Chapter One

“I know it’s not nearly as fancy as you were used to back east,” Twila Shallcross said apologetically.

Catherine glanced around the room that was to be her new home. It was furnished with what were undoubtedly the castoffs from many families—an iron bedstead, a chifforobe, a small stove, and a table with mismatched chairs—but everything was spotlessly clean and the faded curtains stirring in the afternoon breeze had been carefully starched and pressed.

“It’s fine, really,” Catherine assured her. “And you must not think I lived in a mansion back in Philadelphia. Our home was quite modest.”

“Pshaw,” Mrs. Shallcross scoffed. “We all know your pa was a famous painter.”

“Hardly famous,” Catherine said with a pang, thinking of the paintings she’d had to give away because no one would pay a cent for anything by James Eaton, not even after he was dead and gone. “Mostly he was a teacher, and we all know how poorly paid teachers are,” she added with a smile.

Mrs. Shallcross touched Catherine’s arm, her expression still apologetic. “You know we’d pay you more if we could, but after we bought your train ticket to Dallas, the town just didn’t have much money left for the schoolmarm’s salary.”

“I knew what the salary would be before I agreed to take the position,” Catherine reminded her gently.

“And we’ll make things as pleasant for you as we can,” Mrs. Shallcross continued as if she had not heard. “You’ll stay here during the week while school is in session, of course. We built this room onto the schoolhouse especially so the teacher wouldn’t have to worry about traveling when the weather was bad. But on the weekends, you’ll board with the families of the children, and when school is out, you’ll spend the summer with my husband and me.”

Mr. and Mrs. Shallcross ran the general store in Crosswicks, and Mr. Shallcross served as mayor and chairman of the school board as well. Twila Shallcross looked exactly as one would expect the mayor’s wife to look. She bore her forty-odd years with dignity, styling her graying brown hair sedately and choosing clothing that was stylish but not ostentatious. Only her work-roughened hands betrayed the years of labor she and her husband had invested in their present prosperity.

Catherine had corresponded with them frequently during the past few months since she had applied for the job as schoolmistress in Crosswicks. She had learned to like them long before meeting them, but she had her own ideas about where the teacher should board.

“I intended to discuss the matter of the weekend visits with you. I really see no need for me to impose on the families, and I’d much rather—”

“Oh, you wouldn’t be imposing! In fact, they’d be insulted if you didn’t stay with them. Keeping the teacher has become sort of a tradition around here, and the womenfolk are especially eager to visit with you. The last couple of teachers we had were men, and a new woman in town, especially one from so far away and from a big city, has everybody stirred up. We all want to know about the latest fashions and such like.”

“Oh” was all Catherine could manage. As a spinster of twenty-three who had never so much as shared a bedroom with another person, she was appalled at the thought of moving in with a different family of strangers every week. Had she known how important this aspect of the job was, she might not have accepted it with such enthusiasm. But of course Mrs. Shallcross was not the final authority on such things. Catherine would ask Mr. Shallcross about it at the first opportunity. Perhaps she should tell him she was not as poverty-stricken as they seemed to think and would not need to have so many of her meals supplied by the families. She hadn’t told anyone about the legacy her father had left her, for fear they wouldn’t hire her if they knew she didn’t really need to earn her own way.

“Yes,” Mrs. Shallcross went on, “even with you in mourning, I can see you’ve got an eye for fashion. I’m kind of surprised you’re still in black, though. Hasn’t your pa been gone for more than a year now?”

Catherine nodded, reluctant to speak of her tragic loss even after all this time. “But my mother died more recently.” It was a poor excuse. The period of mourning for her mother was over, too, if she would only admit it. Wearing black had become a comfortable habit that insulated her from burdensome social obligations.

“Oh, I’m sorry. I’d forgotten about your mother. You’re so pretty, it seems a shame you can’t wear colors. But even in black, you’ll put the rest of us in the shade, I’m afraid.”

Catherine smiled politely. No one had ever accused her of being pretty. She knew she had an interesting face, the kind an artist would find challenging. But pretty? No, not by anyone’s definition.

Oblivious to Catherine’s thoughts, Mrs. Shallcross rattled on. “You’ll be the belle of the ball tonight, too, I’ll wager. There’s something about blond hair and blue eyes that men just can’t seem to resist. The boys haven’t been able to talk about anything else all week—”

“Excuse me, Mrs. Shallcross, but what’s this about tonight?” Catherine asked with renewed apprehension.

“Oh, surely I didn’t forget to tell you about the dance? What a featherbrain I’m getting to be!”

“No, you didn’t mention it.” Catherine could have groaned aloud. First the business about boarding with the families and now a dance on her first full day in town. She’d spent far too many hours as a wallflower at far too many other dances to enjoy the prospect of attending one where she would not know a soul except for Mr. and Mrs. Shallcross. But surely she could beg off. She was still quite fatigued from the journey, having arrived late the day before and having only awakened a few hours earlier they couldn’t expect her to...

