p. IV— “You need . . . and memorials.” Author interview with Maya Lin, June 17, 2014.
p. V— “I was making . . . still am.” Author interview with Maya Lin, June 17, 2014.
Chapter One
p. 1— “So I made . . . my own world.” Academy of Achievement, “Maya Lin: Artist and Architect.” June 16, 2000.
p. 1— “precious stone.” J. G. Castro, “One Who Sees Space.” September 2002.
p. 1— “My father . . . a poet.” M. Lin, Boundaries, p. 5:04.
p. 2— “He worked . . . effortlessly.” Boundaries, p. 7:03.
p. 2— “My mother . . . color red!” M. Cohen, “The Collector: Maya Lin.” March 29, 2010.
p. 2— “For them . . . the past.” Boundaries, p. 5:04.
p. 2— “When I . . . be censored.” Academy of Achievement, “Maya Lin: Artist and Architect.” June 16, 2000.
p. 4— “two heritages . . . was white . . . American as possible.” Academy of Achievement, “Maya Lin: Artist and Architect.” June 16, 2000.
p. 4— “I studied . . . Class A nerd . . . have any friends.” Academy of Achievement, “Maya Lin: Artist and Architect.” June 16, 2000.
p. 4–5— “One time . . . didn’t hear anything.” Academy of Achievement, “Maya Lin: Artist and Architect.” June 16, 2000.
p. 5— “I was the . . . to the football games.” Academy of Achievement, “Maya Lin: Artist and Architect.” June 16, 2000.
Chapter Two
p. 7— “the dumbest.” Academy of Achievement, “Maya Lin: Artist and Architect.” June 16, 2000.
p. 7— “For the . . . fit in.” L. Menand, “The Reluctant Memorialist.” July 8, 2002.
p. 7— “It was . . . art and science.” Academy of Achievement, “Maya Lin: Artist and Architect.” June 16, 2000.
p. 8– “news-conscious.” B. Moyers interview, “Becoming American.” 2003.
p. 8— “What exactly . . . should it do?” Boundaries, p. 4:08.
p. 8— “I try . . . a ‘what.’” B. Moyers Interview, “Becoming American.” 2003.
p. 8— “Many of . . . those who died.” Boundaries, p. 4:09.
p. 10— “I had . . . marble walls.” Boundaries, p. 4:09.
p. 10— “respond and remember.” Boundaries, p. 4:10.
p. 10— “At the . . . into the earth.” Boundaries, p. 4:10.
p. 12— “I wanted . . . too little.” Boundaries, p. 4:11.
p. 12— “I think . . . my hands.” Boundaries, p. 3:09.
p. 12— “My brother . . . entire childhoods.” A. Dameron, Q & A with Maya Lin. April 2013.
p. 12— “eccentric.” Boundaries, p. 7:03.
p. 15— “It took . . . the memorial.” Boundaries, 4:11.
p. 15— “It never . . . an exercise.” Boundaries, p. 4:12.
p. 16— “I think . . . mine did.” Boundaries, p. 4:12.
p. 16— “I often . . . been selected?” Boundaries, p. 4:15.
p. 16— “I immediately . . . to completion.” Boundaries, p. 4:13.
p. 18— “I fought . . . listing.” Boundaries, p. 4:13.
p. 18— “too feminine.” Boundaries, p. 4:14.
p. 18— “shame and dishonor.” Boundaries, p. 4:15.
p. 18— “a dark . . . the dead.” Boundaries, p. 4:14.
p. 18— “black scar.” T. Lashnits, Maya Lin, p. 33.
p. 19— “inappropriate.” Boundaries, p. 4:16.
p. 19— “veterans would . . . and uplifting.” Boundaries, p. 4:16.
p. 19— “violate . . . private contemplative space.” Boundaries, p. 4:17.
p. 19— “I was . . . anyone else.” Boundaries, p. 5:06.
p. 19–20— “I wanted . . . forget it.” R. Hackett, “Maya Lin’s Courage.” October 19, 2000.
p. 20— “It was . . . totally public.” Boundaries, p. 4:16.
p. 20— “The first time I visited the memorial . . . designed it.” Boundaries, p. 4:17.
p. 22— “It’s not . . . healing process.” T. Lashnits, Maya Lin, p. 50.
Chapter Three
p. 25— “Absolutely . . . monument designer.” B. Moyers interview, “Becoming American.” 2003.
p. 26— “I knew . . . to me in school.” Boundaries, p. 4:26.
p. 26–27— “I realized . . . was about . . . about water.” Boundaries, p. 4:27.
p. 27— “I am conveying . . . or equal.” Boundaries, p. 4:28.
p. 30— “I wanted . . . and-effect relationship.” Boundaries, p. 4:28.
p. 33— “I wanted . . . come alive.” F. L. Mock. Maya Lin: A Strong Clear Vision, DVD. 1994.
