Index

Abramović, Marina, 170
Accident, 42, 57, 79, 207, 255–256, 274n29, 282n92
Aerial reconnaissance, 133, 160, 306n97
Affective, 170, 180, 212, 215, 238–239, 327n73
Affordance, 65, 153, 157, 170, 186, 305n85
Agamben, Giorgio, 28–29, 265n71
Albers, Anni, 39, 142
Albers, Josef, 142
Algorithm, 20, 45, 85, 89–97, 108–110, 114, 120–123, 127, 133–134, 141–148, 162, 249, 286–287n4, 287n7, 289n30
Althusser, Louis, 19, 28, 156
Anders, Günther, 262n34, 268n92, 286n129, 309n32
Android, 196, 202, 219, 264n47
Angerer, Marie-Luise, 327n73
Antheil, George, 72–73, 260n15, 281n86
Anthropomorphism, 22, 60, 92, 100, 113, 116, 135, 159–160, 186, 194, 217, 231, 266n73, 278n62, 294n80, 310–311n46. See also Mechanomorphism
Apparatus, 17–24, 28–30, 32–34, 84, 92, 95–96, 119, 126–127, 133–135, 140, 144, 149–157, 178, 210–213, 230–231, 249, 253, 255–258, 262n34, 265n71, 270n112, 309n27
Arctic Perspective Initiative (API), 324n42
Arns, Inke, 239
“Art and Technology” (exhibition), 52, 228, 323n29
Artaud, Antonin, 200–201
Ascott, Roy, 49, 102–103, 234, 257
Asendorf, Christoph, 289n33, 290n40
Ashby, W. Ross, 96
Associative (aesthetics), 42, 53, 59–68, 71–72, 82, 84, 126, 138, 234
Auto-destructive art, 51, 79, 82, 117, 256–258, 272n12, 283n105
Automata, 22, 32, 54, 85, 202, 264n47, 266n73, 272n136
Automatic (aesthetics), 11, 24–25, 27, 42, 54, 59, 79, 82–86, 89–90, 93, 97, 108, 110, 117, 126–128, 134, 138, 144, 195, 223, 234, 247, 262n32, 284n111, 293n76
Automobile, 42, 47, 50, 54–57, 60, 72, 82, 204–205, 207, 226, 231, 255, 273n21, 274n29
Autonomous (aesthetics), 1, 8, 18–20, 24, 26, 28, 43–44, 54, 84–85, 89–91, 93–100, 106–107, 115–123, 126, 152, 171, 204, 207, 212, 223, 228, 231, 237–240, 248, 286n129, 294n80
Avraamov, Arseniy, 64

Babbage, Charles, 21, 39, 262n35, 264n53, 270n111, 273n18
Bachelor machine, 36–38, 70–71, 77, 80, 113, 200–201, 256, 269n102, 269n105, 269n107, 270n113, 314n82, 314n84
“Bachelor Machines” (exhibition), 37, 53, 269n105
Baecker, Ralf, 115
Baginsky, Nicholas, 294n84
Balla, Giacomo, 60
Banham, Reyner, 101, 207, 272n7
Barker, Tim, 304n75
Barr, Alfred H., Jr., 12–17, 23, 50, 72–73, 80, 84, 115, 256, 261n16, 273n13, 284n109
Barthes, Roland, 128
Bauhaus, 80, 136, 145, 186–187, 233, 290n42
Beaucamp, Eduard, 194, 261n22
Beer, Stafford, 292n64, 292n65
Bell Laboratories, 49, 79, 102, 295n85
Belting, Hans, 126, 298n8
Benjamin, Walter, 57, 191
Bense, Max, 143–144, 207, 213, 303n69, 323n34
Bergson, Henri, 155
Bernstein, Nikolai A., 186
Bertalanffy, Ludwig von, 106–107, 289n33, 293n68
Bertillon, Alphonse, 165, 287n12
Bettelheim, Bruno, 92, 266n78, 310–311n46
Beuys, Joseph, 224, 228, 230–234, 244, 247, 324n46
Biederman, Matthew, 236
Bigelow, Julian, 95–96
Billeter, Erika, 261n22, 276n44
“Bio-Adapter,” 205–207, 209, 213
Bio art, 169–170, 247–249
Biomechanics, 65, 186, 189
Biopolitics, 248, 322n24
Birkhoff, George D., 143–144, 303n69
Blindness, 131–132, 165, 194
Blumenberg, Hans, 22, 229
Boccioni, Umberto, 59, 195
Body without organs (concept), 199–202, 210, 213, 217, 258, 313n74, 314n92
Boehm, Gottfried, 127, 141, 148, 298n8, 298n11, 298n14, 302n59
Boissier, Jean-Louis, 286n1
Bolognini, Maurizio, 1, 6, 115–116, 296n101
Braidotti, Rosi, 219
Brancusi, Constantin, 195, 261n16, 302n61
Braun, Wernher von, 225
Bredekamp, Horst, 126, 132–133
Breer, Robert, 84, 85, 89, 283–284n106
Brown, Andrew, 321n10
Brucher, Rosemarie, 307n7
Buchloh, Benjamin H. D., 57–58, 61, 64, 323n29
Burckhardt, Martin, 21, 112–113
Burden, Chris, 170
Burnham, Jack, 53–54, 94, 97–98, 106–107, 230–231, 233–234, 280n81, 285n125, 289n33, 293n66, 293n71, 323n29
Burroughs, William, 207, 209, 213, 226, 257

