Page numbers refer to the print edition but are hyperlinked to the appropriate location in the e-book.
Abeng (Cliff),
24,
206,
248,
268,
281n13,
286n22; Columbus and,
87; decolonization in,
249–57;
A Diary of a Young Girl and,
239,
249–57,
262; Holocaust in,
249–57; Jewish doctors and,
179; Jewishness and,
46; Sephardi thesis and,
86
Absalom, Absalom! (Faulkner),
163
Adolescent cross-cultural identification,
205,
239African Americans,
216; antisemitism of,
11–12,
209; cultural politics of,
207;
A Diary of a Young Girl and,
239; sites of memory of,
240Against the Unspeakable (Mandel),
297n3
Alejandra (fictional character),
75Allure of Sepharad, The (Aizenberg),
35–36
“Anne Frank’s Amsterdam” (Phillips),
241,
243Antisemitism,
229,
240,
243; African American,
11–12,
209; colonial racism and,
10–11,
170,
211; European,
64; in France,
53Art and Emancipation in Jamaica: Isaac Mendes Belisario and His Worlds (Belisario),
30–31
Autobiography of My Mother, The (Kincaid),
192
Autograph Man, The (Smith),
20
Baumgartner’s Bombay (Desai),
179
Belisario: Sketches of Character: A Historical Biography of a Jamaican Artist (Ranston),
32
Beracha Ve Shalom synagogue, in Suriname,
69,
153,
156Bernice Heneky (fictional character),
187–89,
191Black, Jewish and Interracial (Azoulay),
17
Black, White, and Jewish (Walker),
306n17
Black Atlantic, The (Gilroy, P.),
10
Black historical experience,
2Black-Jewish analogy, in Caribbean literature,
6,
55,
65–67Black-Jewish relations,
2,
3,
238,
308n40; in Britain,
11,
17; in other locations,
17,
277n16; in Suriname,
155; in U.S.,
5,
13–17,
99,
277n14; victimhood and,
201“Black/Jewish Relations” (Philip),
206,
209–16Black Skin, White Masks (Fanon),
229,
249
Book of Negroes, The (Hill),
101,
123,
133,
308n37; Aminata Diallo in,
119–22,
139–40,
291n24; port Jews in,
121; Solomon Lindo in,
119–22,
139–40,
291n25
Brenner, Rachel Feldhay,
244,
265Brighter Sun, A (Selvon),
176
Britain,
132; Black-Jewish communities in,
11; Black-Jewish relations in,
11,
17
Calypso (as a musical form),
180–81Calypso and Society in Pre-Independence Trinidad (Rohlehr),
180
Caribbean Secondary Education Certificate,
301n12Caribbean Sephardism,
37,
70,
72,
164; examples of,
22,
36,
39,
66,
88; features of,
42,
45,
46,
48,
52,
61Caribbean society, in
Drums and Colours,
108Center for Afro-Jewish Studies, at Temple University,
20Charlotte Amalie, synagogue in,
69Chevet Achim synagogue, in Cuba,
70Chosen Place, the Timeless People, The (Marshall),
47,
281n14
Christianity,
95,
96; Catholic Church,
36; forced conversions to,
19,
70; Judeo-Christian tradition,
8Cliff, Michelle,
5,
39,
69–75,
77–85,
88–90,
219,
221–22,
228,
238–42,
268,
287n32; “If I Could Write This in Fire, I Would Write This in Fire,”
93–96;
Into the Interior,
76,
179;
No Telephone to Heaven,
91,
94,
95; “A Pilgrimage, a History Lesson, Two Satires, and a Vision,”
243; “Sites of Memory,”
240,
306n21; “A Visit to the Secret Annex,”
241–42,
254; “A Woman Who Plays the Trumpet,”
217–18,
228,
303n39;
see also Abeng;
Free EnterpriseColonialism,
12,
222; Nazism as,
170; of New World,
3;
reconquista and,
38,
40Committee for the Remembrance of Slavery,
231CommonQuest: The Magazine of Black-Jewish Relations,
235
Comparative approaches to literary study,
7–13Competitive memory,
5,
12,
100Condé, Maryse,
5,
29,
33,
132–33,
244,
301n16; Black-Jewish relations and,
13–14; Committee for the Remembrance of Slavery and,
231;
see also Moi, Tituba, sorciére…noire de SalemCosmopolitanization, of Holocaust memory,
