THE SET-UP

Snake oil sales

were slow. So I hung

out my shingle on

a shadow.

Desk-drawer liquor

A dead man’s loan. Soon

chinless stoolies

slunk & doorjambed—

ratted

that she ain’t no

good, that she wears a watch

on both wrists. Too

many midnights.

Evidence mounting like butterflies

Still I made them informants

for phonies, phoned

to hear her breath.

She was faith

enough to believe.

She’s a peach. A pistol.

I waived my fee

I left my agency

Came home to rooms ran-

sacked, tossed

by invisible hands.

Hip flask. Blackjacked.

Swig,

mickey slip, slug.

I woke doubled & crossed

Drug, ferried

through whisky alleys

Bruisers, suicide doors

The crooked chief interrogated

me about her body

She’s no more mine, no eye

witness, nor alibi

No one will attest she ever

did exist.

I was her autumn guy

By the wharf was left

waterlogged & wise

My dogs dead

tired, I humped it

home, humming gumshoe blues.

THE CHASE

I didn’t have a rat’s chance.

Soon as she walked in in

That skin of hers

violins began. You could half hear

The typewriters jabber

as she jawed on: fee, find, me,

poor, please.

Shadows & smiles, she was.

Strong scent of before-rain

Her pinstripe two-lane

legs, her blackmail menthol.

She had all the negatives

Hidden safe

& would not reveal the place.

Before you could say

denouement, I was on her case—

Slant hat, broad

back, my entrenched coat

Of fog. Fleabags,

neon blinds undrawn—

The foreshadows fell on her face.

All night I tailed, staked

the joint. Found

Her with the butler

playing patty-cake.

Baker’s man. She nurse

him like beer

Till dawn. Doozy.

Was from her woozy,

My eyes wet.

Binocular mist.

I took two to the chest

Was all

rain, her blurring face

Her snuffed, stubbed-out

lipstuck cigarette.

SPEAKEASY

The band vamped,

sunlight leaving—sequined,

Delilah Redbone swung

her hardships & sang—

Sporting my lucky

hundred-proof cologne

I listened hard at the bar

as the houselights dimmed—

Rich widows passed matches

with messages in the flaps

Weary husbands with ring-

worn hands sweated

Like their drinks, getting up

the nerve to ask.

I tossed a few back

The band cranked, sharp,

trumpet neath a hat—

Glasses & dance

cards empty, ladies winked

For a light so often

Say, mister

You’d think you were

the election-year mayor

Handing out favors.

Every joe here

Named John or Jack

or Hey You or Doe—

My answer, mostly, No.

Another round & the band

blew its medley midnight

Husbands hugged

their mistresses tighter

And she scat till the moon

caught itself

In the trees like a balloon

let go by a child, crying,

At the county fair.

My saltwater

Shotglass. My flask

Full of lighter fluid.

The piano boogied twilight

She sang & swooned & the sun

started up

An argument with what was left

of the dark—

The swingshift stumbled out

The graveyard drug in thirsty

& worse. Delilah sang on

About hearts that break like high-note

glass—or jaws—

That break more than men

in the mob-run union.

The band beat louder

passing a hat, damping

Foreheads with uh-huhs

& handkerchiefs

While Miss Redbone sang:

Lord, I’m afraid

Whoa, so afraid

I done married Mud

& took on his name.

THE OFFICE

His diploma from Hard

Knocks College

Hung there askew.

His cologne—

Smelling salts—filled

the messy room.

The name on his lambskin

scrawled in Pig Latin.

No heat—

except what steamed

Between us—

his breath blew rings.

My uncomfortable

underthings.

My eyebrows

plucked apostrophes

Making him mine.

Like a heart my feet ached

after climbing the steep stairs

In skyscraper heels

to his semi-suite. His assistant—

Miss McGuffin—

buzzed me in.

I talked circles

round him, his bachelor’s

Degree in bourbon

& silence served

Him well. What

I gave him: The Soft

Sell. The Hard Luck Tale.

The Runaround. The Quick

Take. The Hayseed.

The Switcheroo. The Second Guess

& Third Degree.

The lights flickered

on & off, the street.

