INDEX
Aboriginal peoples. See Indigenous peoples
abuse: breaking cycle of, 236; childhood experiences, 21–23; colonial basis, 232–33, 236; common responses to, 184–85; by Nitzsche, 178–79, 179–80, 181–82, 183–85, 186–87; psychological impacts, 234; survival and recovery, 46, 233–34, 235
Academy Award, 179, plate 11
Ace of Cups, 70
activism: Alcatraz Island occupation, 147–48; anger and, 45, 96–97, 98–99; Boston Indian Council, 144; breaking abusive cycles, 236; Canadian Senate and, 257–58; decolonization, 76, 222, 230–31, 240, 251; effective, 260–61; government blacklist and, 195–97; Indigenous actors in Hollywood, 99–101; by Indigenous peoples, 90–91, 144–45, 146; Longest Walk, 173–74; marginalization from Indigenous territory, 145–46; National Indian Youth Council, 33–34, 90, 143, 144, 146; Nihewan Foundation for American Indian Education, 146–47, 209, 214, 220, 259; Outward Bound, 90, 91; protest songs, 45; Sainte-Marie and, 42, 44–45, 139, 143, 258–59, 263; in Sainte-Marie’s music, 54–55, 67–68, 90, 92–94, 95, 97–98; sexism and misogyny in, 149–50; violence during occupation of Gresham abbey, 151–52; Wounded Knee Incident, 151. See also American Indian Movement
addiction, drugs, 65–66, 186–87. See also alcohol; “Cod’ine” (Sainte-Marie)
adoption, 15–16, 43–44, 235–36
Akwesasne Freedom School, 217, 218
Alcatraz Island occupation, 147–48
Ali, Muhammad, 174
Allan Waters Humanitarian Award, 257
American Indian Higher Education Consortium, 259
American Indian Movement (AIM): activism by, 144, 146; Aquash in, 149, 151; Longest Walk, 173–74; Pine Ridge shootings and Aquash murder, 155–57; Sainte-Marie and, 152–53, 154–55; sexism and misogyny, 149–50; “Starwalker” reference to, 154–55; Wounded Knee Incident, 151
American Indian Religious Freedom Act, 32
American Indian Tribal College movement, 217
Amram, David, 174
animals, 8, 23, 190, 196, 264, plate 3, plate 13
âpihtawikosisân (Chelsea Vowel), 15
Apple, 193, 194–95. See also computers
Aquash, Annie Mae Pictou: activism by, 144, 146; in American Indian Movement, 149, 151; background, 144; in L.A. show business, 148–49; murder of, 155–56, 157–58; protester violence experience, 151–52; Sainte-Marie and, 143–44, 148–49, 150, 154
Atkins, Chet, 105–6, 116, 123, 124, 279
Bachman, Randy, 127
“Bad End” (Sainte-Marie), 200
Baez, Joan: career, 53, 131; comparisons to Sainte-Marie, 67, 70, 82; reflections and relationship with, 39, 41, 77, 78
Banai, Eddie Benton, 146
Banks, Dennis, 144, 146, 149, plate 10
Bare, Bobby, 105
Bearsville Theater performance (Woodstock, NY), 7, 8–9, 9–11
Belafonte, Harry, 138
Bellecourt, Clyde and Vernon, 144, 146
“Bells” (Sainte-Marie), 79, 280
Berners-Lee, Tim, 221
The Best of Buffy Sainte-Marie (Sainte-Marie), 119
The Best of Buffy Sainte-Marie, Vol. 2 (Sainte-Marie), 119, 120–21
“Better to Find Out for Yourself” (Sainte-Marie), 107–8
Birkett, Chris, 198–200, 201, 244, 281, 282
Black Lodge Singers, 238
Bordeaux, Lionel, 259
Boston Indian Council, 144, 146
Brando, Marlon, 138, 147, 149, 174
Briggs, David, 124, 131, 133, 280
Brizendine, Louann, 184
Bruyere, Michel, 237, 255, 263–64, plate 14
Budd, Roy, 113
Buffy (Sainte-Marie), 132, 163, 280
Bugbee, Dewain Kamaikalani, 85, 121
Bureau of Indian Affairs, 90–91
“Bury My Heart at Wounded Knee” (Sainte-Marie), 156–57, 196–97, 200, 201, 281
