ABC of Communism (Bukharin), 131
Adorno, Gretel, 110 and n, 117, 131, 141
Adorno, Theodor, 13, 65–6, 67, 100–9, 110–33, 142–50, 151–76, 177–95, 196–7, 206, 208–9, 211
Die Aktion, 169n
Andersen, Hans Christian, 131n
Anna Karenina (Tolstoy), 161
Arcades (Benjamin), 100, 115–20
Aronowitz, Stanley, 211n
Arturo Ui (Brecht), 92, 147, 157, 184–5
Bachelard, Gaston, 204
Bahr, Hermann, 49
Bakunin, Mikhail, 196
Balazs, Bela, 12
Ballad of the Dead Soldier (Brecht), 152
Balzac, Honoré de, 21, 36, 46, 49, 56, 61, 62–3, 74, 76–9, 82, 132, 145, 149, 163
Barthes, Roland, 198
Bateau Ivre (Rimbaud), 86–7
Baudelaire, Charles, 66 and n, 119, 134–5, 137, 140, 158, 188
Baudrillard, Jean, 208n
The Beaver Coat (Hauptmann), 40
Becher, Johannes, 16n, 18, 25, 52, 86–7
Beckett, Samuel, 67, 144, 146, 156, 161, 166, 182, 190–1, 209
Being and Nothingness (Sartre), 182
Being and Time (Heidegger), 164
Belinsky, Vissarion, 203
Benjamin, Walter, 10n, 61, 62, 64, 65 and n, 66 and n, 86–99, 100–9, 110–33, 134–41, 142, 144, 156, 158, 195, 196, 204, 207–8
Benn, Gottfried, 12, 16 and n, 40–1, 42, 43, 146, 156, 169–70
Bentley, Eric, 58n
Berg, Alban, 120
Bergson, Henri, 171
Berlin Alexanderplatz, 69n
Berliner Kindheit im Neunzehnhundert (Benjamin), 117 and n
Bernstein, Henry, 50
Der Blaue Reiter (The Blue Rider), 12, 13n, 16 and n, 23, 24, 52
Bloch, Ernst, 9–15, 16–27, 29, 30–1, 34–6, 40–3, 44–59, 62, 142, 196, 201, 208, 209–11
Borchardt, Rudolf, 122 and n, 165
Borkenau, Franz, 173
Brahms, Johannes, 118
Brecht, Bertolt, 11, 12, 15, 23n, 26, 56n, 58 and n, 59, 60–7, 68–85, 86–99, 102, 114, 126, 142, 144, 146–50, 152, 157, 179, 182–93, 196–7, 199–209
Bredel, Willi, 11, 60 and n, 62
Breton, Andre, 197
Breughel, Pieter, 70
Brill, Hans, 139
The Brothers Karamazov (Dostoyevsky), 88
Buddenbrooks (Mann), 53
Buch der Wendungen (Brecht), 65n
Bukharin, Nikolai, 131, 186 and n
The Business Affairs of Herr Julius Caesar (Brecht), 70
Cahiers du Cinema, 108
The Caucasian Chalk Circle (Brecht), 67, 149, 188, 209n
Cervantes, Saavedra Miguel de, 28, 56
Chagall, Marc, 18
Chaplin, Charles, 106, 107, 123, 184
Charles Baudelaire – A lyric poet in the era of high capitalism (Benjamin), 100–1, 103–6, 110–20, 126–33, 134–8
Charpentier, Marc Antoine, 130, 137
Chernyshevsky, Nikolai Gavrilovich, 203
Childrens’ Songs (Brecht), 98
Chopin, Frederic, 93
Le Cid (Corneille), 94
La Comédie Humaine (Balzac), 163
Crime and Punishment (Dostoyevsky), 93
Cubism, 25
Cuvier, Georges, 55 and n
The Cultivation of the Millet (Brecht), 148n
Dante, 94
Delauney, Robert, 45n
De Man, Paul, 198n
Denrain, André, 124n
The Destruction of Reason (Lukács), 152
Dilthey, Wilhelm, 105
Dimitrov, Georgi, 28
Döblin, Alfred, 12, 58 and n, 59, 69
Don Carlos (Schiller), 54
Don Quixote (Cervantes), 28, 47
Dostigayev (Gorky), 47
Dostoyevsky, Fedor, 9, 65, 88, 93, 164
Drieu la Rochelle, Pierre, 202
Dudow, Slatan, 148
Durkheim, Emil, 181
Education before Verdun (Zweig), 47
Education Sentiment ale (Flaubert), 171
Edward II (Brecht), 94
