Thirty-four

Ashland met us near the dance tent. “Kelsey, I think everything is ready. All that’s left to do is for the caterer to arrive and set up the food.” She checked her watch. “It’s noon now, and they’ll be here at three to have everything ready by six. The band will arrive at four.”

I gave a sigh of relief that at least one thing this weekend had gone as planned. I walked into the dance tent. Until the Farm closed to the general public; we would leave the sides of the tent rolled down. When the Farm closed at five, the waitstaff would open both tents.

The inside of the tent was exactly as I envisioned it should be. A big dance floor lay in the middle. It would be large enough to accommodate the parlor room dances that were popular during the Civil War. The far end of the tent was where the six-piece string band would be, playing favorite pieces from the era. A glass chandelier hung from the center of the tent, which would provide electric light—I was all for being historically accurate, but not in the case of a fire hazard. Chairs and benches circled the perimeter, so that those unable or who didn’t want to dance would have places to sit. I grinned. “It’s perfect.”

Portia cleared her throat. “If everything is done, then you won’t need my help.”

“We do,” I assured her. I removed my notebook from my back pocket. “How is your handwriting?”

“Okay.”

“Can you write in cursive?”

She frowned. “Yes.”

“Perfect. I had to ask. They don’t teach cursive in schools any longer. Hayden will learn keyboarding instead.” I unfolded a list that was tucked into the pages of my notebook. “This is a list of all the ladies who RSVPed. I would like you to write their names on the front of these dance cards.”

Portia took the list from me. “There are three hundred names on this list.”

“Actually it’s three hundred and six, but if you and Ashland work together, you should have it completed in no time.” I sighed. “I had planned to do it myself earlier in the reenactment, but as both of you know, this weekend did not go as planned.” I removed a large box from under the table closest to where the band would be. “The printing company delivered the dance cards today.” I set the box on top of the table.

I removed one of the cards from the box. It was printed on white linen stationary. On the front there was the logo for the Farm and the insignia for the Blue and Gray Ball. It was all done in blue and gray lettering. Inside the cards were the names of all the dances that we would have in order. There was the waltz, the Virginia reel, the polka, the quadrille, and many others. We would host twenty-four dances throughout the evening. The more common ones like the waltz would repeat four or five times.

I found the box of felt-tipped pens I’d grabbed from the visitor center earlier that afternoon. “Next year, we should be more historically accurate and use inkwell and quills. It’s too late for that now.” Setting the small box on the table next to the larger one, I said, “After you’re done, place the cards in alphabetical order by last name on the table at the entrance of the tent. I’ll have a seasonal worker standing there during the ball to make sure everyone finds their cards.”

Portia sat down at the table and took a pen and a large stack of dance cards from the box. “This sounds like it will be fun.”

I hoped she’d still think that when she got to dance card number 153.

Ashland frowned. “She can do this by herself. I’m sure there are better things that I need to be doing.”

I arched an eyebrow at her. “It will go more quickly if you do it together.”

Ashland pursed her lips.

“After it’s done, we should be all set and you can go change for the ball. Thanks girls. I’m going to the visitor center to make sure everything is in order there for tonight.” I headed for the tent’s exit.

Unsurprisingly, Ashland followed me. She frowned. “What is she doing here?”

“She wanted something to do and she’s helping out. I thought you would be glad about it. Those are a lot of dance cards. Without her help, you’d be writing them all yourself.”

“She shouldn’t even be here. She’s not a Farm employee.” Ashland frowned at her notebook.

“No, but today she is a Farm volunteer. Ashland, do you have a problem with Portia?”

“No,” she stepped back, bumping into the side of the tent. “Why would you ask that?”

“I don’t know,” I shrugged. “Because you’re all uptight that she’s helping you with the dance cards?”

“I don’t have a problem with her. I don’t have any problem at all.”

“Great.” I pointed to the tent. “Because those dance cards aren’t going to write themselves.”

She turned and reentered the tent.

I removed my cell phone from my pocket and scrolled through the numbers until I found the one for Detective Brandon.

“Brandon,” her sharp voice came through the phone’s speaker.

“Detective Brandon. This is Kelsey Cambridge.”

“What do you want, Ms. Cambridge?”

Okay, I thought. Still not one for small talk.

“I wondered if you got any results back yet on Wesley Mayes’s toxicology report.”

“We have preliminary findings.” She said nothing more.

I gritted my teeth. “Can you share those results with me?”

“I have no reason to. You’re not next of kin.”

“I know that, but I think it would be helpful to know what caused his death. If it was poison as the police chief suspected, I need to know if that poison was found on Barton Farm grounds. If it was, I need to remove it as soon as possible.”

“Oh,” she said a little less sharply—just a little less. “I suppose in that case it would be all right if I told you. It’s not a secret.”

“So?”

“He ingested lily of the valley. Highly toxic. He must have eaten if right before he marched on the battlefield. The medical examiner said that he had never seen anyone consume such a large amount of it. It was clearly evident in his stomach. It will go to the lab for confirmation, but the medical examiner is very confident that the test results will support his theory. Official results will take several weeks. I’d appreciate it if you kept this information to yourself.”

