14 RUE SERPENTINE

1.

The track at the velodrome is banked

like the rings of Saturn spinning

with riders who blur away

like those fast-motion films

of flowers blossoming and dying

or of the moon in a roiled sky

sailing through its phases

Tonight the moon rises above rooftops and bridges

spreading its sea of silver light

stilling vast crowds

and for an instant reflected whole

in the spectacles of a blind man

sitting alone in a parked car

2.

In the yard of the children’s prison

the fruit on the solitary tree is blue

shriveled beyond recognition

At the turn of the last century

the inmates (aged 7 to 13)

pickpockets petty thieves and vandals

ate gruel from tin bowls and slept on iron cots

gazing down from their cells

at the tree when it blossomed in April

and in September bore fruit

which the guards pocketed rocking

on their heels into the long afternoons

It was an apple tree

3.

At dusk rain slants in from the north

black needles clotting

the locomotive’s cyclops beam

the prison searchlight

the streetlamp’s cone

beneath which vagrants line their boots

with road maps before closing their eyes

and entering a maze of blind alleys

searching for the one doorway among thousands

that will lead away from their nightmares

and the one in a million

(where the rain dissolves into light)

that opens onto paradise

4.

Tattooed on my shoulder

a fish with golden scales

silver fins and a ruby eye

a creature last seen

three millennia ago

near the Nile delta

reputed to have entrails of pearls

coveted by the fishermen

who lined the riverbank

and waded into the reeds

shoulder to shoulder netting the fish

and gutting it for treasure not flesh

until it was rendered extinct

5.

In the Egyptian Department at the Louvre I wonder:

if the priests of the XIIth Dynasty were correct

and our dreams are memories of past lives

shattered and rearranged by the gods

if the truth is camouflaged

in the token correspondences of this world

names dates places that can be linked with ease

by even a minor deity

then the inscrutable mysteries which have tormented

me and my tormentors ought to come clear

so simple suddenly:

Happiness awaits all of us

but few find their way to her

6.

The owl no bigger than my fist

speckled blue and black

is hooting in the courtyard at dawn

when I open a letter from a friend

grieving for his daughter

quoting Martial who mourned the death

of another child two centuries ago

Earth, lie not heavy on her who walked so lightly on you

Sometimes it’s not hours but years that pass in a single day

and when darkness falls again

drawing me into its circle

will I hear that same owl

or will another be perched in its place?

7.

The music that breaks into my sleep

like the wind whirring

across the Venetian lagoon

the night I crossed

the long wooden bridge

that connects Burano and Mazzorbo

identical to the bridge a psychic

drew for me in a nightclub in Prague

spanning (she said) the twin shores

of birth and death

their reefs invisible to all men

their deep currents liable to divert me

for an eternity

8.

So the dead are among us again

even here where Halloween is not celebrated

and the moon flies through the skeletons of trees

and men in rowboats fish for souls on the river

A woman with spidery hair swings a lantern

and disappears down the colonnade

past a row of buildings tilted like gravestones

in which a single window is lit

and a wall from whose depths shadows emerge

assuming the contours of bodies they will follow

all night and abandon at dawn:

a revelation to me

that each day we take on a new shadow

9.

A friend of a friend chops and sautées

morel mushrooms leeks and celery root

punctuating the narrative of her life’s journey

with Sufi epigrams such as

The candle is not there to illuminate itself

Deft with a knife and light on her feet

she decants a Sauterne and declares

that she only cooks for strangers

food unlike love tenderness or true passion

so easy to give so readily received

For most men she says the more elaborate

the meal the greater the illusion of fulfillment whereas

If you are entertaining a dervish, dry bread is enough

10.

In the triangular park with the sundial

the war veteran sells his medals

a beggar plays her accordion

for the poodle dancing on its hind legs

and children line up to buy ices

persimmon apricot grenadine

from an old woman with a parrot on her shoulder

that asks the children their names

until the woman closes up her cart

and walks home rewarding the parrot

with grapes as he repeats the names

in the order he learned them

Therése Barthélemy Clarisse Victor Marie…

11.