Byrum, John, 178
Caldwell, E. K., 110
Campbell, Glen, 122
Canada: first impressions, 42–43; residential schools, 92–93, 95–96, 231–32, 235; Senate, 257–58; sesquicentennial, 257; Truth and Reconciliation Commission, 231–32, 235, 263. See also Indspire Awards; Juno Awards; Polaris Music Prize
Canadian Music Hall of Fame, 223–24
“Carry It On” (Sainte-Marie), 256
Changing Woman (Sainte-Marie), 108, 132, 281
Chelsea Hotel (New York), 74–75, plate 1
Cher, 122
Chinese cinema, 139
“Cho Cho Fire” (Sainte-Marie), 238, 282
“The Circle Game” (Sainte-Marie), 279
Civil Rights Movement, 32, 54, 76. See also activism
“Cod’ine” (Sainte-Marie), 58, 64–65, 66, 67, 68, 75, 278
Cohen, Leonard: Chelsea Hotel and, 75, plate 1; covers by Sainte-Marie, 79, 107, 114, 115, 280; Nitzsche and, 180; photographs, plate 1, plate 2; reflections and relationship with, 74, 77, 80
Coincidence and Likely Stories (Sainte-Marie), 154, 198–201, 203, 281
colonialism: “angry Indian” stereotype, 98; assimilation attempts, 15–16, 244–45; breaking cycle of, 236; country music and, 105; dealing with guilt and bitterness from, 218–19; decolonization, 76, 222, 230–31, 240, 251; Doctrine of Discovery, 94–95, 232; racism, 18, 19, 34, 213–14; residential schools, 92–93, 95–96, 231–32, 235; in show business, 9, 73, 80–82. See also activism
computers, 193, 194–95, 198–99, 203, 210–11, 216
Conroy-Rios, Thelma, 157
Constant, Leroy, plate 14
Cook, Tekatsi:tsia’kwa Katsi, 263
covers: “Cod’ine,” 68, 75; “The Piney Wood Hills,” 105; “Power in the Blood,” 245, 246; by Sainte-Marie, 79, 92, 107, 114, 115–16, 124, 278, 280; “Universal Soldier,” 68; “Until It’s Time for You to Go,” 83, 105, 121, 122–23, 124–27, 278
Cradleboard Teaching Project: attempted NASA partnership, 219–20; award, 219; development, 208–9, 210; funding, 214–15, 216, 220; future plans, 262; Grover and self-esteem, 169; Indigenous perspective and curriculum, 209, 210, 211–13, 215, 216; partnerships with educators, 217, 220–21; purpose and legacy, 207–8, 214, 221, 222; Science Through Native American Eyes (CD-ROMS), 221; teacher concerns about, 217–18; technological component, 210–11, 213, 216
Cree, 15, 43–44, 165, 228, 237
“Cripple Creek” (Sainte-Marie), 58
Crudup, Arthur, 124
Dalai Lama, 36
“Darling Don’t Cry” (Sainte-Marie), 201, 202
Davis, Bette, 122
Davis, Michael, 161
decolonization, 76, 222, 230–31, 240, 251
Deer, Ada, 152
“Disinformation” (Sainte-Marie), 200
Doctrine of Discovery, 94–95, 232
Donovan (Donovan Philips Leitch), 68–69
drug addiction, 65–66, 186–87. See also alcohol; “Cod’ine” (Sainte-Marie)
Duston, Pete, 28
“Dyed, Dead, Red” (Sainte-Marie), 111
Dylan, Bob, 41, 52–53, 77, 81, 82–83, 92, 134
education: American Indian Higher Education Consortium, 259; Nihewan Foundation for American Indian Education, 146–47, 208, 209, 214, 220, 259; teaching job, 41–42; typical experience for children, 207, 215–16; university experience, 30–32, 34–36, 37–38, 41–42, 50. See also Cradleboard Teaching Project
Einarson, John, 69
electronic music, 107–10, 111, 194, 198, 243
“Emma Lee” (Sainte-Marie), 200
emotions: dealing with from colonialism, 218–19; in music, 45, 59–60, 132
Falle, Daisy, 223
fame, 128
The Far Horizons (movie), 89
“Farm in the Middle of Nowhere” (Sainte-Marie), 248
fashion industry, 96
Felix, Julie, 69
