Music Editions and Facsimiles
Bach, Carl Philipp Emanuel. Klaviersonaten. Auswahl. Vol. 3. Edited by Darrell M. Berg. Munich: G. Henle, [1989].
———. The Collected Works for Solo Keyboard by Carl Philipp Emanuel Bach. Edited by Darrell Berg. 6 vols. New York and London: Garland, 1985.
———. Carl Philipp Emanuel Bach Edition. Series I, vol. 24, Keyboard Sonatas, ed. Claudia Widgery. Oxford: Oxford University Press, 1989.
———. Kurze und leichte Clavierstücke mit veränderten Reprisen und beygefügter Fingersetzung für Anfänger von C. P. E. Bach. Berlin: George Ludewig Winter, 1766; Zweyte Sammlung, 1768. Reprint edited by Oswald Jonas. [Vienna:] Universal Edition, [1961].
———. Sechs Sonaten mit veränderten Reprisen (1760). Edited by Etienne Darbellay. Winterhur: Amadeus Verlag, 1976.
———. The Complete Works. Los Altos, California: The Packard Humanities Institute, in cooperation with the Bach-Archiv Leipzig, the Sächsische Akademie der Wissenschaften zu Leipzig, and Harvard University, 2005–.
Bach, Johann Sebastian. Neue Ausgabe sämtliche Werke. Edited under the auspices of the Johann-Sebastian-Bach Institut Göttingen and the Bach-Archiv Leipzig. Kassel and Leipzig: Bärenreiter Verlag, 1954–.
Beethoven, Ludwig van. Allegretto in h-Moll / Allegretto in B minor. Preface by Martin Bircher and an Introduction by Stephen Roe. Munich: K. G. Saur, Fondation Martin Bodmer Cologny, 2001.
———. Autograph Miscellany from circa 1786 to 1799, British Museum Additional Manuscript 29801, ff. 39–162 (The ‘Kafka Sketchbook’). 2 vols. Edited by Joseph Kerman. London, 1970.
———. Ein Skizzenbuch zu Streichquartetten aus Op. 18. Edited by Wilhelm Virneisel. 2 vols. Bonn: Beethovenhaus, 1972–1974.
———. Keßlersches Skizzenbuch. Edited by Sieghard Brandenburg. 2 vols. Bonn: Beet-hovenhaus, 1976–1978.
———. Klaviersonate e-Moll op. 90. Faksimile des Autographs. Edited with commentary by Michael Ladenburger. Bonn: Beethoven-Haus, 1993.
———. A Sketchbook from the Summer of 1800. Edited by Richard Kramer. 2 vols. Bonn: Beethoven-Haus, 1996.
———. Sämtliche Kadenzen. The Complete Cadenzas. Edited by Willy Hess. Zurich: Eulenberg, 1979.
———. Werke. Gesamtausgabe. Edited by Sieghard Brandenburg and Ernst Herttrich, on behalf of the Beethoven-Archiv Bonn. Munich: G. Henle Verlag, 1955–.
Haydn, Joseph. The Creation and the Seasons: The complete authentic sources for the Word-Books. Foreword by H. C. Robbins Landon. Cardiff: University College Cardiff Press, 1985.
———.Werke. Series 15, vol. 2, Konzerte für Klavier (Cembalo) und Orchester. Edited by Horst Walter and Bettina Wackernagel. Munich: G. Henle Verlag, 1983.
[Mozart, W. A.] Cadances [sic] Originales se rapportant a ses Concerto [sic] pour le Clavecin où Pianoforte Vienna: Artaria & Co., 1801.
[Mozart, W. A.] Cadence ou points d’orgue …Offenbach: J. André, 1804.
Mozart, Wolfgang Amadeus. Neue Ausgabe sämtlicher Werke. Kassel: Bärenreiter Verlag, 1955–.
Neefe, Christian Gottlob. Zwölf Klavier-Sonaten. Leipzig: Schwickert, 1773. Facsimile reprint, Courlay: Collection Dominantes, 2004.
