3

When she opened the egg the wise woman had given her, she found inside some of her own hair and a tooth, still bloody, from her own mouth.

 

One summer after another

The shore advanced and receded

As the boat shoved past the islands.

Dark bushy hills revolved in the path;

                                                            and in each

Of the solid still rooms above bars,

                                                        the first sight

Caught at an angle, the glass questioning your face.

4

A l’usage de M. et Mme van Gramberen

— the convent phrase (nothing is to be mine,

Everything ours) marks the small round enclosure,

Its table and bench. Distinguished

From the other old people, from the nuns’ gravel

They sat in the windmill’s afternoon shadow, half

Hidden by a moving carthorse’s huge blond rump

And quarrelled over their sins for Saturday:

Examination of Conscience before Confession

Prepared and calm in case one thought

Struck them both, an attentive pose

Eluding me now, at ten in the morning, alone

With a clean college pantry: piled rings

Of glass rising, smooth as a weir.

12

So rarely we lie

As then, in darkness

A vertical gleam relieved

Where the brilliance from outside

Struck the glass over the hearth

(Breast high, if one stood,

Night lapped the bookshelves

And a dying light floated

Above us, never reaching

Us, our arrested embrace)

I think at once of

That amphibious

Twilight, now that the year is

Revisiting the spring shrine.

At my window the sharp, grey

Rectangles of stone

Range, parade in squares.

February light

Spreading across the walls over my head

Washes my room with shadows, cold until morning.

15

An oval sea, with the gleam

Of an iron lid raised an instant,

The rough pebbles where no boat rested

Or wave stirred among the weed.

And beyond the inlet, beyond the stiff black trees

That circle the burnt-out island,

Still flying, nesting, the slim grey birds

Without a cry, those birds of whom

No history of shapes transformed

Or grief outlived is ever told.

They flourish there, by the subterranean sea.

16

Because this is the age of his life

In retrospect he will name theirs

He calls now at noon to feed their cats;

And stretched on a chaise longue in the clean house

He bites one of the yellow sweet apples

Wrinkling in the dish, while the female

Noses his feet. The black cat watches him

From the padded rail at his elbow:

A short demanding stare;

                                         he recalls

A hand that shut off day,

An eye so close to what it sought, half-blinded,

A collage of hair and upholstery.

The cats his shortlived witnesses.

17 AMELIA

Remembering her half-sister Amelia, that girl

Whose hips askew made every step seem upstairs

The woman at the airport tells me that from her

One spring she bought the first small car.

After that it was trains and taxis for Amelia

For years and years, while the younger lay

In the car in a leafy mews in Dublin

Making love to a bald actor

Her elbow tightening

Linked through the steering-wheel.

She tells me, this hot noisy afternoon,

That Amelia now drives a car like a cabin-cruiser

In Halifax, Nova Scotia, where her husband

Fishes for lobster in short ice-free summers.

18

Palm slack as air’s belly touching the sea —

I feel the muscles tugging

In the wood, shoals hauling.

I look in vain for that boat

Biting its groove to the south-east,

For that storm, the knot of blindness

That left us thrashing

In steel corridors in the dark.

Beyond the open window

Along the silkpacked alleys of the souq

Momentary fountains and stairways

        (My hands move over the table

        Feeling the spines of fish and the keels)

I look, and fail, in the street

Searching for a man with hair like yours.