Cage, John, 102, 240, 284n111, 304n75
Calder, Alexander, 49, 73, 74, 101, 195, 290n42
Cameron, Dan, 217
Camfield, William, 68–69, 273n21, 278–279n66, 280n82
Campbell, Jim, 152, 305n82
Canales, Jimena, 299n23
Canguilhem, Georges, 22–26, 38, 295n94
Čapek, Karel, 33, 65
Capsule. See Encapsulation
Car. See Automobile
Carels, Edwin, 155
Carrouges, Michel, 36–37, 200, 203, 269n102, 315n82
Catts, Oron, 169
Cavell, Stanley, 96–97, 122
CAVS (Center for Advanced Visual Studies), 15–17, 233
César, 54, 82
Chadwick, Helen, 171
Chatonsky, Gregory, 85–86, 108, 286n129
Childs, Lucinda, 102
Clough, Patricia, 214, 219
Computer software, 90, 92, 108, 123, 145, 270n113
Constable, John, 54
Constructivism (art movement), 14–17, 49–51, 57–66, 69, 74, 80, 84–85, 107, 191, 194, 204, 234–240, 275n35, 277n58, 304n75
Couchot, Edmond, 119
Crary, Jonathan, 149, 163, 210, 213, 295n94, 304n76
Critical Art Ensemble, 324n41
Crotti, Jean, 69
Cyberfeminism, 35, 39–41
Cybernetic art, 97–108, 110
Cybernetics, 19, 21, 23–27, 34, 38, 43, 49–50, 94–108, 110, 113–114, 119, 131, 169, 182–184, 196, 202, 206–212, 223–227, 231, 234, 242, 244–246, 250, 256, 261n22, 266n73, 286n129, 288n22, 288n23, 288n24, 289n33, 314n92, 315n93, 317n122, 324n38
“Cybernetic Serendipity” (exhibition), 52, 85, 94, 102–106, 256–257, 273n16, 288n21, 292n60, 292n65
Cyborg, 38–40, 169, 181, 185, 196, 200–203, 209, 217–219, 270n115, 271n128, 278n62, 314n92, 314n93

Dadaism, 9–11, 14, 17, 49–51, 59–60, 62, 66–70, 82, 146, 240, 256, 259n1, 270n115, 278n63, 278–279n66, 279n74
Dammbeck, Lutz, 293n71
Daniels, Dieter, 37, 270n113
Daston, Lorraine, 163, 307n104, 314n84
Dean, Max, 109, 116–119, 294n79, 296n103
Deleuze, Gilles, 19–21, 36, 53, 163, 199–203, 311n46, 314n82, 317n127
Delvoye, Wim, 113, 169, 170, 215–217, 219, 319n141, 319n146, 319–320n147, 320n150
De Maria, Walter, 227
Denker, Christian W., 217
Destruction, 33, 56, 68, 79, 112, 119, 140, 170, 224, 233, 237, 255–258. See also Auto-destructive art
Dittmer, Peter, 110–113, 287n7
Dobson, Kelly, 248
Documenta, 15, 160, 232–233, 239
Doesburg, Theo van, 72, 100, 142, 145, 302n61
Duchamp, Marcel, 36–37, 49, 51, 53, 68–71, 80, 84, 107, 113, 149–150, 152, 200, 234, 256, 269n102, 270n113, 273n16, 279n73, 280n76, 280n77, 280n81, 282n91, 284n109, 305n79, 320n150
Duchenne de Boulogne, Guillaume-Benjamin-Amand, 219