He lit another stogie—

I never did mind his cigars,

their peat, though most thought

They reeked

of horses in the field.

Honestly, that hint

of home is what

I’d missed—

He was biscuits

& figs, was sweet

potato pie cooling

On the sill. Suddenly,

the somewhere I had to be

Went away—

I even wanted to reveal

My real name.

Instead, sweated

in the cold.

Like an old lady

at the matinee

I popped a noisy mint

as if that would help me

Not breathe mist—

My threadbare fur.

My secondhand

Story. Still, for me

he’ll fall like Jericho’s walls—

You see, he still believed

in something—

Even if it was me,

his losing big-bet team.

I’ll quick cure

him of that.

I tried telling him

my maiden name was Trouble

But even that was too much

like a touch

Of perfume behind my ear,

my neck & knees,

That he needed to get near

Just to be sure…

His hair dark

as a sparrow’s tail

That soon I’ll sprinkle

with salt & grey

So he’ll never fly away.

THE HUSH

For those few nights

we were husband & wife—

Mister & Missus

Smith was the name

we registered under,

laughing ourselves low.

Let the busybody bellboy stare.

I didn’t care—

all night Mister Smith’s arms

were long enough

to reach round me

& touch—to lift up

& threshold me

to the buckling bed.

There was no one else

in the joint,

it felt, just us knocking

the paint-by-numbers

pictures aslant, ordering up

whatever food they had—

some paper-bag gin—

I didn’t care—

pulled the pins

like a grenade’s

from my hair

& let the flowers

wilt behind my ear.

Let whisky weather

my throat

& still tomorrow I’ll sing—

Let the weather

spill its liquor

wherever it wants.

I’ll sink

to that. Who cares

what the world went on

doing—those few nights

& lies & sneaky-pete wine

that made us newlyweds

made sense—

Those nights the only rings

we owned

were those we left behind

from drinks sweating

on the warped wood,

our wobbly vanity.

THE ALIAS

Bruised like gin

stirred too quick

Ruining the tonic

I stumbled home

put on a steak eye-patch

& fixed me another drink

hoping this one would take

The way she never did.

On the rocks

& stiff. Alls

I got left—

A key to a safe

deposit that’s empty

& one lousey alias—

S.O.S. Mallone.

(My real name’s

A.K.A. Jones.

Leastwise

that’s what I been told.)

Hey buddy, welcome home—

Murphy bed like a booby

trap, springs shot

My mattress thin as the bills

I once stuffed it with.

I drink a lot

about my thinking problem—

Nightcap,

noontime nip—

She my unquit habit.

This roof with more

leaks than I

Could ever fix, buckets

of rusty rainwater I bend

Low to drink. Brimming over,

My good eye watched

all night the storm

Drown the street in worms

STILLS

With her, guilty

was my only plea.

When we kiss, her leg kicks

up like a chorus line!

The next day what awaits: flat fizz,

an ache cured only by bitters.

Two eggs,

over queasy.

Chew fat. Spit

blood. Gargle peroxide. Repeat.

She’s pro

bono, a quid pro.

I’ve given, like gin,

her up, again.

Even my shadow

has me followed.

STILLS

When we met, her first request:

Got a light?

I only had dark

so gave her that instead.

Once I looked rose-colored;

now I see only red.

Her cigarettes burn

along just one side:

Someone else thunk

bout her all the time.

On my door I hung a sign:

GONE WISHING. BACK IN 5.

Ashtray full of butts

& maybes.

The echo of her heels down the hall

to me means reveille.

THE SUSPECTS

Threatening rain

The boozy,

overdressed dame

with a voice to match

The unbent bootblack

The one-armed pickpocket

with a nose

for the horses

Informant shot in his tracks

Pullman porter

with a chemistry degree

A well-minxed martini

Last of the light

Too much shadow

around the eyes

Newshound nosing round

the place

Throat cut

like a phone line

An assignation

The asinine accomplice

Here comes the bribe

The day player

who flubs his line

The prizefighter’s

blackmail fall

Mousey majorette

at the used bookstore

who unbuttons her hair

& lets down her blouse

Misplaced lightning

Face full of smoke

Character actor

whose accent changes more

than a leading lady’s wardrobe

The once-over

The okie-doke

The moon a thumb-

print pressed

in the black police book

kept by the night

Put your hands

where I can see em

Cryptic telegram

Slow cigar ash

And Death, the well-

dressed doorman,

his pockets stuffed with cash.

