FOUR

“JELLYROLL IS A dog.”

“Jesus Christ! A dog?” She stood up. She was about thirty-five or so. Black curly hair sprang from her head like an Afro. She wore those half-rubber, half-leather boots you see in outdoor catalogs. “Fucking typical. So who are you? Do you own this dog?”

“Yes. What’s this about?”

“Wait a minute. You’re Artie Deemer, aren’t you? Your picture’s on her dresser.” She looked me up and down with faint disapproval. “Look, this is from Billie.” She drew from her back pocket a white business envelope that maintained the curve of her ass when she handed it to me. She turned abruptly and made for the elevator.

Across the front of the envelope in her unmistakable backslanting hand, Billie had written: “To Jellyroll.” But the envelope had already been opened. Inside was a single sheet of paper folded twice. A key fell out and dropped on my boot. I picked it up and then quickly read the note. “I’m dead, darling. Get out of your chair, look in the ice tray at Acappella. Always loved you both.” What?

I turned to the messenger.

The elevator door opened. She got in. I yanked her out, much more roughly than I’d intended. She kicked me hard in the shin with those damn L.L. Bean boots, and I went down on one knee. She pulled something from her handbag, something black and cylindrical, and pointed it at me. “Keep your distance or I hose you down.” Mace. It fit her hand in a sure and practiced way, like a compact in the hand of a seventeen-year-old cheerleader.

“I’m sorry,” I said. “I didn’t mean to grab you. Okay? I’m going to stand up now. Don’t hose me.”

The elevator door closed behind her, but she pushed the button, and it opened again.

“Please don’t go,” I said. “I loved Billie. I didn’t hurt her.”

“Just stay right there.” She had a twangy accent.

“I’m sorry. I won’t touch you. I was surprised too. That’s why I grabbed you. I won’t do it again. Put that thing away.”

Just then Mrs. Fishbein came out of 12C. The frizzy-haired messenger dropped the Mace down the open flap of her handbag and stepped into the elevator. I quickly followed.

“Ar-tee!” screeched Mrs. Fishbein. “Hol’ zat car!”

I held it. What else could I do? Mrs. Fishbein dragged her stroke-warped legs into the tiny elevator with the messenger and me. Mrs. Fishbein wore a yellow poncho that made her look like a crumpled bumper car from Rye Playland. “Zo, Ar-tee, hoz’s my Jellyroll?”

“Fine.”

“I lof zat animal,” she said to the messenger, as if she’d offered any indication that she gave a shit. She glanced coldly at Mrs. Fishbein and looked away. Mrs. Fishbein didn’t care. She never noticed the response or lack of it from those she talked at. You could be dragging yourself along the sidewalk with two broken tibias and she’d tell you how, when he finally died, her husband’s brain was the size of a valnut. “I jus’ hope one zing, is all I hope. I hope you younk people nefer get olt. If it ain’t za colon, it’s za limpfiss glans.” That elevator ride seemed to take two days.

When we finally reached the lobby, the messenger pulled her hood over her hair and bolted.

“Gotta run, Mrs. F.,” I said. Ordinarily I’d have walked her to the store or at least as far as Broadway, but not today.

“Yes, you younk people run alonk.”

The messenger turned east, and I strode carefully up behind her, but I hung back when I saw her hand burrow into her shoulder bag.

“Just give me an explanation, that’s all,” I pleaded, but she kept walking, shoulders hunched against the rain. I quickened my pace and came up beside her without making any sudden moves. We walked silently to the comer.

“Billie and I were lovers,” she said.

“You were?” I said stupidly. “I didn’t know she—”

“Yeah.” She scurried across Broadway against the light. “I didn’t either.”

“What does this letter mean?”

“What it says, I guess.”

“What’s in the ice tray?”

“I don’t know.”

“You didn’t look?”

“No.”

“But you opened the letter.”

“What would you have done?”

“Why did Billie think she might die?”

“Look, what do I know? I just deliver messages to dogs.”

“There’s a place on Broadway, just a block up. Let’s get out of the rain and talk. Please.”

“Yeah, okay.”