Schubert, Franz. “Reliquie”: Sonata in C für Klavier D 840. Faksimile-Ausgabe nach den Autographen in Cambridge, Paris und Wien. Edited by Hans-Joachim Hinrichsen. Tutzing: Hans Schneider, 1992.
———. Klaviersonaten. Vol. 3, Frühe und unvollendete Sonaten. Edited by Paul Badura-Skoda. Munich: G. Henle Verlag, [1979].
———. Drei große Sonaten für das Pianoforte. D. 958, D. 959, und D. 960 (Frühe Fassungen). Faksimile nach den Autographen in der Wiener Stadt- und Landesbibliothek. Text and commentary by Ernst Hilmar. Tutzing: Hans Schneider, 1987.
———. Sechzehn Goethe-Lieder. Edited by Peter Hauschild. Leipzig: Peters, 1978.
———. Werke. Kritisch durchgesehene Gesammtausgabe. Series 21, Supplement. Revisionsbericht, ed. Eusebius Mandyczewski. Leipzig: Breitkopf & Härtel, 1897. Reprint, Franz Schubert’s Compete Works. Vol. 19. New York: Dover Publications; Wiesbaden: Breitkopf & Härtel, 1969.
Documents and Bibliographies
Anderson, Emily, ed. and trans. The Letters of Beethoven. 3 vols. London: Macmillan; New York: St. Martin’s Press, 1961.
———, ed. and trans. The Letters of Mozart and his Family. 2 vols. London: Macmillan; New York: St. Martin’s Press, 3rd ed., 1985.
Bach, Carl Philipp Emanuel. Autobiography [with] Verzeichniß des musikalischen Nach-lasses [see below]. Annotations in English and German by William S. Newman. Buren: Frits Knuf, 1991.
———. Briefe und Dokumente: Kritische Gesamtausgabe. Edited by Ernst Suchalla. Göttingen: Vandenhoek & Ruprecht, 1994.
———. Essay on the True Art of Playing Keyboard Instruments. Edited and translated by William J. Mitchell. New York: W. W. Norton, 1949.
———. The Letters of C. P. E. Bach. Edited and translated by Stephen L. Clark. Oxford: Clarendon Press; New York: Oxford University Press, 1997.
———. Versuch über die wahre Art das Clavier zu spielen. Part I, Berlin: Henning, 1753; and Part II, Berlin: George Ludewig Winter, 1762. Facsimile edition, ed. Lothar Hoffmann-Erbrecht, Leipzig: Beitkopf & Härtel, 1969.
———. Verzeichniß des musikalischen Nachlasses des verstorbenen Capellmeisters Carl Philipp Emanuel Bach. Hamburg: Gottlieb Friedrich Schniebes, 1790. Reprinted as The Catalog of Carl Philipp Emanuel Bach’s Estate: A Facsimile of the Edition by Schniebes, Hamburg, 1790. Annotated, with a Preface, by Rachel W. Wade. New York and London: Garland Publishing, 1981. Another facsimile, with annotations in English and German by William S. Newman, Buren: Frits Knuf, 1991.
Bartlitz, Eveline. Die Beethoven-Sammlung in der Musikabteilung der Deutschen Staatsbibliothek: Verzeichnis. Berlin: Deutsche Staatsbibliothek, [1970].
Beethoven, Ludwig van. Briefwechsel Gesamtausgabe. Edited by Sieghard Brandenburg. 8 vols. Munich: Henle Verlag, 1996–.
David, Hans T., and Arthur Mendel, eds. The Bach Reader: A Life of Johann Sebastian Bach in Letters and Documents. Revised, with a supplement. New York: W. W. Norton & Co., 1966. Revised and expanded by Christoph Wolff as The New Bach Reader. New York: W. W. Norton & Co., 1998.
Deutsch, Otto Erich. Franz Schubert. Thematisches Verzeichnis seiner Werke in chronologischer Folge. Kassel: Bärenreiter Verlag, 1978.