E.A.T. (Experiments in Art and Technology), 49, 52, 273n13, 285n124, 289n33, 296n101
Eco art, 224, 227–234, 249, 253, 272n2, 319n146, 321n10, 321n14, 324n41
Ecology, 20, 31, 42–45, 86, 90, 106, 108, 145, 160, 168, 206, 221–253
Eco-politics, 322n24, 327n73
“Electra” (exhibition), 53, 98, 273n16
Elsenaar, Arthur, 169, 219
Embodiment, 38–39, 119, 160, 163, 203
Encapsulation, 169, 196, 203–209, 215, 229, 250, 315n96, 316n110
Environment, 18, 20, 31, 34, 44, 49, 84–85, 93, 97–98, 100–101, 106–109, 134, 145, 148, 163, 170, 173, 182–183, 185, 195–196, 202–208, 210, 213–214, 217, 223–253, 316n110, 320n3, 327n68
Environment (art form), 4, 74, 101, 107
Ernst, Max, 69, 278n62, 279n72, 279n73, 279–280n74, 291n53
Error, 157, 293n76, 304n75
Eshun, Kodwo, 238
Esposito, Elena, 287n7
Export, Valie, 171, 307n7

Faktura, 57–58, 80, 239, 242, 275n34, 275n35, 304n75
Farocki, Harun, 128–133, 165, 298n12, 299n16, 306n97
Feedback, 84, 94–96, 101–104, 106, 131, 133, 167, 171, 173, 179–180, 182–183, 202, 208, 210, 212, 217, 226, 231, 234, 244–246, 250, 257, 285n125, 291n56, 294n84, 297n107, 297n4
Feminism, 39–40, 56, 171, 203, 315n95. See also Cyberfeminism
Fillìa, 60–61
Flusser, Vilém, 203, 207–209, 315n96, 316n116
Fontana, Lucio, 141, 233
Formalism (aesthetics), 17, 42, 50, 59, 71–73, 76–77, 80, 84, 100, 126, 136, 146, 231, 234, 239–240, 256, 260n15, 279n71, 282n96
Förster, Heinz von, 19, 262n13, 292n64
Foster, Hal, 279n73, 279n74, 299n16
Foucault, Michel, 28, 114, 184, 248
Fried, Michael, 107
Friedrich, Caspar David, 119
Froning, Hubertus, 65
Fuller, Matthew, 158
Fuller, R. Buckminster, 54, 225–227, 283
Futurism, 11–14, 17, 42, 47–49, 53, 55–57, 59–61, 65, 69–70, 72–74, 82, 84, 190, 202, 237, 256, 267n83, 272n136, 273n19, 273–274n22, 274n29, 276n43, 278n60, 281n83

Gabo, Naum, 14, 65, 261n16, 302n61
Gabriel, Ulrike, 210, 214, 318–319n137
Galison, Peter, 94–96, 119, 163, 297n107, 307n104, 314n93
Gan, Aleksei, 58, 65, 275n35
Gastev, Aleksei, 24–25, 31, 65, 184–186, 189, 194, 205, 277n58, 310n39, 310n42
Gender, 34–41, 56, 170–171, 203, 256, 270n113, 270n115, 315n95
Giedion, Sigfried, 25, 101, 273n21, 291n53
Gilbreth, Frank and Lillian, 24, 31, 184–185, 194–195
Glitch, 293n76, 304n75
Goodall, Jane, 85, 309n33
Götz, Karl Otto, 301n51
Gough, Maria, 62, 276n47, 277n58
GRAV (Groupe de Recherche Audio-Visuelle), 303n66
Gravity, 168, 183, 199, 201, 226, 231, 245–247, 309n32, 327n67, 327n69
Greenfort, Tue, 248
Grosz, George, 9, 50–51, 66, 278n63
Guattari, Félix, 19–21, 36, 53, 145, 199–203, 229–230, 235, 242, 244, 263n36, 299n22, 311n46, 313n74, 313n75, 314n82, 314n84, 315n95, 322n24
Günther, Gotthard, 18–20, 23, 25–27, 30, 47, 85, 184, 261n23
Günther, Ingo, 159–161
Gysin, Brion, 257

