The story leading up to my birth goes something like this: when Mom told Dad she was going into labour, Dad responded by stroking her pregnant stomach, her roundness swallowed up by his massive palm, and cooing, in his honeyed voice, “Relax, Donna, it’s probably just a gas bubble.”
Mom apparently responded to Dad’s homespun diagnosis by snapping, “Honestly, Dan! I think can tell the difference between labour pains and gas.”
Only Dad, with his wide-open brown face and melt-the-world smile, could make the term “gas bubble” sound romantic. According to my mom, he fervently believed that every affliction known to man sprang from somewhere deep in the bowels. Still, Dad continued his caressing—likely to soothe himself as much as my mother that this was a false alarm. Because, gas or no gas, my dad wasn’t ready for my mom to give birth. Not only was my mom just eight months pregnant, but I was totally unplanned. Perhaps he believed that as long as his wife’s pains were little more than, say, undigested avocado, then his indomitable will could put off her labour indefinitely.
Dad wanted to get his PhD before becoming a father, and Mom, barely twenty-six, was just getting the hang of living in Canada.
They’d met only fifteen months earlier and were still swept up in the heady, “everything is new and exciting” stage of their relationship. So why complicate things by starting a family so soon? Though neither ever said as much to me, the timing of my arrival, while not necessarily disastrous, was hardly convenient.
Mom had finished work at the Ontario Planning Council the day before going into labour and had been looking forward to taking the next four weeks off. She’d read up on pregnancy and labour, proudly sharing her newfound knowledge with anyone who’d listen. But the pains that woke her Saturday morning didn’t come close to fitting the description of the labour pains she’d read about in her books. Still, Mom, tenacious and tough as she was tiny, hung on until noon before calling her obstetrician at home. “Come in after dinner,” came the doctor’s unhurried reply, which Mom heard as, “Suck it up, toots. Hold on till I’ve finished eating.”
“You’d think I’d called him to complain about a hangnail,” was how Mom later described the doctor’s dismissive tone, making it eminently clear to her that, doctor or not, this guy was a first-class jerk. She’d met him at a monthly prenatal clinic. The clinic was free and my parents were poor, with no family doctor or health coverage. So Mom was hardly in a position to challenge the doctor’s mealtime routine. But her pains weren’t adhering to any convenient timetable. They were getting worse, like nothing she’d ever felt before. However, despite knowing she might very well give birth at any time, while dealing with a husband in denial and a doctor who seemed to expect her to give birth according to his meal schedule, Mom didn’t complain. That was not her style. “It’s not as if complaining would’ve made the pain any better,” she would explain later, in that dry, logical way of hers.
Dad checked Mom into emergency at 7:00 p.m. Despite the waiting area being next to empty, they sat there, ignored, for half an hour. Then an hour. Then ninety minutes. By the time the doctor finally appeared to take Mom back to the examining room she was too buckled over in agony to catch the look in his eyes. That look. But Dad couldn’t miss it. He shifted his two-hundred-plus pounds uncomfortably in his chair as he watched the doctor take in first his white-skinned, waiflike wife, whose bulbous stomach, seemingly tacked onto her diminutive frame, gave her the appearance of a lost teenager—and then him: big, lumbering and imposingly brown.
Two more doctors appeared.
“Maybe it was the hospital’s idea of a security measure,” wondered Mom, when thinking back on it. “I mean, from no doctors anywhere in sight for hours, to suddenly three doctors, once word spread of this pregnant white woman with a Black husband …”
All at once the three doctors started poking my mom—here, there and everywhere—and asking the obvious “Does this hurt, does that hurt?” kind of questions. Finally, one of the doctors placed his hand on her belly and said, “That feels like a real labour pain to me.”
To which the eminent senior doctor replied: “She’s too early to be in labour. She’s having an appendicitis attack. We’re going to operate for appendicitis.” The other two doctors, outranked, looked down at the floor.