film and television. See movie scores; Sesame Street; The Virginian (TV show)
Fire & Fleet & Candlelight (Sainte-Marie), 99, 109, 279
“Fixin’ to Die” (Sainte-Marie), 278
Flack, Roberta, 122
folk music, 41, 52–53, 76–77, 79–80, 84, 92
“For Free” (Sainte-Marie), 280
Franklin, Aretha: “Respect,” 122
Fraser, Jill, 178
Freed, Alan, 40
Friendship Centre (Toronto), 43
Funmaker, Walter, 33
Gandhi, Mahatma, 30
Gaslight (New York venue), 53
A Gathering of Flies, 237
“Generation” (Sainte-Marie), 163
Gerde’s Folk City (New York venue), 52–53
“God Is Alive, Magic Is Afoot” (Sainte-Marie), 79, 107
Goffin, Gerry, 280
Gordon, Elmer Jared, 69
Gore, Lesley: “You Don’t Own Me,” 122
Graham, John, 157
Green, Jesse, 237–38, 263, plate 14
Greene, Susaye, 122
Greenwich Village, 51–52, 77–78, 133, 238
Gregory, Dick, 174
Gresham (WI), 152
Halfant, Jules, 119
happiness, 190
Harold of Orange (movie), 185
“The Hashashin” (Sainte-Marie), 111
Haudenosaunee Confederacy, 211
Havens, Richie, 174
“Have You Seen My Baby? (Hold On)” (Sainte-Marie), 280
Hawai‘i, 8, 84–85, 166, 175, 176, 196, plate 3
“Helpless” (Sainte-Marie), 79, 280
Henson, Jim, 170
“He’s a Keeper of the Fire” (Sainte-Marie), 108
Higinbotham, Kayle, 164, 180, 187
Hill, Charlie, 19–20, 185, 214, 264
Hill, Chris, 197
Hill, Norbert, 214
Hollywood, Indigenous actors in, 99–101
human trafficking, 255, 262–63
humor, 264
“I Bet My Heart on You” (Sainte-Marie), 39
identity, 18–19, 19–21, 33–34, 43–44, 165
Idle No More, 154, 243, plate 14
Illuminations (Sainte-Marie), 79, 107–10, 119, 279
I’m Gonna Be a Country Girl Again (Sainte-Marie), 106, 279
“I’m Gonna Be a Country Girl Again” (Sainte-Marie), 120
Indian Actors Workshop, 100
Indian Relocation Act, 32
Indians of All Tribes, 147
Indigenous peoples: assimilation attempts, 15–16, 244–45; decolonization by, 230; environmentalism by, 227; family’s identification with, 19–20; in Hollywood, 99–101; Missing and Murdered Women and Girls, 255, 262–63; music, 154, 201–2, 239, 243–44, 261; pop culture representation, 89, 162, 163; racism against, 18, 19, 34, 213–14; residential schools, 92–93, 95–96, 231–32, 235; Sainte-Marie identity issues, 18–19, 19–21, 33–34, 43–44, 165; Sesame Street and, 161–63, 169–70; show business and, 148–49; slave trade, 262–63; Soldier Blue (movie), 111–13; termination era, 32–33; Truth and Reconciliation Commission of Canada, 231–32, 235, 263. See also activism; colonialism; Cradleboard Teaching Project; Cree
Indspire Awards, 263
It’s My Way! (Sainte-Marie): overview, 278; album cover, 55, 120; emotional intensity, 59–60; Indigenous activism and, 67–68; marketing, 66–67; message in, 56–59; motivation behind, 54; reception, 56, 60, 63, 67; record deal, 53–54; recording of, 55–56; Sainte-Marie on, 63–64, 66–67; uniqueness of, 82
“It’s My Way” (Sainte-Marie): 1964 version, 58, 59, 67; 2015 version, 246, 282
Jackson, Tom, 224
Jennings, Will, 179
Johnson, Pauline, 265
Johnson, Valorie, 214
Jonnie, Curtis (Shingoose), 222, 223
Juno Awards, 222–24, 238, 247, 257, 262, 282
Kaye, Danny, 138
Kellogg Foundation, 214–15, 216
Kimbrough, Lottie, 41
King, Carole, 114, 115–16, 280
Kristofferson, Kris, 77
Kulawick, Geoff, 244
Lee, Bruce, 139
Levine, Jon, 244
Little Black Bear School (Fond du Lac, WI), 217
Little Wheel Spin and Spin (Sainte-Marie), 73, 92, 279
