ON HIS WAY back, Max stopped off at La Coupole, where a party was in full swing. The Christmas decorations were out. The place had been decked out in tinsel, streamers, and there were flashing multicolored lights in the shape of pine trees, stuck to the walls.
The music was hideous—a medley of Christmas carols set over an unchanging pumping techno beat, sung in English by a Germanic female vocalist with an approximate grasp of the language, which rendered her pronunciation comic: “holy night” was sung as “holly nit,” “Bethlehem” became a place called “Bed-ahem,” “Hark the herald angels sing” turned into “Hard Gerald ankles sin.” The atmosphere, however, was jubilant and friendly, people out having a good time. Everyone was smiling and dancing—outside, inside, behind the bar, probably in the bathroom too. Plenty of jokes and laughter were breaking up the music. The American soldiers were mixing with the UN peacekeepers, and both, in turn, were mixing with the locals. Max noticed that there were a lot more Haitians there—men and women. To his dismay, when he looked a little bit closer he noticed that all of those women were whores—dresses too tight, makeup on too thick, all wearing wigs and those shopwindow stares that pulled you in—and the men were their pimps; hanging back but clocking any man who came within glancing radius of their walking ATMs.
Max bought a double rum and moved out of the bar to watch the dancers in the courtyard. A drunk marine asked him if he was military police, someone else asked him if he was CIA. A red-faced girl with gold studs in her ears held plastic mistletoe over his head and kissed him with lips wet with beer. She asked him if he wanted to dance and he said no thanks, maybe later. Her voice was pure Oklahoma. He watched her go off and do the same thing to a Haitian standing by the DJ booth. Seconds later, they were dancing close.
He felt bitter about what had happened, bitter about Carver, bitter about working for him. He didn’t care if he’d helped bring down the old man, he didn’t care that the old man was now sitting somewhere waiting for Vincent Paul to come and pass sentence. It wasn’t what he’d come here for.
The horror of what he’d seen on those tapes danced dervish-like in his head.
Before he’d shot the three kids who’d tortured Manuela he’d felt an endless hollowness in his stomach; a feeling of nothing making any difference ever again, of everything just getting worse and worse until today’s sickest crime became tomorrow’s cat-scratch. Then he remembered what he was doing there, why he’d taken the case, why he’d devoted almost two years of his life to solving it. Manuela had smiled at him. Just the once. It was when they were on the beach—he, Sandra, and Manuela. He was setting up the parasol and deck chairs. A black and white couple had strolled by hand-in-hand, and the woman had told them how cute their child was. She was pregnant. Max had looked at Sandra and Manuela sitting there together, and at that moment, for the first time, he’d wanted a family. Manuela might have read his mind because she caught his eye, looked right into him, and smiled.
He’d thought of her and only her as he’d shot her killers. The last of them—Cyrus Newbury—hadn’t gone quietly. He’d screamed and cried, pleaded for his life, recited half-remembered prayers and hymns. Max had let him beg himself weak, beg until he lost his voice. Then he blew Newbury away.
The rum had a calming effect on him. It smothered his troubles, floated them away to someplace where nothing really mattered for a while. It was good stuff, sweet painkiller.
A couple of whores in straight black wigs sidled over to him and sandwiched him, smiling. They were near-identical twins. Max shook his head and looked away. One of the girls whispered something in his ear. He didn’t understand what she was saying, the music muffled her words to all but the sharpest sounds. When he shrugged his shoulders and pulled an I-don’t-understand expression, she laughed and pointed to somewhere in the middle of the crowd. Max looked over at the clump of moving bodies—jeans, sneakers, T-shirts, beach shirts, tank tops—not seeing what he was meant to see. Then a camera flash went off. A few of the dancers were surprised and turned around to look for the source of the flash, then went back to their moves.
Max searched for the photographer from where he was, but he didn’t see anyone. The girls walked away. He stepped down on the dance floor and picked his way through the crowd to where the flash had come from. He asked the nearest dancers if they’d seen the photographer. They said no; like he, they’d only seen the light.
Max went back inside the bar to look for the girls. They were talking to two marines. Max went up to them and was going to ask about the flash, but when he looked at them, he realized that they weren’t the two girls who’d accosted him. He mumbled an apology and continued looking around the bar, but he never saw them. He asked the barman, but the barman just shrugged. He checked the bathroom area: no one. He went outside and looked up and down; the streets were deserted.
He had a few more drinks inside. He got talking to a Sergeant Alejandro Diaz, a Miami resident. Diaz was sure Max was CIA. Max played him along for quiet laughs, neither confirming nor quelling the sarge’s suspicions. They talked about Miami and how much they both missed the place. Diaz told him many of the places Max referred to—clubs, restaurants, record stores, dance halls—were long gone.
Max went off home at around three a.m., reaching his gate twenty minutes later.
He went to the living room, took off his gun holster, and slumped down on the chair.
He considered getting up and completing the journey to bed, but he couldn’t be bothered. It was too far.
He closed his eyes and fell asleep.