They anaesthetized Mom, and Dad was told to go home. A doctor was as close as you could get to God in 1950s Toronto. But Dad, a not-so-recently converted atheist, knew that something wasn’t quite right. Still, he did the math. American Negro. Caucasian, Canadian doctor. Well, thank goodness his wife was white. Maybe, just maybe, all the hostility was directed at him. Which, if true, suggested that once he was out of the picture, the doctors would get down to the business at hand: taking care of his wife. At any rate, in the fifties, men did not hang around delivery rooms when their wives were giving birth. Or having their appendices removed. So Dad reluctantly left the hospital, assuming that he’d return the following morning to be greeted by a newborn baby and an exhausted, but happy, appendix-free wife.
My dad was more wowed by the status of the professional class, i.e., doctors and lawyers, than my mom, who, in her true iconoclastic fashion, thought everyone was full of shit until proven otherwise. And, more to the point, she was the only woman there among all those males. Medical degrees or not, she must have been thinking, what the fuck do any of them know about labour pains?
At least Mom was unconscious when Dad left the hospital. He wouldn’t have been able to leave her had she still been awake. Still, Dad surely felt the strangest kind of loneliness, leaving her in the hands of these doctors. Other than his work or studies, he chose to spend every waking and sleeping second with his wife, doting on her like a love-struck puppy, as if he still couldn’t believe how lucky he was that she had agreed to move to Canada with him, a country where she knew no one. “Married or unmarried?” had been her only question.
They’d been married for almost a year now.
On the drive home, my dad must have tried to brush aside his doubts. About the obstetrician. About the hospital. This was Canada, after all, not America. He’d spent most of the last five years studying and working in Toronto, a city he’d described in a letter to his parents as “splendid but still tainted.” People were not so aggressively racist here. Or, as Dad went on to observe, it was a country that practised “discrimination of a more subtle, insidious nature than I’ve seen in the U.S…. it exists in the snide remarks of a potential employer or the sly but highly polite way in which you are refused a room.”
And so Dad, opting for Toronto’s subtlety over America’s blatant racism, had adopted Canada as his permanent home, thrilled that his new bride was quick to share his guarded enthusiasm for this “splendid but tainted” city. In coming here, she’d trusted him completely. Did that blind trust weigh heavily on him as he drove his ancient Plymouth down deserted University Avenue? Was his hope that his wife and baby would be properly cared for eclipsed by a sense that something was a little off about the doctor? Did he explain the feeling away as paranoia, a leftover from the racism of his U.S. Army days?
Maybe Dad couldn’t bring himself to look at the bed when he opened the door to their tiny basement apartment. Maybe the thought of laying down without her beside him on a mattress that, for the first time, would have felt way too big, was what caused him to trudge over to his desk, where a full bottle of whiskey was sitting. Dad would later claim, with vaguely sheepish pride, that he was still clutching the bottle to his chest when the phone call from the hospital woke him from a drunken sleep, several hours later.
The appendectomy was completed by one in the morning. When Mom woke up in the surgery recovery room to searing pain, she started wailing to anyone within earshot that she was still in labour. The nurses called for a sedative, perhaps hoping to shut her up.
“Oh yes, it’s possible you’re in labour,” the doctor allowed grandly, after checking on her. Then he left as quickly as he had appeared, without sharing his revised diagnosis with any of the nurses. Mom, too exhausted to scream anymore, was left alone, whimpering—from being cut open and stitched back together, from labour pains and worst of all, from not knowing if there was an end to this torture.
As Mom’s water broke, one of the nurses, unable to see the trace of the fluid due to Mom’s swaddling of bandages, started to scold her for deliberately urinating.
“I believe you’re in labour, but don’t tell anyone I told you this,” a nurse’s aide whispered, like she’d made some breakthrough discovery, once the first, clucking nurse had disappeared. “Don’t push,” she continued, wheeling Mom into an elevator.
“I have to push!” Mom groaned, weakly.
She was whisked into the labour room in the obstetrical ward upstairs. “The baby’s head is right there,” someone yelled, and Mom was promptly rolled right back onto the stretcher and rushed into the delivery room. Someone yelled “Scrub!” and Mom croaked, “I wanna have a natural delivery,” just as the anaesthesia was clamped over her face. The doctor, worrying that, among other things, the new stitches from Mom’s appendectomy might not hold, did an episiotomy. I like to think that I played a small in part keeping her stitches intact, as I slid into the world the morning of June 3, 1954, weighing only five pounds.
