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Tomorrow, and tomorrow, and tomorrow, Creeps in this petty pace from day to day ...

—SHAKESPEARE

Autumn — The Present

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The weeks pass, one into the other, unfolding gently. In the mornings Ross runs then joins Emily for breakfast in the Florida room, a windowed space which invites in the sunlight. They read the morning paper and glance up occasionally to glimpse the slow habitual stirrings of life in Happy Hills.

The first to pass their place each day is Mrs. Olive Livingstone, a spry old bird with blue hair who strides by purposefully in a pink track suit and matching sneakers accompanied by her companion of years, an ageing grey schnauzer badly misnamed with the appellation of ‘King’. King’s stubby limbs work furiously keeping up with the swinging strides of his mistress. He bounces along courageously thinking dog thoughts, no doubt, of the food bowl awaiting him at the end of his daily trial.

Afterward comes the gaggle of women Jimmy White calls the “shuffle demons”. They have gathered gradually: first one, then the next calling at each porch until there are five or six of them. They stroll slowly down the middle of the road gossiping; pointing out to each other things of interest on their route: new lawn ornaments, curtains in windows, garden hoses left out overnight, whose grass is not cut. They point toward Ross and Emily’s home and whisper as they pass. They cannot see inside, the morning sun’s glare on the windows prevents them. A car comes down the roadway. The women shuffle out of its way, averse to having their promenade interrupted by its effrontery. As it passes they give the driver hard looks then fill up the roadway again in its wake.

A little later the men appear; those who have not already left to play golf. If Ross is outside working on something, he can depend on their advice. They saunter along the sidewalk stopping often to talk in carports. They cross and re-cross the street in search of conversation. They wear straw hats and white shoes.

In the afternoons when the sun is hot the streets are empty. While their neighbours collect at the pool, Ross and Emily remain mostly at home. They sit in lawn chairs relishing the quiet, sipping iced tea, allowing the day its slow, lazy passage. Ross is well stocked now with local history. He has read more on the Calusa and found a brief biography of Juan Ponce de Leon. He wonders what kind of man the Spaniard might actually have been. Though he’d possessed a reputation and significance in his time, he is but a footnote in history, and an odd one indeed.

In search of the fountain of youth.

Myth and history are such intimates.

Jimmy White often visits. Maggie takes her afternoon nap and he casts about for something to do. He and Emily get on well. Jimmy tells her stories. They sit in the shade of the orange tree. The soft peals of Emily’s laughter make Ross glance up from his book. She is so much better now. The sunshine and rest and Jimmy have each taken turns to rejuvenate her. So Ross’ fears have faded. Not gone, never gone, they weigh like pebbles in his sack of hope which will never completely empty.

He recalls a time, like myth and history, both joyful and yet bewildering to him. It was when they’d brought baby Robbie home from the hospital. Emily was glowing. Ross was strangely jealous. He felt himself an intruder upon her joy with this interloper suckled to her while he ... waited ... looking over her shoulder, apart; yet a part. The baby was the foreign one yet Ross felt redundant. Then Emily had handed him the child. Suddenly, in his arms in that instant he had found enchantment. From envy to love in a breath. It had crossed to him through their son. Their son.

I was such a boy then.

If he had the chance to live his life again, he thought, he would somehow try to slow it all down, discover more of its significant moments as he had with baby Robbie. He’d hurried through life, he thought. He’d been so busy planning his future, not just his own but his son’s, his students’, his colleagues’, his Emily’s ... He had not really lived it to the full.

It comes to him now in its pieces. He remembers moments which represent years. He knows the history of mankind better than his own history. He can call upon facts, recognise movements, comprehend rises and falls of nations, and yet cannot clearly recall his life. Once he’d taught the past to the future, as a teacher to his students. Perhaps he should have concentrated on the present. He knows Emily does that now. She gathers each day to herself as a gift. She lives every precious moment as she did once with Robbie.

And just then he sees what he is doing to her. He is the one interceding to steal away her each day. He is the one with his drawn face and patronization which must remind her of her disease. He realizes he must be more like Jimmy. He knows why she likes him. Emily says he is full of life.

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The days pass into evenings. They go to bed and Ross listens to the silence. Ross tries to sleep but sleep evades him; yet when he does fall asleep it turns on him. The dreaded dream slithers in, reptilian, hissing: the car, the dank track of trees with limbs that reach through the window caressing his arm, leaving scratches, the voice beside him, behind, all around.

“Don’t go in there, Ross, you’ll be alone don’t go in there, Ross, don’t go in.”

Pushing through moss and into the tunnel. There are flowers amid the twisting green stems, though they seem to move, seem to disappear when they shouldn’t then reappear somewhere else. Sometimes they look like melting flowers, sometimes tongues, human tongues ... then the muck. Umbrous rivulets trickle like blood. There is the flat stink of snakes.

Snakes?

His eyes snap open. Moonlight silhouettes the branches of the orange tree outside their window. A breeze moves the branches. They begin to writhe.

Enough.

“Where are you going?” Emily mumbles as he gets out of bed.

“Can’t sleep.”

“You’re not well?”

“It’s just, it’s three in the morning and I can’t sleep. I’ve been tossing and turning.”

“What’s wrong?”

“Nothing’s wrong! I just can’t sleep. I’ll make some tea.”

“I’ll get up with you.”

“Maybe I should sleep in the other bedroom for a while,” he mutters.

“Tonight, you mean.”

“No. Until I adjust. I don’t want to keep disturbing you, Em. It’s not fair.”

“All the years we’ve been married we’ve never slept in separate beds.”