Ehrenstein, Albert, 18
Einbahnstrasse (Benjamin), 121
Eisler, Hanns, 29, 54, 55, 56n, 62
Elective Affinities (Goethe), 97, 122 and n, 131, 137
Eliot, T. S., 162
Engels, Friedrich, 87, 96, 155, 163, 186, 210
Enzensberger, Hans-Magnus, 188, 207n, 208
Erbschaft dieser Zeit (Bloch), 10, 30
Erpenbeck, Fritz, 11
Exhibition of Degenerate Art, Munich (1937), 17n
L’Existentialisme est un Humanisme (Sartre), 194n
Feuchtwanger, Leon, 11, 58, 59, 62
Fichte, Johann Gottlieb, 49
Fin de Partie (Beckett), 161
The Finest Legends of Woynok the Brigand (Seghers), 97
Fischer, Peter, 29
Fitzgerald, Scott, 202
Flaubert, Gustave, 140, 162, 171
Fontane, Theodor, 53
Fortini, Franco, 15n
Fourier, Charles André, 115, 210
France, Anatole, 53
Frankfurt Institute of Social Research, 142, 143, 197, 208
Frankfurter Zeitung, 117
Franz von Sickingen (Lasalle), 186
Galileo Galilei (Brecht), 67
Der Geist der Utopie (Bloch), 9
Genealogy of Morals (Nietzsche), 131
Gentile, Giovanni, 182
George, Stefan, 192
Goebbels, Joseph, 17n
Goering, Reinhard, 74n
Goethe, Johann Wolfgang von, 21, 24, 41–2, 97, 131, 136n, 171 and n, 176
Gombrich, Ernst, 198
The Good Soldier Schweik (Hasek), 73, 76, 93
The Good Woman of Szeckun (Brecht), 148, 183
Gorky, Maxim, 29, 46–7, 49, 53, 54, 56, 58
The Great Dictator (Chaplin), 184–5
The Greatness and the Decline of Expressionism (Lukács), 17
Grimmelshausen, Hans Jacob Christoffel von, 55 and n, 56, 186
Grundrisse (Marx), 155 and n
Grunewald, Mathis, 23
Guernica (Picasso), 178, 185, 190
Habermas, Jürgen, 207n
Hamlet (Shakespeare), 114
Harzreise im Winter (Goethe), 24
Hasenclever, Walter, 18
Haussmann, Georgs-Eugène, 113, 120
Hawks, Howard, 212n
Heartfield, John, 26
Hebbel, Christian Friedrich, 132
Hegel, Friedrich, 9, 10, 21, 38, 45, 151n, 153, 158, 162, 164, 168, 173, 176, 181, 185, 188, 200
Heidegger, Martin; 156, 158, 164, 169
Heine, Heinrich, 21–2, 96, 116
Herbst-Blumine (Jean Paul), 132
Hesse, Hermann, 18
Hilferding, Rudolf, 50
Historical Novel (Lukács), 14
History and Class Consciousness (Lukács), 50, 151, 203, 212
History of the Jewish Wars (Feuchtwanger), 58
Hitler, Adolf, 17, 25, 92, 179, 184
Hoffmann, E. T. A., 138
Hofmannsthal, Hugo Von, 122n
Horkheimer, Max, 101, 106, 113, 123, 125–8 passim, 130, 139, 142, 161, 208
Huis Clos (Sartre), 179
Husserl, Edmund, 169
Ibsen, Henrik, 118
Illuminations (Benjamin), 100, 207n
The Inferno (Dante), 94
The Informer (Brecht), 58 and n
Internationale Literatur, 10, 17, 61
Jean Christophe (Rolland), 42 and n
Les Jeux sont Faits, 182
Joyce, James, 34, 35–6, 42, 44, 57, 65, 69 and n, 73, 156, 159, 162, 166, 171
Die Jugend des Konigs Henri Quatre (Mann), 47n
Jung, Carl Gustav, 102–3, 105, 113
Kafka, Franz, 65, 88–91, 102, 114, 124, 144, 146, 149, 154, 156, 161, 165, 166, 191, 194
Kameraden der Mensckheit (Friends of Mankind), 24
Kandinsky, Wassily, 16n, 18, 24n, 45n
Karamora (Gorky), 47
Kassner, Rudolf, 151
Kastner, Erich, 23n
Kautsky, Karl, 50
Kierkegaard, Søren, 9, 118, 165