Helm, E. Eugene. Thematic Catalogue of the Works of Carl Philipp Emanuel Bach. New Haven and London: Yale University Press, 1989.
Hess, Willy. Verzeichnis der nicht in der Gesamtausgabe veröffentlichten Werke Ludwig van Beethovens. Wiesbaden: Breitkopf & Härtel, 1957. Edited, updated and translated from the original German by James F. Green as The New Hess Catalog of Beethoven’s Works. West Newbury, Vermont: Vance Brook Publishing, 2003.
Hoboken, Anthony van. Joseph Haydn; Thematisch-bibliographisches Werkverzeichnis. 3 vols. Mainz: B. Schott’s Söhne, 1957.
Johnson, Douglas, Alan Tyson, and Robert Winter. The Beethoven Sketchbooks: History, Reconstruction, Inventory. Edited by Douglas Johnson. Berkeley and Los Angleles: University of California Press, 1985.
Kinsky, Georg. Das Werk Beethovens: Thematische-Bibliographisches Verzeichnis seiner sämtlichen vollendeten Kompositionen. Completed by Hans Halm. Munich-Duisburg: G. Henle, 1955.
Klein, Hans-Günter. Beethoven: Autographe und Abschriften. Staatsbibliothek Preußisher Kulturbesitz, Kataloge der Musikabteilung, 1. Reihe, Band 2: Ludwig van Beethoven. Berlin: Merseburger, 1975.
Köchel, Ludwig Ritter von. Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts. Edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. 6th edn. Wiesbaden: Breitkopf & Härtel, 1964.
Mozart, Wolfgang Amadeus. Briefe und Aufzeichnungen. Gesamtausgabe. Edited by Wilhelm A. Bauer, Otto Erich Deutsch, and Joseph Heinz Eibel. 7 vols. Kassel: Bärenreiter Verlag, 1962–1975.
Schmidt, Hans. “Die Beethovenhandschriften des Beethovenhauses in Bonn.” Beethoven-Jahrbuch 7 (1971): ix–xxiv, 1–443. “Addenda und Corrigenda …” in Beethoven-Jahrbuch 8 (1975): 207–220.
———. “Verzeichnis der Skizzen Beethovens.” Beethoven-Jahrbuch 6 (1969): 7–128.
Schmidt-Görg, Joseph. “Die Wasserzeichen in Beethovens Notenpapieren.” In Beiträge zur Beethoven-Bibliographie. Studien und Materialien zum Werkverzeichnis von Kinsky-Halm, ed. Kurt Dorfmüller, 167–195. Munich: G. Henle Verlag, 1978.
———. Katalog der Handschriften des Beethoven-Hauses und Beethoven-Archivs Bonn. Bonn: Beethoven-Haus and Beethoven-Archiv, 1935.
Schubert, Franz. Franz Schuberts Werke in Abschriften: Liederalben und Sammlungen. (Neue Ausgabe sämtlicher Werke. Series 8, Supplement, Band 8, Quellen 2). Edited by Walther Dürr. Kassel: Bärenreiter Verlag, 1975.
Schulze, Hans-Joachim, ed. Dokumente zum Nachwirken Johann Sebastian Bachs. Kassel: Bärenreiter Verlag, 1972.
Solomon, Maynard. Beethovens Tagebuch. Edited by Sieghard Brandenburg. Mainz: v. Hase & Koehler, 1990.
Sotheby’s. The Pencarrow Collection of Autographs including the newly-discovered Beethoven quartet movement: London, Wednesday 8 December 1999. London, n.d.
Tyson, Alan. Wasserzeichen-Katalog. In Wolfgang Amadeus Mozart. Neue Ausgabe sämtlicher Werke, Series 10, Werkgruppe 33, Abteilung 2. Kassel: Bärenreiter, 1992.
Unger, Max. Eine Schweizer Beethovensammlung: Katalog. Zurich: Verlag der Corona, 1939.
