BOOKS
The Origin of the Brunists (1966). New York: Grove Press, 2000.
The Universal Baseball Association, Inc., J. Henry Waugh, Prop. (1968). New York: Plume / Penguin, 1971.
Pricksongs & Descants (1969). New York: Grove Press, 1998.
The Water Pourer. Bloomfield Hills: Bruccoli-Clark, 1972.
A Theological Position. New York: E. P. Dutton and Co., 1972.
The Public Burning (1977). New York: Grove Press, 1998.
Hair O’ the Chine: A Documentary Filmscript. Bloomfield Hills: Bruccoli-Clark, 1979.
A Political Fable. New York: Viking Press, 1980.
Spanking the Maid (1982). New York: Grove Press, 1998.
In Bed One Night & Other Brief Encounters. Providence: Burning Deck Press, 1983.
Gerald’s Party (1985). New York: Grove Press, 1997.
Aesop’s Forest. Santa Barbara: Capra Press, 1986.
Whatever Happened to Gloomy Gus of the Chicago Bears? (1987). London: Minerva, 1989.
A Night at the Movies Or, You Must Remember This (1987). Normal: Dalkey Archive Press, 1997.
Pinocchio in Venice (1991). New York: Grove Press, 1997.
John’s Wife (1996). New York: Scribner, 1997.
Briar Rose (1996). New York: Grove Press, 1998.
Ghost Town (1998). New York: Grove Press, 2000.
The Grand Hotels (of Joseph Cornell). Providence: Burning Deck Press, 2002.
The Adventures of Lucky Pierre: Directors’ Cut (2002). New York: Grove Press, 2004.
Stepmother. San Francisco: McSweeney’s Books, 2004.
A Child Again. San Francisco: McSweeney’s Books, 2005.
Noir. New York: Overlook Duckworth, 2010.
UNCOLLECTED STORIES
“One Summer in Spain: Five Poems,” Fiddlehead, Fall 1960, 18-9.
“Blackdamp,” Noble Savage, n° 4, October 1961, 218-29.
“The Square Shooter and the Saint. A Story About Jerusalem,” Evergreen Review, n° 25, July/August 1962, 92-101.
“Dinner with the King of England,” Evergreen Review, n° 27, November/December 1962, 110-18.
“D.D. Baby,” Cavalier, n° 13, July 1963, 53-6 / 93.
“The Neighbors,” Argosy, vol. 27, n° 1, January 1966, 129-33.
“Letter from Patmos,” Quarterly Review of Literature, n° 16, 1969, 29-31.
“That the Door Opened,” Quarterly Review of Literature, n° 16, 1969, 311-17.
“Some Notes About Puff.” The Iowa Review, vol. 1, n° 1, Winter 1970, 29–31.
“The Reunion,” The Iowa Review, vol. 1, n° 4, Fall 1970, 64-7.
“Party Talk: Unheard Conversation at Gerald’s Party,” Fiction International, vol. 18, n° 2, Spring 1990, 187-203.
“A Sudden Story,” TriQuarterly, n° 78, Spring/Summer 1990, 396.
“The Early Life of the Artist,” Conjunctions, n° 17, Fall 1991, 183-86.
“The New Thing,” Transgressions: The Iowa Anthology of Innovative Fiction, Lee Montgomery (ed.); Iowa City: University of Iowa Press, 1994, 69-72.
“Touch,” The Paris Review, vol. 40, n° 149, Winter 1998, 155-9.
“The Photographer,” Fence Magazine, vol. 2, n° 2, Fall/Winter 1999/2000, 30-41.
“On Mrs. Willie Masters,” The Review of Contemporary Fiction, vol. 24, n° 3, Fall 2004, 10-23.
“Ten Minutes in the Orxatería La Valenciana,” Storie, Afternoon Anthology, n° 42/43, 2008, 227.
“Red-Hot Ruby,” Conjunctions, vol. 50, Spring 2008, 450-69.
“White-Bread Jesus,” Harper’s Magazine, vol. 317, n° 1903, December 2008, 79-88.
“The War Between Sylvania and Freedonia,” Harper’s Magazine, vol. 320, n° 1922, July 2010, 62-6.
“The Box,” Conjunctions, vol. 56, Spring 2011, 221-27.
“Going For a Beer,” The New Yorker, March 14, 2011, 61.
“Matinée,” The New Yorker, July 25, 2011, 67-71.