“It’s in your honor, of course. People are coming from miles around just to make you welcome,” Mrs. Shallcross explained happily.

This time Catherine did groan.

“Is something wrong, dear?”

“I—I have a little headache, I’m afraid.”

“Then I’d better leave you alone so you can rest. We want you to be feeling fine by the time the dance starts tonight. If you need anything, you know where I am. Come over to the house around seven for a late supper.” She paused at the door and looked back with a small smile. “Maybe you could forget you’re in mourning just for this one night and wear something pretty.” Then she was gone.

Catherine sighed as she watched Twila disappear around the corner of the building. The schoolhouse was located at the very edge of town, and the door to this room faced the “river” beside which Crosswicks had been built. A few willow trees struggled for purchase beside the thin trickle of water that would have barely qualified as a creek back in Pennsylvania. Beyond them stretched a barren expanse of nothingness, broken only by an occasional hill or clump of vegetation.

From this angle, Catherine might have imagined herself alone in the universe. She shivered slightly at the thought and reminded herself the entire town lay just out of her range of vision. Mrs. Shallcross’s house, the largest in Crosswicks, was only a short walk away, and beyond it was the main street with its row of businesses. There, people walked and talked and laughed and lived, and now she was part of their lives, too.

Isn’t that what she’d wanted? A new life, completely different from the one she had known and as far away from the Philadelphia art world as she could get? Yes, she told herself sternly, laying a hand over the nervous flutter in her stomach. She simply hadn’t expected it to start quite so suddenly or so publicly. Classes would not begin for several days yet, and she had pictured those days passing quietly as she accustomed herself to this stark new land and the startlingly friendly people in it.

Perhaps she could excuse herself from the dance early. Yes, that’s what she would do. Surely, after she had been introduced, no one would miss her. Comforted by the thought, Catherine moved over to the iron bedstead and tested the mattress with her hand. A feather tick, she noted with surprise. And the quilt covering it was brand new, probably pieced by the ladies in town especially for her.

She was surprised to note the headache she had invented earlier had begun in earnest. Succumbing to the temptation of the bed in front of her, she lay down, feeling only mildly guilty for resting when she should have been unpacking her belongings and settling into her new home.

She had fallen into a light doze when a noise startled her awake. At first she did not recognize the unfamiliar surroundings, but just as memory returned, the door to her room opened and a man walked in.

Not a man, really, she realized, jerking upright on the bed in alarm. Although he was tall, he was not more than fifteen or sixteen. He turned at the sound of her movement, and she saw he was as startled as she and twice as mortified.

He uttered an agonized sound and bolted from the room.

The fright she had first felt instantly gave way to outrage at the intrusion. Without conscious thought, she scrambled off the bed and started after him.

“Wait a minute, young man!” she called in her best schoolteacher voice.

The boy stopped dead in his tracks, halfway to the horse he had tied to one of the straggly willow trees.

“I think you owe me an explanation,” she informed him, marching up and grabbing his arm. She jerked him around to face her.

He stood a good half foot taller than her own five feet two inches, but from the terrified expression in his bright blue eyes, he was unaware of his physical advantage. He was, her artist’s eye noted, quite handsome, almost pretty in fact. His features were finely molded, bordering on aristocratic. Lashes as long as a girl’s fringed his beautiful eyes, and the hair visible beneath his Stetson was the color of spun gold.

“Who are you, young man?” she demanded.

“I—I—” His tanned face flushed scarlet. “My name’s David Connors, and I—I didn’t know you was in there, miss. I swear to God!”

Although she had no reason to, she found she believed him. “Even still, why would you have been sneaking into my room?”

His embarrassment increased tenfold. “Not to steal nothing, if that’s what you think! I was gonna leave this.”

He thrust a roll of paper into her hands. She recognized it instantly as sketch paper, carefully tied up with string.

“What is it?”

“It’s... Mrs. Shallcross told me... she said it would brighten up the place, and I should... But I only finished it this morning and I thought—I thought you was still at Mrs. Shallcross’s house.”

Totally confused, Catherine pulled the string loose and began to unroll the paper.

“Oh, no, don’t—” David’s protest died as Catherine examined the drawing.

It was a sketch of the schoolhouse, which he had colored in with watercolors. Her trained eye immediately recognized his natural ability, and she marveled at the accuracy of perspective and design. He had improved the aspect somewhat, making the straggly spring grass a lush green, filling out the willows, and adding other trees where none grew. The trees themselves were amazingly realistic. Trees were among the most difficult things to capture correctly on paper, but David had done an admirable job.

“This is very good work, David,” she said, glancing up to catch his look of apprehension.

“Thank you, miss, but you don’t have to... I mean...”

“I’m not being polite,” she assured him with a smile. “Surely you must know how well you draw.”

“I... uh... everybody always says so, but—” He shuffled his feet.

“Well, I don’t just say so. In fact, I’m somewhat of an artist myself.”

“You are?” His eyes lit up like sparklers, and Catherine couldn’t help smiling at his excitement.