Dad, upon returning to the hospital, caught in the grogginess between fading drunkenness and rising hangover, was taken aside by one of the three doctors who had originally examined Mom.
“I witnessed your wife’s operation and read the report. Her appendix was perfectly normal,” he said. But as the obstetrician waltzed in, the doctor’s revelations faded into a scratchy, deferential cough.
“Well that wasn’t so bad, was it?” the obstetrician offered, looking blithely down at Mom.
It’s hard to know what Dad made of all this. This was one story he never spoke about directly, which, given Dad’s penchant for wild tales, can be interpreted any number of ways. Instead he cloaked the entire episode in his usual grandstanding humour, throwing the focus of Mom’s delivery back onto himself. “I left your mother in the hospital that night and curled up with a big bottle of whiskey. In no time flat I downed the whole bottle. Passed out slumped over my daggum study desk. Ha ha ha. Next thing I know I’m back in the hospital the following morning and there you are—heaven’s sakes alive—born a whole month early. You were so itsy-bitsy they damned near stuck you in an incubator. Imagine that.”
As always with Dad, his style of storytelling—brashly triumphant, his face swallowed up in a huge lopsided grin—easily upstaged the substance. If Dad appeared to find downing a whole bottle of booze holed up in his one-room flat hilarious, as a child, I found it heroic.
Mom, par for the course, was perfectly content to let Dad tell the story of my birth from his comic-book perspective. But how did Dad honestly feel about his wife having her “perfectly normal” appendix removed while she was in labour? Did he feel guilt or shame for abandoning his wife to a night of unimaginable hell? Or did he even see it that way?
My guess is that Dad couldn’t bear to think about it, choosing instead to cover Mom’s tired face in loud kisses and let himself be swept up in the excitement of being a new father with a healthy baby and a wife who had managed, miraculously, to come through this nightmare in one piece. Still, when the doctor beneath Mom’s obstetrician told my dad that his wife’s appendix was perfectly normal, Dad must have allowed himself to believe, if only for an instant, that he’d fallen short as a husband of properly protecting his wife. He never made that mistake again. For the rest of his life, he was her self-appointed protector, her unshakable armour, hovering over her like a second shadow.
I didn’t get Mom’s side of this story, in all its lurid detail, until a few years ago when visiting her at home. I didn’t dare ask her if she felt as though her husband had abandoned her that night. That would have brought our discussion to an abrupt end, with my mom glowering at me as if I’d blasphemed my father. And really, I loved that she was so unfailingly loyal. It reassured me. Surely, if she loved him so deeply that she couldn’t stand to hear me or anyone else question, even indirectly, his character, that had to say something about my father as a man. As a husband. As a father. And naturally, Mom’s protectiveness, her ferocious loyalty, extended to her children as well. Typical for Mom that she managed to tell the story of my birth and tie it all together with an improbably upbeat conclusion.
“Danny, you must have picked up on the terror I went through right before your birth. You could hear me begging for help. Feeling utterly alone. This is why you turned out to be such an extraordinarily sensitive child.”
Mom smiled at me adoringly as she said this, as if all that she went through at that hospital was well worth it. But feeling uncomfortable with being called an “extraordinarily sensitive child,” I quickly changed the subject: “How could a doctor, an obstetrician at that, possibly confuse labour with an appendicitis attack?” I kept hoping that if I questioned her story enough times, she’d finally give me a different answer. That she’d eventually smile and say, “I admit it, Danny. You got me. I was just kidding.” Or, better still, “Your father tossed that doctor out of the way, saved my appendix in the nick of time and then delivered you with his bare hands.”
But Mom’s answer never changed. “That doctor needed to practise.”
“Practise what?”
“You know what I’m talking about, Danny. The doctor, the obstetrician I mean,” she said, pausing to sarcastically draw out each of the syllables, “needed the experience of performing an appendectomy on a pregnant woman.”
I’ve thought about this so often, wondering if it possibly could be true, that the obvious question didn’t occur to me right away. Maybe because that kind of premeditated cruelty, particularly when it concerned my mother, was too awful for me to consider. Nevertheless, one day, when I was backing out of my mom’s driveway, and she was waving goodbye in that little-girl way of hers, I suddenly wondered if my mom’s needless appendectomy had been a kind of punishment for being a pregnant white woman married to a very big, very confident Negro in 1954. I didn’t know then and I don’t know now, but just the idea of it sends chills down my spine.