“Vampire,” Granta, October 21, 2011, http://www.granta.com/ Online-Only/Vampire
NON-FICTION
“Bartlett’s Familiar Quotations,” The New York Times, December 8, 1968.
“The Last Quixote. Marginal Notes On the Gospel According to Samuel Beckett,” New American Review, n° 11, 1971, 132-43.
“The Master’s Voice,” American Review, n° 26, November 1977, 361-88.
“The Gossip on the Wall,” New York Times Book Review, November 11, 1979.
“On Reading 300 American Novels,” The New York Times Book Review, March 18, 1984.
“Soccer as an Existential Sacrament,” Close-Up, vol. 15, n° 1, Winter 1985, 78-91.
“The Promised Land of Literature,” The New York Times Book Review, March 20, 1988.
“The Asian Lectures (In Anticipation of the Question, ‘Why do you Write?’),” Conjunctions, n° 12, Fall 1988, 87-8.
“The End of Books,” The New York Times Book Review, June 21, 1992. (http://www.nytimes.com/books/98/09/27/specials/coover-end.html)
“Hyperfiction: Novels for the Computer,” The New York Times Book Review, August 29, 1993 (http://www.nytimes.com/books/98/09/27/ specials/coover hyperfiction.html)
“Tears of a Clown,” New York Newsday, April 27, 1994 (reprinted in Critique, vol. 42, n° 1, Fall 2000, 81-3).
“A Passionate Remembrance,” The Review of Contemporary Fiction, vol. 14, n° 3, Fall 1994, 9-11.
“On ‘Beginnings’,” Literary Review: An International Journal of Contemporary Writing, vol. 42, n° 1, Fall 1998, 19-20.
“Storying in Hyperspace: ‘Linkages’,” in The Tales We Tell. Perspectives on the Short Story, Barbara Lounsberry, Susan Lohafer, Mary Rohrberger, Stephen Pett, R. C. Feddersen (eds.), Westport: Greenwood Press, 1998, 133-8.
“Literary Hypertext: The Passing of the Golden Age,” Feed Magazine, 2000 (http://web.archive.org/web/20011217184647/www.feedmag. com/document/do291lofi.html)
“The Public Burning Log 1966-77,” Critique, vol. 42, n° 1, Fall 2000, 84-114.
“Dying Fathers: ‘Stirrings Still’,” Kenyon Review, vol. 23, n° 2, Spring 2001, 250-55.
“Body Games,” Kenyon Review, vol. 24, n° 1, Winter 2002, 10-1.
“Spain. Morality Play: Soccer as Theater,” National Geographic, vol. 206, n° 6, June 2006, 42-69. (http://www7.nationalgeographic.com/ ngm/0606/feature1/essay3.html)
“European Transfer,” unpublished communication.
“Tale, Myth, Writer,” in Brothers & Beasts: An Anthology of Men on Fairy Tales, Kate Bernheimer (ed.), Detroit: Wayne State University Press, 2007, 57-60.
“A History of the Future of Narrative,” in The Cambridge History of the American Novel, Leonard Cassuto, Clare Virginia Eby, and Benjamin Reiss (eds.), Cambridge UP, 2011, 1168-81.
INTERVIEWS
APPLEFIELD, David, “Robert Coover, Fiction & America,” Frank: An International Journal of Contemporary Writing and Art, n° 6-7, Winter / Spring 1987, 6-11.
BASS, Thomas Alden, “An Encounter with Robert Coover,” The Antioch Review, vol. 40, n° 3, Summer 1982, 287-302.
BIGSBY, Christopher, “Interview with Robert Coover,” The Radical Imagination and the Liberal Tradition: Interviews with English and American Novelists, Heide Ziegler, Christopher Bigsby (eds.), London: Junction Books, 1982, 79-92.
GADO, Frank, “Robert Coover,” First Person: Conversations on Writers and Writing, Schenectady: Union College Press, 1973, 142-59.
HERTZEL, Leo, “An Interview with Robert Coover,” Critique, vol. 11, n° 3, 1969, 25-9.
MCCAFFERY, Larry, “An Interview with Robert Coover,” Anything Can Happen, Urbana: University of Illinois Press, 1983, 63-78.
MCCAFFERY, Larry, “As Guilty As the Rest of Them: An Interview with Robert Coover,” Critique, vol. 42, n° 1, Fall 2000, 115-25.