Primary Texts and Original Sources
Albrechtsberger, Johann Georg. Gründliche Anweisung zur Composition. Leipzig: Johann Gottlob Immanuel Breitkopf, 1790.
Aristotle. Poetics. Edited and translated by Stephen Halliwell. Loeb Classical Library. Cambridge, Mass., and London: Harvard University Press, 1995.
Benjamin, Walter. Walter Benjamin: Briefe. Edited by Gershom Scholem and Theodor W. Adorno. 2 vols. Frankfurt am Main: Suhrkamp Verlag, 1978.
———. Gesammelte Schriften. Edited by Rolf Tiedemann and Hermann Schweppenhäuser, in collaboration with Theodor W. Adorno and Gershom Scholem. Frankfurt am Main: Suhrkamp Verlag, 1972–1989.
———. Illuminationen: Ausgwählte Schriften. Edited by Siegfried Unseld. Frankfurt am Main: Suhrkamp Verlag, 1955.
———. Selected Writing, I: 1913–1926. Edited by Marcus Bullock and Michael W. Jennings. Cambridge, Mass., and London: Harvard University Press, 1996.
———. The Correspondence of Walter Benjamin, 1910–1940. Edited and annotated by Gershom Scholem and Theodor W. Adorno. Translated by Manfred R. Jacobsen and Evelyn M. Jacobsen. Chicago and London: The University of Chicago Press, 1994.
Burney, Charles. A General History of Music. Vol. 2. Critical and Historical Notes by Frank Mercer. New York: Dover Publications, 1957.
———. An Account of the Musical Performances in Westminster Abbey in Commemoration of Handel. London, 1785.
———. An Eighteenth-Century Musical Tour in Central Europe and the Netherlands. Edited by Percy A. Scholes. London: Oxford University Press, 1959.
———. Tagebuch seiner musikalishen Reise. Vol. 3. Translated by C. D. Ebeling and J. J. C. Bode. Hamburg: Bode, 1773. Reprinted in facsimile as Tagebuch einer musikalischen Reise. Vollständiger Ausgabe. Edited by Christoph Hust. Kassel: Bärenreiter Verlag, 2003.
———. The Present State of Music in Germany, the Netherlands, and United Provinces. London, 1773.
Claudius, Matthias. Asmus omnia sua Secum portans, oder Sämmtliche Werke des Wandsbecker Bothen. Vol. 3. Wandsbeck, 1777. In Matthias Claudius. Werke, ed. Urban Roedl. Stuttgart: J. G. Cotta’sche Buchhandlung Nachfolger, 1954.
Cramer, Carl Friedrich. Magazin der Musik. 2 vols. Hamburg: in der Musicalischen Niederlage, 1783–1786. Reprint Hildesheim: Georg Olms, 1971.
Czerny, Carl. “Über den richtigen Vortrag der sämmtlichen Beethoven’schen Werke für das Piano allein.” Die Kunst des Vortrags der älteren und neueren Klavierkompositionen. Vienna: A. Diabelli u. Comp., 1842.
———. Erninnerungen aus meinem Leben. Edited by Walter Kolneder. Strasbourg & Baden-Baden: P. H. Heitz, 1968.
———. Systematic Introduction to Improvisation on the Pianoforte, op. 200. Edited and translated by Alice L. Mitchell. New York and London: Longman, 1983.
———. Über den richtigen Vortrag der sämtlichen Beethoven’schen Klavierwerke. Edited by Paul Badura-Skoda. Vienna: Universal Edition, 1963.
Diderot, Denis. Diderot on Art. 2 vols. I: The Salon of 1765 and Notes on Painting; II: The Salon of 1767. Edited and translated by John Goodman, with an Introduction by Thomas Crow. New Haven and London: Yale University Press, 1995.
———. Entretien entre D’Alembert et Diderot; le Reve de d’Alembert; Suite de l’Entretien. Edited by Jacques Roger. Paris: Garnier-Flammarion, 1965.