“I’m not very gifted,” she said, surprised that for once the admission did not hurt, “but I’ve had a lot of training. In fact, I used to teach art back east.”

“You did? Gosh, Miss—Miss—”

“Eaton. Catherine Eaton,” she said, giving him her hand. He shook it gingerly, making her smile again. “Why don’t you come inside for a few moments, David, so we can talk about your work?”

“My work?” he echoed, following her obediently back into her room.

“Yes, your art work. I can see you’ve had some training.” Catherine pulled out one of the chairs at her table and motioned for David to take the other one.

“Mr. Simmons—he was the teacher here a couple years back—he taught me how to get things to look right,” David said, pulling off his hat and taking the chair Catherine had offered. “You know, if they’re far away, they look smaller.”

“Perspective.”

“Yeah, that’s it. I always forget the word. Anyway, he showed me that and lots of other things. I’d do a picture, and he’d show me how to do it better. But he got a job keeping books for a store in Dallas, and he had to leave.”

“I’m glad you didn’t get discouraged and quit when you lost your teacher.”

David shrugged self-consciously. “I just couldn’t quit drawing,” he admitted reluctantly.

His confession touched a chord within her. How many other young people had confessed the same thing to her through the years? The proof of her own deficiency was her ability to pack up her paints and not touch them for a whole year. Still, she understood only too well the driving need of which he spoke. “I know what you mean. You see, my father was an artist, a really good one. He said it was like an obsession. He couldn’t have quit even if he’d wanted to.”

“Yeah, that’s what it’s like,” David agreed eagerly. “I keep seeing pictures in my mind, and I have to put them down on paper. Was your father somebody famous?”

“No, I’m afraid not,” Catherine admitted, her smile feeling slightly strained. “His work was never... appreciated.” She marveled at her choice of words and how easily she was able to speak of the injustice that had embittered her life. Her father had been a genius, a man ahead of his time, yet his peers had ridiculed his work out of jealousy. They had allowed him to teach but had never given him the recognition he had earned. “My father was a well-known teacher, though. He taught at the Pennsylvania Academy of Art.”

David’s eyes widened. “You mean they’ve got schools where you can just learn art?”

Catherine managed to conceal her astonishment at his ignorance. “Yes, they do. Not many, of course, and most of them are in Europe, but we do have a very good one in Philadelphia.”

“Gosh! I’d give anything to go to a school like that.” Catherine blinked at the sting of tears. What a tragedy. She, who had no talent at all, had been handed such an education as a result of her birthright, while David, who had the talent, possibly even the genius to make use of it, didn’t even know the school existed.

From some distant part of her brain, a memory stirred. Someone had once again refused to pay for a portrait her father had painted because it did not flatter the subject. It wasn’t fair, she had told him. They thought he was good enough to teach but not to paint. Her father had comforted her, and she could almost hear him speaking the words.

“It doesn’t matter, Cathy. I don’t paint for them, anyway. I paint for myself, and I teach for myself. I was given a gift and teaching is the way I share it with others. They won’t accept my paintings, but they’ll have to accept my students, and thus the gift gets passed on. You have a gift, too, Cathy.”

She’d thought he was being kind since she well knew she was not as gifted as he. She hadn’t understood then, but now she did. She might not be able to paint the way her father had, but she could certainly teach the way he had.

“You know, David, we could start a branch of that art school right here in Crosswicks. Even though I’m not the artist my father was, he taught me everything he knew, and he allowed me to instruct the female students at the Pennsylvania Academy. How would you like to be my first student at the Crosswicks Academy of Art?”

“I—” His joyful expression froze and then faded into dismay. “I don’t think I can.”

“Don’t worry,” she said, patting his hand. “I’m only teasing about opening an art school. But I could tutor you after school a few days a week, and you wouldn’t have to worry about paying me, either. I’d consider it an honor to instruct such a talented pupil.”

But David was shaking his head. “It ain’t that, Miss Eaton. It’s... I don’t think I’ll be coming to school at all.”

“Not coming? Why not?” She studied his face again, wondering if she had misjudged his age. “How old are you?”

“Fifteen.”

“Do you think you’re too old for school?”

“Oh, no, ma’am. It’s Sam. He says I’ve already had almost five years of school and that’s plenty for anybody. He says it’s time I was learning how to run the ranch.”

“Who’s Sam?”

“My brother. My half brother, really. He’s a lot older than me and—”

“What do your parents say?”

“They don’t say anything. I mean, they’re both dead. It’s just me and Sam and has been for a long time. He’s always taken care of me, and I can’t buck him on this.”

“But, David, surely he won’t object to your getting an education.”

David made a helpless gesture. “He figures it’s more important for me to learn how to run the Spur.”

“The Spur?”

“Yes, ma’am. That’s the name of our ranch. Our brand is the shape of a spur, so that’s what we call it.”