THE BOSS

Even his walking

stick was crooked.

He didn’t need it,

or me, he’d say—let me

know he kept us both

for show. His hands

clean as a cop’s whistle,

nails filed

to toothpicks. Slick—

he taught me

to kiss, & silence,

how to tell tons

just from the eyes.

His were ice

picks, raised,

or icebergs tearing

into the berth

of some Titanic.

Watch em sink.

He was never in between—

either gargantuan

or thin

as a lie. He sharpened

knives on other men’s spines.

He hated losing

even a dime, would bet

the farm, then steal

from the till. Weed em

& reap.

He treated me

like his money—took me

out only

when he needed something

& fast.

Even his toupee—

imported, real

human hair—was one-sided

& levitated

above his head like a lightbulb

burned dim.

No wonder when

that detective stumbled in—

smelling of catharsis

& cheap ennui,

begging to be

given an extra week

with his knees—

I wanted him like nobody’s

business. His

blown kiss.

Never laundered

like money, that dick’s suit

stayed rumpled like the pages

of a paperback dropped

in the tub, drowned, the end

you read first to find out

whodunit, never

mind why.

THE GUNSEL

Armed like his teeth

Nervous as a thief

at the cop convention

A ballerina before

a buffet

He laughed loud

& overlong

At The Boss Man’s jokes—

again, the one about the senator

& the nun. Something

about bad habits…

His were spitting

& cursing, a fondness

For the edge of things:

towns, skirts, a drizzle

That seemed to fall

only when least fitting,

Or most. Love scenes

& holdup schemes.

He smoked for show,

kept the top dog’s highball

Full a ice like

chewed glass. Kept his own

Brass knuckles polished

by breath & sweat—

His walk favored his left

Ever since that incident

with the mayor’s wife

& two full flights

had gimped his right.

Squirrelly, he kept quiet & his eye

on me always—sideways

He watched me that summer

I made the swimming pool

My bedside table, the moon

my chaperone—

Was paid to see if my heart hurried

when I saw that detective

Slur & slink his way into the room.

But toss a few smiles, maybe a strut,

his way & that guard

Dog would turn lap dog—

he’d fetch & beg but never stay—

Knew neither would I.

The day I did split

my beau The Boss was out

Cold, KO’d by drink

Wearing my stocking

as a cap & snoring

The symphony in Z.

I stuffed my hatbox

full, left only perfume

Littering the room.

Despite the echo

between his ears, that flunky

heard me, the stairs creaky

As his bones. Don’t know why

That hired fist let me

walk, a head start, while

He & the night watched—

Just spat his shoes

till they shone

Like exclamation points,

said See youse

& wished me dead

& luck.

STILLS

We undress shy

as a gun.

The mailman’s son, I am

nor snow, nor night, nor gloom.

Her eyelashes long

& false as an alarm.

He say, she say,

foreplay, amscray.

Her cocktail dress pours

over my bare floor.

Her feather boa

hissing yes.

Without her I am incomplete—

prehensible, licit, couth.

Wisdom this tooth

aching I want removed.

NIGHT CAP

He loves me slow

as gin, then’s out

light-switch quick.

The moon’s burned-

out bulb in a blackened sky,

I lie in the dark & want

his name to be mine—

or to be alone—

Wish I could walk out

this overheated railroad flat

& everyone on the street

knew me, home, & he’d wake

in bed alone & wonder

where I’d gone. Instead,

his unsteady snore—

calling the hogs, sawing.

Sleep, for now, is almost

enough—want it to start

in my toes & tingle

upward, then explode

behind my eyes, closed—

Said start down in my toes

& explode behind

eyes now closed

like the pawnshop

across the street, its sign

blaring all night what

only daylight

can buy. Up

& down the block

you can hear the dogs talk—

never us—till the pigeons

pace the ledge

outside my bedroom & strut

like the painted girls down

on Twilight Avenue,

moan the morning blue.