SWAIM, Don, “Interview with Robert Coover,” January 16, 1986. (http://www.wiredforbooks.org/robertcoover/)
Tosca Pajares, Susana, “Interview with Robert Coover,” Especulo, n° 12, July-October 1999 (http://www.ucm.es/info/especulo/ numero12/cooverin.html)
TREISMAN, Deborah, “Robert Coover Goes for a Beer,” The New Yorker, March 7, 2011 (http://www.newyorker.com/online/blogs/ books/2011/03/robert-coover-on-going-for-a-beer.html)
TREISMAN, Deborah, “This Week in Fiction: Robert Coover,” The New Yorker, July 18, 2011 (http://www.newyorker.com/online/blogs/ books/2011/07/robert-coover-matinee-fiction.html)
WOLFF, Geoffrey, “An American Epic,” New Times, vol. 9, n° 4, August 19, 1977, 49-57.
AMES, Christopher, “Coover’s Comedy of Conflicting Fictional Codes,” Critique, vol. 31, n° 2, Winter 1990, 85-99.
ANDERSEN, Richard, Robert Coover, Boston: Twayne Publisher, 1981.
ARMAND, Monique, “Les jeux de l’énonciation dans ‘Panel Game’,” Delta, n° 8, 1979, 189-203.
BACCHILEGA, Cristina, “Cracking the Mirror: Three Re-Visions of ‘Snow White’,” Boundary 2, vol. 15, n° 3 - Vol. 16, n° 1, Spring - Fall, 1988, 1-25.
BALITAS, Vincent D., “Historical Consciousness in the Novels of Robert Coover,” Kwartalnik Neofilologiczny, vol. 28, n° 3-4, 1981, 369-79.
BELL, Elisabeth Ly, “The Notorious Hot Potato,” Critique, vol. 42, n° 1, Fall 2000, 7-17.
BENSON, Stephen, “The Late Fairy Tales of Robert Coover,” in Contemporary Fiction and the Fairy Tale, Stephen Benson (ed.), Detroit: Wayne State University Press, 2008, pp. 120-43.
BERMAN, Neil, “Coover’s Universal Baseball Association: Play as Personalized Myth,” Modern Fiction Studies, vol. 24, n° 2, Summer 1978, 209-222.
BOND, Barbara, “Postmodern Mannerism: An Examination of Robert Coover’s Pinocchio in Venice,” Critique, vol. 45, n° 3, Spring 2004, 273-92.
BUSH, Andrew, “On Exemplarity and Postmodern Simulation: Robert Coover and Severo Sarduy,” Comparative Literature, vol. 44, n° 2, Spring 1992, 174-93.
CALDWELL, Roy Jr, “Of Hobby-Horses, Baseball, and Narrative: Coover’s Universal Baseball Association,” Modern Fiction Studies, vol. 33, n° 1, Spring 1987, 161-71.
CHASSAY, Jean-François, “La machine en mouvement : A Night at the Movies de Robert Coover,” Etudes Littéraires, vol. 28, n° 2, Fall 1995, 45-55.
CHASSAY, Jean-François, Robert Coover. L’écriture contre les mythes, Paris: Belin, 1996.
CHAUVIN, Serge, L’écran de la conscience : le film, modèle et matrice de la fiction chez Pynchon, Coover, De Lillo (Ph.D. under Pierre-Yves Pétillon’s supervision), Université de Paris IV, 1996.
CHÉNETIER, Marc, “Coover et l’histoire, ou, Clio Doesn’t Live Here Any More,” Delta, n° 8, 1979, 205-40.
CHÉNETIER Marc, “Football et baseball chez Robert Coover : ontologie, rituel et histoire,” in Sport en Grande-Bretagne et aux EtatsUnis : faits, signes et métaphores, J. Atherton, R. Sibley (eds.), Nancy: Presses Universitaires de Nancy, 1988, 92-102.
CHÉNETIER, Marc, “Ideas of Order at Delphi,” in Facing Texts: Encounters Between Contemporary Writers and Critics, Heide Ziegler (ed.), Durham: Duke University Press, 1988, 84-108.
COPE, Jackson I., Robert Coover’s Fictions, Baltimore: The Johns Hopkins University Press, 1986.
COUTURIER, Maurice (ed.), Delta, n° 28, 1989.