“Oh.” Catherine considered the situation for a moment and decided she would simply have to change Sam Connor’s mind. Her visually oriented imagination began to picture what David’s brother would look like. The brother who was a lot older than he. She resisted the urge to ask exactly how old he was. Surely Sam Connors would be twenty-five or thirty. Her artist’s eye could easily imagine what handsome young David would look like in ten or fifteen years. And her heart could imagine how his sensitivity and brightness would be improved by a decade of maturity.

Suddenly Catherine was quite eager to make the acquaintance of Sam Connors. That is, unless... “Perhaps if I spoke to your brother’s wife, she would help us change his mind.”

“Sam ain’t married,” David said, as if wondering how she could have thought such a ridiculous thing.

Catherine resisted the feeling of anticipation. After all, what were the chances Sam Connors was as wonderful as she imagined him to be? On the other hand, what were the chances she would find a talented art student on her very first day in Texas, either? “Well, then, I suppose I’ll have to speak to your brother myself.” Anticipation tingled over her again, but David’s frown squelched it.

“I don’t know if you oughta try that. I mean, he’s got pretty set ideas about how things oughta be, and he don’t like folks to argue with him.”

“I have no intention of arguing with him,” Catherine assured the boy with a smile. “I plan to persuade him. I’m sure when he understands how important it is to you, he’ll change his mind.”

“I don’t know,” David muttered.

“David, the school term is only three months long. Surely your brother won’t object to your delaying your training for such a brief period. No one is that unreasonable.”

“I—I guess you’re right,” David allowed, but he was still doubtful. It took Catherine a few more minutes to imbue him with her confidence, but by the time he left, he was smiling.

He had an absolutely beatific smile, and Catherine had no trouble at all picturing it on a much older man. As soon as David was gone, she opened the trunk she had been so reluctant to unpack a short time earlier. Perhaps it was time she ended her mourning and began wearing colors again. Somewhere near the bottom of the trunk was a perfectly lovely gown of robin’s egg blue, the exact shade of her eyes. As she dug for it, she wondered idly whether Mrs. Shallcross had been right about Texans liking women with blond hair and blue eyes. She only wished Twila had been correct in calling her pretty.

The dance was being held in the Shallcross’s barn. Twila explained that dances were held at the school when the teacher was not in residence, but in deference to Catherine, the barn had been selected instead.

“Your dress is just lovely,” Twila said as they left her house and started for the barn.

Catherine fingered the low neckline self-consciously. It wasn’t daringly low, since she had no cleavage to display, but it did reveal her shoulders and left her arms bare. The smooth sateen had pressed up very nicely, and Catherine felt at least presentable. “It’s a little out of fashion, I’m afraid. I haven’t had anything new in quite a while, not since my parents died.”

“It surely was a tragedy, both of them dying so close together.”

“Yes, it was.” Catherine felt no need to explain the special relationship that had existed between her parents. She hadn’t fully understood it herself until she heard her father tell her mother on his death bed how glad he was to be the first to die, since he could never have continued to paint without her by his side. When he was gone, her mother had faded almost visibly. Robbed of her reason for existence, she had simply ceased to exist.

“We’ll make you forget all the sadness,” Twila said with a comforting smile. She took Catherine’s arm and led her into the barn.

The first thing Catherine noticed was the disproportionate ratio of men to women. At all the dances she had ever attended, the numbers had been roughly even, and since she had often sat out the festivities with other unclaimed females, she suspected in most cases the women had actually outnumbered the men. Not so in Crosswicks. Here the women—including those old enough to have seen their great-grandchildren and those young enough to be the great-grandchildren— were outnumbered at least ten to one.

As Twila Shallcross introduced Catherine to each and every female in the room, the young woman quickly determined another amazing fact: No female over the age of sixteen was single unless she was an elderly widow. Every woman near her own age held a baby on her hip and had at least one other child clinging to her skirts. Most of them also had children whom Catherine would be teaching in school.

And all of them expressed their eagerness to board her in their homes. Catherine felt her precious privacy slipping away already.

“I’m not even going to try to introduce you to all these men,” Twila said as she steered Catherine toward a vacant bench near the edge of the dance floor. “They’ll be on you like a duck on a june bug just as soon as the music starts, anyway, and I figure they can introduce themselves.”

“But where are all the other single women?” Catherine whispered in dismay.

Twila grinned knowingly. “Ain’t none. A woman’s got her pick of men out here, so none of ’em stays single very long unless she’s got a mortal fear of marriage. I only hope you’ll be able to hold off your suitors until the school term is up.”

Catherine absorbed this information in wide-eyed amazement as they seated themselves on the bench. By moving to Texas, she had hoped to achieve many things—escaping the cloistered society of the artists who were her only friends in Philadelphia and the unhappy memories of her father’s rejection associated with them, finally obtaining some measure of independence, and developing an identity of her own separate from her father’s. In achieving those things, she had never dreamed she might also be deluged with potential suitors. Nor did she find the prospect appealing.

“You don’t need to worry about me,” she told Mrs. Shallcross. “I have no intention of getting married— now or ever.”

“What kind of crazy talk is that?” Twila wanted to know. “Every woman wants to get married.”

