1. Daniel Merkur, Powers Which We Do Not Know (Moscow, Ida.: Univ. of Idaho Press, 1991).
2. Ibid.
3. J. Gelineau, SJ, “Music and Singing in the Liturgy,” in The Study of Liturgy, ed. Cheslyn Jones, Geoffrey Wainwright, Edward Yarnold, SJ, and Paul Bradshaw (New York: Oxford Univ. Press, 1992), 498.
4. Brian Payton, The Shadow of the Bear (New York: Bloomsbury, 2006).
5. Paul Shepard, The Sacred Paw (New York: Penguin, 1985).
6. Doug Peacock and Andrea Peacock, The Essential Grizzly (Guilford, Conn.: Lyons, 2006), 44, 46.
7. Peter Kivy, The Fine Art of Repetition: Essays in the Philosophy of Music (New York: Press Syndicate of the Univ. of Cambridge, 1993), 26.
8. Ibid., 27.
9. Gerald G. May, The Wisdom of Wilderness: Experiencing the Healing Power of Nature (New York: HarperCollins, 2006), 30–34.
10. John Haines, The Stars, the Snow, the Fire (Minneapolis: Graywolf, 2000), 52.
11. Mary Oliver, “Bear,” Why I Wake Early (Boston: Beacon, 2004), 41.
12. Beryl Markham, West with the Night (New York: North Point, 1942), 62–63.