Haacke, Hans, 52–53, 84, 107–108, 224, 230–234, 237, 244, 247, 285n124, 285n125, 319n146, 322n28, 322–323n29, 327n70
Hagner, Michael, 26, 183
Hamilton, Richard, 49, 50, 69, 101, 207, 291n53
Hansen, Mark, 126, 128, 320n151
Haraway, Donna, 38–41, 202–203, 219, 271n128, 314n93
Harrison, Newton and Helen Mayer, 224, 228, 247, 319n146, 324n43
Hausmann, Raoul, 9, 15, 66, 90, 194, 270n115
Hayles, N. Katherine, 25, 35, 119, 256n58
Heap, Jane, 50, 72, 260n14
Heartfield, John, 9, 50–51, 66
Heizer, Michael, 227
Helmholtz, Hermann von, 229
Hershman Leeson, Lynn, 39
Hesse, Eva, 69
Hill, Gary, 302n59
Hindemith, Paul, 311n48
Hirschfeld-Mack, Ludwig, 82, 142, 145, 302n54
Hobijn, Erik, 170, 307n6
Höch, Hannah, 66, 270n115
Hodges, Andrew, 262–263n35
Hollowness, 169, 173, 181–182, 194, 206–208, 210, 217, 313n74, 313n75
Hörl, Erich, 26, 183, 288n33, 322n24
Horn, Rebecca, 39, 282n96
Hosokawa, Shuhei, 213
Howse, Martin, 328n79
Hultén, K. G. Pontus, 32, 42–43, 47–54, 76, 78–85, 94, 234, 272n7, 273n13, 278n63, 282n91, 283n106, 284n109. See also “The Machine as Seen at the End of the Mechanical Age”
Hunter, Simon, 195
Husserl, Edmund, 229
Huyssen, Andreas, 57

IAAA (Institute of Artificial Art Amsterdam), 320n151
Ichikawa, Sota, 235, 245, 309
Ihnatowicz, Edward, 105–106, 109, 292n65, 297n4
Ike, Toshifumi, 195
Image (in art), 9–11, 39, 66, 68–71, 100, 121–122, 171–173, 199, 249, 251, 257–258, 286n129, 287n7, 296n102, 298n8, 298n11, 298n14
Image (as medium), 35, 43, 45, 87, 123–165, 196, 209, 237
Immaterial, 84, 160, 219, 230, 239–240, 248, 253, 290n47
Independent Group, 50, 101, 225, 256, 289n33
“Information” (exhibition), 53, 288n20
Information aesthetics, 90, 97, 143–144, 289n33
Ingold, Tim, 260n6
Interaction, 1, 4, 25–26, 84, 91, 93, 102, 104–113, 134, 146, 156–158, 168, 173, 184, 195, 208, 213, 219, 221, 224, 230–231, 234–235, 239–247, 250, 264n42, 285n125, 318n131, 326n64
Interactive art, 43, 54, 84, 89, 91, 93–94, 97, 103–113, 122, 123, 126–127, 148, 153, 181, 212–214, 240–242, 253, 286n1, 294n80, 294n82, 296n101
Invention, 11, 16, 18, 21, 40, 44, 47, 59, 73, 77, 102, 114, 136, 152, 157, 194, 201, 212, 233, 255, 258, 266n73, 271n129, 303n63
I/O/D (artist group), 145
Ioganson, Boris, 277n58

Jarry, Alfred, 36, 280n82
Jeremijenko, Natalie, 248
JODI (artist group), 32, 145–146, 258, 304n75
Johnson, Philip, 12, 17, 50, 72–73, 80, 256
Johnston, John, 299n22
Jones, Amelia, 179, 313n72, 314n84
Jones, Caroline A., 231, 322n28, 323n29
“Junggesellenmaschinen/Les Machines célibataires.” See “Bachelor Machines”