“Not every woman I know. I had lots of female friends in Philadelphia who were single by choice. They still managed to lead interesting and fulfilling lives.”

“With no husband and no children? Humph!” Twila scoffed. “You can bet your life they’d marry in a minute if the right man offered for them. That’s what it is, you know. They just never got an offer from a man they really wanted.”

Twila’s words stung. Catherine remembered far too well the pain of watching the men whom she found attractive pass her over for women with more beauty.

“Unfortunately, there are far too few men really worth having,” Catherine observed bitterly.

Twila’s eyebrows lifted, but she had the good manners not to probe. “Maybe that’s true back where you come from, but out here you’ll have your pick of men. I have a notion you’ll find at least one you can get excited about.”

Catherine realized with some surprise that she was already excited about one of them, one whom she had not even met. She scanned the gathering crowd for sight of David Connors and, more specifically, a grown man who looked like David Connors. Before she could locate either of them, however, she noticed with some alarm that the gathering crowd was all male and that every one of them was staring directly at her.

“Here they come,” Twila murmured. Nearby, two fiddlers were tuning up, and the crowd pulsed and swelled like a living thing. At last, three men broke free and made for Catherine. Amid much elbowing as they jostled for preeminence, they managed to murmur their names and request a dance. Instantly, Catherine found her first three dances claimed by a rancher, a cowboy, and a farmer. She barely had time to consent before the first song began and the farmer pulled her out onto the floor.

As soon as her first partner released her, the next claimed her, and he was followed by a steady stream of men whose names soon began to run together in her mind. Far from being the wallflower, as she had been at most of her previous dances, Catherine was indeed the belle of the ball. By the time the musicians took their first break, her feet were aching and her head was spinning.

She sought refuge amid a group of women gathered around the punch bowl. Twila Shallcross was holding forth for several other matrons. They all laughed when Catherine rolled her eyes and thirstily gulped down a glass of punch.

“Wearing you out, are they?” one of the women asked.

Catherine nodded wearily. Searching her memory, she recalled the woman was Lulie Nylan, mother of four of Catherine’s future pupils. She looked far too old to have recently given birth to the infant on her hip or even to the two toddlers wrestling with her skirts, but Catherine supposed having had so many children had aged her beyond her years. Another reason to avoid marriage, Catherine thought grimly.

“Miss Eaton?”

Catherine whirled at the sound of the familiar voice and found David Connors standing behind her. His face was rosy with chagrin as he avoided the curious gazes of the other women.

“David, how nice to see you.” In all the excitement, she had almost forgotten her eagerness to meet David’s brother. She forced herself not to look around for the man she had been thinking about all afternoon.

“My—my brother’s outside if you still want to—to talk to him.” David wrung his hands in an agony of embarrassment. His golden hair had been slicked down close to his head and he wore a brown nankeen suit with a boiled shirt and a string tie, obviously his Sunday best.

“Of course I do,” she assured him gently. “By all means, bring him in.”

David’s Adam’s apple bobbed as he swallowed loudly. “I’ll be right back.”

Catherine watched him go with an indulgent smile. The poor boy was scared to death she wouldn’t be able to convince his brother.

“You’re going to meet Sam Connors?” Lulie Nylan asked sharply.

“Yes,” Catherine said in surprise, turning back to face the other women. Their smiles had turned to concern. Even Twila looked troubled. “Is something wrong? Is there something I should know about him?

“Of course not,” Twila said too quickly. “He’s a fine young man.”

Lulie made a rude noise. “A fine young man who fenced off his water so his poorer neighbors couldn’t get to it.”

“Now, Lulie, he didn’t do anything illegal...”

“Maybe not, but that don’t mean what he did was right.”

In an obvious attempt' to change the subject, Twila asked Catherine, “What are you going to talk to him about?”

“About David coming to school. It seems Mr. Connors thinks his brother is too old for any further education.”

Twila’s expressive eyebrows lifted, but she only said, “If anyone can convince him, you can. Oh, here he comes now.”

Catherine’s stomach did a little flip, and she took a moment to compose herself before turning to greet David and his companion. She heard the other women discreetly withdrawing as she looked past David for a tall, blond man with the same blue eyes as his brother’s.

David cleared his throat nervously. “Miss Eaton, this here’s my brother Sam.”

Startled, Catherine glanced up at the man David indicated. Up and up. He seemed like a giant, and when she finally encountered his eyes, she thought vaguely of the old saying, “The difference between night and day.”

If David Connors was day, then Sam Connors was night. The eyes glaring down at her seemed black in the lamp-lit room, as black as the ebony hair carelessly pushed back from his forehead and curling at his shirt collar. While David’s features were fine, this man’s were sharp, as if the relentless Texas wind had scoured all traces of softness from him. His powerful shoulders and massive chest would have made him imposing under any circumstances, but the tension radiating from him, the tension reflected in his closed fists and his stiff-legged stance, made him positively terrifying. Even his black suit contributed to his sinister air, and she saw he was older than she had guessed, probably in his early thirties.