THE SUIT

His fingers such a bad hand

of five-card

draw: trade

em all in & still

nothing. Same

crumby pair.

Thinking it was the wind

I let him, knocking, in

with a shush so’s he wouldn’t wake

the bruiser sleeping it off

in the other room. Half

of me hoped

to be caught, fought

over for once.

No dice—

just that caller, no one’s

gentleman, soaked

by rain or baptism

or bathtub gin—he sat

there in the dark that

dingied the room,

night a suit

of clothes, or cards,

he never quite fit.

Begged me like a bookie

for a second chance—

or least his money back.

Well bitten, his hands shook

in anticipation, thinking

this time at rummy he’ll win—

discarding, declaring Gin.

Forgive me, then,

for reaching out

in the matchbook twilight—

strike here, close

cover before—

to better see him, to warm

his hands with mine & twine

together fingers one more time

before he went out

the way he came,

pockets still flat, all

bets off.

Like drink,

there’s never enough,

he thinks, of me around

in this dry

blue-law town.

In the growing light

I watched him like a house

on fire—helpless

to stop—going up

the hill,

he walked slow

as a man shouldering ice

he’s cut himself

to sell, careful,

before it melts.

THE HEIST

Some tripped silent alarm

I empty round

after round as if at the bar

Hands trembling

like a suspension bridge

This bank heist gone

bad as a marriage.

Radio requesting backup

Me sweating bullets,

endless rounds

Outside, a sandwich board

hawking God

Shotgun smuggled

past security in a flower box

Black mask I can’t see

squat out of.

Lady, let’s slow drag

as the sirens sound closer

Well-paid police dog

on my tail—

Soon we’ll be tropic, taking

baths in getaway green

Letting our skin ripen

& sweeten

The nights crisp

as a banknote Ben Franklin—

Put your hands

where we can see em

Hear the hounds

grow nearer, growl

Outside, the getaway car

leaking gas, tires shot

The megaphone hollering halt

My stethoscope cold

against the vault’s locked heart

THE ESCAPE

My car, that dinosaur,

runs on memories

& other things older

than the fossil fuels I tell

the gas jockey to fill er

up with. I toss him

a few bits for his time

& hope he won’t recognize me

& call the authorities—

whosoever they may be.

Before the dust

from my bald treads

settles, before he can wipe

the grease from his hands,

my skinny dime’s ringing up

the solicitous sheriff

who rallies the posse.

My front-page face

lines every jailbird

& stool pigeon’s cage.

I look dead

for my age—

or bout to be

if my shadow

ever catches up to me.

If they nab me I hope

like a catfish my whiskers

will spur their hands, turn

them numb

& like resignation I’ll

give them the slip, swimming

into the dark, away.

More likely I’ll end up

on someone’s table

fileted & splayed.

Son, when you’re drug

from the drink

they recognize you

by your tattoos—

I have none so I’ll look

like everyone—

after all, a while,

we all smile

like a skull.

THE ALIBI

Searchlights gander

the city, I was convinced

looking for me. Convict

of nothing, believer

in the unsteady maps

of stars—I watched red-

nose regulars steam

themselves alive, downing

boilermakers by the bucket.

I tossed em back

myself like smallish fish

or dead soldiers—sent

out to sea, lit—lining

the corner table,

my usual.

Bartender opened me

like a church key

& I spilled everything—

her hair, her silent

offscreen kisses, all

but her real name

which everyone already knew

by number. Her legs long

like a gossip

column. Early

edition. The lobster shift.

Here at The Alibi

it’s always late, and whenever

the phone rings

no one’s in. It never

rings for me…

I see now that thinking

Joe over there’s a regular

meant I was one too—that behind

the bar was a mirror

for a reason, not just

to make sure

it wadn’t hunting season.

I’m tired of the city

telling me what it needs

isn’t me—that mist is more

necessary to the picture

than I am. Pay

the man. Head outside

where the dark gathers round

fires built in the empty

barrel of the moon, men holding

their palms to its light

as if warmth. One hand

flint, the other

a stone—tonight I’ll wander home

to sleep a few

hundred years & hope

her poison kiss might

slay me at last awake.

