Page numbers of music examples and illustrations are shown in bold.
Adorno, Theodor W. on Beethoven, 265–68, 272–75, 282, 297, 300
Beethoven: Philosophie der Musik, 273
“Beethoven’s Late Style,” 265
On Benjamin, 371n
Notes to Literature, 266
on Wagner, 101–02
Aeneid (Vergil), 122
Albrechtsberger, Johann Georg, 273
Gründliche Anweisung zur Composition, 274n, 289
Allgemeine Musikalische Zeitung, 22, 272, 275
Allgemeine Theorie der schönen Künste (Sulzer), 7, 10, 125, 135
Amenda, Karl, 172–73, 183
Bach, Carl Philipp Emanuel, 3–4, 7, 16–17, 22, 25–29, 33–37, 39, 47–49, 102–04, 113, 127–28, 154, 170, 238, 247, 251–52, 275, 293, 296–97, 301
Abschied von meinem Silbermannischen Claviere, in einem Rondo, H 272, 145–47, 148
Auferstehung und Himmelfahrt Jesu, H 777, 84
cadenzas of, 214–15
Church, composing for, 83–84, 85–86
and Diderot, correspondence with, 129–30
Die Israeliten in der Wüste, H 775, 84
Fantasia in C minor, H 75, 111–12, 119–20, 122–24, 125, 126–28, 255, 264
Fantasia in D major, H 160, 17, 113, 117
Fantasia in F# minor, H 300 [H 536], 94–95, 128, 130, 136, 137–38, 139–44
Forkel on, 7–8, 11–13, 22, 29–30, 31, 32–33, 39–40, 224–25, 244–46
Fortsetzung von Sechs Sonaten fürs Clavier von Carl Philipp Emanuel Bach (Winter), 59, 62–63
Freymäurer-Lieder, H 764, 85
Heilig, mit zwei Chören und einer Ariette zur Einleitung, H 778, 86
improvisation and, 16–17
Keyboard Trios
Claviersonaten mit einer Violine und einem Violoncell zur Begleitung, I and II, H 522–24, 531–34, 85
Trio in G, H 523, 244, 247n
Sonatas for the Harpsichord or Piano-Forte [accompanied by violin and cello], H 525–30, 85
Kurze und leichte Klavierstücke mit veränderten Reprisen, II, H 229, 50, 51–52, 53
Mozart on, 20, 75–76
Nachlaßverzeichnis, 77, 83, 94, 95
Passions-Cantate, H 776, 84
Probestücke, H 70–75, 33, 111–13, 114–15, 116–20 126, 128, 201, 214, 230, 255, 278
Rondo in A minor, H 262, 73–74, 75, 76
Rondo in B♭ major, H 267, 245
Rondo in E major, H 265, 243, 248, 259, 262
Sechs Sonaten fürs Clavier mit veränderten Reprisen, 47–49, 59
Six Collections for keyboard, für Kenner und Liebhaber, 21, 77, 86, 101, 128, 238–39, 244,
I (1779), 78–83, 88–90
II (1780), 71–75, 77
III (1781), 8, 31, 243
IV (1783), 28, 244
V (1785), 94, 249
VI (1787), 94
Sonatas for Keyboard
A major, H 186, 79, 90, 91
A major, H 270, 71–75, 105–08
B♭ major, H 211, 87–88
B♭ major, H 212, 87
C major, H 150 [156, 157], 63–64, 65, 66, 67–68. 69, 87
C major, H 244, 79
C major, H 248, 33–36, 42–46, 87
C minor, H 127, 60, 62–63
C minor, H 140, 53, 54–57
C minor, H 209, 95–96, 100, 102
C minor, H 298, 95–97, 98–100, 101–102, 109–10
E major, H 213, 87–88
E minor, H 281, 249, 261
E minor, H 287, 239–42, 257
F major, H 130, 79–80, 81–82, 83, 194
F major, H 136, 55, 57–58, 60, 61
F minor, H 173, 8, 11, 12, 13, 31, 39, 87, 88, 250, 327–28
G major, H 187, 79, 90, 92
Symphonies
Six Symphonies for String Orchestra, H 657–662, 84
Four “Orchestra-Symphonies with twelve obbligato parts,” H 663–666, 84–85
theoretical writings of, 154
unknown works of, 32–33
“Verändungen und Auszierungen,” 58–60, 66–69
