Karen J. Renner
Evil Children in the Popular Imagination
Karen J. Renner
Northern Arizona University, Flagstaff, Arizona, USA
ISBN 978-1-137-60321-0 e-ISBN 978-1-137-59963-6
DOI 10.1057/978-1-137-59963-6
Library of Congress Control Number: 2016955705
© The Editor(s) (if applicable) and The Author(s) 2016
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Cover illustration: Day of the Dead girl over toys, July 2011 © Brit Bentine, Locked Illusions Photography
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Acknowledgments
A big, huge thank you goes out to the following:
  • Gina Barreca and Margaret Mitchell, for giving me the opportunity to guest-edit a special issue on this topic for Lit: Literature Interpretation Theory , and Tara Harney-Mahajan, who oversaw the whole process from start to finish. Gina, I know the topic of evil children came out of a conversation that we had in your office; for the life of me, I can’t remember a word of it, but it must have been a good one—as our conversations always are. This book wouldn’t exist without you;
  • Bob Baronas, who has patiently sat by my side and watched enough bad horror movies in the past five years to last a lifetime;
  • my brother, Michael Renner, who got me into horror in the first place, and my Mom and Dad, who always support my weirdness;
  • Kristen Gregory, who enrolled in the first evil children class I ever taught and then taught me endlessly about the subject and read over the manuscript;
  • Scot Carpenter, who also read the whole damn thing, and Jan Carpenter, who never hesitated to talk about the subject;
  • all of the amazing students at NAU who enrolled in “Evil” Children in Literature and Film or sent me references, especially Stormi De Silva, Lenore Hipsher, Jack McKever, Jessie Gardner, and Ben Wake;
  • colleagues and friends who have been especially generous with their support over the years: Peter Baldwin, Jeff Berglund, Richard Bleiler, Monica Brown, Anna Mae Duane, Angela Hansen, Steffen Hantke, Susanne Kord, Mara Reisman, Cathy Schlund-Vials, Greg Semenza, Kate Capshaw Smith, Hans Staats, Erin Stalcup, Chris Vials, and Nicole Walker;
  • Brit Bentine, the genius behind Locked Illusions Photography, who was kind enough to donate the coolest photograph EVER for the cover, Kairi, the model in that cool photograph, and Kairi’s cool mom, Jennifer;
  • so many supportive folk in the English department and the College of Arts and Letters at NAU;
  • and the staff in Document Delivery Services at NAU, who must surely think I’m certifiable by now but haven’t (yet) alerted the authorities.
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