PRELUDE, ANAHEIM HILTON

Staring out the window of my rented room

I am on hold with the bank

when over the muffled din

of Musak I realize there is no place

on earth less amenable to poetry

than the Anaheim Hilton.

The nameless instruments

intended to sooth

remind me of nothing. They are allies

to the mirage of heat radiating

off the asphalt and irrigated turf.

Cartoons in place of an orchard.

The canvas constructed stalls

in the flea market across the street

waver in the hot wind—old men

are selling toys and tires of unknown origin.

Screams from the white kids

in the hotel pool rise over screams

from the Mexican kids in the dusty parking lot.

I’m getting out. I’m hanging up.

One last shuttle ride to the happiest place

on earth. One last thigh-to-thigh

bounce-bounce with sweaty strangers

and their deflated, day-after-Christmas kids.

One last glance

at the driver’s lined forehead

in the rearview mirror.