COUTURIER, Maurice, “Gerald’s Party or A Rose’s Wake,” Delta, n° 28, 1989, 97-116.
DAINOTTO, Roberto Maria, “Myth and Carnival in Robert Coover’s The Public Burning,” Rivista di Studi Nord-Americani, n° 3, 1992, 5-22, http://www.aisna.net/rsajournal3/Dainotto.html Dainotto, Roberto Maria, “The Excremental Sublime: The Postmodern Literature of Blockage and Release,” in Essays in Postmodern Culture, Eyal Amiran and John Unsworth (ed.), Oxford UP, 1994, 133-72.
DURAND, Régis, “Speaking to Contemporary American Fiction (Notes on Robert Coover’s Fictions),” RFEA, n° 1, April 1976, 71-82.
DURAND, Régis, “The Exemplary Fictions of Robert Coover,” Les Américanistes: New French Criticism on Modern American Fiction, Ira D. Johnson, Christiane Johnson (eds.), Port Washington NY: Kennikat Press (National University Publications), 1978, 130-37.
ELIAS, Amy, “Oscar Hijuelos’s The Mambo Kings Play Songs of Love, Ishmael Reed’s Mumbo Jumbo, and Robert Coover’s The Public Burning,” Critique, vol. 41, n° 2, Winter 2000, 115-28.
ESTES, David C., “American Folk Laughter in Robert Coover’s The Public Burning,” Contemporary Literature, vol. 28, n° 2, Summer 1987, 239-56.
EVENSON, Brian, Understanding Robert Coover, University of South Carolina Press, 2003.
Félix, Brigitte, “Robert Coover : ‘Scene for “Winter”,’ la fiction fait son cinéma,” GRAAT, n° 6, 1990, 79-89.
FRICK, Daniel E., “Coover’s Secret Sharer? Richard Nixon in The Public Burning,” Critique, vol. 37, n° 2, Winter 1996, 82-91.
FRICK, Daniel E., “The Prison House of Art: Aesthetics vs. Politics in Robert Coover’s Whatever Happened to Gloomy Gus of the Chicago Bears?,” Studies in Short Fiction, vol. 31, n° 2, Spring 1994, 217-24.
GABERT, Charla, “The Metamorphosis of Charlie,” Chicago Review, vol. 32, n° 2, Fall 1980, 60-4.
GALLO, Louis, “Nixon and the ‘House of Wax’: An Emblematic Episode in Coover’s The Public Burning,” Critique, vol. 23, n° 3, Spring 1982, 43-51.
GORDON, Lois, Robert Coover: The Universal Fictionmaking Process, Carbondale: Southern Illinois University Press, 1983.
GUZLOWSKI, John Z., “Coover’s The Public Burning: Richard Nixon and the Politics of Experience,” Critique, vol. 29, Fall 1987, 57-71.
HERTZEL, Leo, “What’s Wrong With the Christians?,” Critique, vol. 11, n° 3, 1969, 11-24.
HEUER, Renko, “Pierre, the Lucky Avatar: Linking Robert Coover’s The Adventures of Lucky Pierre with Hyperfiction,” Philologie im Netz, n° 34, 2005, 28-47.
HITE, Molly, “‘A Parody of Martyrdom’: The Rosenbergs, Cold War Theology, and Robert Coover’s The Public Burning,” Novel, vol. 27, n° 1, Fall 1993, 85-101.
HUME, Kathryn, “Narrative Speed in Contemporary Fiction,” Narrative, vol. 13, n° 2, May 2005, 105-24.
HUME, Kathryn, “Robert Coover’s Fictions: The Naked and the Mythic,” Novel, vol. 12, n° 2, Winter 1979, 127-48.
HUME, Kathryn, “Robert Coover: The Metaphysics of Bondage,” Modern Language Review, vol. 98, n° 4, 2003, 827-41.
ICKSTADT, Heinz, “History, Fiction, and the Designs of Robert Coover,” manuscript.
JORIS, Pierre, “Coover’s Apoplectic Apocalypse or ‘Purviews of Cunning Abstractions’,” Critique, vol. 34, n° 4, Summer 1993, 220-31.
KELLY, Robert, “On Robert Coover,” Conjunctions, n° 9, Spring 1986, 263-9.
KENNEDY, Thomas E., Robert Coover: A Study of the Short Fiction, New York: Twayne, 1992.