236,
304n2Creole,
71,
80,
82,
92–96,
183,
256,
287n31; intermarriage and,
74; Mulatta and,
94; Papiamentu language of,
74,
141; Sranan Tongo language,
141Cross-cultural identification,
208,
230,
239,
246,
248,
262; adolescent,
205,
239; francophone anticolonial theory and,
173; with Jewishness,
238; memory laws and,
231Cross-cultural relationships,
303n41Crown of Columbus, The (Dorris and Erdrich),
86–87
Cuba, Chevet Achim synagogue in,
70Cuba, Jews in,
176,
297n1; emigrants from Eastern Europe and Ottoman Empire,
1; Jewishness of,
20; as
polacos,
3; refugees from Nazism,
1; Sephardic Conversos,
1,
3,
12,
19,
72,
74,
98; from Ten Lost Tribes of Israel,
1
Death of God, motif of,
227de Lisser, Herbert G.,
27Diary of a Young Girl, A (Frank, A.),
232,
235–39,
241,
243–45;
Abeng and,
239,
249–57,
262; African Americans and,
239; misappropriations of,
307n28;
The Nature of Blood and,
257–58
Diaspora,
4–5,
9,
27–28; African,
100,
111,
288n2; intercultural history of,
8; paradigm of,
10–11; Sephardic,
42,
111; studies of,
7–8;
see also Caribbean-diaspora writers;
Trading diaspora, of Sephardic JewsDiasporic double-consciousness, of Pissarro,
50Discourse on Colonialism (Césaire),
9,
249,
304n42
“Dju-tongo” language,
141Double écriture (double writing),
223
Drastic Turn of Destiny, The (Mann),
175,
185
Drifting of Spirits, The (
La grande drive des esprits) (Pineau),
300n1
Drums and Colours (Walcott),
46,
101,
105,
133; “A JEW” in,
106–8,
289n11; Caribbean society in,
108; Emmanuel Mano in,
108; interracial harmony in,
108,
290n12; Paco in,
106; Sephardic motif in,
109; slaves in,
106–7
Dutch, Surinamese Sephardism and,
149
Eastern Europe: emigrants from Ottoman Empire and,
1; Jews from,
3European antisemitism,
64L’exil selon Julia (
Exile According to Julia) (Pineau),
232–33,
239
Expulsions,
66,
285n20; from French Islands,
29,
279n5; Iberian,
41,
42,
86; from Spain,
2,
12,
75,
86,
100Extravagant Strangers (Phillips),
307n29
Ezrahi, Sidra DeKoven,
223
Fagin (fictional character),
132Fascism,
9,
206; analysts of,
170; colonial racism and,
171–72; lynchings and,
218; Nazism and,
207Feast in the House of Levy, The (Veronese),
51
Fighting Téméraire, The (Turner),
62
Fondation pour la Mémoire de la Shoah,
227France,
16; antisemitism in,
53; Black-Jewish relations in,
17; Impressionist movement in,
49; Rhineland and,
219Francophone anticolonial theory,
173Free Enterprise (Cliff),
22,
47,
70,
71,
94,
96; Sephardic maroons in,
86–97,
98,
288n35; Sephardism, marranism and creolization,
72; de Souza, Rachel,
89–92,
95,
97,
287n30
French Islands expulsion, of Jews,
29,
279n5Fugitive slave narrative,
148
Genealogy and romance, in Jewish plantation narratives,
137,
156–66Ghost of Bridgetown, The (Spark),
15
Gilroy, Paul,
1,
3,
5,
99–100,
208,
210,
246,
297n2;
The Black Atlantic,
10;
Between Camps,
203,
206–7,
251–52Golden Age of Spanish Jewry,
38Grande drive des esprits, La (
The Drifting of Spirits) (Pineau),
300n1
Harlot’s Progress, A (Dabydeen),
22–23,
101,
122,
133,
261; Betty in,
126–27,
128,
292n28; Christian girls in,
124,
126; critique of Jews in,
124–32; Gideon in,
124,
125–26,
127–31,
292n32,
293n36; Lady Montague in,
125,
127,
128,
131; Lord Montague in,
125,
127,
128,
132; Mary in,
126; Moll in,
124,
129; Mungo in,
123,
125–26,
127–28,
131,
292n30; Noah in,
123; Perseus in,
123,
127; Pringle in,
126,
128,
292n29; slavery in,
123–24,
291n26
Harriet Blewchamp (fictional character),
212–14,