THE KILLER

Born on a showboat

headed upriver, he thought

the world a gamble

& the moon a gin-

soaked ice cube,

whole month

of melting. He looked a lot

like money, just not

much of it—thread-

bare, worn down

by use—stamped

by numbers & years,

a library book

long overdue. Heavy fines.

You hated to find

yourself beneath

his oil-slick eyes—

the sweats would start

to overtake you

& you’d hitch a ride

on the potty train.

All aboard.

Wearing a splint

like a pinky ring,

he used a toothpick

like a cigarette—

collected guns

& grenades, their rings

long since yanked to take

someone’s hand

like a bride.

Once he’s been paid

you can’t hide—

he’ll find you & like

a jukebox fed a fistful

of change, plays his hits

without stopping,

maybe only to scratch.

Crow’s feet.

Have heard him called

a hundred things—

Sleep Stealer,

Death’s Little Helper,

Dr. Dirt,

Mr. Red,

He-who-liketh-blood-

on-the-Outside-

Not-In,

The Professor,

The Bumpman,

St. Peter,

Jim Crow,

John Doe—

just never

late for dinner.

No wonder

when he wandered

into Mojo Mike’s—where I

was drinking whisky with a little

hot tea tossed in

to honey my throat—I thought

I was done. I skipped out

of there like a steak

done rare, wanting

no more blood

to spill from my side—

headed to the head

to hide.

Widow’s peak.

This is it,

I thought. So

long. Sayonara,

see ya,

no more, farewell,

friends, it’s been swell—

ciao, air kiss,

adios amighost—

from now on my nom

de plume

is Toast.

Hereafter, hello.

Raven-haired.

He sat on down

& ordered—who knew

he ate at all, or liked the way

the food here was hot enough

to scar the roof

of your mouth & they let you

alone. The waitress could sense

whether you needed a menu

or carried one in your head

besides a to-do list:

Breathe, breathe,

patty melt, extra cheese.

Vinegar greens.

Through the bathroom door

that never quite closed,

while my stomach, half-

boiled, took a stab

at taps,

I watched him throw back

short ribs & anti-freeze,

drown his insides,

tip well & leave.

From the bathroom, trying

not to breathe,

I thanked my stars

& knew if he had found me

like money

nothing could have saved me—

no gin, nor amen.

THE BALL

Like a suicide the band was

jumping, hitting high

then low, leaving

nothing but sweat

on the stand. I showed up

to the demimonde masquerade

disguised as myself

& no one recognized me.

My monkey suit still fit

better than I did—

I stuck out sideways

like my bow tie. In knots

over her quitting me,

I had to bogart

this 13th Annual

Bête Noire Ball—

Had some frail

on my arm (part

of my disguise), stars

shooting cross her eyes

from getting an invite—

but inside I was stag,

all solo. My eyes

watched my back

& the front door for

She-who-didn’t-need-me

to enter. Incognito,

alleged, I waited

to get close or just

stare her from afar,

but that’s, of course, par.

On cue she enters,

her eyes 8-balls—dark

& darting & in the end

a prize. Behind them

is where I wanted to be.

At her side hung some guy

far wiser than me,

lipstick smearing

his cheek dark

as a bruise. She glides

the room like a dirigible

& I ain’t able

to look away—burns

me up the way that gangster

orders her around

like a drink. Her twirled

pearls. Cloven shoes.

The police, paid off

by pastries, held up the walls

while all over the room

pomade waved like a beauty-pageant

winner right after.

I had wanted to save her

like money, then hide

her away, a pearl

under an oyster’s tongue.

That night, awkward,

cumberbound, I pretended

to chat like the rest

of the extras—moved uneasy

in the crowd as a mistress

at her man’s funeral,

welcomed by no one,

yet known.

Among these big fish

& wigs, among lobster bibs

& caviar thingamajigs

I felt like a crawdad

caught out of water, peeled

but quick. Puny me missed

them fish-sandwich women

back home who’d warm

your side & only wanted

some time, a little talk.

Here every painting hides

a million bucks, or none—deeds

locked in a safe—& the ladies’

fingers have enough rocks

to start a garden, a quarry

no chain gang could break.