Kierkegaard: Konstruktion des Aesthetischen (Adorno), 112 and n, 115, 117–18, 119, 136–7
Klages, Ludwig, 105, 113 and n, 169
Klim Samgin (Gorky), 47
Klimt, Gustav, 170n
Kluge, Alexander, 207n
Korsch, Karl, 202
Koyré, Alexandre, 204
Kracauer, Siegfried, 123 and n
Kroger, Tonio, 57n
Kuhn, J. G., 204
Kun, Bela, 96
Kunst und Macht (Benn), 41
Kurella, Alfred (pseudonym: Bernhard Ziegler), 11, 12, 16 and n, 17, 18, 21, 23, 25, 26, 52, 61, 95, 96
Lafargue, Paul, 46
Lao Tzu, 89
Lask, Emii, 151n
The Last Days of Mankind (Kraus), 12
Lautréamont, Comte de, 206
The Legend of the Origin of the Book of Tao Te Ch’ing on Lao-Tzu’s Journey into Exile (Brecht), 188
Lenin, V. I., 33, 39, 55, 87, 107, 122, 196, 205
Leonhard, Rudolf, 18, 40, 45–6
Letters from the Underworld (Dostoyevsky), 164
Die Literarische Welt, 127
Literary History and Literary Modernity (De Man), 198n
London, Jack, 184
Louise (Charpentier), 130
Lowenthal, Leo, 131
Löwy, Michael, 144n
Lucinde (Schlegel), 165n
Lukács, Georg, 9–15, 17, 18–23, 28–59, 60–66, 68–85, 95, 96, 97, 116, 142–50, 151–76, 196–212
Lukács and Stalinism (Löwy), 144n
Luxemburg, Rosa, 196
McCabe, Colin, 206n
Macke, August, 16n
Maeterlinck, Maurice, 118
The Magic Mountain (Mann), 35, 146, 171
Mahagonny (Brecht), 183
Mahler, Gustav, 139
Mallarmé, Stephane, 65, 118, 121, 122, 206
Man of the Crowd (Poe), 119, 137
Manet, Edouard, 116
Mann, Heinrich, 20, 29, 37, 47, 56, 58
Mann, Thomas, 29, 30, 34, 35–6, 37, 53, 54, 56, 57, 58, 65, 144, 146, 170, 171–2, 193
Marx, Karl, 21, 32, 38, 45, 87, 96, 105, 107, 155, 163, 186, 196, 200, 210
Die Massnahme (Brecht), 83n
The Master Builder (Ibsen), 118
Maupassant, Guy de, 119
Mayakovsky, Vladimir, 52
The Meaning of Contemporary Realism (Lukács), 143, 146, 152–76
The Measures Taken (Brecht), 148, 182, 186, 187
Menschheitsdämmerung (Dawn of Mankind), 12, 16 and n, 24
Michaelis, Karin, 88
Mo Ti, 65n
Modern Times (Chaplin), 124
Moments Musicaux (Adorno), 120n
Die Monat, 143
Montherlant, Henri de, 161
Morike, Eduard, 22
Moris sans Sépulture (Sartre), 188
The Mother (Brecht), 182
Mother Courage (Brecht), 67, 147, 186–7
Muller, Adam, 38
Munzenberg, Willi, 61n
Negt, Oskar, 207n
Neher, Carola, 86
Neo-classicism, 20, 21, 23, 24, 26, 30
Neue Deutsche Beiträge, 122n
Die Neue Rundschau, 146
Neue Sachlichkeit (Neo-Objectivity), 23 and n, 69n
Neue Welthühne, 29
Neumann, Heinz, 61n
The Next Village (Kafka), 90–1
Nietzsche, Friedrich, 44, 131, 152
Nolde, Emil, 18
Nordic decorative art, 24
Noske, Gustav, 50–52
Nouveau roman, 197
Nouvelle vague, 197
La Nuit (Maupassant), 119
Oblomov (Goncharov), 47
Offenbach, Jacques, 111
Ottwalt, Ernst, 60 and n, 95, 148
Owen, Robert, 210
Pandora (Goethe), 24
The Peasant and his Ox (Brecht), 96
The Philosophy of Modern Music (Adorno), 167, 209, 211
Picard, Louis-Benoit, 30
Picasso, Pablo, 26, 178, 189–90
Pieces Condamnées (Baudelaire), 119
Piscator, Erwin, 83
Poems from Exile (Brecht), 98
Pound, Ezra, 206
Probleme des Realismus (Lukács), 56n
Professor Unrat, 47
