CONTENTS

YOUNG MARCEAU

MANGEL

PEDAGOGY

BIP IS BORN

SCENE 1: BIP, THE SOLDIER

GENEALOGY

SCENE 2: BIP, GREAT STAR OF THE TRAVELING CIRCUS

M. ON SPEECH

M. ON MARCEAU

SCENE 3: BIP AT A SOCIETY PARTY

COLLECTIONS: WORK-RELATED READING

M. ON AMERICA, 1955

SCENE 4: BIP PLAYS DAVID AND GOLIATH

M. ON THE CONNECTIVE TISSUES

M. ON HIS OWN

SCENE 5: BIP ATTEMPTS SUICIDE

M. ON BOUNDARIES AND BORDERLINES

SCENE 6: BIP, THE BULLFIGHTER

M. ON MAN’S MODERN PROBLEMS

M. ON CHAPLIN

SCENE 7: BIP AS SKATER AND SPECTATOR

M. ON CHAPLIN II

COLLECTIONS: READING FOR A WELL-ROUNDED EDUCATION

SCENE 8

SCENE 9

SCENE 10

M. INTERACTS WITH THE PRESS

M. ON MASTERING ONE’S FEELINGS

COLLECTIONS: ITEMS FROM JAPAN

COLLECTIONS: KNIVES

COLLECTIONS: MISCELLANEOUS

COLLECTIONS: ICONS

PIERRE VERRY

M. ON FAILURE

M. ON TECHNOLOGY

BIP AS SLEEK CREATURE OF THE DEEP

SCENE 11

COLLECTIONS: MASKS

COLLECTIONS: ZOOMORPH

M. ON VIDEO

SCENE 12

CAMILLE ON MARCEAU

COLLECTIONS: ANCIENT DOLLS

COLLECTIONS: PAINTINGS

M. VERSUS M.

COLLECTIONS: JAPANESE DOLLS

SCENE 13

AN INTERVIEW

SCENE 14

A TWENTY MINUTE SILENCE FOLLOWED BY APPLAUSE

OTHER WORKS

CLIVE BARNES ON MATERIALISM

SCENE 15

M. WRITES ABOUT M.

BIP THE STOIC

SCENE 16

COLLECTIONS: CLOCKS

M. ON MOST MIMES

COLLECTIONS: PERFORMING DOLLS

COLLECTIONS: SACRED DOLLS

M. ON THE KING OF POP

M. ON THERIESENSTADT

FROM MARCEL AND ME: A MEMOIR OF LOVE, LUST, AND ILLUSION

COLLECTIONS: THE FURNITURE

COLLECTIONS: THE BOXES

CRITICS ON AGING

SCENE 17: BIP HUNTING BUTTERFLIES

BIP GETS LEFT BEHIND

M. ON AGING

PÈRE LACHAISE CEMETERY

COLLECTIONS: PLEASURE READING

COLLECTIONS: SILVERWARE

COLLECTIONS: ROMAN TABLEWARE FROM THE SECOND CENTURY

AFTER M.

M. ON TRUTH

SCENE 18

SOURCES

ACKNOWLEDGMENTS