe: Gerrards Cross, Bucks.; Catholic UP: Washington DC 1982).
Murray, Christopher, Sean O’Casey: Writer at Work (Gill and Macmillan: Dublin, 2004).
Nevin, Donal, James Connolly: A Full Life (Gill and Macmillan: Dublin 2005).
O’Casey, Sean, Three Plays (St Martin’s Press: New York 1957).
O’Casey, Sean, Rose and Crown (Macmillan: London 1952).
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O’Neill, Eugene, Complete Plays 1913–1920 (Library of America: New York 1988).
O’Toole, Fintan, The Ex-Isle of Erin. New Island Books: Dublin, 1997.
Parrish, Robert, Growing up in Hollywood (Harcourt, Brace, Jovanovich: New York and London 1976).
Peary, Gerald, and Jenny Lefcourt (eds), John Ford Interviews (UP of Mississippi: Jackson 2001).
Phillips, Alastair, and Ginette Vincendeau (eds), Journeys of Desire: Europeans Actors in Hollywood (BFI Publishing: London 2006).
Robbins, Christopher, The Empress of Ireland: Chronicle of an Unusual Friendship (Scribner: London 2004).
Roberts, Randy and James S. Olson, John Wayne: American (The Free Press: New York 1995).
Robinson, Edward G. with Leonard Spiegelgass, All My Yesterdays: An Autobiography (W.H. Allen: London 1974).
Robinson, Lennox, Tom Robinson and Nora Dorman, Three Homes (Michael Joseph: London 1938).
Robinson, Lennox, Selected Plays of Lennox Robinson, ed. Christopher Murray (Colin Smythe: Gerrards Cross, Bucks.; Catholic UP: Washington, DC 1982).
Robinson, Lennox, Ireland’s Abbey Theatre (Kennikat Press: Port Washington, New York 1951).
Rockett, Kevin and Emer, Irish Film Censorship: A Cultural Journey from Silent Cinema to Internet Pornography (Four Courts Press: Dublin 2004).
Rogers, James Silas and Matthew J. O’Brien, After the Flood: Irish America 1945–1960 (Irish Academic Press: Dublin 2009).
Russo, Vito, The Celluloid Closet: Homosexuality in the Movies (Harper and Row: New York 1987).
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Ryan, Philip B., The Lost Theatres of Dublin (Badger Press: Westbury, Wiltshire 1998).
Ryan, Phyllis, The Company I Kept (Town House: Dublin 1996).
Saddlemyer, Ann, Theatre Business: The Correspondence of the First Abbey Theatre Directors: William Butler Yeats, Lady Gregory, and J.M. Synge (Colin Smythe: Gerrards Cross, Bucks. 1982).
Sarris, Andrew, ‘You Ain’t Heard Nothin’ Yet’: The American Talking Film: History and Memory 1927–1949 (OUP: Oxford 1998).
Schulberg, Budd, Moving Pictures: Memories of a Hollywood Prince (Ivan R. Dee: Chicago 1981).
Shaeffer, Louis, O’Neill: Son and Artist (Little, Brown and Co.: Boston, Toronto 1973).
Shaughnessy, Edward L., Eugene O’Neill in Ireland: The Critical Heritage (Greenwood Press: New York, London 1988).
Sheeran, Patrick F., The Informer (Cork UP: Cork 2002).
Sissons, Elaine, Pearse’s Patriots: St Enda’s and the Cult of Boyhood (Cork UP: Cork 2005).
Sklar, Robert, Movie-Made America: A Cultural History of American Movies (Chappel & Co.: London 1978).
Slotkin, Richard, Gunfighter Nation: The Myth of the Frontier in Twentieth-Century America (Atheneum: New York 1992).
Spiegelgass, Leonard, All My Yesterdays: An Autobiography (W.H. Allen: London 1974).
Spittles, Brian, John Ford (Longman: Harlow, Essex 2002).
Stuldar, Gaylyn and Mathew Bernstein (eds), John Ford Made Westerns: Filming the Legend in the Sound Era (Indiana UP: Bloomington and Indianapolis 2001).
Synge, J.M., Plays: Book I, ed. Ann Saddlemyer, vol. 3, J.M. Synge: The Collected Works (Colin Smythe: Gerrards Cross: Bucks., and Catholic University of America Press: Washington, DC 1982).
Thomson, David, Showman: The Life of David Selznick (Alfred Knopf: New York 1992).
Toomey, Deirdre (ed.), Yeats and Women (Palgrave: London 1997).
Tynan, Kenneth, Theatre Writings, ed. Dominic Shellard (Nick Hern: London 2007).
Van Vechten, Carl, Letters of Carl Van Vechten, ed. Bruce Kellner (Yale UP: New Haven and London 1987).
Vasey, Ruth, The World According to Hollywood, 1918–1939 (University of Exeter Press: Exeter 1997).
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Weintraub, Stanley (ed.), Literary Criticism of Oscar Wilde (University of Nebraska Press: Lincoln 1968).
Welch, Robert, The Abbey Theatre 1899–1999 (OUP: Oxford 2000).
Wilde, Oscar. Literary Criticism of Oscar Wilde, ed. Stanley Weintraub (University of Nebraska Press: Lincoln 1968).
Wills, Garry. John Wayne’s America (Simon and Schuster: New York 1997).
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