Versuch über die wahre Art das Clavier zu spielen, 16–17, 113, 201, 247, 251, 255, 276, 295–96
Bach Gesellschaft, 40
Bach, Johann Sebastian, 25–26, 37, 89, 288, 293
Art of Fugue, 25, 39, 301
Chromatic Fantasy, 128
Forkel on, 39–40
Fugue in B minor, WTC I, 292, 293, 294–96, 298–99
Goldberg Variations, 301
Bach, C. P. E., on, 32
Musical Offering, 301
Bach, Maria Barbara, 39–40
Badura-Skoda, Paul, 350
Baumeister, Joseph Anton Ignaz, 223
Beethoven, Ludwig van, 4, 25, 170, 239, 274, 322, 359, 361
Adorno on, 265–68, 272–75, 282, 297, 300
“Andante favori,” WoO 57, 199n
Akademie of 22 December1808, 21
Allegretto for String Quartet in B minor, 291, 292, 308
An die ferne Geliebte, Op. 98, 236
on Bach, C.P.E., 20–22, 36, 275
cadenzas, 211, 219–32
for Mozart K 466, WoO 58, 211, 212, 224–27, 228
Der Gesang der Nachtigall, WoO 141, 236, 237
Der glorreiche Augenblick, Op. 136, 287
earliest music of, 251
Concertos for Piano and Orchestra
No. 1 in C major, Op. 15, 219, 223
No. 2 in B♭ major, Op. 19, 219–220, 223
No. 3 in C minor, Op. 37, 223
No. 4 in G major, Op. 58, 230n
No. 5 in E♭ major, Op. 73 (‘Emperor’), 223, 229–30
Concerto in D major for Violin and Orchestra, Op. 61, 222–223
Große Fuge for String Quartet, Op. 137, 220, 289–90
keyboard playing of, 254–55
late music of, 101, 265–66, 282, 301
Missa solemnis, Op. 123, 229, 233
Piano Quartets, WoO 36, 229, 250
Resignation, WoO 149, 237, 285–88, 297, 300, 302–03
Save me from the Grave and Wise, WoO 154/8, 234, 235
Sketchbooks and sketches, 16, 70, 171–87, 196–201, 208, 242, 291
Berlin: Beethoven Ms. Autogr. 11, 291
Berlin: Grasnick 2, 173n, 174, 177–78, 180–81, 185
Berlin: Grasnick 20b, 271, 272, 289
Berlin: Landsberg 6, 199n
Boldrini, 285, 286, 287–92, 297–98, 300–301
London: British Library Ms. Add. 29997, 287
London: Kafka Miscellany, 219, 225
Princeton: Scheide Sketchbook, 236
Vienna: Kessler Sketchbook, 187n, 188–191, 192, 193
Sonatas for Piano
A major, Op. 101, 15, 101, 285
A♭ major, Op 110, 263, 277
B♭ major, Op. 106 (‘Hammerklavier’), 15, 220, 233, 288
D minor, Op. 31 no. 2, 15, 187, 194–96, 198, 203–4, 206, 207
E major, Op. 109, 15–16, 268–70, 273, 277–79, 280, 283–84, 285
E minor, Op. 90, 21–22, 236–37, 239–42, 243, 244, 247, 249, 252, 255, 256, 258, 260, 279, 285
E♭ major, WoO 47, 250
F minor, Op. 2 no. 1, 250
F minor, Op. 57, 203
String Quartet in C# minor, Op. 131, 265, 267–68
String Quartet in F major, Op. 18, no. 1, 171–79, 183, 194, 208
String Quintet (fugue) in D major, Op. 137, 288–91, 297, 304–07
String Quintet (fragment) in D minor, Hess 40, 288, 290–91
Symphony No. 3 in E♭ major (‘Eroica’), Op. 55, 225–26, 327
Tagebuch, 234–36
Tieck on, 18
Trio in G major for Keyboard, Flute and Bassoon, WoO 37, 250
Bekker, Paul, 273
Benda, Georg, 86, 179, 182
Benjamin, Walter, vii–viii, 367–68, 371, 375–79
on Goethe’s Wahlverwandtschaften, 281–82, 368–70, 378
Einbahnstrasse, 367
Berg, Darrell, 59, 66–68, 87–88
Berlin, Isaiah, 3–4, 5, 7, 17, 131
on Herder, 3
Bible, 156–57, 160, 161–63
Bloom, Harold, 162, 248–49, 255
The Anxiety of Influence, 248, 255