“How do you do?” Catherine managed, feeling a trifle breathless. Why on earth was he so angry?

“Miss Eaton, I think we need to talk,” he said. His voice was as huge as the rest of him, rumbling like an avalanche.

She tried smiling, but her face resisted the effort. “Of course,” she murmured.

Connors cast his brother a meaningful look, and the boy mumbled something unintelligible and darted away. The poor thing was terrified! She could easily understand why, being terrified herself, but outrage was rapidly replacing her own fear. Who did this fellow think he was? Catherine Eaton had once told off one of the most powerful art critics in America for failing to recognize her father’s genius. Why should she quake at the wrath of an unimportant Texas rancher? And why should she let him terrorize poor David?

At that moment, the musicians struck up the next dance, a waltz. Catherine lifted her chin in an effort to more squarely meet Sam Connor’s glowering gaze and said, “Perhaps you’ll ask me to dance.”

She’d surprised him, and she saw him preparing to refuse, when the would-be partners she had been expecting began to swarm around them.

At least Connors wasn’t stupid, she noted with some relief. He quickly comprehended the situation and used his bulk to block his rivals for her attention. “Miss Eaton promised this dance to me, boys,” he said, with enough authority to make the others back off.

“I’ve got the next one!” someone shouted, but someone else disputed his claim and an argument broke out.

“Good God,” Connors muttered as he led her out to the dance floor, away from the ruckus. He pulled her awkwardly into his arms, and she saw at once he was no dancer. Or perhaps his anger made him clumsy. At any rate, he merely walked her around the floor, making no attempt to follow the music.

Standing as far from him as she could manage and yet appear to be his partner, Catherine still felt the power of his physical presence. His shoulder was rock hard beneath her hand and his callused palm abraded hers with disturbing intimacy. She’d never found the smell of any man particularly attractive, but the musky scent emanating from Sam Connors was almost enervating and annoyingly pleasant. She didn’t want to like anything about him, particularly not the way he smelled.

Resolutely, she ignored the various messages her senses were sending her and tried to read the stony expression on his sun-darkened face. When he did not speak, she finally said, “You wanted to talk to me?”

“You’re some kind of artist, aren’t you?” The words were an accusation. She’d judged his mood correctly: He was furious.

“I used to teach art back in Philadelphia,” she said, refusing to sound apologetic.

“If you’re an art teacher, why’d you take the job here?”

She was tempted to tell him it was none of his business, but she squelched the urge and said, “I’m trained to teach in all subjects, and I got tired of teaching only one.”

“Davy don’t need to go to school anymore. He can read and write and cipher just fine, and he’s too old.”

Blinking at his vehemence, Catherine quickly gathered her arguments. “I’ll have several students just as old or older than David. And I’m sure there are many things he has yet to learn. Besides, I’ve offered to help him with his art and—”

“He sure as hell don’t need to learn to draw. He already does that just fine, for all the good it’ll ever do him. What he needs to know is how to run a ranch, and it’s time he learned.”

“Perhaps it is, but the school term is only three months long. Surely he can delay his education in ranching for such a brief period.”

“Perhaps he can,” Connors said, mimicking her. “But there’s no reason for him to, and I want him on the ranch.”

“And you’re used to getting your own way, aren’t you?” she asked, recalling what Lulie Nylan had said about him. “Aren’t you the one who fenced off your water so your neighbors couldn’t get to it?”

His dark eyes narrowed contemptuously. “I see you’ve been gossiping already. Tell me, Miss Eaton, are you one of those ‘free-grassers’?”

Catherine had no idea what a free-grasser was and decided she had better change tactics quickly. “Mr. Connors, do you have any idea how important art is to David?”

Instinctively, she had struck the right nerve. Connor’s jaw flexed and his nostrils flared, betraying his reaction although he said not one word. “I can see you care a great deal for your brother,” she went on ruthlessly. “His happiness surely is important to you. I saw his face this afternoon when he talked about art to me, and I know how happy it would make him to learn the things I could teach him.”

“But why does he need to know those things?” Connors demanded. “No man ever made a living drawing pictures.”

“Some do,” she insisted, not letting herself think of her father’s failure to sell his work.

“Not many, I’d reckon,” he sneered. “And not much of a living, either.”

“So you’d deny him the opportunity to try? To do what he loves most in this world?”

He drew in his breath with a hiss and let it out in a disgusted sigh. “I told you, I need him on the ranch.”

She looked him up and down in mock amazement. “Do you expect me to believe you can’t run the Spur without the help of a fifteen-year-old boy?”

His ears reddened, but he bit back whatever reply he might have been considering. “You’ve got a tongue like a viper, Miss Eaton,” he said after a long moment.

Ignoring his barb, she said, “You’re a rancher, aren’t you, Mr. Connors?”

“You know I am,” he said, instantly wary.

“Did anyone force you to become one or did you choose that profession for yourself?”

“My father owned the ranch. I just naturally fell into it.”

“But you love it, don’t you?” she pressed, certain she was right.