“I just can’t sleep!” Hollow, helpless voice.

The dream drifts away. He turns on the light. She does not know what writhes inside him. She is sharp with him. She knows nothing of his dreams.

“You’re not active enough,” she says.

“I’m running every day,” he answers, dispersing shadows.

“You need something more. It’s time you met some people here.”

“They’re old, for Chrissake!”

“Did you know there’s a group that plays tennis every morning?”

“No. How could I?”

“There’s a notice posted on the board in the hall. They’re looking for partners.”

“How did you find out?”

“I went up and looked. I asked you to come but you were buried in your book.” Her voice has gone flat; she is angry. “There’s a bridge league. I’d like to join.”

“You know I don’t like cards.”

“Alone.” The retort was sharp.

“Why haven’t you then?”

“Because I’m living with a martyr. Have you any idea how that makes me feel?”

“That’s not fair,” he says, knowing it is true.

“At home we didn’t spend this much time together. For heaven’s sake, Ross, if we keep this up we’ll have nothing left to say to each other. I know why you’re doing it. I love you for it. But you have to find time for yourself.”

“Is that what you want?”

“Unless you want to keep waking up every night.”

“That’s not all there is to it!”

“I know that. But we have to live, Ross. If we dwell on my cancer all the time, I might as well be dead now.”

“Don’t say that.”

“It has to be said.”

“Just tell me what you want,” he says.

“You make me feel selfish. I don’t want to feel that way. Not now.”

He can feel she is close to tears. He has done this to her. He forces some calm on himself. It is not easy. Suddenly he finds himself rigid in his attempts to answer.

“I see,” he says.

“I hope so. I hope you don’t think me ungrateful.”

“No.”

“Talk to me, Ross.”

So he lies with the truth. He says she has helped him. He speaks like an automaton and knows she knows it. There is no other way to reveal his fears. He must have no fears in her presence. He stops talking knowing how each word affects her. He turns off the light and rolls over, eyes open, wondering what in the world he will do without her.

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The next day he joins the men’s tennis league. They meet every weekday at nine. There are seven. Ross makes a welcomed eighth. He replaces someone named Dan whom all the men liked and who died of a stroke just a few weeks before. At first Ross is uncomfortable with this but the men seem pleased he has joined them. They speak warmly, but not often, of Dan. It is as if Dan has simply moved on.

Al Watson greets him at the court gate, a big, bluff man who smiles openly and often. He is the volunteer convenor of the group. He introduces Ross to the others, in particular to Colin Lofthouse who will be Ross’ partner in doubles. Instantly Ross likes him. Colin is a soft spoken man who looks down after shaking hands. This lick of shyness attracts Ross to him. He is balding, round-faced and wears horn-rimmed glasses. His hands are thick, their backs covered with greying hair that runs like fur up his forearms disappearing into the sleeves of his T-shirt. Ross thinks of him as bear-like: stocky, taciturn and in tennis surprisingly quick on his feet.

Some of the men are actually only little older than Ross and he is pressed hard to play at their level. One particular fellow whom the others refer to as ‘dad’ plays with such expertise he nearly runs Ross ragged. Ross discovers later his name is Art Hedges. He is seventy-seven and he likes a beer after playing.

They play without the competitiveness which affects younger men. At one point in their match they hear cheering when Ross makes a point. Looking over, Ross sees Darlene from the office. She wears her usual skimpy clothing and is accompanied by another, very thin girl who accentuates Darlene’s voluptuousness. Colin comes to his side.

“Seems you’ve got a fan club,” he says. “This hasn’t happened before.”

“What do you mean?” Ross asks quietly.

“Just watch out for that girl. Got a bit of a reputation and her father, you know, is the park manager and chief inquisitor for the committee.”

“I’ve done nothing to encourage this,” Ross says.

“It’s not about you. It’s her. Be careful, that’s all.”

When they finish they walk to the club house for lemonade and Art has a beer. They rehash their morning’s game and jibe at each other with easy humour. They ask where Ross comes from, any kids, what he did in what they call ‘real life’ and in turn tell about themselves. Nothing remarkable. Nothing intense. Just the easy glow of men talking. Ross discovers himself relaxing within their straightforward camaraderie despite his new reservations regarding Darlene.

Ross arrives home to find Emily departing for bridge. She is bustling and cheerful and throws him a kiss as she leaves. Her hands gesture in that carefree manner he hasn’t seen for a year. He takes a shower and has some lunch. He sits in the backyard under the orange tree reading a little of Juan Ponce de Leon. Strange, he thinks. Myth or history. An explorer and a professional soldier. This was a man who had given Florida its name. He had deduced the existence of the Gulf Stream, a nautical wonder. He had been a governor of colonists and a captain-general of conquistadors. He was grouped with those infamous men like Pizarro, Cortez and Balboa; a list of conquerors searching out new lands then despoiling them. Ross wonders what forces gathered to create men like that?

Did they ever think of time passing?

A butterfly flutters above the book. It lands on the spine, curtailing his thoughts with its beauty. It is golden and warm like the day. A cardinal whistles a melodic song just above him. Glancing up he glimpses a scarlet flash in the foliage of the orange tree. He turns again to the book, closes it, shuts his eyes and lies back on the lawn chair.

In his mind a fireplace is crackling within their old, warm living room up home. Little Robbie sleeps on the rug by the fire and, curled up beside him, the cat is licking the boy’s fingers. Candlelight brushes the room in a coppery glow. It gives Emily’s face a soft radiance. It makes of Robbie and his calico friend a painting. Ross breathes the aroma of maple smoke and contentment.

All days should be like this one.

Myth and history.