Kac, Eduardo, 247, 324n41
Kafka, Franz, 36, 328n3
Kagan, Sacha, 324n41
Kahn, Fritz, 186
Kandinsky, Wassily, 65
Keenan, Thomas, 133–134, 298n15, 300n38, 301n47
Kempelen, Wolfgang von, 54, 117
Kepes, György, 15, 233, 293, 306n97, 324n38
Khlebnikov, Velimir, 61, 65, 237, 239–240, 274n29, 325n55
Kiesler, Friedrich, 65, 82, 277n60, 285n122, 304n76
Kikauka, Laura, 294
Kinetic (aesthetics), 17, 42, 54, 59, 73–82, 84, 89, 98, 105, 109, 115–116, 126, 135–138, 145, 223, 234, 258, 293n76
Kinetic art (genre), 15, 47–49, 73–82, 105, 146, 195, 227, 233, 260–261n15
Kittler, Friedrich, 114, 287n5, 298n11, 309n37
Klapheck, Konrad, 69, 280n75
Klee, Paul, 128, 191, 278n65, 298n14
Kleist, Heinrich von, 219
Klüver, Billy, 49, 52, 79–80, 102, 283n106, 284n108
Knowbotic Research, 85, 221–224, 234–235, 240–247, 250, 258, 318–319n137, 320n1, 326n64, 326n65
knowbotiq. See Knowbotic Research
Kohso, Sabu, 212–213, 248, 317n127, 318n132
Koons, Jeff, 320
Krafft-Ebing, Richard von, 267n83
Kraftwerk (music band), 32
Krämer, Sybille, 132–133, 300n36, 300n38, 303n63
Krauss, Rosalind E., 298n14
Kroker, Arthur and Marielouise, 85, 179–180
Kruchenykh, Aleksei, 61, 190–191, 274n29
Kuehn, Gary, 302n61

Laban, Rudolf von, 312n57
Laboria Cuboniks, 40
Lacan, Jacques, 263n36, 267n83, 299n23, 313n75, 314n92, 317n127
La Mettrie, Jules Offray de, 22, 168, 186
Le Corbusier, 98, 272n7, 302n61
Leeker, Martina, 311n46
Léger, Fernand, 51, 72–73, 82, 194, 260n15, 281n86, 281n89
Lem, Stanisław, 249
Lester, Gabriel, 306n100, 308n14
Lewis, C. S., 31
LeWitt, Sol, 157, 302n61
Life, 14, 19, 23, 33, 51, 54, 56, 65, 68, 74, 85, 113, 158, 160, 201, 204, 206, 217, 221, 224, 226–227, 239, 247–249, 296n103, 320n150
Lissitzky, El, 51, 57–58, 62, 65, 169, 189, 190–194, 278n62
Loneliness. See Solitude
Love. See Machine love
Lovelace, Ada, 21, 39, 270n111
Lukács, Georg, 268n55
Lyotard, Jean-François, 247, 264n42

Machine, 6, 17–30, 44–45, 95–97, 113–115, 181, 230, 258, 263n38, 264n42, 313n75
Machine aesthetics, 42, 53–54, 57–86, 93, 97, 108–122, 125–126, 129, 138, 157–165, 195, 234, 256, 293n76
“Machine Age” (exhibition), 14, 50, 72, 260n14
Machine art, 6, 9–17, 29–30, 44–45, 50–52, 57, 65, 230, 256–258, 260–261n15
“Machine Art” (exhibition), 12–14, 50–51, 72–73, 77, 80
“The Machine as Seen at the End of the Mechanical Age” (exhibition), 42, 47–54, 58, 60, 66, 73, 77–78, 82, 84, 94, 103, 106, 231, 273n16, 276n48, 278n62, 278n65, 280n75, 282n95, 283n105, 283n106, 284n117, 285n124. See also Hultén, K. G. Pontus
Machine imaginaire, 142–145, 148, 302–303n63, 303n71
Machine love, 30–36, 55, 58, 61, 62, 77, 79, 253, 256, 267n83, 268n91, 268n92, 280n82, 282n92
“Les Machines célibataires.” See “Bachelor Machines”
Machine vision, 126–132, 136, 159, 161, 298n12, 299n16, 299n23, 304n76. See also Operational images
Machinomorphism, 35. See also Mechanomorphism
Maciunas, George, 291n56
Mack, Heinz, 233, 283n106
Maire, Julien, 138–140, 153–157
Makrolab, 234–240, 245, 325n48, 325n52
Malevich, Kazimir, 65, 74, 141, 190–191, 194, 203–205, 207, 209, 240, 274n29
“Man Machine and Motion” (exhibition), 50, 101, 207
Manovich, Lev, 132–133, 299–300n30
Manzoni, Piero, 320n150
Marey, Étienne-Jules, 70, 184, 194–195, 297n3, 301n48
Marinetti, Filippo Tommaso, 11, 42, 53, 55–57, 60, 72–73, 82, 207, 255, 274n29, 275n42, 279–280n74
Marker, Chris, 141, 302n56
Marks, Laura, 287n3
Marshall, Jennifer Jane, 71
Martín, Daria, 1–2, 4, 6
Marx, Karl, 19, 22–24, 195, 263n36, 264n53, 286n129, 321n9
Massumi, Brian, 180, 196–197, 199, 201–203, 313n73, 313n75
Maturana, Humberto, 19–20, 145, 227, 242
McHale, John, 101, 225, 226
McLuhan, Marshall, 33–34, 210, 229
McShine, Kynaston L., 53, 288n20
Mechanomorphism, 22, 23, 35, 49, 60, 68, 71–72, 84, 92, 113, 186, 194–195, 217, 234, 280n82, 310n46. See also Anthropomorphism
Mega-machine, 18–19, 61, 209, 230, 261n16, 264n45, 265n71
Menzel, Adolph, 55
Merleau-Ponty, Maurice, 170, 318n132
Mersch, Dieter, 266n73, 322n21
Merzbow, 258
Metzger, Gustav, 256–258, 272n12
Meyerhold, Vsevolod, 51, 65, 186–187, 189
Mikami, Seiko, 39, 44, 85, 120–123, 128, 169–170, 210–214, 219, 224, 240, 245–247, 297n108, 305n79, 309n32, 317n127, 318n133, 319n137, 326n66, 327n67, 327n68
Mimesis, 31, 44, 89, 160, 170, 173, 186, 217, 239, 272n136. See also Anthropomorphism; Mechanomorphism
Mitchell, W. J. T., 126, 298n8
Moholy-Nagy, László, 80, 82, 90, 100, 107, 136, 233, 275n34, 284n117, 285n118, 285n120, 285n122, 290n42, 290n44, 290n47, 306n97
Moles, Abraham, 143
Molnar, Vera, 142, 144–145, 148, 249, 302n63, 303n64, 303n65, 303n71
Mondrian, Piet, 141
Monet, Claude, 54
Morellet, François, 141–142, 145, 249, 282n96
Morin, Edgar, 235, 324n41
Morton, Timothy, 69, 228
Mosolov, Aleksandr, 281n86
Mumford, Lewis, 19–20, 33, 61, 261n16, 265n71, 276n44, 302n61
Munster, Anna, 170
Münsterberg, Hugo, 24, 65, 184–185, 277
Museum of Modern Art, New York, 12, 47–53, 74, 79, 94, 103, 115, 256, 278n65, 284n109, 285n124, 288n20
Musil, Robert, 92
Muybridge, Eadweard, 195, 297n3