Blumen aus Morgenländischen Dichtern gesammelt (Herder), 236
Blumenlese für Clavierliebhaber (Bossler), 250
Bode, Johann Joachim Christoph, 136, 146
Brahms, Johannes, 40, 154, 269
Brandenburg, Sieghard, 182–83, 186, 194, 200, 223
Breitkopf, Johann Gottlob Immanuel, 20–21, 71, 73, 78, 84, 88, 93–95, 100, 102, 104
Breitkopf & Härtel, 20–21, 238–39
Brendel, Alfred, 351, 361
Brown, A. Peter, 154
Burney, Charles, 33, 36, 37
A General History of Music, 36
cadenza(s), 119, 137, 212
of Bach, C.P.E., 214–15
of Beethoven, 211, 219–32
improvisation and, 215, 218
of Mozart, 213, 215–19, 224–25, 230–32
Cappi & Diabelli, 346–47
Claudius, Matthias, 32n, 129
Cooper, Barry, 187, 190–94, 196, 200, 233–34
Corneille, Pierre, 30
Cramer, Carl Friedrich, 28, 90–91, 244–46
Czerny, Carl, 270–71
Dahlhaus, Carl, 227, 241, 267, 280–81
D’Alembert, Jean le Rond, 5, 137, 168
Deiters, Hermann, 250
Diderot, Dennis, 4–6, 14–15, 118–19, 131–33, 134, 201
Bach, C.P.E., letters to, 129–30
D’Alembert’s Dream, 137–138
Conversation Between D’Alembert and Diderot, 5, 168
Jacques le fataliste, 4, 206
Kundera on, 206–7
Paradoxe sur le comédien, 118, 130–31, 133, 149
on Vernet, 135–36
“Regrets sur ma vieille robe de chambre,” 145
Salon of 1767, 135
Dostoyevsky, Fyodor, 184
Dürr, Alfred, 295
Feder, Georg, 154
Fischer, Edwin, 269
Ford, Richard, 291–92
Forkel, Johann Nikolaus, 17, 35, 85, 111, 124, 134, 241, 250, 327
Allgemeine Geschichte der Musik I, 35, 76–77, 134, 241
on Bach, C.P.E., 7–8, 11–13, 22, 29–30, 31, 32–33, 39–40, 224–25, 244–46
Bach, C.P.E., on, 76–77
on Bach, J.S., 39–40
Cramer on, 28
Göttingen lectures of, 76, 91, 93
on Liebhaber and Kenner, 93
Musikalisch-kritische Bibliothek, 29
Ueber die Theorie der Musik insofern sie Liebhabern und Kennern derselben nothwendig und nützlich ist, 76
“Ueber eine Sonate: ein Sendschreiben,” 7–13, 250
Fox, Pamela, 95
Freud, Sigmund, 37–38
Moses and Monotheism, 37
“The Moses of Michelangelo,” 38
Frimmel, Theodor von, 254n, 273–74
Gerstenberg, Heinrich Wilhelm von, 111, 120–21, 123–125, 128
“On Recitative and Aria in Italian Vocal Music,” 123
Goethe, Johann Wolfgang von, 169, 281, 318, 346, 349, 368–71, 372, 373, 378, 379
Faust I, 161–62, 169
on old age, 101
on sketching, 127, 312–13
Die Wahlverwandtschaften (Elective Affinities), 281–82, 368–71, 372–73
Gospel of John, 161–63
Greenblatt, Stephen, 124
Greuze, Jean-Baptiste, 14
Grotthuß, Dietrich Ewald von, 145
Gülke, Peter, 187
Hamann, Johann Georg, 3–7, 14, 131, 160–64, 169
Metacritique on the Purism of Reason, 6
Hamburgische unpartheyische Correspondent, 73, 76–77, 80, 87, 88–89, 94, 134
Hamlet (Shakespeare), 120–22, 124, 125, 128
Handel, George Frideric, 37
Haslinger, Tobias, 289, 290, 297, 300
Haugwitz, Paul Graf von, 286, 297, 300, 301
Haydn, Joseph, 4, 36, 194, 247, 269, 324–25
Die Schöpfung (The Creation), 153–57, 158–59, 160, 163–64, 165–67, 168–70, 207
Vorstellung des Chaos, 154–60, 163–70, 207–8
Piano Sonata in E major, Hob XVI:49, 318
String Quartet in B minor, Op. 33, no. 2 195–96, 197
String Quartet in C major, Op. 33, no. 3 195–96, 197