Whatever the impetus for that night’s harrowing events, Mom’s unnecessarily difficult labour and birth of me seemed to serve as an indicator for the type of family we would eventually become: outsiders, wary of the world hovering just beyond our doorstep, forever suspicious that its motives ran counter to our collective and individual well-being. Our only recourse was to question everything, be it Mother’s Day or the Lord’s Prayer, the domino theory or Boy Scouts. To survive in such a world was challenge enough, but to thrive, to leave an indelible mark, you had to embrace cunning and gamesmanship, balance brains and bravado, while always remaining on the highest alert. If you didn’t, sooner or later you’d find yourself flat on your back and defenceless, waiting for the world to reach in and rip you apart from the inside. Just because it could.
After a long and courageous struggle with diabetes, and an infection-induced coma, my dad passed away in 2003. The morning after his death I sat, hunched over, with my forehead resting on my arms and my arms pressed flat on my piano keys. Music had always been my healer, my therapy, in the face of all manner of personal disaster, humiliation or, as in this case, irreplaceable loss. But not that morning. When my piano yielded up little more than watered-down Billy Joel imitations, I turned to my guitar. The same guitar I’d purchased thirty-one years before for four hundred dollars, that being all the money I earned from my first recording session when I was signed as an artist to RCA Records.
“Boy, it’s a crying-out-loud disgrace for you to throw that kind of money away on a bloomin’ guitar. You’re a high school dropout, making a buck eighty-nine an hour at the civil service. Donna, try talking some sense into this hard-headed kid of ours, he’s gonna spend the rest of his life in the poorhouse.”
The memory of Dad’s yelping blended into my guitar chords. The well-worn Martin D-35 had travelled around the world with me more times than I could count, coaxing thousands of songs out of my fingers over the years. Most of those songs haven’t amounted to all that much. Not that it matters, since right from the beginning, I’ve written songs simply because I’ve had no other choice. Nevertheless, a handful of my songs have earned me enough money to ensure that I’ll never have to bother with a real job, indeed, more money than I’d have ever dreamed possible when I started composing at fourteen, holed up in my bedroom, a temporary haven from Dad’s high-spirited teasing. I’ve never tried to add it all up, but it’s safe to say that the combined unit sales of all my songs (between my own numerous albums and all the international artists who have recorded my songs) is in the range of one hundred million. This means that I fall asleep every night and wake up the following morning a few bucks richer, simply because somewhere, on some radio station, TV channel or movie screen, one of my songs is being performed. Or ringtoned. Or lampooned. Or someone in Germany, Japan or Argentina is purchasing a Britney Spears, Celine Dion or Tina Turner CD that I had a hand in writing, which means I’ll eventually receive—ka-ching—a royalty.
But the morning after Dad died, all my pipeline royalties seemed pretty meaningless. All the songs I’d cast out into the world—hits, misses and the somewhere in-betweens—weren’t going to bring him back. Still I pressed on, the familiar hiss of my tape recorder sounding like an ancient kettle on the boil, knowing that the alternative, sitting alone with my thoughts while staring blankly at my untouched instruments, would leave me all the more susceptible to a blackness of mood that could easily consume me. Anything, even writing lousy songs, was better than that.
“It’s okay,” I caught myself saying, “you don’t have to write a hit today. Write something just for fun. A title. Or the opening chords to an intro.”
As I mechanically strummed away, juggling time signatures like Sinatra juggled women—”Try 12/8,” I told myself, sounding more like a used car salesman than a songwriter, “Streisand’s always been a sucker for faux European waltzes”—snippets of past conversations with Dad whirled around in my head, variations really on the same old theme, over and over, year after year. I’d phone him, out of my mind with excitement over what I considered to be my latest career breakthrough, thinking that finally I’d done it, I’d pulled off the impossible: I’d accomplished something that would finally make Dad proud of me.
1972: “You won’t believe this, Dad. I’ve just been offered a recording contract with RCA Records.”