Nake, Frieder, 143–144
Naming, 27, 87–89, 128
Nature, 14, 22, 26–27, 32–33, 38, 40, 60–61, 65–66, 70–71, 119–120, 159, 163, 190, 221–225, 227–230, 233, 248–249, 264n42, 264n45, 274n29, 275n34, 281n89, 302n61
Nees, Georg, 143
Network, 1, 8, 38–39, 41, 44, 85, 91, 93, 104, 109, 115–116, 122, 145, 174, 179, 182–183, 187, 202, 209, 213, 221, 224, 234, 236, 240–241, 249–250, 309n33, 324n42
Newman, Barnett, 141
New Objectivity (art movement), 69
New Tendencies (art movement), 103, 257, 303n66, 303n71
New York City, 49, 68, 79
Nezvanova, Netochka, 145
Nicolai, Carsten, 249–252, 319n137
Niederberger, Shusha, 289n30
Nietzsche, Friedrich, 266n82
“9 Evenings” (performance project), 52, 102
Noll, Michael, 143, 294n82, 304n71
Northrop, Jack, 240

Objectivity, 18, 100, 143, 163, 199, 281n89, 282n96
Oldenburg, Claes, 49, 54, 82, 280n75
Operational images, 43, 128–134, 163, 298n15, 299n23, 300n35, 300n36
Operations research, 95, 299n23
Orlan, 39, 171
Ozenfant, Amédée, 272n7

