From Darkness back to Light
The final four points on the Wheel of the Year take us on the slow descent into the darker, colder days and eventually back to light. This descending part of the wheel belongs to the ancestors and to reconciliation and integration of the past with the present so that we can face the future and the lighter times feeling both rested and restored.
The ancestors are an essential part of the Samhain or Halloween festival, not as spooks but as wise and beloved family members who are deceased but still welcome.
Yet even in the festivals of the ascending or growing light, the ancestors were invited and asked for blessings as a continuing part of the family. This is very different from the modern concept of deceased relatives as ghosts only to be contacted through mediums for messages.
Whatever point of the wheel's turning you are celebrating or indeed on any family occasions, I believe it is important to remember your personal ancestors who once gathered in the harvest or danced round the maypole in the sunshine or picked a few flowers from the soot-covered hedgerows on the way to the factory at the beginning of spring.
I believe also that as we celebrate the festivals in the present we make psychic and not just genetic markers as the future ancestors of our descendants. In this way, hundreds of years from now people who will still notice the nights getting darker, can tune into our feelings in the places where we are dancing or lighting our fires.
The essential personalities of the more recently deceased were still regarded as part of the living family as recently as early Victorian times. It is only in the modern world that the idea of the family ghosts celebrating the passing of the year with you is sometimes thought strange.
In earlier times, what could have been more natural, as the herds were brought down from the hills and the fields for the winter, and the herdsmen and women huddled close to the hearth, than the family ancestors also moving close to the fire for warmth? It would not have seemed strange to our forebears that deceased great grandparents would want to be present at the birth of a new family member, or at a christening or a wedding.
Even in today's world, a number of people have told me how a friend or newcomer at a family christening or wedding has asked about an older man or woman who was peeping into the infant's cradle or watching the bride throw her bouquet, with a proud smile. Invariably the description of the older relative matches a deceased relative who has returned to share the occasion.
Norse neopaganism echoes the early forms of the Viking ceremonies described in the sagas such as the Prose Edda recorded by the Icelandic Christian historian and statesman Snorri Sturluson (1179-1241).
He portrayed the Viking ancestors as an integral part of the interwoven web of every person's fate and so they were routinely welcomed and honoured at the harrow or family or tribal outdoor stone altar.
The same is true in modern druidry and Wicca where the ancestors are invited as guests to all seasonal celebrations and to special rituals. Indeed, at a Wiccan funeral the priest or priestess officiating ends by telling the deceased person that they always have a place in the circle and in the hearts of those present.
In indigenous societies the ancestors are still regularly consulted in divination about the growth of the crops, the welfare of the animals and other matters of daily life.
For example, among the Maoris of New Zealand, it is believed ancestors appear in the form of animals or particular birds, whose presence and behaviour indicates, for example, that a new home is blessed or that it is unsafe to travel.
In other societies, too, from Africa to the Orient, wrongdoing by a family member is seen as offensive to the ancestors. Indeed the societies where the ancestors still play a significant role are usually those where the living elderly are well cared for and respected by younger members of the family.
According to evidence pieced together from archaeological artefacts and by studying contemporary societies who practise the older ways, the wise ancestors featured strongly in many of the old seasonal celebrations, since it was thought that they would send help to make the crops grow and to bring a good harvest.
From about 3500 BCE it seems a number of these agricultural rituals centred on long barrows and passage graves. You can still visit some of these old sites, for example, West Kennet Long Barrow tomb near Marlborough in Wiltshire.
This is the largest chambered long barrow in Britain and was built about 3600 BCE. In Neolithic times, the grave was used for ceremonies in which the bones of the ancestors were carried with great reverence from the long barrow, where they were carefully preserved, to nearby Windmill Hill.
These rituals were carried out especially at Samhain (Halloween) and in the springtime to ask favour on the sowing. It was thought that the ancestors could intervene directly with the deities on behalf of the living and so the burial mounds had doors in them, a kind of halfway house where the ancestors could be visited and asked for advice.
You can still follow the route on foot today and picture how the tribes must have felt as they walked along the windswept tracks.
As you travel through your personal wheel of the year, recalling your personal ancestors and perhaps people from past times in cultures to which you feel an instinctive connection, you can draw on their experiences and strengths in your imagination.
For the seasonal connection with the past is not only through your genes, but spiritually as you use the same herbs and flowers that people have worked with through centuries at the same time of the year.
Within the eight spokes of the wheel there is a more detailed interconnected web of experiences past and present that is at the heart of both older and modern paganism and is an antidote to the isolation and impersonal nature of both rural and urban living.
There may be a particular relative you associate with each festival. For example, for me, Lughnassadh, the first corn harvest at the beginning of August is the festival of my late father Jack. Jack worked in a factory in the centre of industrial Birmingham.