String Quartet in F# minor, Op. 50, no. 4, 321
Symphony in F# minor, Hob I:45 202–03, 204–05, 208
Symphony in B♭ major, Hob I:77, 246
Herder, Johann Gottfried, 6–7, 9, 36, 120, 133, 147–48, 157, 169
Aelteste Urkunde des Menschengeschlechts, 157
Beethoven’s interest in, 236
Berlin on, 3
Erläuterungen zum Neuen Testament (Commentaries on the New Testament), 162
Essay on the Origin of Language, 133, 153, 163
on grammar, 133–34
Hamlet’s soliloquy, translation of, 121
Hinrichsen, Hans-Joachim, 355, 358
Hirsch, Carl Friedrich, 273–75
Homer, 236–36
Iliad (Homer), 235–36
Jander, Owen, 173
John, Gospel of, 161–63
Kant, Immanuel, 6, 27–28, 31, 103, 160, 170, 184
Kritik der Urteilskraft, 27–28
Kinderman, William, 269, 271, 280
Kirnberger, Johann Philipp, 18, 293–296, 355
Die Kunst des reinen Satzes, 18, 294
Die wahren Grundsätze zum Gebrauch der Harmonie, 293–94
Klopstock, Friedrich, 120
Koch, Heinrich Christoph, 97
Musikalisches Lexikon, 97
Kollmann, Augustus Frederic Christoph[er], 213n, 225n, 231n
Kramer, Lawrence, 154–56
Krause, Andreas, 353
Kullak, Franz, 211n
Kundera, Milan, 184, 201, 206, 207
Küthen, Hans-Werner, 301
Landon, H.C. Robbins, 154
Leister, Joachim Friedrich, 90–91
Lessing, Gotthold Eprahaim, 29–31, 40, 120, 122, 123, 136
Laokoon, 122–23, 313
“L’Idea de’ pittori, scultori ed architetti” (Zuccari), 169
Liszt, Franz, 25
Loewe, Carl Erlkönig, 300
Luther, Martin, 29
MacIntyre, Bruce, 154
Magazin der Musik (Cramer), 244
Mandyczewski, Eusebius, 346
Mann, Thomas, 372–73, 374, 378
“Coming to Terms with Richard Wagner,” 378
Der Tod in Venedig (Death in Venice), 372–73, 379
Marx, Adolph Bernhard, 270–71
Marpurg, Friedrich Wilhelm, 289, 294–95
Abhandlung von der Fuge, 288–89, 294–95
Marston, Nicholas, 269, 271, 280
McKay, Elizabeth Norman, 350–51
Mendelssohn, Moses, 6, 121–22
“Observations on the Sublime and the Naive in the Fine Sciences,” 121
Phaedon, 121
Miller, Johann Martin, 130
Mozart, Constanze, 18–19, 318
Mozart, Leopold, 99n
Mozart, Wolfgang Amadeus, 4, 36, 76, 92, 170, 184, 194, 202, 227–29, 233 247, 252, 318–21.
Adagio in B minor, K 540, 321
on Bach, C.P.E., 20, 75–76
cadenzas of, 213, 215–19, 224–25, 230–32
La Clemenza di Tito, K 621, 238
Concertos for Piano and Orchestra, 76
in D minor, K 466, 21, 211, 223, 318
in F major, K 459, 219, 220–21, 230–31
In G major, K 453, 216, 217–218, 230
Così fan tutte, K 588, 238
Don Giovanni, K 527, 194, 238
Fantasia in C minor, K 475, 317
Fantasia in F minor, K 383C, 316–17, 331
Le Nozze di Figaro, K 492, 238
fragments of, 18–20, 312, 314–25
Menuetto in D major for keyboard, K 576b, 322–25, 324, 335–36
Piano Sonata in C minor, K 457, 319
Sonata for Piano and Violin in G minor, K 379, 250–51, 318
Sonata Movement (fragment) in C minor, K 385f, 317–22, 319–320, 332–34
String Quartet (fragment) in G minor, K 587a, 314–16, 329–330
Symphony in G minor, K 550, 246
Musikalisches Vielerley, 83
Neefe, Christian Gottlob, 249, 251–54
Zwölf Klavier-Sonaten, 253
Neumann, Frederick, 216n
Nicolai, Friedrich, 120
Nottebohm, Gustav, 242–43, 285–88, 290, 292
Novalis [Friedrich von Hardenberg], 311
