BOATE, Rachel is a Ph.D. candidate in Art History at the Institute of Fine Arts, New York University, whose research has been supported by the École Normale Supérieure in Paris, the Centre national de la recherche scientifique (CNRS), the Georges Lurcy Institute, and the Leonard A. Lauder Research Center for Modern Art.
CONSIDINE, Liam is Visiting Assistant Professor of Art History at Pratt Institute in Brooklyn, NY. His research is focused on the international impact of Pop art in the 1960s and on the critical problems of contemporary art.
CRAS, Sophie is Maître de conférences at Université Paris 1 Panthéon-Sorbonne. An English translation of her book, L'Économie à l’épreuve de l’art. Art et capitalisme dans les années 1960 (2018), is forthcoming with Yale University Press.
DOSSIN, Catherine is Associate Professor at Purdue University and Editor of the Artl@s Bulletin. She is the author of The Rise and Fall of American Art, 1940s–1980s: A Geopolitics of Western Art Worlds (2015) and has co-edited with Thomas DaCosta Kaufmann and Béatrice Joyeux-Prunel Circulations in the Global History of Art (2015).
ERICKSON, Ruth is Mannion Family Curator at the Institute of Contemporary Art, Boston. She has organized numerous exhibitions and published scholarly catalogs, including Mark Dion: Misadventures of a 21st-Century Naturalist and Leap before You Look: Black Mountain College 1933–1957.
FREDRICKSON, Laurel is Assistant Professor of Art History in the School of Art and Design at Southern Illinois University Carbondale. Her book Jean-Jacques Lebel: French Happenings of the 1960s and the Erotics of Revolution, will be published in 2018.
GALIMBERTI, Jacopo is a Post-Doctoral Fellow of the British Academy at the University of Manchester. He is the author of Individuals against Individualism: Western European Art Collectives (1956–1969) (2017).
GUY, Emmanuel is Assistant Professor of Art and Design History and Director of the M.A program in History of Design and Curatorial Studies at Parsons Paris, The New School. He is the co-author with Fabien Danesi and Fabrice Flahutez of La Fabrique du cinéma de Guy Debord (2013), and with Laurence Le Bras of Guy Debord, Un Art de la Guerre (2013) and Lire Debord (2016). His book, Vers un design de l’ émancipation: le Jeu de la Guerre de Guy Debord, will be published in 2019.
JOLY, Noémi teaches at the École du Louvre and at the Panthéon-Sorbonne University. Her research focused on the German ZERO Group, with a special focus on the relations between art and technology in the 1950s and 1960s.
LAKS, Déborah is Scientific Coordinator at the Deutsches Forum für Kunstgeschichte, and teaches at the Panthéon-Sorbonne University, Sciences Po, and École du Louvre. She is the author of Des déchets pour mémoire. L’utilisation de matériaux de récupération par les nouveaux réalistes (1955–1975) (2017).
O’NEILL, Rosemary is Associate Professor of Art History at Parsons School of Design, The New School. She is the author of Art and Visual Culture on the French Riviera, 1956–1971 (2012).
PICCIONI, Lucia is Post-Doctoral Fellow at the Musée du Quai Branly. In 2015, she received the École des Hautes Études en Sciences Sociales’ Best Dissertation Award.
PICHON-BONIN, Cécile is a researcher at the Centre national de la recherche scientifique (CNRS) and lecturer at Sciences Po. She is the author of Peinture et politique en URSS—L’itinéraire des membres de la Société des artistes de chevalet (OST), 1917–1941 (2013).
SARVÉ-TARR, Marin is Post-Doctoral Fisher Collection Curatorial Fellow at the San Francisco Museum of Modern Art. She co-curated the exhibition Interiors and Exteriors: Avant-Garde Itineraries in Postwar France at the University of Chicago Smart Museum of Art in 2013.
SIEGELBAUM, Sami is a Los Angeles-based art historian whose research focuses on the relationship between art and labor. He is completing two book manuscripts: The Ends of Political Art, on the ways artists in France responded to May 1968, and Surviving a Capitalist Economy, on Christopher D’Arcangelo.
TISO, Elisabeth is a Ph.D. candidate at the Graduate Center the City University of New York. She is the co-author of New York’s New Edge: Contemporary Art, the High Line and Urban Megaprojects on the Far West Side (2014).
VANEL, Hervé is Assistant Professor at the American University of Paris. He is the author of Triple Entendre—Furniture Music, Muzak, Muzak-Plus (2014) and Le Parti Commoniste—Roy Lichtenstein et l’art pop (2013). He co-curated the exhibition Warhol Unlimited at Musée d’Art Moderne de la Ville de Paris (2015–2016), for which he edited the accompanying catalog.
WOODRUFF, Lily is Assistant Professor of Art History at Michigan State University. Her book, Disordering the Establishment: Participation and Institutional Critique in France, 1958–1981, will be published in 2019.