Longwalker, Ernie Peters, 153, 173
Looking Cloud, Arlo, 157
Love, Courtney, 75
Love, Kermit, 170
Mahal, Taj (Henry Saint Clair Fredericks), 38–39, 262
Manitas de Plata (Ricardo Baliardo), 138–39
Many a Mile (Sainte-Marie), 92, 121, 278
“Many a Mile” (Sainte-Marie), 278
“Mary” (Sainte-Marie), 107
McCarthyism, 32
McKuen, Rod, 124
McPhedran, Marilou, 258
Means, Russell, 144, 146, 149, 153
media, 44, 49–50, 96–97, 100, 144–45, 163
Medicine Songs (Sainte-Marie), 256, 258, 262, 282
Menow, Darryl, 237
misogyny and sexism, 68–69, 110, 126, 149–50, 198
Missing and Murdered Women and Girls, 255, 262–63
Mitchell, Joni: career, 78–79, 80–81, 82; Chelsea Hotel and, 74, plate 1; covers by Sainte-Marie, 79, 279, 280; Higinbotham and, 164; Nitzsche and, 180; reflections and relationship with, 77, 78, 79, 80–81, 83, 150
“Mongrel Pup” (Sainte-Marie), 108
Moonshot (Sainte-Marie), 124, 131, 132, 280
Morrisseau, John, 258
movie scores, 110, 111–12, 113, 176–77, 179–80, 185–86
music: coffee houses vs. bar culture, 75–77; folk music, 41, 52–53, 76–77, 79–80, 84, 92; Indigenous music, 154, 201–2, 239, 243–44, 261; protest songs, 45; songwriting, 86. See also show business
music, Sainte-Marie: ability and development, 16–17; activism in, 54–55, 67–68, 90, 92–94, 95, 97–98; approach to music, 70, 83–84, 89, 247–48, 256; blacklist, 195–97; career beginnings, 42, 49, 54; collaborative relationships, 131, 132–33, 133–34, 134–35, 236–37, 238; comeback, 197–98; country music crossover, 105–6; electronic music, 107–10, 111, 194, 198; influences, 28–29, 39–41; marginalization from Indigenous territory, 145–46; movie scores, 110, 111–12, 113, 176–77, 179–80, 185–86; New York years, 51–53, 74–75, 77–78, 133–34, 238; outsider status, 54, 69–70, 79–80, 83; promotion of others, 78, 79; publishing rights, 69, 125–26, 126–27; technical innovations, 197–99, 203; uniqueness, 82, 127; university years, 37–39. See also tours and performances; Vanguard Records; specific albums and songs
“My Baby Left Me” (Sainte-Marie), 124
“My Country ’Tis of Thy People You’re Dying” (Sainte-Marie), 73–74, 92–94, 95, 97, 231, 245, 279
National Indian Youth Council (NIYC), 33–34, 90, 143, 144, 146
Native American Committee, 146
Native Americans. See Indigenous peoples
Native Canadian Centre of Toronto, 43
Native North American Child (Sainte-Marie), 132
New Birth, 122
Newport Folk Festival, 92, plate 1
New York, 51–53, 74–75, 77–78, 133–34, 238
New York Philharmonic, 60, 135
Nihewan Foundation for American Indian Education, 146–47, 208, 209, 214, 220, 259
Nitzsche, Jack: abusive relationship with, 178–79, 179–80, 181–82, 183–85; end of relationship, 187–88, 193; heroin experience, 186–87; musical collaborations with, 110–11, 114–16, 179, 185–86, 280; musical talent and personality, 182; reflections on relationship with, 113–14, 188–89, 250; relationships with others, 114, 180–81, 183; renewal of relationship with, 176–78; wedding, 178
“Nobody Will Ever Know It’s Real but You” (Sainte-Marie), 135, 281
“No No Keshagesh” (Sainte-Marie), 228–30, 282
“Not the Lovin’ Kind” (Sainte-Marie), 131–32, 280
“Now That the Buffalo’s Gone” (Sainte-Marie): Alcatraz occupation broadcasts and, 148; message of, 56–57, 90, 91, 97–98, 278; reception, 53, 67, 97
Obey, Marlyn, 174