Even in this

thief’s paradise there was little

I wanted: her

smooth hands in mine

dancing slow for a time.

The rest was preface.

After taking a whole roll

of film with my boutonniere,

I had downed enough courage

to cross the room & brush by her

like a pickpocket, stealing

a glance that telegraphed

Meet me in 5.

She did, for old times,

or one last—

As my misplaced date

hovered by the food

& ate with her hands

& eyes, we snuck out

by the pool. I wonder

if it, too, was pulled

by the moon.

Around us, frost.

She shivered in her

X-ray dress

so I gave her my jacket,

price tag still in it.

Over time we’d learned

to skip the weather

& howdy & the how-

could-yous—

To forego the fight entirely

& head, like the heavyweight

finally defeated, to the silence

& bruise & antiseptic

of after. There,

while shadows gathered

in the deep end

I could not swim,

we kissed & my bow tie

turned a whirligig, lifted

me high among the trees

till I could see

how far I’d fall, that between us

air was all

we had left. My eyes oysters

pried open—

shucks.

Her pearlies

a piano I almost forgot

how to play, never got

practice enough.

Didn’t want

to let go her hand & sink

back into the blue

but knew I had to. No more

could we disappear

into the dark like a tooth

left in a glass

of cola, or the moon

that, even unseen,

still tugged at us,

sick dentist. Still

we danced awhile

at the lip of the pool, slow

dragging like a cigar

till she stole like thunder

back inside

to her life of smiling

when he said to, of betting

against her own chances.

I counted Mississippis

to make sure I didn’t follow

too close or brave

lightning twice,

then headed inside

where the party began

breaking things

& up—the drummer taking

down his trap, the bass again

silent, the saxophonist splitting

apart his horn

shaped like a question mark.

We are all

built to be done, remarked

no one.

After confetti, we’ll sweep on

home separately

to sleep like enemies:

lightly, dreaming only

of each other’s loaded arms.

MIDNIGHT RAMBLE

Leaving the coffin-cold

theater in winter

Single-barrel moon

aimed above us

He escorted & told me

lies I wanted

To warm my ears

The moon’s lazy eye

razored shut

The two of us

fought that hawk

Walking through wind

across a world that once

Seemed so flat I feared

I might could fall off—

Now, Clare, every horizon

got another behind it

Least that’s what

Mama would say—Just you wait

But I hightailed it north

& changed my name.

Beneath the shrapnel sky

I wanted to run

From here to the train

& buy me a ticket one way—

I’m tired of eviction

The radio’s same station

Playing woe & blues

Said tired of eviction

The radio’s same station

Arguing whose man is whose.

I want some diesel bound

south, making all stops—

No more neighbor’s

whooping cough

No more leaky

solos from the faucets

Or landlords who pinch,

swapping winks for late rent.

Graveyard-shift moon

that turns men mad—

Let me trade fire

escape for front porch

Let me ride

sunset down to where

Train’s the only whistle

& a girl don’t got to cry

to keep herself company

Where moonshine ain’t just sky

& you can catch catfish

Sure as a man—bearded, polite—

already fixed up & fried.

THE DIVE

Young men here guzzle

& dream of becoming drunks

& regulars, the drunks

here dream of becoming

young. I wait

for her one hour, promise

myself no more, then wait

half hour over.

As I’m pretending

to don my fedora, some hood

arrives to tell me she ain’t

coming, never, no matter

& I better quit callin.

Pats his pistol-padded side.

I wish that I was a wish,

that rubbing this bottle—

gin’s djinni—would give me

more than mist.

The stooge suggests

I find another date,

to learn a place

where the smoke don’t stain you

& the glasses wash up new.

Like fatback

his knuckles crack.

I excuse myself to the head,

looking for an escape hatch—

cursing her name, planning

never to forget her.

She gets under

& infiltrates, she’s foreign

intelligence…

No dice. Windows sealed

by the past & paint—

Dreaming of a back way

I read some last words

on the wall, faint—

Don’t sleep

With a gangster

Or his wife. Just don’t.

Nor a waitress,

some wise guy retorts.