Every year at the beginning of August we went to Wales for two weeks to stay in a caravan. Rain or shine, and wearing his cap to hide his bald patch, my father would pick his way over the stony beach every morning and paddle in the sea.
Then, for Lughnassadh holiday feast we would go in the afternoon to what I thought was an amazingly posh hotel on the seafront in the nearby town for what was called a plain tea (I think basically bread and jam) with the tea in a silver teapot.
So bread and jam is always part of my Lughnassadh feast, plus a trip on 1 August when possible to paddle in the sea in honour of Jack, for whom the harvest of a year's work was being able to pay for the holiday.
Lughnassadh or Lammas
(31 July-2 August)
Focus of the period: Justice and natural justice or karma; human and personal rights issues; freedom from abuse of any kind; for partnerships, both personal and legal or business; for signing contracts or property matters; promotion and career advancement and the regularising of personal finances; for holidays and journeys to see friends and family or on business; for the renewal of promises, loyalty and fidelity; for willing sacrifice for a long-term gain or made in love, trusting the cosmos to provide by giving without seeking immediate return; also for all matters concerning people in their forties and fifties
Key words: Justice, fulfilment, sacrifice
Emphasis of the festival: Transformation, bread
Energies of the season: Waning
Symbols: Any straw object such as a corn dolly, a corn knot, a straw hat or a straw animal tied with red ribbon; harvest flowers such as poppies or cornflowers (they can be silk or dried); a container of mixed cereals; dried grasses or long ears of grain; stones with natural holes; bread and dough
Tree: Alder
Incense, flower and herbs: Cedarwood, cinnamon, fenugreek, ginger and heather, myrtle, poppies and sunflowers, any dark yellow, deep blue or brown-gold flowers
Candle colours: Golden brown or dark yellow
Crystals: Banded agates, dark yellow and any brown jasper, fossils, fossilised wood, titanium aura
Festival foods: Homemade bread, milk, cereal products, elderberry and fruit wines, strawberries, berry pies, fruit juices, potato soup, popcorn, chicken
Angel: Sachiel, archangel of the grain harvest and of abundance. He wears robes of deep blue and purple, carries sheaves of corn and baskets of food, and has a rich purple and golden halo and blue and purple wings
God and goddess: Eriu/Macha as Irish goddess of the land. As Lugh or Llew (sun and grain god) was dying, the earth goddess symbolically accepted his power and so ensured that the sun would continue to shine even after he had died
The place on the wheel
This is the festival of the first grain harvest.
The god promises to defend and die for the land. The sun or grain god agrees to be cut down in the form of the last sheaf of grain to be harvested and his spirit descends into the earth, back into the mother's womb, to be reborn on the midwinter celebration as the infant sun king.
The decisive battle of the light and dark twin cannot take place until the autumn equinox six weeks later and so the myths divide again. Some versions say the fatal blow to the light twin is delivered at Lughnassadh but the light twin lingers wounded for another six weeks until the autumn equinox.
In both the pre-Christian and Christian tradition called Lammas or loaf mass, a loaf baked from the first harvested sheaf was offered on the altar.
In Celtic-influenced lands on 15 August, at the feast of the Assumption of the Virgin Mary into heaven, a bannock was made from bread and milk to be broken by the father of the household and given to the family to ensure sufficient bread throughout the year on the family table (and his willingness to work to provide it).
Marking the festival in the modern world
Alban Elued or autumn equinox
(21-23 September)
Focus of the period: The completion of tasks; the fruition of long-term goals; for mending quarrels and forgiving yourself for past mistakes; for recovering money owed and overcoming debt problems; for assessing gain and loss; for family relationships and friendships; for material security for the months ahead; for abundance in all aspects of your life; for issues of job security or the need to consolidate finances; for all matters concerning retirement and older people; for the resolution or management of chronic heath problems
Key words: Reconciliation, assessment, storing assets
Emphasis of the festival: Reconciliation, fruit and nuts
Energies of the season: Balanced
Symbols: Copper-coloured, yellow or orange leaves, willow boughs, harvest fruits such as apples, berries, nuts, copper or bronze coins, pottery geese
Tree: Apple
Incenses, flower and herbs: Ferns, geranium, Michaelmas daisies, myrrh, pine, sandalwood, Solomon's seal, all small-petalled purple and blue flowers
Candle colours: Blue and green
Crystals: Aqua aura, blue lace agate, all calcites, chalcedony, rose quartz
Festival foods: The finest of the harvest, fruits, vegetables, jam, nuts, apple pies, geese (sacred to St Michael whose festival falls on 29 September), game, cider, barley wine and ale
Angel: Rismuch, angel of agriculture and cultivated land, wearing every imaginable shade of brown, carrying a scythe and a hoe as symbol that he is conserver of the land and the crops. His symbols are sheaves of wheat and ears of corn, and dishes of seeds and nuts
God and goddess: A sad pairing. The twin god myth blames Llew the Welsh god of light's faithless wife Blodeuwedd or Arthur the Sun King's Queen Guinevere for the king's demise. This was because the queen transferred her love to the dark twin, called here Goronwy or Lancelot. She is said to have given the dark twin the secret of the light twin's fatal weakness and so brought about his destruction.
