Table of Contents

Introduction

Matters of Substance

An Artist Chooses

Characters: Heroes, Villains, & Victims

Situations: General vs. Routine

Inauthentic Writing: Cliché & Convenience

Melodrama & Violence

Deaths: Unearned

Sentimentality & Other Sticky Stuff

Authenticity in Realms of the Absurd

Autobiography: Its Pleasures & Perils

Autobiography: Clutter & Anecdote

Lovers, Parents, & Disappearing Narrators

End Notes

Matters of Structure

Form: No Wine Without the Glass

Plot: The Marriage of Substance & Structure

Point of View: Inhabiting Our Stories

Once Upon a Time: Beginnings

False Starts, Flashbacks, & Framing Devices

Suspense, False & Real: Dispensing Information

Set up & Pay off, Climax & Resolution

Last Thoughts on Structure

End Notes

Matters of Symbol, Myth, & Metaphor

On the Meaning(s) of Things

Titles & What They Tell Us

Streams (& Oceans) of Consciousness

End Notes

Matters of Style

Style: Nutriment, not Condiment

Plainspoken vs. Poetry & Minimalism

Worth Reading Twice: Pedestrian vs. Poetic

Overwriting, Obscurity, & Mannerisms

Tone: Violence, & Heavy Breathing

Tone: Humor, Satire, & Literary Humor

Magic & Anthropomorphism

Some Tense Choices: To Be or Not to Be

Nuts & Bolts 1: Generic vs. Authentic

Nuts & Bolts 2: Dialogue

Nuts & Bolts 3: Sentences

Nuts & Bolts 4: Words & Phrases

Other Stylistic Odds & Ends

End Notes

Matters of Soul

Water Cannot Rise Above Its Source

Starved Egos & Self-Consciousness

Technical Shortcomings

Bad Taste & Where It Comes From

Discipline: Two Kinds

End Notes

Other Matters

Getting Personal

Settings & Atmosphere

Writing Books, Workshops, & Feedback

Self-Confidence & What It Takes

Final Matters: All Our Stories Are in Us

Breaking the Rules

The Truth of Imagination

End Notes