Paik, Nam June, 52–53, 84–85, 136, 140–141, 273n16, 292n60, 296n103
Paladini, Vinicio, 60, 72, 260n7
Panamarenko, 260n6
Pannaggi, Ivo, 60, 72, 260n7
Paolozzi, Eduardo, 101
Parisi, Luciana, 327n73
Pask, Gordon, 85, 103–104, 106, 109, 127, 196, 234, 246, 257
Peljhan, Marko, 224, 234–242, 244, 247, 249–250, 319n137, 324n41, 324n42, 324n43, 324n46, 324–325n47, 325n48, 325n49
Pennebaker, D. A., 283n106
Penny, Simon, 109, 292n61
Pevsner, Antoine, 14, 65, 277n56
Philips (company), 98, 289n37
Photography, 35, 43, 80, 100, 118, 122, 132–133, 136, 141, 150, 152, 156, 160–163, 184, 195–196, 210, 225
Pias, Claus, 26, 34, 114, 289n33, 304n75, 310n38, 312n57
Picabia, Francis, 49, 68–71, 79, 84, 90, 122, 234, 273n16, 278n62, 278–279n66, 279n67, 279n71, 279n73, 280n82, 291n53
Piene, Otto, 15, 101, 107, 224, 230, 232–234, 237, 244, 247, 283n106
Pilot, 207, 213, 226, 253, 274n29, 314–315n93
Popitz, Heinrich, 262n32
Pound, Ezra, 51, 73, 260–261n15, 281n86
Power, Nina, 40–41
Prampolini, Enrico, 11, 15, 60, 72, 260n7
Prieberg, Fred, 272n136
Productivism, 57–58, 65, 107, 239–240, 249, 257, 275n35
Promethean shame, 262n34, 268n92
Prosthetics, 26, 33–34, 38, 41, 122, 171, 176, 179, 182, 185, 194–196, 201–202, 205, 210, 213, 299n16, 318n136, 326n64

Radical Software (journal), 301n51
Radical Software Group, 145
Randolph, Lynn, 271n128
Rathenau, Walter, 92
Raunig, Gerald, 21, 283n36
Rauschenberg, Robert, 49, 79, 82, 102, 304n75
Reck, Hans Ulrich, 37, 269n105, 270n113
Reichardt, Jasia, 52, 94, 256. See also “Cybernetic Serendipity”
Roberts, Lawrence G., 132
Robot, 1, 6, 30, 33, 40, 44, 65, 79, 84, 109, 116–123, 128, 162–163, 171–176, 182–183, 185–186, 196, 202, 209, 219, 221, 248, 250–253, 264n47, 266n73, 268n91, 272n136, 277–278n60, 292n60, 294n79, 294n80, 294n84, 296n103, 299n16, 306n100, 308n14
Robotics. See Robot
Roch, Axel, 295n85
Rodchenko, Aleksandr, 58, 65, 80, 204, 275n35
Rodin, Auguste, 195
Rokeby, David, 6–8, 25, 42, 85, 87–94, 104–106, 113–116, 123–125, 127, 159, 161–163, 246, 286n1, 287n7, 297n1, 297n3, 297n4, 302n61
Rosen, Margit, 109
Rosenblueth, Arturo, 95, 113
Roussel, Raymond, 36, 280n82
Ruiz Gutierrez, Tania, 39
Russolo, Luigi, 60
Rylan, Jessica, 41

Sawday, Jonathan, 264n45
Scha, Remko, 219, 320n151
Schamberg, Morton Livingston, 69
Scheler, Max, 31, 267n83
Schlemmer, Oskar, 65, 169, 186–191, 194–196, 246, 278n62, 311n48, 312n57
Schmidgen, Henning, 20, 201, 263n36, 311n46, 313n75, 314n98
Schmitt, Antoine, 145–146, 149
Schneckenburger, Manfred, 15, 17, 233–234
Schneemann, Carolee, 171
Schoenerwissen, 145
Schöffer, Nicolas, 85, 89, 97–102, 127, 196, 234, 246, 257, 273n16, 283n100, 289n33, 289n37, 290n38, 290n40, 290n41, 290n42, 292n60
Schwitters, Kurt, 65, 68, 82, 256
Scientific management of labor, 24–25, 31, 169, 184–186, 189, 195, 203–204, 210, 310n38, 310n39, 310n42
Seck Langill, Caroline, 296n34
Sekula, Allan, 133
Shannon, Claude, 115, 284n108, 295n85, 320n2
Sheridan, Sonia, 286n1
Simon, John F., 149
Simondon, Gilbert, 228
Skrebowski, Luke, 323n29
Smirnov, Andrey, x
Smithson, Robert, 107, 224, 227, 275n38
Snow, Michael, 298n12
Software. See Computer software
“Software” (exhibition), 52, 94, 98, 107, 273n16, 293n71, 328n79
Software art, 32, 145–149, 293n76
Solimano, Sandra, 296n101
Solitude, 44, 85–86, 91, 108, 122, 253, 258, 286n129
Sonfist, Alan, 224, 228, 272n2
Soul, 23–24, 27, 62, 66–68, 92, 204–205, 208, 217, 248, 315n100
Spengler, Oswald, 72, 277n58
Staehle, Wolfgang, 159, 161
Steichen, Edward, 133
Stelarc, 43, 85, 168–184, 194–210, 215, 217–219, 246, 269n107, 307n7, 308n10, 308n11, 308n14, 309n27, 309n32, 309n33, 312n63, 313n72, 313n74, 313n75, 314n84, 314n92, 315n95, 315n96, 318n134, 319n139, 319n140, 324n46, 326n64
Stepanova, Varvara, 39, 58, 65, 80, 204
Sternfeld, Ary, 196, 202, 219, 313n69
Stibitz, George R., 96, 119
Sublime, 14, 86, 119–120, 159, 237, 275n38, 307n7
Suchman, Lucy, 264
Suprematism, 65, 74, 190–191, 203–204, 240, 249, 277n58
Survival Research Laboratories, 256
SymbioticA, 169
Symbolic (aesthetics), 12, 17, 21, 27, 29, 37, 42, 53, 59, 68–71, 108, 126, 224, 232, 234, 270n111, 291n53, 293n76
Systems aesthetics, 52, 90, 94, 97, 106–108, 227, 230–231, 237, 285n125, 289n33, 292–293n66
Szeemann, Harald, 37, 53