Chapter Four
p. 35— “A strong . . . my work.” Boundaries, p. 2:07.
p. 35— “It started . . . of a lizard.” Boundaries, p.6:04.
p. 35— “When I . . . sculpting the earth.” Author interview with Maya Lin, June 17, 2014.
p. 36— “Each project . . . new subject.” Boundaries, p. 3:07.
p. 36— “The image . . . looking for.” Boundaries, p. 6:18.
p. 38— “I spent . . . isn’t one.” Boundaries, p. 6:21.
p. 38— “I physically . . . wave form.” Boundaries, p. 6:21.
p. 38–41— “Its scale . . . you like.” Boundaries, p. 6:21.
p. 43— “It is . . . disconcerting.” R. Andrews, Maya Lin: Storm King Wavefield, p. 9.
p. 44— “What I’m . . . in nature.” T. Lashnits, Maya Lin, p. 75.
Chapter Five
p. 48— “I’d never . . . save it.” C. Kreyling, “Lin Finds New Use for Old Barn.” May 2000.
p. 48— “The idea . . . inner layer.” Boundaries, p. 10:24.
p. 50— “slipped in.” Boundaries, p. 10:24.
p. 50— “always feel . . . the land.” Boundaries, p. 10:29.
p. 50— “As you . . . exterior timbers.” Boundaries, p. 10:24.
p. 50— “marvel of . . . Chinese lantern.” R. Hackett, “Maya Lin’s Courage.” October 19, 2000.
p. 52— “The night . . . my people.” L. Hughes, The Collected Poems, p. 36.
p. 54— “I do . . . at once.” Author interview with Maya Lin, June 17, 2014.
p. 54— “My love . . . making things again.” J. G. Castro, “One Who Sees Space.” September 2002.
p. 57— “to carry . . . safe harbor.” H. J. Spica, “Maya Lin launches good month for Design Lab.” August 5, 2004.
p. 57— “My goal . . . beautiful surroundings.” H. J. Spica, “Maya Lin launches good month for Design Lab.” August 5, 2004.
Chapter Six
p. 59— “What were you talking about?” Academy of Achievement, “Maya Lin: Artist and Architect.” June 16, 2000.
p. 59–60— “All the . . . very determined.” T. Lashnits, Maya Lin, p. 57.
p. 60— “She worked . . . of us.” T. Lashnits, Maya Lin, p. 60.
p. 60— “It was . . . this place.” T. Lashnits, Maya Lin, p. 66.
p. 61— “There was . . . come from.” J. Davidson, “Maya Lin’s Big Dig,” August 24, 2009.
p. 63— “It’s been . . . can land.” Author’s notes in MOCA.
p. 64— “The building . . . harvested woods.” M. Cohen, “The Collector.” March 29, 2010.
p. 67— “I think . . . are present.” Maya Lin’s plaque at MOCA.
Chapter Seven
p. 69— “Absolutely . . . Confluence people?” Author interview with Maya Lin, June 17, 2014.
p. 69— “I’m not . . . monument business.” J. Guilbert, “Reversing Course.” November 2008.
p. 70— “Lewis and . . . delve deeper.” Author interview with Maya Lin, June 17, 2014.
p. 71— “Each one . . . the sea.” Author interview with Maya Lin, June 17, 2014.
p. 71— “holding up . . . Clark’s journey.” “Maya Lin and the Confluence Project,” OPB, November 11, 2010.
p. 71— “A lot . . . was here.” J. Guilbert, “Reversing Course.” November 2008.
p. 74— “It’s also . . . men came.” M. Parfit, “35 Who Made a Difference: Maya Lin.” November 2005.
p. 74— “beeline to the ocean.” Author interview with Maya Lin, June 17, 2014.
p. 77— “Saw several . . . the joy.” Clark’s journal, Lewis and Clark Interpretive Center State Park.
p. 77— “We call . . . us the way.” Lewis and Clark Interpretive Center State Park.
Chapter Eight
p. 79— “I can’t . . . many projects.” Author interview with Maya Lin, June 17, 2014.
p. 79— “I love . . . Box House.” Author interview with Maya Lin, June 17, 2014.
p. 80— “We asked Maya . . . destroy it.” E. Covington, “Box House on the Mesa.” Summer 2007.
p. 80— “I love . . . outdoor rooms.” Author interview with Maya Lin, June 17, 2014.
p. 80— “The design . . . secretive element.” Boundaries, p. 10:23.
p. 80— “I wanted . . . could change.” Boundaries, p. 10:16.
p. 80— “I think . . . the space.” Boundaries, p. 10:04.
p. 80— “The Box . . . quite playful.” S. Amelar, “Inspired by Asian Puzzle Toys.” April 2006.
Chapter Nine
p. 85— “What can . . . closer attention.” Author interview with Maya Lin, June 17, 2014.
p. 86–88— “all it . . . set free.” M. Thomas, “Maya Lin invites and challenges visitors.” April 18, 2012.
p. 88— “Together we . . . one tree.” A. Reed, “What Is Missing?” October 12, 2010.
p. 90— “We can’t . . . better future?” P. Leonard, “Maya Lin’s ‘Sound Ring’ unveiled at Lab of Ornithology.” June 3, 2014.
p. 90— “There’s a . . . a difference.” Author interview with Maya Lin, June 17, 2014.
p. 91— “It’s my . . . can heal.” Author interview with Maya Lin, June 17, 2014.