KISSEL Susan, “The Contemporary Artist and His Audience in the Short Stories of Robert Coover,” Studies in Short Fiction, vol. 16, n° 1, Winter 1979, 49-54.
KUSNÍR, Jaroslav, “Subversion of Myths: High and Low Cultures in Donald Barthelme’s Snow White and Robert Coover’s Briar Rose,” European Journal of American Culture, vol. 23, n° 1, 2004, 31-49.
LECLAIR, Thomas, “Robert Coover, The Public Burning, and the Art of Excess,” Critique, vol. 23, n° 3, Spring 1982, 5-28.
LECLAIR, Tom, McCaffery, Larry, Green, Geoffrey (eds.), Critique, vol. 42, n° 1, Fall 2000.
LEE, L. L., “Robert Coover’s Moral Vision: Pricksongs & Descants,” Studies in Short Fiction, vol. 23, n° 1, Winter 1986, 63-9.
Les Cahiers de Fontenay. Fictions américaines : Nouvelles voix, nouveaux regards, n° 28-29, ENS Fontenay-aux-Roses, December 1982.
MCCAFFERY, Larry, The Metafictional Muse: The Works of Robert Coover, Donald Barthelme, William H. Gass, Pittsburgh: University of Pittsburgh Press, 1982.
MCCAFFERY, Larry, “The Recognitions: An Editorial Collaboration with Robert Coover’s ‘Party Talk’,” Fiction International, vol. 18, n° 2, Spring 1990, 176-86.
MCKEON, Zahava Karl, “Novels—Qualitative,” in Novels and Arguments: Inventing Rhetorical Criticism, Chicago: University of Chicago Press, 1982, 130-76.
MALTBY, Paul, Dissident Postmodernists: Barthelme, Coover, Pynchon, Philadelphia: University of Pennsylvania Press, 1991.
MAZURECK, Raymond, “Metafiction, the Historical Novel, and Coover’s The Public Burning,” Critique, vol. 23, n° 3, Spring 1982, 29-42.
MIGUEL-ALFONSO, Ricardo, “Mimesis and Self-Consciousness in Robert Coover’s The Universal Baseball Association,” Critique, vol. 37, n° 2, Winter 1996, 92-107.
MORACE, Robert A., “Robert Coover, the Imaginative Self, and the ‘Tyrant Other’,” Papers on Language and Literature, vol. 21, n° 2, Spring 1985, 192-209.
MORARU, Christian, “Rewriting Horatio Alger: Robert Coover and the Public Burning of the Public Sphere,” LIT: Literature-Interpretation-Theory, vol. 10, n° 3, December 1999, 235-54.
MORRIS, Ann R., “‘Death-Cunt-and-Prick-Songs,’ Robert Coover, Prop.,” in Forms of the Fantastic, Jan Hokenson, Howard Pearce (eds.), Westport: Greenwood Press, 1986, 209-15.
OATES, Joyce Carol, “Realism of Distance, Realism of Immediacy,” The Southern Review, vol. 7, n° 1, January 1971, 295-313.
PEARCE, Richard, “The Circus, the Clown, and Robert Coover’s The Public Burning,” in The Scope of the Fantastic: Culture, Biography, Themes, Children’s Literature, Robert A. Collins (ed.), Westport: Greenwood, 1985, 129-36.
PUGHE, Thomas, Comic Sense: Reading Robert Coover, Stanley Elkin, Philip Roth, Basel / Basel: Birkhäuser Verlag, 1994.
PUGHE, Thomas, “Why Is Everybody Laughing? Roth, Coover, and Meta-Comic Narrative,” Critique, vol. 35, n° 2, Winter 1994, 67-80.
RAMAGE, John, “Myth and Monomyth in Coover’s The Public Burning,” Critique, vol. 23, n° 3, Spring 1982, 52-68.
REDIES, Sunje, “Return with New Complexities: Robert Coover’s Briar Rose,” Marvels & Tales, vol. 18, n° 1, 2004, 9-27.
REITZ, Bernhard, “The Reconstruction of the Fifties in E. L. Doctorow’s The Book of Daniel and Robert Coover’s The Public Burning,” in Historiographic Metafiction in Modern American and Canadian Literature, Bernd Engler, Kurt Muller (eds.), Padeborn: F. Schöningh, 1994, 223-40.
SALGAS, Jean-Pierre, “Les deux amours de Robert Coover : Cervantès et Beckett,” La Quinzaine littéraire, n° 420, July 1-15 1984, 19-20.