“That’s right, boy, I don’t believe you for a second. You’re lying through your teeth, like you always do.”
1973: “Hey Dad, guess what? I just finished meeting with Harry Belafonte in Manhattan. He wants to record some of my songs.”
“Donna, it’s that head-in-the-clouds son of ours, Danny, on the phone. He made it back from New York City in one piece. Now he’s making up some nonsense about doing some business with Harry Belafonte.”
1979: “Dad, sorry if I’m calling so late. It’s only nine o’clock here in L.A. ‘Sometimes When We Touch’ is becoming one of the biggest songs of the decade here in America. My managers tell me I can retire on this song.”
“Wake up, Donna. Get this! Danny thinks he’s gonna go down in family history as the first Hill millionaire.”
“Dad, I never said anything about being—”
“Ha, ha, ha!” Dad’s laughter cuts off my backpedalling. “Son, you know your mother and I don’t trust those managers of yours. If I were you, I’d watch them like a hawk. And remember, any money they actually fork over to you should be banked and collecting interest. So you can help pay for your brother and sister’s university education.”
“I’m already doing that, Dad.”
“Good. Keep it up.”
Dad pauses to take in something Mom is telling him. I can make out a stern, “Quiet, Dan. Listen for once.” This is followed by the muffled sound of brief quarrelling, before Dad resumes with a rather forced, “Your mother wants to know if you have any other news.”
“Well, yeah, I’ve just found out that I’ve been nominated for a Grammy.”
“You’re getting a Grammy? As a songwriter? Wait till I tell your grandpar—”
“No, as male vocalist of the year. And I haven’t won the Grammy, I’ve only been nominated.”
“They’re not giving out any awards for songwriting?”
I’m tempted to say, “That’s right, Dad, the Grammys only award singing,” but, sensing that Dad is laying a trap here and that, really, he knows the Grammys have a songwriting category, I confess, lamely, that I haven’t been nominated as a songwriter.
“How did that happen? Hills are born to be great writers. Danny, I’ve told you since I can remember: pretty voices come and go like yesterday’s news. But words, words last forever.”
In a perverse way, I came to look forward to Dad’s skepticism regarding my music. His off-the-cuff putdowns, his unwavering cynicism, was part of what made him Dad, and a big part of what made me, to use Dad’s mocking term, “the first Hill millionaire,” with an eventual Grammy award as a producer (sorry Dad, never got one as a writer, yet), five Junos and countless gold and platinum albums. If trying to win Dad over had been a big part of the driving force behind the forty-nine-year war between us, it had been a war I’d come to secretly enjoy as much as outwardly despise it. The rivalry, the never-ending push and pull, the constant battles, helped define who I was. It was what drove me. And it was never supposed to end. Except that it did end, on June 26, 2003, at 3:42 in the afternoon.
“Goodbye, Dad.” My brother Larry’s words, uttered the very instant Dad slipped away, had sounded so casual, so eerily conversational—as though our father had simply strolled off to the store to buy one of his disgusting Cuban cigars and he’d be back in no time—that it took a beat or two before they registered. Goodbye, Dad. Larry’s words kept echoing, pinging, softer and softer, turning over in my head, until I finally let them in, only to realize that they were the saddest words I’d ever heard.
The whole family was crowded around Dad in Toronto’s St. Michael’s Hospital. His intubator had been removed several hours earlier, leaving him to breathe on his own. He’d been in a coma for more than a week. He would only be able to breathe unassisted like this for a short while. And then he wouldn’t be able to breathe at all.
A monitor attached to the wall above his bed displayed his vital signs. A few minutes earlier, my wife had pointed to the screen, showing me in furtive sign language that Dad’s steadily slowing heart rate spiked whenever Mom stroked his hand or arm. Why did she have to show me this? What did his spiking heart rate mean? That even as Dad lay dying, his love for his wife, my mother, was still a force, an unstoppable force, unto itself? For the next few hours we watched Dad’s heart rate and blood pressure blip up and down on the screen, the numbers gradually, inexorably dropping lower and lower. It made me think of watching TV as a child, with Dad warning me in that take-no-prisoners voice of his that my daily allotted half-hour of television time was quickly coming to an end. Only now it was his time coming to an end. I almost expected his voice to boom out with one last speech, one final command. Instead, without warning, the numbers abruptly disappeared and the screen went black. And just like that it was over.