———. Jacques the Fatalist and His Master. Revised edition. Translated with an Introduction and Notes by J. Robert Loy. New York and London: W. W. Norton & Co., 1978.
———. Leçons de clavecin et principes d’harmonie, par Mr Bemetzrieder. Paris: Chez Bluet, 1771.
———. Oeuvres complètes de Diderot. Paris: Hermann, 1975–. Vol. 13 (1984): Arts et lettres (1767–1770). Edited by Jochen Scholbach with Jeanne Carriat, et al.; Vol. 29 (1983): Musique, ed. Jean Mayer and Pierre Citron, with Jean Varloot. 47–387.
———. The Paradox of Acting. Trans. Walter Herries Pollack. 11–71. [With William Archer, Masks and Faces?] Introduction by Lee Strasberg. New York: Hill & Wang, 1957.
———. Paradoxe sur le comédien précéde des Entretiens sur le fils naturel. With a chronology and preface by Raymond Laubreaux. Paris: [Garnier]-Flammarion, 1981.
———. Rameau’s Nephew and D’Alembert’s Dream. Translated with an Introduction by Leonard Tancock. Harmondsworth and New York: Penguin Books, 1966.
———. Rameau’s Nephew and Other Works. Translated by Jacques Barzun and Ralph H. Bowen. Indianapolis, New York and Kansas City: The Bobbs-Merrill Co., 1964.
———. Salons. Ed. Jean Seznec and Jean Adhémar. Vol. 2. 1765. 2nd ed., London: Oxford University Press, 1979.
———. Selected Writings on Art and Literature. Translated by Geoffrey Bremner. London: Penguin Books, 1994.
Forkel, Johann Nikolaus. “Ueber eine Sonate aus Carl Phil. Emanuel Bachs dritter Sonatensammlung für Kenner und Liebhaber in F moll, S 30. Ein Sendschreiben an Hrn. von * *.” Musikalischer Almanach für Deutschland auf das Jahr 1784: 22–38. Leipzig: im Schwickertschen Verlag, [n.d.]. Reprint, Hildesheim and New York: Georg Olms, 1974.
———. Allgemeine Geschichte der Musik. Vol. 1. Leipzig: im Schwickertschen Verlage, 1788. Reprint, ed. Othmar Wessely. Graz: Akademische Druck- u. Verlagsanstalt, 1967.
———. Allgemeine Litteratur der Musik. Leipzig: Schwickert, 1792. Reprint, Hildesheim, Georg Olms, 1962.
———. Johann Sebastian Bach: His Life, Art, and Work. Translated with notes and appendices by Charles Sanford Terry. London: Constable & Co., 1920. Reprint, New York: Vienna House, 1974.
———. Musikalisch-kritische Bibliothek. 3 vols. Gotha: C. W. Ettinger, 1778–1779. Reprint, Hildesheim: Georg Olms, 1964.
———. Ueber die Theorie der Musik in so fern sie Liebhabern und Kennern nothwendig und nützlich ist. Göttingen, 1777; unauthorized reprint in Cramer, Magazin der Musik, I: 855–912 (Hamburg, 1783).
———. Ueber Johann Sebastian Bachs Leben, Kunst und Kunstwerke. Leipzig: Hoffmeister und Kühnel, 1802. Facsimile edition, with commentary by Axel Fischer. Kassel: Bärenreiter, 1999.
Freud, Sigmund. “The Moses of Michelangelo.” Vol. 8, The Standard Edition of the Complete Psychological Works of Sigmund Freud. Translated and edited by James Strachey, in collaboration with Anna Freud, assisted by Alix Strachey and Alan Tyson. London: The Hogarth Press and the Institute of Psycho-Analysis, 1955.
———. Moses and Monotheism. Translated by Katherine Jones. New York: Vintage Books, n.d.