An Officer and a Gentleman (movie), 176–77, 179, 185–86, plate 11
Pacifica Radio Archives, 148
Palumbo, Janice Murphy, 17–18, 22
Paquin, Gilles, 256
Paquin Entertainment, 237
parenting, 165, 175–76, 249–50
Parrish, Rain, 152
Paxton, Tom, 77
Pelletier, Wilfred, 43
Peltier, Leonard, 149, 155, 156, 157
Performance (movie), 111
performances. See tours and performances
Peters, Sheldon. See Wolfchild, Sheldon Peters
Piapot family, 43–44, plate 4, plate 8
Piapot, Clara Starblanket, 43, plate 4
Piapot, Debra, 174
Piapot, Emile, 43, 163, 165, plate 4
Pine Ridge Reservation, 151, 155–56
“The Piney Wood Hills” (Sainte-Marie), 92, 105
Polaris Music Prize, 246–47, 282
“Poppies” (Sainte-Marie), 108
Power in the Blood (Sainte-Marie), 10, 244, 245, 246–47, 251, 282
“Power in the Blood” (Sainte-Marie), 245, 246, 282
Powers, Ann, 246
powwow music, 154, 201–2, 217, 228, 238, 243, 281
Presley, Elvis, 29, 121, 122, 124–27, 131, 278
“The Priests of the Golden Bull” (Sainte-Marie), 197
protest songs, 45
publishing rights, 69, 125–26, 126–27
Putnam, Norbert, 124, 131, 132–33, 136, 199, 280, 281
Quiet Places (Sainte-Marie), 132, 280
Rader, Dotson, 112
Radio Free Alcatraz, 148
The Razor’s Edge (movie), 186
Red Elk, Lois, 100
Reséndez, Andrés: The Other Slavery, 262
residential schools, 92–93, 95–96, 231–32, 235. See also abuse
Robertson, Robbie, 134
Running for the Drum (Sainte-Marie), 39, 228, 236–37, 238, 244, 282
Sainte-Marie, Albert “Smokey” (father), 16, 30, 248
Sainte-Marie, Buffy: approach to life, 266; archives, 265–66; birth and adoption, 15, 16; Buffy nickname, 28; career overview, 7–8, 9; childhood, 17–18, 19, 21–24, 27–28; guiding principles, 259–61; health, 119, 121; home in Hawai‘i, 8, 196, plate 3; identity, 18–19, 19–21, 33–34, 43–44, 165; income, 56, 175, 176; legacy, 250–51, 264–65; parenting, 164–65, 166–68, 175–76, 249–50, plate 7, plate 10; portraits, plate 2, plate 3, plate 5, plate 6, plate 13; relationships and marriages, 73–74, 85, 121, 131, 153, 165, 174–75, 248–49; sense of humor, 264; spirituality, 36; university, 30–32, 34–36, 37–38, 41–42, 50. See also activism; Cradleboard Teaching Project; music, Sainte-Marie; Nitzsche, Jack; tours and performances
Sainte-Marie, Winifred “Winnie” (mother), 16, 18–19, 21, 28, 30–31, 247–48, plate 7
Samson, Elizabeth, 43
Schickele, Peter (P. D. Q. Bach), 99
Science Through Native American Eyes (CD-ROMS), 221
Seeger, Pete, 41, 53, 92, 213–14
Seneca Indian Reservation, 57, 90
Sesame Street: characters in, 169; Cody Wolfchild in, 166–68; cultural impact, 161; filming experience, 168; Indigenous programming, 162–63, 169–70; luau for Cody, 166, plate 9; memories of by Bruyere and Green, 237–38; recruitment of Sainte-Marie, 161–62, 164; reflections on, 167, 170
sexism and misogyny, 68–69, 110, 126, 149–50, 198
sexual abuse. See abuse
Shearer, Karen, 148
She Used to Wanna Be a Ballerina (Sainte-Marie), 79, 113, 114–16, 120, 176, 280
Shingoose (Curtis Jonnie), 222, 223
Shore, Dinah, 138
show business: business side and colonialism, 9, 64, 73, 80–82, 256; fame, 128; Indigenous peoples in, 148–49; Sainte-Marie’s relationship with, 196, 228; sexism in, 68–69. See also music
Shriver, Sargent, 90
Siebring, Adria, 208
Silverheels, Jay, 89, 100, 153
Sinatra, Nancy, 122
Sinclair, Murray, 258
Sky, Patrick, 278
slave trade, Indigenous, 262–63