SALTZMAN, Arthur M., “Epiphany and Its Discontents: Coover, Gangemi, Sorrentino, and Postmodern Revelation,” Journal of Modern Literature, vol. 15, n° 4, Spring 1989, 497-518.
SCHMITZ, Neil, “A Prisoner of Words,” Partisan Review, vol. 40, n° 1, Winter 1973, 131-5.
SCHOLES, Robert, “Metafiction,” The Iowa Review, vol. 1, n° 4, Fall 1970, 100-15.
SEABOYER, Judith, “Robert Coover’s Pinocchio in Venice: an Anatomy of a Talking Book,” in Venetian Views, Venetian Blinds: English Fantasies of Venice, Manfred Pfister and Barbara Schaff (eds.), Amsterdam: Rodopi, 1999, 237-55.
SEIBEL, Markus, “The Reservoir of Robert Coover’s Lucky Pierre,” Philologie im Netz, n° 34, 2005, 70-91.
SHAW, Jonathan Imber, “Cocktails with the Reader Victim: Style and Similitude in Robert Coover’s Gerald’s Party,” Critique, vol. 47, n° 2, Winter 2006, 131-46.
SHELTON, Frank W., “Humor and Balance in Coover’s The Universal Baseball Association, Inc.,” Critique, vol. 17, n° 1, 1975, 78-90.
VAN BOHEEMEN-SAAF, Christine, Between Sacred and Profane: Narrative Design and the Logic of Myth from Chaucer to Coover, Amsterdam: Rodopi, 1987.
VANDERHAEGHE, Stéphane, “Entre fiction et philosophie : quelle place pour le lecteur de Robert Coover ?,” RFEA, n° 109, September 2006, 83-99.
VANDERHAEGHE, Stéphane, “La quête du sens dans The Universal Baseball Association, Inc., J. Henry Waugh, Prop. de Robert Coover : jeu, motif et événement,” TLE, n° 23, 2005, 97-111.
VANDERHAEGHE, Stéphane, “Une relation critique : Spanking the Maid (1982) de Robert Coover,” in La Relation, Vincent Broqua, Elizabeth Vialle, and Tatiana Weeks (eds.), Paris: Michel Houdiard, 2008, 85-93.
VANDERHAEGHE, Stéphane, “John’s Wife (1996) de Robert Coover, ou comment trouer la page,” in La surface : accidents et altérations, Maryline Maigron and Marie-Odile Salati (eds.), Collection “Ecritures et représentation,” n° 12, 2010, Université de Savoie, 207-15.
VANDERHAEGHE, Stéphane, “Cartographier le texte : The Adventures of Lucky Pierre de Robert Coover,” in La Géographie dans le monde anglophone : espace et identité, Marie-Françoise Alamichel et Olivier Brossard (eds.), Paris: Michel Houdiard, 2010, 206-17.
VARSAVA, Jerry A., “Another Exemplary Fiction: Ambiguity in Robert Coover’s Spanking the Maid,” Studies in Short Fiction, vol. 21, n° 3, Summer 1984, 235-41.
VIEILLEDENT, Catherine, “La parole transitoire dans le roman américain : Robert Coover, Thomas Pynchon, Grace Paley,” TLE n° 5, 1987, 51-64.
VIERECK, Elizabeth, “The Clown Knew it All Along: The Medium Was the Message,” Delta, n° 28, 1989, 63-81.
VITOUX, Pierre, “‘The Magic Poker’ : récit et narration,” Delta, n° 8, 1979, 177-87.
WALSH, Robert, “Narrative Inscription, History and the Reader in Robert Coover’s The Public Burning,” Studies in the Novel, vol. 25, n° 3, Fall 1993, 332-46.
WILCZYNSKI, Marek, “‘Playing Monsters’: The Games of Memory and Language in Robert Coover’s Gerald’s Party.” Modern Language Studies, Vol. 18, n° 4, Fall 1988, 3-32.
WILLIAMS, Christy, “Who’s Wicked Now? The Stepmother as Fairy Tale Heroine,” Marvels & Tales: Journal of Fairy-Tale Studies, vol. 24, n° 2, 2010, 255-71.
WINEAPPLE, Brenda, “Robert Coover’s Playing Fields,” The Iowa Review, vol. 10, n° 3, Summer 1979, 66-74.