Somehow I’d anticipated this, felt a foreshadowing, and had stepped aside so Larry could slip in to lean close to Dad and touch him one last time before the unthinkable happened. Because really, despite all of the years building up to this, it was unthinkable to me that Dad could ever, would ever, stop living. Goodbye, Dad. Larry’s words had jolted me on so many levels that I found myself blinking back floating stars as I stared, numbly and silently, at the blackened TV screen, willing it to turn on again. I blinked again. Then I realized that everyone was crying. Everyone, that is, except me. Dad had taught me, as the oldest child, to always remain strong, stoic, especially when everyone around me is losing it. But who was I kidding? We were all lost now. Lost behind our hospital masks and goggles and gloves and gowns, courtesy of the SARS scare that had recently swept through Toronto. So I couldn’t see the tears. I could only hear the sobs, slowly rising to wails.
I turned and reached out for Mom. She looked impossibly, heartbreakingly small. Like she might disappear. Breaking hospital protocol, she removed her mask. Then she leaned over Dad, tucked her delicate and petite hands underneath his wide, brown shoulders as if to steady herself and kissed him tenderly on the forehead as I’d seen her do thousands of times before. “Goodbye, sweet, sweet man,” she said, softly. Then I held her and we all walked out of the room.
A week later, and still, every time I closed my eyes and started stumbling onto a few desultory chord progressions, that final, terrible moment came back to me. I sure as hell was not going to write a song about that. And somehow, I didn’t think the uplifting ditty that the Backstreet Boys needed to rescue their career would be spilling out of me that day, if ever again. I gently placed my guitar down on the piano bench. What was the point in writing a big ol’ hit song, when, after the fact, there’d be no one for me to phone about “a big, fat, juicy royalty cheque”— that’s how Dad described them when he was in one of his rare charitable moods—and no one telling me to “pipe down” when I’d phone, excited, demanding that Dad switch the radio station from his beloved CBC to the latest pop or country station, to catch my new single.
As time passed and I still couldn’t finish a halfway-decent song, I began to worry. What if, when Dad died, all the music in me shrivelled up and died along with him? I had to do something. Without songwriting, I was a forty-nine-year-old man with no skills and only a grade twelve education. I hadn’t worked—in the traditional sense, meaning a boss, structured hours and a fixed paycheque—for close to thirty years. The good news was my annual royalty flow meant I never really needed to work again. That was also the bad news.
I’ve always wondered what happens to those guys who rob a bank and move to Mexico with more money than they can spend in a lifetime. The movie always ends with the outlaws kicking back on some beach, throwing back margaritas, flanked by briefcases jammed with cash. So what do these newly rich badasses do for the rest of their lives? From my perspective, that’s when the real movie begins.
In a way, my real movie began not so long after Dad died, when, finding myself still creatively washed out and looking for something to do, I ended up buried in the Archives of Ontario building in downtown Toronto. Due to my father’s groundbreaking work in human rights and Canadian Black history, he had been convinced to donate his papers to the federal and provincial governments. These papers included not only his professional notes, but seventy-plus years of personal correspondence. It was this personal correspondence, something I’d always sworn I’d never look through while Dad was alive, that I was most interested in. These letters represented the contents, the stages, of Dad’s life—his world, his secrets, his self-destructive behaviour as a teenager, his time in the U.S. Army, his much-talked-about successes, his never-mentioned failures and humiliations, and all points in between, revealed, betrayed if you will, in his own words. Some of Dad’s letters were so old—a brief and quite obviously coerced note in his six-year-old scrawl to his grandparents thanking them for a birthday present—that merely touching the original paper it was written on felt like an offence, a violation. It seemed possible that these razor-thin sheets of paper might come apart in my hands, not unlike the wings of a moth caught between a child’s curious fingers.