He nodded, grudgingly conceding her point. “Suppose someone bigger and more powerful than you—your father, for instance—had forbidden you to become a rancher and had forced you to do something you hated instead?”

“Davy doesn’t hate the ranch,” he protested.

“But it isn’t his first love, not the way it’s yours. It isn’t fair of you to force him to give up art when—”

“Miss Eaton, who put you in charge of Davy’s life?” he asked through gritted teeth.

“Who put you in charge of it?” she countered.

But he had her there, and his sudden grin reflected his triumph. “God or fate or whoever you believe is in charge of those things, Miss Eaton. I’m his brother and his legal guardian. Whether you like it or not, Davy is my responsibility.”

“Then God or fate or whatever you believe in had better protect you when he realizes how you’ve cheated him!”

For one awful moment she thought he might actually do her physical harm. His hand tightened around hers and his eyes sparked with the black fires of pure hatred. Then, suddenly, they were surrounded by men clamoring for the next dance, and Catherine realized the music had stopped.

She and Connors jerked apart, and he turned abruptly away to disappear into the crowd. She stared after him for what must have been too long, because she incurred the displeasure of her would-be partners for her inattention. Numbly, she selected someone to honor with the next dance and moved through the steps of the reel mechanically, her heart leaden as she became more and more certain her unbridled tongue had forever ruined things for David.

Sam Connors strode outside into the coolness of the evening. Avoiding the crowd of men gathered around the whiskey barrel, he sought the privacy of the deeper shadows on the side of the Shallcrosses’ house. There he tried to regain some semblance of control over his temper before he had to tell Davy how his conversation with the remarkable Miss Eaton had gone.

She was even worse than he had expected. Not only was she tiny and frail, the kind of woman this land chewed up and spit out in no time at all, but she was a shrew into the bargain. And damn her soul to hell, she was right about Davy. The boy did love art more than he loved cattle, although for the life of him, Sam couldn’t understand how anyone could prefer sitting inside the house with a piece of paper when he could be outside on the back of a horse.

Davy was just like his mother, Sam thought bitterly. Not only had he inherited Adora’s delicate blond beauty, but he had also inherited her love for delicate beauty. But Davy was a Connors, too, and he was a man. He had a place to fill that didn’t include pictures and drawings, and damnit, Sam was going to make sure he filled it.

“Sam? Is that you?”

Davy materialized out of the shadows. Sam didn’t need to see his face to know how anxious he was, and the knowledge made the rancher’s heart ache.

“Did you like Miss Eaton?”

Like her? What a ridiculous notion, Sam thought, but he said, “We didn’t get to know each other real well. We mostly talked about you.”

“You weren’t too hard on her, were you?”

Sam almost laughed aloud. “Maybe you oughta ask her if she was too hard on me. That woman could draw blood on a rawhide boot.”

“Miss Eaton?”

“I don’t reckon she showed you that side of her,” Sam allowed wryly. Then he sobered. “She seems to think you’ll curl up and die if I don’t let her teach you to draw.”

Davy glanced away and shifted uneasily. “Sam—”

“Davy, you don’t need no woman to teach you anything. You already draw better than anybody I ever knew, and why would you want to be cooped up in school when all your friends’ll be out riding the range?”

“It’s only for a few months, and Sam, she used to teach in a school where they don’t teach anything but art. She must know all sorts of things I don’t and—” His voice trailed off as he sensed Sam’s resistance to the idea, but he hesitated only a moment. “I’ll work on the ranch after school. I’ll work twice as hard as anyone, and when school is over, I’ll do whatever you want me to, I swear. Sam, please... ”

Sam swallowed around the lump of dread forming in his throat. Davy was just like Adora, and just like her, he could get his brother to agree to anything, no matter how wrong Sam knew it was. “You’re going to be a rancher. You know that, don’t you? We’re partners, you and me. The Spur is half yours, and Pa wanted—”

“I know, I know,” Davy said impatiently. “I’ll be a rancher for the rest of my life. Why can’t it wait for three more months?”

Because, Sam thought, I’m afraid of losing you to that woman, that woman who is so much like Adora it makes my blood run cold. He closed his eyes and sighed wearily. “All right, Davy. Three months, but when school’s out, you’re going to be a rancher.”

“Oh, thanks, Sam, thanks!” he exclaimed, grabbing Sam’s arm and shaking it. “I can’t wait to tell Miss Eaton.”

The next instant he was gone, off to see his precious Miss Eaton. Sam fought the tide of despair that threatened to overwhelm him. “You won’t get him, Adora,” he whispered to the night sky. “You won the last time, but this time he’s mine.”

Catherine could hardly believe her eyes when she looked up and saw David motioning to her. She missed a step and stumbled as her partner swung her around. When she caught sight of David again, he was grinning from ear to ear. Her breath snagged in her chest when she recognized that triumphant grin as the same one Sam Connors had given her a few minutes earlier. It was, she decided, the one and only similarity between the brothers.