But even these treachery myths reflect the need for the earth goddess to mate with the dark twin at the autumn equinox so the new dark twin can be born at the summer solstice and the wheel continue to turn.
The wounded Llew is left waiting in the body of a dying eagle to be released by death, while Arthur is carried to Avalon by the ladies of the lake (including, in some myths, Guinevere herself).
Blodeuwedd takes the form of an owl, the grandmother of winter, which links her with the old goddess who predominates at the next change point on the wheel.
Place on the wheel
Alban Elued is Gaelic for 'light on the water' and refers to the sun moving away over the water to shine on the Isles of the Blest, leaving the world with encroaching darkness.
Ancient tales tell of the death of the old hunter god at the hands of his successor or by offering himself to the huntsmen in the form of a magnificent stag. The early hunter gods were often portrayed with antlers, for example the Celtic and Gallic Cernunnos.
If you follow the other myth, the slain corn god is now in the underworld, the womb of the mother, awaiting rebirth.
While the goddess of the slain grain god mourns for her love she must prepare for the harvest over which she presides. But she is tired herself and getting heavier with the light child.
The dark twin finally challenges and kills the light brother who returns to the earth or the womb, as the two legends merge again.
The gathering of the second or green harvest of fruit, nuts and vegetables takes place at this time; also the final grain harvest, the storing of resources for the winter and barter for goods not available or scarce.
The forerunner of the modern harvest festival, these feasts of abundance and the offering of the finest of the harvest to the deities were considered part of the bargain between humans and deities.
Marking the festival in the modern world
Samhain, the beginning of the Celtic winter
and the Celtic New Year
(31 October-2 November)
Focus of the period: Remembering the family ancestors; for looking both backwards to the past and into the future; for protection, psychic and physical; for overcoming fears, especially of ageing and mortality; for retired people and those in their 70s and 80s; for marking the natural transition between one stage of life and the next; for laying old ghosts, psychological as well as psychic
Key words: Letting go of the need for total control, mortality and immortality
Emphasis of the festival: Honouring and learning from the past, nature spirits, fey energies
Energies of the season: Waning, the temporary rule of chaos over order
Symbols: Apples, pumpkins, nuts and autumn leaves, mingled with evergreens as a promise that life continues, salt, scary masks, fantastic costumes and lanterns, statues of fairies and magical animals like unicorns
Tree: Silver fir
Incenses, flower and herbs: Cypress, dittany, ferns, garlic, nutmeg, pine, sage, thyme; large white flowers, rose petals and rose fragrances, spices
Candle colour: Orange, purple
Crystals: Dark amethyst, jet, lapis lazuli, obsidian (apache tear), smoky quartz, sodalite
Festival foods: Roast beef, salted fish and pickles, pumpkin pie and soup, baked and toffee apples with spices, baked potatoes, spiced or mulled wine, candies and sweets of all kinds in dishes. Cook and eat the favourite foods of relatives who have died or use old family recipes
Angel: Cassiel, archangel of compassion and silence. He is pictured as bearded, riding a dragon and wearing dark robes, with indigo flames sparking from his halo. He rules over good luck and games of chance, so competitive games and divination are popular at this time
God and goddess: The crone or grandmother goddess, for example the Scottish and Irish goddess Caillieach who rules the winter months. She cares for the animals that live on open moorlands during the winter and older people who may feel the cold but do not have enough money for adequate heating.
The god energy is divided between the slain grain lord in the underworld awaiting rebirth and the trickster twin Goronwy. Goronwy takes advantage of the goddess's absence from the world when she visits the underworld to share the sorrows of death with her man, to ascend the throne, misrule and cause chaos through the world
The place on the wheel
Samhain means summer's end, the time when the herds were brought down from the hills and family members returned to the homestead for the winter. It was believed the ancestors would likewise return and be welcomed at the family hearth.
The animals were either slaughtered or cleansed ritually by the Halloween fires and then kept in barns. Being the Celtic New Year and the time when the Goddess leaves her creation for three days (all the time that is allowed to her), this is when the otherworld releases fairies and mischievous spirits not just the benign family ancestors.