Tarabukin, Nikolai, 277n58
Tarkovsky, Andrei, 249
Tatlin, Vladimir, 9–11, 14–16, 50–51, 61–68, 82, 102, 107, 204, 240, 259n1, 259n4, 260n6, 276n48, 277n58, 279n74, 284n116, 285n118
Tatlinism, 9–11, 65, 259–260n6, 277n58
Taylorism, 23, 169, 184–185, 204, 277n58
Terrier, Liliane, 286n1
Tesla, Nikola, 240
“This Is Tomorrow” (exhibition), 50, 101, 256
Tinguely, Jean, 23, 32, 49, 51, 53, 73–84, 90, 94, 98, 101, 122, 135, 195, 233, 256, 273n16, 281n90, 282n91, 282n92, 282n96, 283n100, 283n104, 283n105, 283n106, 284n111, 284n115, 288n21, 292n60, 293n76, 301n50
Tissue Culture & Art, 314n92
Tomas, David, 163, 273n19, 307n103
Tomme, Niels van, 299n16
Tudor, David, 102, 296n101
Turing, Alan M., 19–21, 25, 30, 35, 37, 95, 262–263n35, 270n113
Turner, William, 54, 273n19
Turrell, James, 227
Tuschling, Anna, 327n73

Uecker, Günther, 101, 223, 283n106
Ulrichs, Tim, 315n96
Umanskij, Konstantin, 9, 11, 51
Uncanny, 89, 96–97, 119–120, 122, 134, 297n107
Universal Machine, 20, 37, 95, 262n34, 270n113, 303n63

Varela, Francisco, 19–20, 242
Vasarely, Victor, 107, 182n92
Vasulka, Steina, 39, 136, 140
Vasulka, Woody, 136, 140
Vaucanson, Jacques, 47, 54, 117, 217
Verhaeren, Emile, 274n22
Vertov, Dziga, 41, 62, 64, 156, 163, 298n12, 299n16
Victory over the Sun (opera), 190, 274n29, 278n62
Vision machine. See Machine vision
Vostell, Wolf, 141, 256

Waldhauer, Fred, 102
Wallace, Isabelle Loring, 217, 320n147
Walter, W. Grey, 296n103
Warnke, Martin (computer scientist), 303n69
Watanabe, Minoru, 195
Weaving, 39–40
Weibel, Peter, 110
Weintraub, Linda, 227, 229
Weiser, Herwig, 3–6, 44, 158–159, 258
White, Norman, 294n80, 296n103
Whitehead, Alfred North, 102
Wiener, Ingrid, 39
Wiener, Norbert, 25–27, 94–96, 101, 113, 119
Wiener, Oswald, 37, 169, 203, 205–206, 209, 213, 269n105, 269n106, 269n107, 270n111, 270n112, 270n113, 297n107, 315n96, 324n38
Wiener Gruppe, 205
Willats, Stephen, 103
Winkler, Hartmut, 287n5
Wodiczko, Krzysztof, 213, 318n134, 318n136
Worthington, Arthur, 307n104

Yamaneko, Hayao, 141

Zero (artist group), 101, 232–233, 283n106, 323n34
Zinoview, Peter, 294n84
Žižek, Slavoj, 318n133
“Die Zwanziger Jahre” (exhibition), 261n22, 276n44