I suddenly felt sick. I knew lily of the valley was deadly poisonous, and we had plants growing in the medicinal garden under lock and key. In the nineteenth century, families like the Bartons would have used it as medicine for everything from heart failure to pink eye. “He’s sure that’s what it was?”

“Yes,” the annoyance was back in her voice. “The medical examiner is a very thorough investigator. You do know that you have a large number of poisonous plants at Barton Farm.”

“They’re part of our medicinal garden. Visitors can’t go in there without staff, and the gate is always locked when there’s not an employee around. The gardener keeps a close eye on those plants. We wanted to show what would really be in an Ohio garden during the nineteenth century, and some of those plants are poisonous.”

She sniffed. “History at what cost? I’m en route to collect some samples from your gardens.” She hung up.

I shivered.

Across the green, I saw Shepley weeding in his garden. He seemed to be content, or as content as was possible for Shepley.

The medicinal garden was just outside the main garden. The gate was indeed closed and locked.

Shepley tossed a handful of weeds into his bushel basket. He didn’t wear gloves while he worked. Shepley thought gloves were for wimps. “What do you want?”

I folded my arms. “Has anyone one been inside the medicinal garden during the reenactment?”

He eyed me and straightened up as much as he could with his ruined back. “It’s been open off and on throughout the weekend, but I’ve always been there.”

“Have you taken any plants from it?”

Bent at the waist, he hobbled to a garden bench a few feet away and sat. “I take plants out of it from time to time, but I haven’t removed anything recently.”

“Has anyone else?”

“How could they without my permission? No one does anything in my garden without my permission.”

I frowned. How could he be sure? He didn’t live here. He didn’t spend all his time here.

“But if you think someone has been in the garden, we can check.” He stood.

I followed him to the corner of the enormous garden at a painfully slow pace. When he reached the medicinal garden gate, he fumbled to get the key into the lock. I resisted grabbing the keys away from him and doing it myself when I realized that Shepley’s hands shook. His fingers were covered in dirt. The nails were jagged and cracked from digging in the dry summer soil. He wasn’t a young man any longer and hadn’t been for as long as I had known him. I frowned. How much longer could he keep up the backbreaking work of caring for the gardens? He would have to tell me when it was time. I would never suggest that he wasn’t up to it. That would just make him hold on that much longer.

The fence around the garden was six-foot-high iron work made by a local blacksmith who sometimes visited the Farm as a special event. It wasn’t impossible to climb, but the nasty looking spikes at the top of each fence post were a pretty good deterrent. At least I thought they were until I realized someone must have gotten into the garden to harvest enough lily of the valley to kill Wesley. It could have even been Wesley himself.

The gate swung inward with a creak.

Shepley moved down the woodchip-covered walkway. “All seems well.” He glanced over his hunched shoulder. “Why the sudden interest?” Before I could answer, he said, “What’s this?”

“What?” I caught up with him.

Shepley crouched next to a garden bed. His knees cracked as he moved. I winced at the sound.

“It looks like someone yanked a third of my lily of the valley out of the ground. It was done blooming of course, but the plant withers and dies back on its own accord. That feeds the bulbs for healthy plants next spring.” He spat. “Scoundrels. First my bees are violated and now my garden.” He jerked upright, and his knees cracked again. “You can’t let this happen! These people shouldn’t be on the Farm!” He shook his fist.

I took two steps back from him and held up my hands. “Shepley, you need to calm down.”

“Calm down? It’s not your life’s work someone is playing with or killing people with,” he growled.

“What do you mean?”

“I heard the symptoms that the soldier who died in the middle of the field exhibited. The tourists love to talk about the grotesque. What’s more grotesque than death? I’m just a simple gardener to them. I’m scenery and they don’t notice me.” He pointed at the ground where the lily of the valley should have been. “Lily of the valley is toxic. Eat a few leaves, and you’re dead.”

“Who can get into the medicinal garden?” I asked.

“You and I have the only keys,” he said.

He slipped his hand into the hip pocket of his overalls and produced a key ring. “Here’s mine. Where’s yours?”

I knew where my keys were. They were in the key box in my office. My office, which is always unlocked and had been unlocked during the entire reenactment.

I left Shepley muttering to himself in his prized medicinal garden and headed to the visitor center. More and more I was convinced that whoever killed Maxwell and maybe Wesley was connected to the Farm. That person knew where everything was. The reenactors hadn’t had the time to get to know the Farm so well. I frowned. My only Farm suspect left was Shepley, but he had seemed genuinely upset when he thought his garden had been touched. I couldn’t know for sure, but I didn’t think he was acting.

I waved to Judy and the rest of the gift shop staff as I crossed the lobby. I was relieved to see Chase was no longer in my office. I had too many thoughts about murder rolling around in my head to be bothered with how I felt about him.

I went straight to the key cabinet on the wall beside my bookshelf, the same bookshelf that Detective Brandon had leaned on. I opened the cabinet. The key to the medicinal garden was there right where I expected it to be. I took it off its hook and slipped it into the pocket of my jeans.