———. On Creativity and the Unconscious: Papers on the Psychology of Art, Literature, Love, Religion. Selected, with Introduction and Annotations by Benjamin Nelson. New York: Harper & Brothers, 1958.
———. Studienausgabe. 11 vols. Edited by Alexander Mitscherlich, Angela Richard, James Strachey, and Ilse Grubrich-Simitis. Frankfurt am Main: S. Fischer Verlag, 1969–79.
Goethe, Johann Wolfgang von. Goethes Werke: Hamburger Ausgabe in 14 Bände. Munich: C. H. Beck, 1981.
———. Elective Affinities. Translated by R. J. Hollingdale. Harmondsworth, Middlesex: Penguin Books, 1971.
Hamann, Johann Georg. “Metacritique on the Purism of Reason.” In What Is Enlightenment? Eighteenth-Century Answers and Twentieth-Century Questions, ed. and tr. James Schmidt, 154–167. Berkeley, Los Angeles, London: University of California Press, 1996.
———. “Metakritik über den Purismum der Vernunft.” In Mancherley zur Geschichte der metakritischen Invasion, ed. F. T. Rink, 120–134. Königsberg, 1800.
———. Briefwechsel. Edited by Walther Ziesemer and Arthur Henkel Wiesbaden: Insel-Verlag, 1957.
Herder, Johann Gottfried. Abhandlung über den Ursprung der Sprache. [Berlin: Christian Friedrich Voß, 1772.] Herder, Sämtliche Werke, vol. 5 (1891).
———. Aelteste Urkunde des Menschengeschlechts. Vol. 1. [Riga: Johann Friedrich Hart-knoch, 1774.] Herder, Sämtliche Werke, vol. 6 (1883).
———. Erläuterungen zum neuen Testament. Riga: Johann Friedrich Hartknoch, 1775. Herder, Sämtliche Werke, vol. 7 (1884).
———. On the Origin of Language (Jean-Jacques Rousseau, “Essay on the Origin of Languages”; Johann Gottfried Herder, “Essay on the Origin of Language”). Translated, with afterword, by John H. Moran and Alexander Gode. Chicago and London: University of Chicago Press, 1966.
———. Sämtliche Werke. Edited by Bernhard Suphan. Berlin: Weidmann,, 1877–1913. Reprint, Hildesheim: Georg Olms, 1967.
Kant, Immanuel. “An Answer to the Question: What Is Enlightenment?” In What Is Enlightenment? Eighteenth-Century Answers and Twentieth-Century Questions, ed. and tr. James Schmidt, 58–64. Berkeley, Los Angeles, London: University of California Press, 1996.
———. “Beantwortung der Frage: Was ist Aufklärung?” Berlinische Monatsschrift 4 (1784): 494.
———. Gesammelte Schriften: Akademie Ausgabe. Vol. 8. Berlin, 1923.
Kirnberger, Johann Philipp. Die wahren Grundsätze zum Gebrauch der Harmonie, … als ein Zusatz zu der Kunst des reinen Satzes in der Musik. Berlin and Königsberg: G. J. Decker und G. L. Hartung, 1773. Reprint, Hildesheim and New York: Georg Olms, 1970.
Koch, Heinrich Christoph. Musikalisches Lexikon. Frankfurt am Main: August Hermann dem Jüngern, 1802. Reprint, Hildesheim: Georg Olms, 1885.
Kollmann, Augustus Frederic Christoph[er]. An Essay on Practical Musical Composition. London: “printed for the author,” 1799. Reprint, with a new introduction by Imogene Horsley. New York: Da Capo, 1973.
Lessing, Gotthold Ephraim. Hamburg Dramaturgy. Translated by Helen Zimmern, with a new Introduction by Victor Lange. New York: Dover Publications, 1962.
———. Hamburgische Dramaturgie. 2 vols. Hamburg: In Commission bey J. H. Cramer, in Bremen, 1769. Reprint in Sämtliche Schriften, IX (1893): 1–177.
