When she awoke, they were rolling through a row of boutiques and storefronts that seemed too weathered and dilapidated for a city in which literally everything was new. Zoey wondered if they’d been built in that style, artificially aged to imitate the feel of some artsy neighborhood in New York. The Ballistic Couture shop really did look like it was floating—the shop itself was done in olive green, to look like an armored military headquarters. The first floor, however, was a wraparound LED screen programmed to always show the view from a camera on the opposite side of the building. Zoey could see people walking past on the sidewalk behind it, as if the shop was hovering ten feet off the ground.
The first sign that something was wrong was when they turned in and were greeted by a sight that was common in every city but Tabula Ra$a: police cars. One squad car with red and blues flashing, another unmarked sedan next to it with a light on its dash. Standing next to the latter and tapping things into a tablet was Kowalski. He glanced up at the truck as it approached and motioned for it to turn around. When it stopped and he saw who was climbing out, he looked mildly annoyed, like his day had just gotten a little harder.
There was smoke drifting out of the main entrance of the shop.
Zoey stepped out and immediately thought, Soare cu Dinti. It’s a Romanian phrase a social worker had taught her years ago—it meant a day that looks bright and inviting when viewed through a window, in which the air is actually cold enough to burn your face when you step out into it. It translated literally to “Sun with teeth,” unless the woman had been lying to her. For some reason, that phrase kept bouncing around in her mind as she walked up to the squad cars, watching a pair of uniformed cops stretching crime scene tape across the building entrance, which appeared to be a free-standing door without walls to hold it up. She glanced back at the truck and noted that the current disguise was that of a diaper-cleaning service.
Kowalski looked up at the approaching Suits and said, “This ought to be good.”
Zoey said, “So, are the police back in business?”
Kowalski said, “For those who pay. Aziza Richards was paying. Figure the least we could do was work the scene.”
Budd asked, “Where’s she now?”
“That depends on whether you believe in the existence of the human soul, Budd. Perhaps she is in Heaven, making bulletproof tunics for the angels themselves. But me, I’m pretty sure she’s just a pile of guts splattered on her office wall.”
Zoey let out a gasp of horror. Will let out a sigh of annoyance.
Andre said to Zoey, “It was still a good idea. Just had it a couple hours too late, that’s all.”
Kowalski said, “You here to see me, or were you here to see the pile of guts?”
Will said, “The guts. She was making gear for Molech, I guess he took delivery of the finished product and decided to … sever the relationship. Hell, maybe he just didn’t want to pay.”
Zoey said to Kowalski, “There you go, crime solved. Go arrest Molech.”
Kowalski shrugged. “Eh, this feels like a ‘self-cleaning oven’ type situation to me.”
Will said, “We’re going inside.”
“It’s a room full of smoking offal, Will. You’re just going to get it all over your shoes.”
“Did you see a phone in there? I want to see if there’s correspondence with Molech, anything that could give us an edge.”
“Oh, so you’re still trying to fight this guy. Got it. You have any special requests for me for when I process your corpse tomorrow? And don’t ask us not to make fun of your dick, because we do that with every body that comes through, it’s how we cope.”
Will ignored him, already heading toward the front door. He turned to Zoey and said, “You don’t want to see this. Watch the truck.” And that, of course, meant she had to go in.
She didn’t throw up at the sight of the charred, bloody remains—she’d braced herself for that. She also didn’t throw up at the smell, though that was a close one—no one had warned her that when you explode a person’s body, all of the feces spills out, and no one could have accurately described what that smells like when mixed with the stench of burning hair. No, she managed to hold it together right up until she saw the photos.
The first room was a reception area with a black marble desk, behind it was the entrance to the spacious production floor beyond. Molech, or his men, had picked up their order and then simply killed every single person on their way out, including the receptionist at that front desk. You could tell nothing about the victim from what was left, but the photos on the desk told the story. Middle-aged woman, had looked like a schoolteacher. She had a husband who looked like a chubby accountant, and they had four children. Two boys, two girls. Oldest was in his early teens, youngest was kindergarten age, and adopted—an adorable Chinese girl. The largest photo was one of those posed photographs you can get done at the mall, everyone in their Sunday best in front of a generic backdrop. Only the photo she had kept was the one in which everyone had broken their pose—the baby of the group had spontaneously reached up and stuck a finger in her big sister’s nose, and the photo was a blurred mess of laughing siblings and reaching limbs. That was the photo she’d chosen to keep at work, and it was wonderful. Zoey made it outside the front door before she vomited.
But then, when it was over, she stood up and went back inside. She immediately met Will, already on his way back out.
He said, “They made it a point to destroy Aziza’s phone. They knew they were tying up loose ends here. Let’s go.”
Zoey didn’t go. She pushed through toward the production floor, a spacious room that smelled of paint and glue, with walls packed tight with finished costumes on display and a floor crowded with mannequins adorned with suits in progress—everything from bulletproof tuxedos to beautifully sculpted riot armor. Budd and Andre were looking over a pair of shattered corpses along the rear wall.
Zoey surveyed the room and said, “Their computers are still intact over there, is there anything on them?”
From somewhere behind her, Echo said, “Those are design workstations, so they can model the looks before they spend the money molding the carbon fiber. Nothing that looks like client records, but that would have been surprising anyway. This is a cash-only business, most of these clients don’t want a ledger kept.”
“You think the design for Molech’s suit is on one of them?”
Budd said, “Reckon so, but what good does that do us?” He wasn’t asking that as a rhetorical question. He was asking Zoey honestly, wanting her to tell him what good it would do.
She turned to Andre. “If we got a copy of the plans for the suit, could Tre make us a replica?”
“Tre can make anything. What’s your plan?”
“Wouldn’t Molech hate it if he spent weeks having a custom outfit made for his coming out party, and then somebody showed up wearing the same thing?”