Dad’s startling letters might never have come to light had it not been for my sleuthlike brother stumbling across them while staying with our grandparents in Washington, D.C. A typical teenager (like me) would have given them a perfunctory glance, tossed them indifferently back into their dusty, indexed boxes and continued rummaging through the nooks and crannies of my grandparents’ basement hoping to discover—what else—a discarded Playboy or trashy novel. But Larry, following in Dad’s footsteps as indefatigable family historian and showing early signs of his future stint as a newspaper reporter, scooped up all of Dad’s letters, spent days reading and sorting them chronologically, and presented them to our flabbergasted dad many years later as a surprise birthday gift.
I can still recall the hush that fell over our family once Dad, upon tearing through Larry’s immaculate wrapping job, discovered what he’d assumed was safely hidden from public view: a deeply intimate record of his innermost thoughts, his sometimes rash decisions along with their brutal consequences, spanning hundreds of pages and several decades, including, most notably, his U.S. Army letters from the years 1942 to 1946. To look at Dad’s scowling face, one might have thought Larry had just given him a lifetime’s honorary membership in the Ku Klux Klan.
The year was 1980. Dad had just turned fifty-seven. I’d recently returned from performing in Japan and was living, 24–7, for my pop music career. To my typically self-involved way of thinking at the time, I was too busy making history to want to waste my time wallowing in anyone else’s, least of all Dad’s, family history. So, I paid little attention to Dad’s stony silence, assuming his reaction was similar to mine: who in their right mind would choose to waste their time reading musty old letters they’d written half a century ago?
Now, only a few years younger than Dad was then, I’ve come to understand the significance of family history. But it wasn’t until I fell under the spell of Dad’s letters that I understood just how fully Dad’s family history shaped and moulded him into the man, the husband, the human rights activist and, most significantly to me, the father he ultimately became. Which of course influenced, for better and for worse, the man that I’ve become.
The months leading up to, and immediately following, Dad’s death, I’d become untethered, downing a bottle of wine every night alone in my living room while the world around me slept, careful not to let anyone (particularly my wife and son) see me sloshed. In case the wine wasn’t enough to render me sufficiently numb, I’d throw back a couple of prescription sleeping pills and wait for the nothingness to neutralize all that inconvenient, stultifying sadness. By the time I came to the next day, the darkness would have returned: spreading, intensifying, threatening to pull me under. The afternoon that I sat in the government archives building, slowly peeling back the layers, the pages of my dad’s life, I began, very slowly, to see my way out of the darkness and back into the light. My greatest shot at surviving, of moving on with my own life after Dad’s death, was to do what I’d always done. Write. But not songs this time. Only a book could come close to capturing the story of Dad and me. His journey. And mine. How our lives intersected, crossed over and ran parallel as we jostled, challenged, inspired and jockeyed for control. Of ourselves. Of each other.
Every family has its attendant dramas, its unique set of horrors and tragedies, triumphs and unsolved mysteries. I was determined—obsessed actually—to figure out, through writing this book, what it was that made Dad’s and my relationship so bloody peculiar and yet so universal. So spectacularly and unintentionally funny and so heart-crushingly sad. I wanted to figure out why he felt so compelled to dominate me (and everyone else in his circle of loved ones) through brilliant and slyly unexpected manoeuvres of cruelty, humiliation and emotional blackmail, and then, without warning, turn inspiring and loving in ways that made me feel as though I could achieve anything.
To honour Dad’s favourite quote, “A man has as many selves as he has situations” (which he attributed to an old sociologist), I interviewed many family members, former employees and co-workers of Dad’s, and several of Dad’s close friends, people who had known him and seen him operate in just about every capacity and situation save one: father. That was my job. Their impressions, recollections of and experiences with Dad, while always vivid, moving and frequently entertaining, rarely coincided with, and often contradicted, mine.
No son can be objective about his father. And certainly a man as complicated as my father defies easy, conventional analysis. I suppose in a way this is Dad’s final, posthumous challenge to me. And so, for me to even attempt to unravel my father’s many selves, I must start from the beginning: Dad’s beginnings. But just one last thing before this, his story, our story, unfolds. As I fell under the spell of writing this book, tumbling deeper and deeper into Dad’s captivating, moving and astonishingly secretive life, an unexpected bonus slowly unfolded before me, like a precious gift. I felt, ironically, closer, more connected to Dad, as he sprang back to life in these pages, than ever before.