simultaneously orange and violet
(though my eyes are closed), is
either my inner color (that covered mirror)
or simply dusk.
An opaline sheet
pulled because the night is ashamed
to come in front of everyone,
blacking out in joy.
Too shy to spill its milk on the stained
tablecloth of strangers
as I have. When it’s finally dark
outside, it’s finally
loose inside and the doubleness
of things seems too true to be good:
my way and the highway.
Night. It has two hands
I can use. Its fingers in a plum
too ripe not to split.
I had to split it. It was so much
itself—bloody flesh,
wild purple skin. A fistful
so lush it was almost imaginary,
smelling of love, it didn’t matter whose.