———. Laocoön: An Essay on the Limits of Painting and Poetry. Translated by Edward Allen McCormick. Baltimore: John Hopkins University Press, 1984.
———. Laokoon oder über die Grenzen der Mahlerey und Poesie. Mit beyläufigen Erläuterungen verschiedener Punkte der alten Kunstgeschichte. Berlin: Christian Friedrich Voß, 1766. Reprint in Sämtliche Schriften, IX (1893): 179–406; X (1894): 1–221.
———. Sämtliche Schriften. 3rd ed. Edited by Karl Lachmann. Stuttgart: G. J. Göschen’sche Verlagshandlung, 1886–1924. Reprint, Berlin: Walter de Gruyter & Co., 1968.
Mann, Thomas. Death in Venice. Translated by David Luke. New York: Bantam Books, 1988.
———. Death in Venice. Translated by H. T. Lowe-Porter. New York: Alfred A. Knopf, 1930.
———. Death in Venice. Translated by Joachim Neugroschel. New York: Viking, 1998.
———. Der Tod in Venedig. Vol. 8, Gesammelte Werke in dreizehn Bänden: Erzählungen; Fiorenza; Dichtungen. Frankfurt am Main: S. Fischer, 1960/1974.
———. Letters of Thomas Mann 1889–1955. Selected and translated by Richard and Clara Winston. New York: Alfred A. Knopf, 1971.
———. Pro and Contra Wagner. Edited by Patrick Carnegy. Translated by Allan Blunden. Chicago: The University of Chicago Press, 1985.
Marpurg, Friedrich Wilhelm. Abhandlung von der Fuge nach den Grundsätzen und Exempeln der besten deutschen und ausländischen Meister entworfen. 2 vols. Berlin: A. Haude and J. C. Spener, 1753–54. Reprint, Hildesheim and New York: Georg Olms, 1970.
———. Historisch-Kritische Beyträge zur Aufnahme der Musik. Vol. 2. Berlin: Gottlieb August Lange, 1756. Reprint, Hildesheim and New York: Georg Olms, 1970.
Mendelssohn, Moses. “Betrachtungen über das Erhabene und das Naive in den schönen Wissenschaften.” In Bibliothek der schönen Wissenschaften und der freyen Künste. Vol. 2, 2tes Stück. Leipzig: Johann Gottfried Dyck, 1758. Reprinted in M. Mendelssohn. Gesammelte Schriften. Vol. 1, Schriften zur Philosophie und Ästhetik I:203. Berlin: Akademie-Verlag, 1929.
———. Phaedon[,] oder über die Unsterblichkeit der Seele[,] in drey Gesprächen. Berlin und Stettin: Friedrich Nicolai, 1767. Reprinted in Gesammelte Schriften. Vol. 3, Teil 1, Schriften zur Philosophie und Ästhetik, 37–128. Berlin: Akademie-Verlag, 1932.
———. Philosophical Writings. Translated and edited by Daniel O. Dahlstrom. Cambridge: Cambridge University Press, 1997.
———. Philosophische Schriften. Vol. I (Berlin: Christian Friedrich Voß, 1761; verbesserte Auflage, 1771). Reprinted in Gesammelte Schriften 1: 468–469.
Mozart, Leopold. A Treatise on the Fundamental Principles of Violin Playing. Translated by Editha Knocker. London, New York, Toronto: Oxford University Press, 1951.
———. Versuch einer gründlichen Violinschule. Augsburg: Johann Jacob Lotter, 1756.
Neefe, Christian Gottlob. Dilettanterien. [n.p.], 1785.
Nicolai, Friedrich. Allgemeine deutsche Bibliothek. 1788.
Reichardt, Johann Friedrich. Briefe eines aufmerksamen Reisenden die Musik betreffend. Vol. 2. Frankfurt and Breslau, 1776.
———. Briefe, die Musik betreffend: Bericht, Rezensionen, Essays. Edited by Grita Herre and Walther Sigmund-Schultze. Leipzig: Verlag Philipp Reclam jun., 1976.