Then something I don’t

remember penning—

Reports of my death are

greatly anticipated

but it’s my hand sure

as shooting.

THE PAYBACK

Stripped, de-

briefed,

cowed, found

out, frisked,

confessed, pled,

tired, treed,

left for dead

& for good, forgot—

lurched, lost,

scalded, belted, shook,

rooked, finked, ratted

out & on—

withdrawn, strapped,

harried, pursued, deluded,

deluged—

bit by dogs

hounding my heels—

jilted, jinxed,

downed, fawned

over, ferreted,

sated & abetted, sent

into the lion’s

living room—

parlayed, parlor-

tricked, sicced

on, surrendered—

quailed, quitted, shown

the door, the boot, given

the bum’s rush,

the lady’s luck—

botched, black-

listed, decked, sawed

in half, duped,

dried out, dusted

off, sobered, handed

my hat, running out

of excuses & room—

I came clean.

Forgive me.

As in the dream when you turn

to face them that chase you

up the endless stairs

I spun

& found no one.

Turns out all

that hunted me

was me—haunted

by what I believed

she to be. So I gave up

some green, flashed

a few fins around town,

greased

the underworld’s

squeaky wheels

& got let off free. Left

to my own devices—

which are few,

& idiot-proof.

She was permanent yet

faded, a prison

tattoo—I once thought

like that serum

she’d be true

but I know now

I was wrong as a sweater

on a sheepdog.

SOUNDTRACK

Banging out a symphony

in a typewriter key, I didn’t hear

My door creak open, only

her Ah-hum & perfume

My knocking knees

When, uninvited, she sat

herself down. Crossed

Her legs like the county line

& I, some boot-

legger driven far

For such strong lightning.

She leaned & asked

once more could I find—

A friend? her man?

something so valuable

She could not say?

Anythin,

was once my answer—

Had spent off-meter hours,

hundreds, snooping for her

Working under the cover—

Was left with only

a fake-mustache rash

& some prop glasses

without glass.

My heart twin

cufflinks then.

Tonight, her eyes welling

over like an oil rig,

I let my mind, like

a housewife, or eye, wander:

August again

& I eleven, filled with Sunday

& early supper—

hummocked, happy.

How the sycamores sang,

the cicadas.

This is long before

gunfire, before the Colt

& rope & a river

I am still swimming.

Long before I arrived

our starved city, before derringer days

& nights even darker for all

the streetlights…

Her hands tapped

an impatient Morse, fanned

Two lace gloves. Well?

Her veil smile.

Adam’s-apple bob. Ceiling-fan swirl.

I thanked her for

her time, then sent her

Away packing, teetering

on unsheathed stilettos.

Her kisses tender, a resignation—

I may be back

to her like an undertaker

Whose scent no one can shake—

For now I’ll ignore the lack

of knocking, the quiet

Except for wind

& tin-roof rain,

The phone’s pleading ring.

CREDITS

The city at last let me

leave it—streetlights

just on—no sunset—

the scent

of laundry rising up

from beneath a grate,

starched by hands

unseen—Mama’s,

I imagine. I have had

it all, enough

of water cold & clogged—

have a mind, half,

to walk these weedy blocks

to the station where a midnight

train tugged me

nine months back. I step

careful, avoiding the cracks.

Everywhere,

late-summer hum—

no crickets, just the smack

& holler of children playing

stickball—no

mound, no sliding,

no nothing but beans

& pork, asphalt & fence, far

as I can see. Stoop talk.

You can keep your cans,

kick em all day—

I can taste already

Mama’s tomatoes coming up

from the earth like a mummy

—slow, heavy, hungry—

in the B movie I always

end up in, playing

Screaming Girl, Secretary,

or Victim #2. I always did feel

sorry for that man wrapped up

in his past, made awake

by grave robbers as if newlywed

neighbors. How d’you do?

The name’s Clarice

though down home everyone knows

to call me Reece & not

to bother phoning, just

drop on by. The train lurches

the station—all points south—

till I am a star like all the others

in sky—winking, flashing strings

of pearls like citified words—

flickering like the Luckies

I will hide, buried

with pride & told you sos

beneath our unscreened porch.