And it could only mean one thing. Connors must have relented! Somehow she managed to finish the dance without doing herself or anyone else bodily harm, and as soon as it was over, she left her partner with unseemly haste and met David as he hurried toward her.

“He said I could come to school!”

“Oh, David, that’s wonderful! But what about my tutoring you?”

“That too. And I know you said you wouldn’t charge me anything, but I’ve got my own money. Sam’s been paying me wages for a long time and... well, anyway, I’ll pay you, and—”

“Don’t worry about it, David. We can discuss it later,” she told him, feeling almost weak with relief. “The important thing is your brother said yes. I was so afraid I’d ruined everything. I was unspeakably rude, but when I saw how scared you were of him, I went a little crazy... ”

“Scared? I’m not scared of Sam,” he said, obviously puzzled at her assessment.

“But I thought... I mean, you seemed so nervous, and when he just looked at you, you went running off... ”

“I was nervous because I didn’t think you could convince him, and I was afraid he might be rude to you. Sam’s manners ain’t... aren’t the best. He don’t... doesn’t have much truck with ladies, and I thought he might offend you.”

Catherine had indeed found Sam Connor’s manners offensive, but hers had been none too exemplary, either. “Why did you run off?”

“Sam said he’d talk to you but only if I didn’t hang around. I reckon he knew I’d be on him about the way he treated you.”

Catherine smiled at the thought of gentle David chastening his formidable brother’s behavior. “Neither one of us behaved well, I’m sorry to say. Perhaps I should apologize to him. I said some terrible things.”

David shook his head doubtfully. “Maybe you oughta just leave well enough alone.”

“I suppose you’re right. No use tempting fate.” She winced as she recalled how she had threatened Sam Connors with the wrath of the fates. Whatever had possessed her? On the other hand, he had been no better than she. “By the way, David, what is a free-grasser?”

“Did you call Sam that? Gosh, no wonder he got mad!” David replied, but before he could explain the meaning to her, her next partner appeared at her elbow and drew her back to the dancing.

Oh, well, she thought, she could always find out later. She’d be seeing a lot of David now. And she would probably be wise to make peace with the brother if for no other reason than to ensure he didn’t change his mind again.

The idea was a sound one, but when she tried to think of a way to implement it, she failed. How did one make peace with a devil like Sam Connors?

Sam left the shadows and joined the men gathered around the whiskey barrel Mathias Shallcross had thoughtfully provided. He drew himself a drink and tossed it back, hoping to kill the bitter taste in his mouth.

Inside, the music started up, and the other men drifted away, leaving Sam alone with his host.

“I saw you dancing with the new schoolteacher,” Mathias remarked.

Sam grinned mirthlessly at the older man. “Yeah, I did. I don’t reckon she’ll have any trouble keeping the kids in line. She took a strip of hide off me a yard wide.”

Mathias chuckled. Tall and gangly, he looked the part of a storekeeper, with his bald pate and middle-aged paunch. “Don’t tell me you got out of line with her.”

“Never got the chance. She lit into me right off about Davy. She wants to teach him how to draw.” He snorted his disgust at the idea.

“Davy’s a very talented boy. You shouldn’t deny him the chance to learn.”

Sam raised his hands in mock surrender. “Hold it! I already gave him permission. Good God Almighty, everybody in town must be in on this,” he grumbled. Drawing himself another drink, he sought to change the subject. “Say, when’s my wire coming in, anyway?”

Mathias’s good humor vanished. “I expect it’ll be in this week sometime... Sam, do you think it’s a good idea to put up more fence just now?”

This time Sam sipped the whiskey. “Don’t tell me you’re turning into a free-grasser, too, Mathias.”

“You know me better than that, but feeling is running pretty high right now. What’ll it hurt if you hold off for a while?”

“I’ll tell you what it’ll hurt: I’ve got a fortune invested in breeding stock. I almost lost my shirt in the drought last year, and now my only hope is to upgrade my herd. What happens if my bulls get loose or somebody else’s bull gets to my cows?”

“I know, I know,” Mathias soothed him. “But you’ve got most all your range fenced already. Would it hurt to wait awhile before fencing that section you just leased?”

“Sooner or later, folks have to face the fact that barbwire is here to stay.”

“They might accept it easier if you didn’t ram it down their throats.”

Sam sighed gustily, but his lips twitched into a reluctant grin. “I guess you’re right. I can wait a few weeks till folks cool down a bit. But I’m not going to stop fencing. We both know it’s the best thing ever happened to this country. It’s the only thing that’ll save us from another summer like last year.”

“You don’t have to convince me,” Mathias said. “Just remember, barbwire may be the best thing, but it’s like medicine: Being good for you don’t make it any fun to take.”

“Are you suggesting I sugarcoat it a bit?”

“It’s worth a try.”

Sam shook his head, but his grin was back. “Did you ever consider becoming a preacher, Mathias? You got a real gift for making converts.”

Mathias did not smile. “Just be careful, Sam. I don’t want to see anybody get killed over this wire.”

“Neither do I, Mathias, neither do I.”