“Smackwater Jack” (Sainte-Marie), 115–16, 280
Smith, Harold, 174
Snodgress, Carrie, 183
“Soldier Blue” (Sainte-Marie), 111–12, 113, 120, 143
Solomon, Maynard, 53, 64, 119, 133, 134
“The Song of the French Partisan” (Sainte-Marie), 115
“Song to a Seagull” (Sainte-Marie), 279
songwriting, 86
The Sopranos (TV show), 245
Spinney, Caroll, 169
Spirit of the Wind (movie), 110
Springfield, Dusty, 138
Springsteen, Bruce, 81
“Starwalker” (Sainte-Marie), 153–55, 201, 281
Status & Diplomat (journal), 74
Stewart, Martha, 248
Stiffarm, Thelma, 33
Stoney Park (singers), 224
Strawberry Statement (movie), 111
Streisand, Barbra, 122
Stripper (docudrama), 185
Stuntz, Joseph, 155
Sweet America (Sainte-Marie), 165–66, 197, 281
Tchaikovsky, Pyotre Ilyich, 28–29
“This Land Is Your Land” (Guthrie), 214
Thom, Mel, 34
Titelman, Russ, 115
tours and performances: at Bearsville Theater (Woodstock, NY), 7, 8–9, 9–11; Higinbotham and, 164; memorable experiences, 60, 67, 135, 138–39; outsider identity and, 69–70; photographs, plate 1, plate 5, plate 6, plate 13, plate 14, plate 15; preferences, 8; pregnancy and parenting while on, 164, 175–76, 249; pre-show smudge, 255; red dress acknowledgment, 255; romances during, 261; Running for the Drum tour, 237, 238. See also fans
A Tribe Called Red, 243
“Trickster” (Sainte-Marie), 185
Trudell, John, 145, 146, 147, 148, 163
True North Records, 244
Truth and Reconciliation Commission of Canada (TRC), 231–32, 235, 263
uncertainty, 86
“Universal Soldier” (Sainte-Marie), 7, 50–51, 58, 68, 69, 83, 278
University of Massachusetts, 30–32, 34–36, 37–38, 41–42, 50
“Until It’s Time for You to Go” (Sainte-Marie): copyright issues, 123–24; covers, 83, 105, 121, 122–23, 278; explanation of, 121–22; Presley covers, 121, 124–27
Up Where We Belong (Sainte-Marie), 201, 281
“Up Where We Belong” (Sainte-Marie, Nitzsche, and Jennings), 179, plate 11
Vanguard Records: background, 53; compilation albums with, 119–20, 132; record deal, 54, 116, 197; recording studio, 56; session musicians, 134; working relationship with Sainte-Marie, 63, 64–65, 66, 114–15
Vietnam War, 49–51, 54, 112, 175
The Virginian (TV show), 99–101
Voight, Jon, 148
Vowel, Chelsea (âpihtawikosisân), 15
“The War Racket” (Sainte-Marie), 256, 282
Warrior, Clyde, 34
Webb, Jimmy, 109
“The Weight” (The Band), 134
“Welcome, Welcome Emigrante” (Sainte-Marie), 92
Westerman, Floyd Red Crow, 174, plate 10
Westerners, use of term, 35
Weston, Doug, 137
Williams, Andy, 122
Williams, Hank, 57
Wilson, Richard “Dick,” 151
W. K. Kellogg Foundation, 214–15, 216
Wojewoda, Michael Phillip, 244
Wolfchild, Dakota Starblanket “Cody” (son): activism, 250; childhood, 175–76, 249; friendship with Ahmen Mahal, 39; Nitzsche and, 178, 187; photographs, plate 7, plate 8, plate 10; pregnancy and birth, 164–65; in Sesame Street, 166–68
Wolfchild, Henry, 165
Wolfchild, Sheldon Peters, 153, 165, 169, 173, 174–75, 176, 250
Wonder, Stevie, 174
Woodstock (NY): Bearsville Theater performance, 7, 8–9, 9–11
“Working for the Government” (Sainte-Marie), 238, 282
Wounded Knee Incident, 151
“You Got To Run (Spirit of the Wind)” (Sainte-Marie), 256, 282
Young, Doris, 258
Young, Neil: covers by Sainte-Marie, 114, 115, 280; Harvest, 131; manager of, 78; Nitzsche and, 114, 183; reflections and relationship with, 77, 79, 80, 81