251Henry-Valmore, Simone,
208Hester Prynne (fictional character),
116Hijuelos, Oscar,
19,
20,
42,
301n18;
A Simple Habana Melody,
71,
75,
84,
218,
303n33Hillel Academy, in Jamaica,
27Historiography, of Jewish Atlantic,
6,
10History of Jamaica (Long),
28
Hitler’s Black Victims (Lusane),
217
Hoe duur was de suiker? (McLeod),
17–18,
23,
45,
69,
101,
295n19,
296n30; Alex in,
143,
145,
146,
147,
151; ambiguity in,
142–48,
150; Andersma in,
144,
164; Ashana in,
143,
148,
150,
152; death in,
147; Elza in,
143–56,
165,
294n11,
295n17; epilogue of,
155–56; Esther in,
143; infidelity in,
147; Jan in,
144,
145,
153; Jeremiah in,
151; Jewish Surinamese history in,
142–48; Julius in,
143,
146,
150,
155,
164–65; Levi in,
143,
150,
151–52; Maisa in,
143,
145,
148,
150,
152,
294n13; Mini-mini,
143–44,
146,
148,
150,
155,
164–67,
296n35; museum effect in,
153–54,
295n23; plantation family saga in,
21,
136,
142–48,
294n10; plantation Jews relating to,
135–40,
142–48,
294n12,
295n15; poverty in,
147; Rebecca in,
143; Rutger in,
143–48,
151,
165,
166,
295n14; Sarith in,
143–49,
153,
155,
164; slave protagonists,
138
Hogarth’s Blacks: Images of Blacks in Eighteenth Century English Art (Dabydeen),
129
Holocaust,
2,
7,
8; in
Abeng,
249–57; analogies of,
6,
12–13,
65–66,
283n28; connective node of,
12–13; diary of,
6,
21,
224,
257–68,
302n21; history of,
24; mass media and,
247; memory of,
23; pseudofactual novels,
224; slavery and,
100; as surrogate issue,
205–9; as surrogate memory site,
204;
see also Calypso Jews, in TrinidadHolocaust and Memory in a Global Age, The (Levy and Sznaider),
236
House for Mr. Biswas (Naipaul),
179
“I Don’t Want Any Syrians Again” (Growler),
181“If I Could Write This in Fire, I Would Write This in Fire” (Cliff),
93–96Impressionist movement,
49Intercultural history, of diaspora concept,
8Intercultural sympathy,
116,
117International Survey of Jewish Monuments,
153,
295n22Interracial harmony, in
Drums and Colours,
108,
290n12Interracial relations,
16Intersections: Caribbean-Jewish,
2–3,
9,
11,
20; of Sephardism, marranism and creolization,
73–74,
284n5“In the Ghetto” (Phillips),
205,
206Into the Interior (Cliff),
76,
179
Israel,
269; Ten Lost Tribes of,
1Israel, Jonathan,
14,
102Ivanhoe (fictional character),
254–55
Jamaica,
43,
176,
184,
185,
250; Hillel Academy in,
27; Jewish influence in,
27–28,
278nn1–2; Jewish settlement in,
3,
18,
23; synagogue in,
70Jamaican/diaspora figures,
27–28“Jean Rhys” (Walcott),
58,
92Jewish Atlantic,
28,
29,
133,
135,
137,
155; historiography of,
6,
10; scholarship on,
104; writing of,
102–5,
289n7,
289n9Jewish Daily Forward,
138
Jewish Life (magazine),
240
Jewishness,
192,
255,
256,
268;
Abeng and,
46; in Caribbean literature,
5,
6–7,
8–11,
20–21,
109–10,
276nn6–7; cross-cultural identification with,
238; of Cuban Jews,
20; ethical perspective on,
190–91,
202; identification of,
136; literariness and,
308n37; metaphor relating to,
6; modernity and,
306n23; negative association of,
92; textuality and,
267Jewish settlements: in Barbados,
3,
15–16; in Curaçao,
3,
4,
29; in Dominican Republic,
3; in Jamaica,
3,
18,
23; in Martinique,
3–4; in Suriname,
3,
18,
29,
30,
69,
91,
97Jewry: Atlantic,
28; Southern,
162; Spanish,
38Jews: critique of,
124–32; Eastern European,
3; French Islands expulsion of,
29,
279n5; immigration of,
180–81,
297n1,
298n3,
298n6; Jamaican,
104; liberties of,
30; as narrator,
186–87; outmigration of,
182; plantation,
23,
97,
101,
135–40,
142–48,
294n12,
