Tackling a wide range of subjects from prominent directors, popular genres and current trends through to cult films, national cinemas and film concepts and theories. Kamera Books come complete with complementary DVDs packed with additional material, including feature films, shorts, documentaries and interviews.
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Silent Cinema Brian J. Robb A handy guide to the art of cinema's silent years in Hollywood and across the globe. 978–1–904048–63–3 |
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Dalí, Surrealism and Cinema Elliott H. King This book surveys the full range of Dalí's eccentric activities with(in) the cinema. 978–1–904048–90–9 |
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East Asian Cinema David Carter An ideal reference work on all the major directors, with details of their films. 978–1–904048–68–8 |
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David Lynch Colin Odell & Michelle Le Blanc Examines Lynch's entire works, considering the themes, motifs and stories behind his incredible films. 978–1–84243–225–9 |
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→ Accompanying DVD features Paul Cronin's Film as a Subversive Art: Amos Vogel and Cinema 16, a documentary profile about the founder of the New York Film Festival and America's most important film society → Includes previously unpublished interviews with Jill Sprecher (Clockwatchers), James Mangold (Walk the Line) and Guy Maddin (The Saddest Music in the World) |
D. K. Holm
D. K. Holm aims to define a term all too carelessly used both by media commentators and marketers, and distinguish it from categories such as avant–garde, underground, experimental or 'art' films, with which it is often confused.
By contrasting studio–era Hollywood with changes in the business since the 1970s, and the rise of companies such as Miramax and New Line, it shows the birth of a commercial environment in which the new independent cinema can emerge.
Profiles of specific filmmakers such as Guy Maddin, Jill Sprecher and James Mangold suggest how diverse personalities use independent cinema for individual ends.
978–1–904048–70–1