The Last Judgment

In the case of the People, the juror says

And I wish I had eyes in the back of my head

so I could see the people behind me

so they can see me

Not the version of me they see in those drawings—

eyes like dead spaces on my face, mouth turned down

nose wide like my father’s

cheekbones high like my grandma’s

Not the version of me they see on TV—

head down, arms pulled back

wrists cuffed

mean-mugged

name in mud

But the real me, like, past my face, past my story

and into my eyes so they’d know

what really happened that night

I’d let each one of them step into my soul

and walk those city streets

walk through that building’s door

walk through that school’s halls

sit in those classes

sit on those front stoops

sit on those trains

stand in those lines

stand on those corners

stand in front of this judge

And maybe my whole soul

my whole life

will be like a mirror

And instead of me

here in this courtroom

it would be

the People versus the People

. . . versus Amal Dawud Shahid, she says

Keep my name out your mouth, lady, I say

But she don’t hear me, though

No one hears me

My lips are sealed

but my words have a life of their own

Even if they’re locked up

they’ll bounce off three walls and slip between

metal bars

They’ll say what’s up to the inmates

mean-mug the COs

walk out of the security-tight doors

fly out of this place

aim for the sky, kiss the clouds

and shout to that stale wind

that my name is Amal

and

Amal means hope

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The jury finds, she says

As if this is a game of hide-and-seek

and I’m curled up under some table

my body balled up like a fist

like in my mom’s belly

Or in some closet, behind her dresses

smelling like perfume

like home

like cooked food

like plans for the future

like maybe-somedays

like see-you-tomorrows

. . . the defendant, she says

As if it’s my name

As if I came into the world

with fists blocking

boxing gloves like

Holyfield, Louis, Frazier

Tyson, Rocky, and Ali

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