The snake charmer’s daughter

born in a carnival tent

with a crescent of stars on her brow

calls herself the Serpent Priestess

and opens a studio next door

Behind a velvet curtain her assistant

plays his flute while she shuffles tarot cards

explaining that this street was named

not for its sinuous path but for the snakes

Napoleon’s soldiers brought back from Egypt

which infest the neighborhood

though I have only seen one:

the cobra coiled in a basket at her feet

12.

I dip my rotting oars

into the brown waters of the lake

and row toward the floating temple

Splinters of light escape its shuttered windows

a red lantern sways on the dock

a candle flutters by the door

I can hear the faintest sound:

fruit falling in the orchard

a snake shedding its skin in the reeds

My breathing is shallow

my hands one with the darkness

and when finally I reach the temple

my oars are gone

13.

I cross the hall with a parched throat

passing a mirror that remains blank

a birdcage with an open door

and an orrery of the solar system —

the planets and their moons

orbiting a wooden sun

The water I drink is so cold

it could have been drawn from the iceberg

the size of Delaware

that recently broke away from Antarctica —

your destination perhaps

a small voice whispers

the next time you get out of bed

14.

This is a street of widows I say

my cheeks flushed with fever

poinsettias blazing in windows

and red leaves skittering

past the house on the corner

where the Mexican painter shot himself

his grave shadowed by a steeple

in which cardinals nest

while across from the cemetery a vendor

in a scarlet apron

hands me a bag of cold cherries

shaking his head observing

No not widows this is the street of snakes

15.

An ancient messenger in a modern uniform

bicycles down the street

with a dead letter to deliver

The lines in his palm are twisted into a noose

the coins in his pocket

embossed with the visages

of corrupt kings and queens

descendants of Justinian

codifier of laws he himself broke

and Theodora his empress

who allowed panthers to roam her bedroom

and slept with teams of wrestlers

only to have them beheaded at dawn

16.

In this room where a single ray of light

penetrates the vine-covered window

the green curtain that parts

onto the circular garden

I dip my hands into a basin of water

and they blur away

only the lines from my upturned palms remain

floating for an instant

realigning themselves

then disappearing

a map to guide me for the rest of my life

or until I leave this address

whichever comes first

17.

Returning to the cool galleries

of the museum as sunlight pours

through the windows I admire

the bronze statue of Queen Karomana

the ivory-handled knife of Gebelel-Arak

and the stela of King Djet (the Serpent King)

Then I take a train from the Gare de Lyon

to Pontoise where fishermen in black capes

net eels in the swollen river

and during the return trip dream of jackals

shrouded in mist circling the Valley of the Kings

their howls across thousands of miles

waking me in a sweat

18.

A city in Central Asia

a square walled in by granite buildings

bits of paper rising twenty stories on the wind

the two walkways that form an X

choked with weeds

at its center a cement Buddha

with a forehead cracked by the cold

From a rooftop a woman in green

calls repeatedly to a child

whose name I would like

to tell her is scrawled

in crayon beneath a face —

closed eyes and a downturned mouth —

on a door I’m about to open

19.

Electric-green palms

tom-toms in the mountains

birds iridescent as the clouds at dawn:

I was on a crescent beach

beneath a vast sky

at some juncture in another life

trying to find my way

until I realized

I must not move for once —

not when rain pelted my skin

or bees stung

not when the ghost of a butterfly brushed my arm

That was all I needed to know

20.

You need not read the Annals of Tacitus

or his contemporary Sima Qian in Yunan

to know we will never refrain

from doing unto others

before they can do unto us

and therefore have invented gods

to bestow their blessings

and incite conflagrations

that must destroy us all

earthly agents and true believers praying

despite centuries of unanswered prayers

that we might still salvage

a measure of grace and mercy

and lifting our blindfolds step from the darkness

21.

On the street upturned for an instant

the face of a Siamese princess

a Mayan dancer cross-legged on a bench

Phoenician twins playing flutes beneath a cypress

the populations of lost places still among us

until at nightfall they dissolve in the mist

or assume the forms of animals

to be glimpsed sidelong

a tail a wing a transparent eyelid

just as strangers attempt from passing

impressions to imagine us whole

placing us outside of time:

as immortal as we’ll ever get