295n15; port,
22; real and metaphorical,
20–21; Reformed,
162; representations of,
113,
115,
122,
129–30; restrictions of,
29; slave concubines and,
110,
113–19,
290n14,
291nn18–23; slaveholding by,
13–14,
101–2,
104,
138–39,
146,
155,
157,
159,
277n13; slaves abused by,
150–51; slave’s emancipation relating to,
136,
293n2; sugar production and,
29,
279n4; trials of,
29; Turkish,
3; victimhood narratives of,
48,
102,
140,
167,
186,
257,
268–69;
see also Antisemitism;
Calypso Jews, in Trinidad;
Cuba, Jews in;
Plantation Jews;
Sephardic JewsJews and Blacks in the Early Modern World (Schorsch),
105
“Jews in the West Indies” (Gorilla),
175,
181Jodensavanne, in Suriname,
30,
69,
97,
141,
153,
155,
244,
270,
293n5Johnson’s Dictionary (Dabydeen),
124
Judeo-Christian tradition,
8
Kirschenblatt-Gimblett, Barbara,
236Known World, The (Jones),
101
“Koo, Koo, or Actor-Boy” (Belisario),
31
Languages: of Caribbean,
88,
141; Dju-tongo,
141; Papiamentu,
74,
141; Saramaka Maroon,
141; Sranan Tongo,
141; Yiddish,
183Latino/a literature,
22,
38Laufen internment camp,
217Le Lazaret concentration camp,
298n4Literary archaeology, of slavery,
71Loneliness of Angels, The (Chancy),
18–19,
22,
71,
96–97,
284nn9–11; Catherine in,
77,
78–84,
284n13,
285n18; Crypto-Judaism in,
75–86,
87,
284n14; Elsie in,
77,
80,
82,
285n16; multiple geographical sites in,
76–77,
81; Romulus in,
77,
79; Rose in,
77,
80,
82; Ruth in,
77–86,
89,
284n12; Syrian Jewish characters in,
78,
82
Lonely Londoners, The (Selvon),
308n38
Lopez Laguna, Daniel Israel,
27
Marcus Heneky (fictional character),
187–92Margot Stern (fictional character),
259–60Marrano/Maroon analogy,
91–92Memory: common,
225; competitive,
5,
12,
100; cosmopolitanization of Holocaust memory,
236,
304n2; deep,
225; multidirectional,
12,
100,
208–9,
214,
227,
231,
297n2; palimpsestic,
212,
214,
297n2; screen,
208; sites of,
240–44; surrogate,
209–16,
247Mendes, David Pereira,
18Middle Passage,
7,
48,
63,
83,
90,
106,
216;
L’étoile noire and,
222; legacies of,
51,
170; “Stop Frame” and,
211; survival of,
46,
99,
119Mikvé Emmanuel Synagogue, Willemstad, Curaçao,
4Mikvé Emmanuel Synagogue Museum,
235“Milkwoman” (Belisario),
60Mimic Men, The (Naipaul),
308n38
Miranda (fictional character),
210–12Modernity, Culture, and “The Jew” (Cheyette and Marcus),
1,
10
Moi, Tituba, sorciére…noire de Salem (Condé),
17,
22–23,
45,
47,
101,
109,
120–21; ambivalent historiography of,
111; Benjamin Cohen d’Azevedo in,
110,
111–19,
112,
132,
290n13; David da Costa in,
112–13; element of parody in,
110; female sexuality in,
114–16; intercultural sympathy in,
116,
117; Jewish humanitarianism in,
110,
114,
119; Jews and slave concubines in,
110,
113–19,
290n14,
291nn18–23; slave narrative genre of,
110,
111,
122,
123,
130,
133; Tituba in,
110,
111–19; witch trials in,
111,
113
Moll (fictional character),
124,
129Morant Bay rebellion,
106Mulâtresse Solitude, La (Schwarz-Bart and Schwarz-Bart),
20
“Muse of History, The” (Walcott),
48My Brother (Kincaid),
192
Nate Pereira (fictional character),
161–62National Museum of the American Indian,
15“Negro and the Warsaw Ghetto, The” (Du Bois),
240New World,
12,
28,
38; colonial economy of,
4; colonialism of,
3; discovery of,
7; Indigenous populations of,
1New World Order, A (Phillips),
257,
261
Nidhe Israel synagogue, in Barbados,
112No Telephone to Heaven (Cliff),
91,
94,
95
Oliver Twist (Dickens),
132
Once Jews: Stories of Caribbean Sephardism (Goldish),
96,
287n33