Proust, Marcel, 65, 102, 119, 127, 156, 157–8, 160
Puntila (Brecht), 67
Raabe, Wilhelm, 152
Reich, Wilhelm, 202
The Religion of the New Age (Daumer), 155
Retour de l’URSS (Gide), 77n
Rimbaud, Arthur, 86–7
Rivera, Diego, 205–6
Rolland, Romain, 29, 37, 42n, 53, 54
Rubiner, Ludwig, 18
St Joan of the Stockyards (Brecht), 147, 148, 182, 183–4
Saint-Simon, 210
Sartre, Jean-Paul, 146–7, 177–86, 188, 190, 194, 197
Schickele, René, 18
Schiller, Friedrich, 35n, 54, 182, 192
Schlegel, Friedrich, 165
Schönberg, Arnold, 18, 102, 121, 123, 124, 146, 189, 209
Schopenhauer, Arthur, 10, 160, 169
Schriften zur Kunst und Literatur, 62
Sedlmayr, Hans, 167n
Seghers, Anna, 97
Sergeant Grischa (Zweig), 47
Shaw, George Bernard, 148
Simmel, Georg, 9, 104n, 129 and n, 151
Simplizissimus (The Adventures of a Simpleton) (Grimmelshausen), 55 and n
Sons (Feuchtwanger), 58
Soul and Form; The Theory of the Novel (Lukács), 151
Stalin, Josef, 76, 94, 96, 142, 144, 152, 203
Steffin, Gretl, 95
Sternberg, Leo, 74 and n
Storm and Stress movement, 23
Stramm, August, 12
Stravinsky, Igor, 211
Streicher, Julius, 21
Der Sturm, 12
Surrealism, 29, 34, 35, 36, 37, 41, 42–3, 46, 48, 49, 127, 197
Survivor of Warsaw (Schoenberg), 189
Suvin, Darko, 209n
Tableaux Parisiens, 158
Tentation de Saint-Antoine (Flaubert), 140
Thackeray, William Makepeace, 119
The Theory of the Novel (Lukács), 42, 49, 152–3
The Threepenny Novel (Brecht), 92, 147–8
The Threepenny Opera (Brecht), 67, 84
Tolstoy, Leo, 36, 56, 61, 62–3, 73, 74, 76–7, 82, 161, 171
Treatise on the Theatre as a Moral Institution (Schiller), 192
Tretyakov, Sergei, 60, 78, 88–9, 95
The Trial (Kafka), 90–1
Trotsky, Leon, 96
Tucholsky, Kurt, 73 and n
Ulysses (Joyce), 73
Understanding Brecht (Benjamin), 100
The Unnameable (Beckett), 191
Der Untertan, 47
Der Ursprung des Deutschen Trauerspiels (Benjamin), 112 and n
Valentin, Karl, 94
Verlust der Mitte (Sedlmayr), 167n
Versuch über Wagner (Adorno), 129n
Virgil, 94
Vlaminck, Maurice de, 124
Vogeler, Heinrich, 41
Die Vollendung des Konigs Henri Quatre (Mann) 47n
Wagner, Richard, 118, 119, 129, 130
Waiting for Godot (Beckett), 67
Wallensteins Tod (Schiller), 35n
Wanderers Sturmlied (Goethe), 24
Wassermann, Jakob, 30
The Weavers (Hauptmann), 40
Wedekind, Frank, 118
Die Weltbühne, 73n
Werfel, Franz, 12, 16n, 18, 19, 124
What is Literature? (Sartre), 146, 177, 178n, 186n, 190n, 192n, 197
Wildenbruch, Ernst von, 25 and n
Wilhelm II, 194
Winckelmann, Johann Joachim, 21, 26
Wolfe, Thomas, 158
The Work of Art in the Age of Mechanical Reproduction (Benjamin), 106, 120–6, 140, 207
Das Wort, 11, 28, 56n, 58, 62, 94, 97, 209
Writer and Critic (Lukács), 200n
Zeitschrift fur Sozialforsckung, 101, 106, 120n
Die Zerstorüng der Vernunft (Lukács), 201
Ziegler, Bernhard see Kurella, Alfred
Ziel-fahrbucher, 20 and n
Zinoviev, Grigori, 186 and n
Zur Metakritik des Erkenntnistheorie. Studien über Husserl und die phänomenologischen Antinomien (Adorno), 120
Zweig, Stefan, 18
Zweig, Arnold, 47