The Christianised Halloween is called All Hallows Eve. This and the following two days, All Saints and All Souls days (1 and 2 November), are, especially in lands where Catholicism is strong, occasions when the family dead are remembered and honoured.
For example, in France families dress in their finest clothes and visit cemeteries where graves are adorned with displays of flowers and photographs. It was once believed the dead returned to the Isle of Mont St Michel in Brittany on 1 November as what is now the church on top of the mount and the golden statue of Michael was once considered an entrance to the Celtic otherworld guarded by the wise druidesses who made their home on the island for hundreds of years.
It is this reverence for the ancestors that neopagans emphasise on Halloween and the days after, though some still have a fun spooky party for children and friends. So too do many neopagans practise divination on Halloween night to discover the opportunities for the year ahead at a time when past, present and future are so close.
Marking the festival in the modern world
May I walk in your shoes for a while?
Go in peace and with thanks and blessings.
May only goodness and love enter here.
Go in peace and blessings and with my love.
Alban Arthuran, Yule or midwinter solstice
(20-22 December)
Focus of the festival: The rebirth of light and hope; for domestic happiness and security, family togetherness, anything to do with the home and property and for financial security; for long-term money ventures; for patience and accepting what cannot be changed; for very old people; for carers of the elderly, sick or vulnerable; for welcoming home travellers and the return of people you miss from the past; for restoring enthusiasm and health in those worn down by illness or lack of hope
Key words: Hope, security and stability
Emphasis of the festival: Rekindling extinguished flames, light in the darkness
Energies of the season: Turning point as the energies begin to rise again from the lowest point
Symbols: Evergreen boughs, especially pine or fir; small logs of wood, especially oak, pine and ash; holly and ivy sprigs; gold coins and jewellery; red, green, white and gold candles; silver, red, green and gold ribbons and baubles; tiny wrapped presents to be opened on the solstice or a pre-Christmas celebration
Tree: Holly
Incenses, flowers and herbs: Bay, cedar, feverfew, frankincense and myrrh mixed, holly, juniper, pine, rosemary, sage and all spices, poinsettias, scarlet and white flowers
Candle colours: White, scarlet, gold, green, purple
Crystals: Amazonite, garnet, malachite, opal aura, snowflake obsidian, snow quartz
Festival foods: Roast pork (more recently turkey), thick meat and vegetables stews, mulled wine, cakes with marzipan and icing, rich fruit cake and puddings to represent the fruits, grains and riches of the Earth Mother (traditionally with silver and gold charms or coins hidden within), mince pies (in Christian tradition to represent the crib of Jesus), marzipan, a sweet rice and cinnamon pudding mix for the nature spirits (in Scandinavian countries), dates, small oranges, figs
Angel: Gabriel, archangel of the moon, who took the news to Mary that she would have a son, Jesus. Picture him in silver or clothed in the blue of the night sky with a mantle of stars and a crescent moon for his halo, holding a golden horn and a white lily or, alternatively, a lantern in his right hand and a mirror made of jasper in his left
God and goddess: The three sisters of Fate, known in different traditions as the Matrones in Ancient Rome, the Norns in Scandinavia or the midwives who deliver the new sun king. In some legends the Celtic maiden goddess or Saint Brighid acts as midwife.
The infant sun king or light twin and his mother, the Virgin Mary of Christianity, or the Ancient Egyptian Isis who gave birth to her son Horus in a cave in secrecy on the midwinter solstice
The place on the wheel
Alban Arthuran is Gaelic for 'the light of Arthur' and refers to the rebirth of Arthur as the divine child called the Mabon in Celtic spirituality.
The festival celebrates the restoration of the power of the sun and the almost imperceptible return of the light and with it hope of lighter and longer days and even spring.
The sun god is reborn after the fear that the world will be overwhelmed by darkness on the shortest day of the year.
As the dark twin knows his power is on the wane, he watches jealously the attention being paid to his newborn brother.
At this time, in hunting and agricultural societies, there was a natural fear about food supplies not lasting the rest of the winter, especially if the weather ahead was hard.
At the midwinter solstice and during the later 12 days of Christmas, people held feasts of the finest of the food as a magical gesture to attract abundance.
In the Norse tradition, this feast was shared with the deities and ancestors. People from time immemorial hung lights from evergreen branches to encourage the trees and vegetation to sprout greenery again and to give power to the sun.
In passage graves throughout the world, such as at Newgrange in Ireland, people waited in darkness for the first shaft of light on the solstice morning to illuminate the inner shrine. Their lanterns were then relit from a single flint.
Marking the festival in the modern world
I/we will walk into the darkness in total trust, knowing that the light will return.
Who will walk into the darkness with me?
Who will take my hand?