Like dolmens round my childhood, the old people.
Jamie MacCrystal sang to himself,
A broken song without tune, without words;
He tipped me a penny every pension day,
Fed kindly crusts to winter birds.
When he died, his cottage was robbed,
Mattress and money-box torn and searched.
Only the corpse they didn’t disturb.
Maggie Owens was surrounded by animals,
A mongrel bitch and shivering pups,
Even in her bedroom a she-goat cried.
She was a well of gossip defile,
Fanged chronicler of a whole countryside;
Reputed a witch, all I could find
Was her lonely need to deride.
The Nialls lived along a mountain lane
Where heather bells bloomed, clumps of foxglove.
All were blind, with Blind Pension and Wireless.
Dead eyes serpent-flickered as one entered
To shelter from a downpour of mountain rain.
Crickets chirped under the rocking hearthstone
Until the muddy sun shone out again.
Mary Moore lived in a crumbling gatehouse,
Famous as Pisa for its leaning gable.
Bag-apron and boots, she tramped the fields
Driving lean cattle from a miry stable.
A by-word for fierceness, she fell asleep
Over love stories, Red Star and Red Circle
Wild Billy Eagleson married a Catholic servant girl
When all his Loyal family passed on:
We danced round him shouting ‘To hell with King Billy’,
And dodged from the arc of his flailing blackthorn.
Forsaken by both creeds, he showed little concern
Until the Orange drums banged past in the summer
And bowler and sash aggressively shone.
Curate and doctor trudged to attend them,
Through knee-deep snow, through summer heat,
From main road to lane to broken path,
Gulping the mountain air with painful breath.
Sometimes they were found by neighbours,
Silent keepers of a smokeless hearth,
Suddenly cast in the mould of death.
Ancient Ireland, indeed! I was reared by her bedside,
The rune and the chant, evil eye and averted head,
Fomorian fierceness of family and local feud.
Gaunt figures of fear and of friendliness,
For years they trespassed on my dreams,
Until once, in a standing circle of stones,
I felt their shadows pass
Into that dark permanence of ancient forms.
Poisoned Lands (1961)
and The Rough Field (1972)