Oster, Ernst, 322–23, 327
Ottenberg, Hans-Günter, 86
Panofsky, Erwin, 169
Phaedrus, 372
Plath, Wolfgang, 316
The Possessed (Dostoyevsky), 184
Racine, Jean, 30
Rang, Florens Christian, 367
Reichardt, Johann Friedrich, 27, 84, 86, 87
Rellstab, Johann Karl Friedrich, 59
Richard III (Weiße), 29–30
Ries, Ferdinand, 222
Rochlitz, Friedrich, 20
Romeo and Juliet (Shakespeare), 173, 179, 186
Romeo et Juliette (Steibelt), 173
Rosen, Charles, 155, 322
Rousseau, Jean-Jacques, 131, 133
Essay on the Origin of Languages, 133
Rudolph, Archduke Johann Joseph Rainer, 199, 223–24
Musikaliensammlung, 223
Said, Edward, 266
Schenker, Heinrich, 154–56, 276, 280–81, 282, 353
Schering, Arnold, 280
Schiedermair, Ludwig, 250
Schindler, Anton, 203–4, 206, 300
Schlegel, Friedrich, 19–20, 311–12, 313, 328, 345, 349, 357, 364
Athenäums-Fragmente, 19, 345
Schmitz, Arnold, 250
Schoenberg, Arnold,
Variations for Orchestra, Op. 31, 25
Schubert, Franz, 313, 345
Die liebe Farbe, 357
fragments of, 19–20, 312, 325–28
Nähe des Geliebten, D 162, 300, 346, 347–48, 49, 364
Sonate in A minor, D 845, 359, 362
Sonata in A major, D 959, 375–76, 376–77
Sonata in B major, D 575, 359, 360–61
Sonata in C major (‘Reliquie’), D 840, 313, 346, 349–50, 351–52, 353, 354, 355, 356–57, 358
Sonata in F minor, D 625, 313, 325–28, 351, 358–63, 337–44
Sonata in F# minor, D 571, 313, 358–63
Symphony in B minor (‘Unfinished’), D 759, 313
Tovey on, 349–50
Schwind, Moritz von, drawing of, 363
Schulz, Johann Abraham Peter, 7, 293
Schumann, Robert, 236
Six Fugues “über den Namen Bach,” Op 60, 25
Schwind, Mortiz von, 363–64
Serwer, Howard, 59, 69
Seyler Theater Company, 251
Shakespeare, William, 40, 123, 171, 179, 182, 186, 203, 206
Lessing on, 29–31
Silverstolpe, Frederik Samuel, 157
Simmel, Georg, 101
Skowroneck, Tilman, 253
Socrates, 121, 372
Stadler, Maximilian, 317–19, 321–22
Fantasie pour le clavecin ou piano-forte, 317–18
Steibelt, Daniel, 173, 182
Sterne, Laurence, 126–27, 136, 146, 201, 207
Sentimental Journey through France and Italy, 126–27, 136, 146
Sulzer, Johann Georg, 7, 10–11, 13–17, 125, 135
Süssmayer, Franz Xaver, Requiem, 321–22
Swieten, Baron Gottfried Bernhard van, 84, 86, 156, 157, 239
Temperley, Nicolas, 154
The Tempest (Shakespeare), 203, 206
Thomson, George, 233–36, 255
Tieck, Ludwig, 18
Timomachus, painting of Medea, 122–23
Tovey, Donald Francis, 155, 269, 295
on Schubert, 349–50
Trunz, Erich, 162
Türk, Daniel Gottlob
Klavierschule, 137–38, 218
Tyson, Alan, 314, 316
Unger, Max, 224n
Vergil, 122
Vernet, Joseph, 135, 206n
Vico, Giambattista, 7, 133, 169
Voss, Johann Heinrich, 120, 129–30, 235–36
Wade, Rachel, 69–70
Wagner, Richard, 378, 379
Adorno on, 101–2
Parsifal, 101–2
Wandsbecker Bothe (Claudius), 129
Weber-Bockholdt, Petra, 234
Webster, James, 155, 246
Weiße, Christian Felix, 29–30
West, Ewan, 300
White, Hayden, 103
Wiener Zeitschrift für Kunst, 286
Winckelmann, Johann Joachim, 122, 372
Reflections on the Imitation of Greek Works in Painting and Sculpture, 122
Winter, George Ludewig, 62, 69
Wolff, Christoph, 301
Zuccari, Federico, 169–70