Early in 1983 Pakistan was shocked by the brutal manner in which the authorities repressed a small demonstration protesting against the introduction of a law that would, in the eyes of the courts, give women’s legal evidence half the value of men’s testimony. The incident focused attention in the country on the appalling treatment of women and minorities, which had been steadily deteriorating since General Muhammad Zia-ul-Haq’s coup d’état in 1977. It also provoked a group of fifteen women artists in Lahore into privately meeting in Model Town at the home of the artist Salima Hashmi and writing a manifesto decrying the oppression they endured. Composed while the country’s showcase National Exhibition was being staged at the Alhamra Art Centre, this remonstration was the first time that women artists had overtly identified their work with the political struggle for female emancipation, employing it to criticize the government’s policies and subvert traditional attitudes.
Due to the political circumstances of the time, the manifesto was never made public. But as one of the signatories, the artist and academic Salima Hashmi (b. 1942), has stated, simply the act of putting their names to the paper empowered the women to become more outspoken in their art against misogyny.
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We, the women artists of Pakistan,
having noted with concern the decline in the status and conditions of life in Pakistani women; and having noted the adverse effects of the anti-reason, anti-arts environment on the quality of life in our homeland; and having noted the significant contribution the pioneering women artists have made to the cause of arts and art education in Pakistan; and believing as we do in the basic rights of all men, women and children to a life free from want and enriched by the joys of fruitful labour and cultural self-realisation; and our commitment, as practitioners and teachers of the arts, to the noblest ideals of a free, rational and civilised existence:
affirm the following principles to guide us in our struggle for the cultural development of our people to serve as the manifesto of the women artists of Pakistan.
So that we may replace in the lives of our people despair with hope, brutality with compassion, darkness with light, and anarchy with culture, and leave the world a happier, more beautiful and more peaceful a place than we found it.
Signed by 15 Women Artists of Lahore – 1983
Rabia Zuberi, Abbasi Abidi, Mamoona Bashir, Salima Hashmi, Lala Rukh, Talat Ahmad, Zubeda Javed, Sheherezade Alam, Jalees Nagi, Birjees Iqbal, Riffat Alvi, Meher Afroz, Nahid, Qudsia Nisar, Veeda Ahmed