———. Musikalisches Kunstmagazin, I. Berlin: Im Verlage des Verfassers, 1782. Reprint, Hildesheim: Georg Olms, 1969.
———. Ueber die deutsche komische Oper nebst einem Anhange eines freundschaftlichen Briefes über die musikalische Poesie. Hamburg, 1774.
Rousseau, Jean-Jacques. Essay on the Origin of Languages and Writings Related to Music. Vol. 7, The Collected Writings of Rousseau. Edited and translated by John T. Scott. Hanover, N.H., and London: University Press of New England, 1998.
Schenker, Heinrich. Das Meisterwerk in der Musik: Ein Jahrbuch. 3 vols. Munich, Vienna, Berlin: Drei Masken Verlag, 1925–1930. Reprint. 3 vols. in 1. Hildesheim: Georg Olms, 1974. English as The Masterwork in Music. 3 vols. Edited by William Drabkin. Cambridge and New York: Cambridge University Press, 1994–1997.
———. Beethoven, die letzten fünf Sonaten. Sonate E dur Op. 109. Kritische Ausgabe mit Einführung und Erläuterung. Vienna: Universal-Edition, 1913. Reprinted as Beethoven: Die letzten Sonaten. Sonate E Dur Op. 109. Kritische Einführung und Erläuterung, ed. Oswald Jonas. Vienna: Universal Edition, 1971.
Schindler, Anton Felix. Beethoven As I Knew Him. Edited by Donald W. MacArdle. Translated by Constance S. Jolly. Chapel Hill and London: The University of North Carolina Press, 1966.
Schlegel, August Wilhelm. “Ueber Zeichnungen zu Gedichten und John Flaxmans Umrisse.” In Athenäum, 2:193–246. Berlin 1798–1800.
Schlegel, Friedrich. “Athenäums-Fragmente.” In Kritische Friedrich-Schlegel-Ausgabe, ed. Ernst Behler et al. Vol. 2, Charakteristiken und Kritiken 1 (1796–1801). Munich, Pader-born, Vienna: Ferdinand Schöningh, 1967.
———. Dialogue on Poetry and Literary Aphorisms. Edited and translated by Ernst Behler and Roman Struc. University Park: Pennsylvania State University Press, 1968.
———. Friedrich Schlegel’s Lucinde and the Fragments. Translated by Peter Firchow. Minneapolis: University of Minnesota Press, 1971.
Shakespeare, William. The Norton Shakespeare, Based on the Oxford Edition. Edited by Stephen Greenblatt. New York and London: W. W. Norton, 1997.
Smollett, Tobias. Travels through France and Italy. 1766. Critical edition prepared by Frank Felsenstein. Oxford: Oxford University Press, 1979.
Sterne, Laurence. A Sentimental Journey through France and Italy by Mr. Yorick. 1768. Edited with an introduction by Ian Jack. Oxford and New York: Oxford University Press, 1968.
———. A Sentimental Journey through France and Italy and Continuation of the Bramine’s Journal: The Text and Notes. Edited by Melvyn New and W. G. Day. Vol. 6 in The Florida Edition of the Works of Laurence Sterne. Gainesville: University Presses of Florida, 2002.
Sulzer, Johann Georg. Allgemeine Theorie der Schönen Künste. Neue vermehrte zweite Auflage. 4 vols. Leipzig: Weidmann, 1792–1794. Reprint, Hildesheim: Georg Olms, 1970.
Türk, Daniel Gottlob. Klavierschule oder Anweisung zum Klavierspielen für Lehrer und Lernende. Leipzig: Schwickert; and Halle: Schwetschke, 1789. Facsimile reprint, Kassel: Bärenreiter, 1997.
———. School of Clavier Playing: or Instructions in Playing the Clavier for Teachers & Students. Edited and translated by Raymond H. Haggh. Lincoln & London: University of Nebraska Press, 1982.
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