The River Liffey used to be a grotty sports bar with a serious poker game in the back room, but Jim was a man of foresight. He recognized the neighborhood trend toward gentrification and changed his image. “Class, hoss,” he told me. “That’s how you suck in the young upscale master-blasters.” I liked it better before. Billie’s ex-lover and I took a booth away from the bar and ordered coffee.

“How did you get this note?” I asked.

“It came by bike messenger.”

“When?”

“Yesterday. There was another note that said if she should die, I should deliver the other note to Jellyroll.”

“Where is your note now?”

“I threw it away…Is she really dead?”

“I saw her body at the morgue.”

She began to cry silently.

“Did you really think she wasn’t?”

“No. I saw the headlines.” She wiped her eyes on a paper napkin. “I just hoped.”

“I don’t understand why she thought she’d be killed.”

“I don’t either. I told you.” She was squeezing back tears by sheer force of will.

“What’s your name?” I asked.

“Sybel.”

“Where did you know Billie from?”

“Work.”

“You’re a photographer?”

“No. I work in the neighborhood. Near her studio. I work for an antiques dealer across the street. She came in about a year ago looking for chairs, but we only sell to dealers. Wholesale. I told her that. We got to talking.”

“What’s the name of the antiques store?”

“Renaissance.”

“She left me about a year ago.”

“Yeah, well, she left me six months later.”

“For a man or woman?”

“For a man named Leon Palomino.”

“You’re kidding.”

“That’s his name.”

“What is he, an actor?”

“He’s a trucker. He moves valuable antiques.”

A scuffle broke out near the bar. A woman squealed, and two upscalers dressed out of the Land’s End catalog shoved at each other’s chests, Reeboks shuffling for traction.

“Quit that fightin’, hoss,” Jim shouted, but they didn’t. Jim produced a Louisville Slugger and rapped the bar with it. “Quit fightin’ or I slap you shitless.” The upscalers quit shoving each other, and the woman stomped out.

“Nice place,” said Sybel.

“It used to be. Do you know what this means? It means somebody killed Billie for a reason. I mean, as opposed to some freak who killed her for kicks.”

“No kidding?”

“Pardon me. I’m slow. You’re way ahead. You already surmised that.”

“Look, if somebody gets killed after leaving a note saying they expected it, then it’s likely not random. For all I know, you killed her.”

“Same here.”

“Right. We’ve got the basis for a beautiful relationship.”

“Do you want to look in that ice tray?”

“No, I do not. I did my part. I delivered the letter. I don’t want to hear about it again. I should have taken it straight to the police, but instead I did what Billie wanted. What else is new? Anyway, you’re on your own.”

“Maybe we could be a little less hostile for now.”

“I’m not hostile. I’m angry.”

“At Billie?”

“Sure, wouldn’t you be?”

I hadn’t even thought of that. “This Palomino person, was Billie still seeing him?”

“She dumped him, too.”

“Man or woman?”

“For his twin brother.”

“What?”

“You don’t know about Billie’s exploits?”

“No.” And I didn’t want to hear about them.

“You lived with her, right?” Sybel asked. “Oh, well, maybe she changed since then.”

“What do you think’s in the ice tray?”

“Listen to me: I don’t know anything. I’ve got to go.” She picked a dollar bill from her purse. I saw the Mace next to a fluffy stuffed whale. She laid the money beside her coffee cup.

“What kind of guys are these Palominos?”

“Freddy’s okay. Leon’s a dolt. Freddy’s wife left him, took the kids and moved to Latin America somewhere. Freddy was always kind of mopey most of the time. Vulnerable. Leon’s got these two plastic nudes standing in the back window of his Camaro. Their boobs rotate as the car moves.” She stood up.

“How can I get in touch with you?” I asked.

“Why would you want to do that?”

“In case I think of something.”

“Think fast.”

“Can I call you at Renaissance?”

“No, stay away from there.”

“Why?”

“It ties up the lines.”

“How about at home?”

She peered at my eyes, looking for angles, then rummaged in her purse for a broken Bic and a crumpled cash-register receipt. She scrawled her number. “So long, Jellyroll,” she said. Two horny yuppies at the bar discussed her ass as she walked out.

Go home, I told myself. Listen to something with Dexter Gordon in it.