Los Angeles, 1960
Robin Coste Lewis
They fuck for a Hi-Fi. A pine console
of photographic veneer inlaid with glittering
plastic. That was the deal. When he got home
she’d whined like a girl—always his signal
(or was it hers?) that she would be generous
if he gave in to the new electronic
appliance she wanted. That’s how stove-top
toast became a toaster; how the icebox
became a Frigidaire. As she goes to work
on top of him, she’s not thinking. Her body
is a Quad, a Klipsch, or the H.H.
Scott. She’s a Clairtone with a built-in Electro-Voice
speaker, and each button and knob—when tuned
or pushed—adjusts her sounds automatically.
In the time it takes to exhaust him,
she’s narrowed it down. Either she wants
the new McIntosh or a Magnavox
because there’s one down at the Goodwill,
slightly used. It has a record changer
that can play their seventy-eights
but still spin the new little forty-fives.
She is sweating in her new slip, the one
she got on her new peach-colored credit
card, downtown at the Sears & Roebuck’s.
He’s wearing his undershirt, one
of many she pressed over the weekend
with starch whisked quick
from flour and water. He’s done.
She’s proud. The boys sleep on
the sofa bed in the living
room. He lights two Pall Malls, passes
her the most lit. She takes a hit.
I know which one I want, she says.
He nuzzles his nose into his armpit.
Which one what? he asks, and rolls
over, chuckling.