“On ‘The Nature of Blood’ and the Ghost of Anne Frank” (Phillips),
235,
243,
248
Pan-Africanist movement,
16Papiamentu language,
74,
141Path of the Righteous (Darhe Jesarim),
142,
294n7“Persecuted Jews, The” (Atilla),
182Philip, M. NourbeSe,
204,
222,
232; “Black/Jewish Relations,”
206,
209–16;
Harriet’s Daughter,
212–13,
214,
230–31,
251;
Showing Grit,
99,
203,
205,
209,
212; “St. Clair Avenue West,”
214–16,
232; “Stop Frame,”
210,
211,
214,
225; surrogate memory and,
209–16Phillips, Caryl,
11,
20,
206,
207,
208,
237,
240,
247; Anne Frank House and,
241–43,
305n9; “Anne Frank’s Amsterdam,”
241,
243;
The European Tribe,
205,
235,
241,
243;
Extravagant Strangers,
307n29;
Higher Ground,
258,
261,
308n37; “In the Ghetto,”
205,
206;
The Nature of Blood,
24,
238–39,
243,
257–68,
269,
304n3;
A New World Order,
257,
261; “On ‘The Nature of Blood’ and the Ghost of Anne Frank,”
235,
243,
248“Pilgrimage, a History Lesson, Two Satires, and a Vision, A” (Cliff),
243Pissarro, Camille,
3,
22,
33,
36,
85,
199,
281n16; biography of,
55; Caribbean upbringing of,
61–63,
282n26; critique of,
57; diasporic double-consciousness of,
50; as Marrano,
50; as painter,
49,
59,
59–60,
282n23; in St. Thomas,
48–51,
53–58,
282n22; Sephardic background of,
49–55,
58–65,
281nn17–18;
Two Women Chatting by the Sea, St. Thomas,
59,
59; Walcott relating to,
51–57Pleasant, Mary Ellen,
87,
92,
95Pleasures of Exile, The (Lamming),
201
Port Jews, in slavery fiction,
289n6,
289n8; Black-Jewish romance,
109–22; in
The Book of Negroes,
121;
A Harlot’s Progress,
22–23,
101,
122–32; Jewish Atlantic writing,
102–5,
289n7,
289n9;
Moi, Tituba, sorciére…noire de Salem,
17,
22–23,
45,
47,
101,
109–22;
see also Drums and ColoursPort of Spain: Queen’s Park,
177; synagogue in,
69Postcolonial Witnessing (Craps),
297n1
Postslavery narrative,
136Pseudofactual Holocaust novels,
224
Queen’s Park, Port of Spain,
177
Racial particularism,
213,
221Refugees: Ashkenazi,
2; from Nazism,
1–3Remedios: Stories of Earth and Iron from the History of Puertorriqueñas (Levins Morales),
40,
52,
71; Iberian expulsion in,
41,
42
Rhetorical techniques,
194Rothberg, Michael,
8,
109,
204,
231,
238–39; competitive memory and,
5,
12,
100; multidirectional memory and,
12,
100,
208–9“Royal Palms, The” (Walcott),
46,
281n12Ruth (fictional character),
77–84
Saramaka Maroon language,
141Secret Relationship Between Blacks and Jews, The,
14,
129,
139
Sephardic Caribbean history,
28,
30–33Sephardic diaspora,
42,
111Sephardic Jews,
244,
257; historical presence of,
5; from Spain expulsions (1492),
2,
12,
75,
86,
100; trading diaspora of,
4–5,
102–3;
see also Plantation Jews, in slavery fictionSephardim, as founding people of Caribbean,
40Sephardism, in Caribbean literature,
35;
The Book of Mechtilde,
42–45,
44,
52,
62,
280n11; motifs of,
22,
33,
36–37,
39,
45,
66,
70–72,
74–77,
109,
284n7;
Remedios: Stories of Earth and Iron from the History of Puertorriqueñas,
40–42; Sepharad allure,
40–48; theorizing Sephardism,
37–40,
280nn5–6;
Tiepolo’s Hound,
22,
36–37,
39,
46,
281n15Sephardism, marranism, and creolization,
72–75; cultural influences with,
72–73;
Free Enterprise relating to,
72; in-betweenness relating to,
74; intersection of,
73–74,
284n5;
The Loneliness of Angels relating to,
72Sephardism: Spanish Jewish History and the Modern Literary Imagination (Halevi-Wise),
37
Sidonie Hellénon (fictional character),
222–31,
251Sketches of Character (Belisario),
32,
61
Slaveholders: Black,
101,
288n5; Jewish,
13–14,
101–2,
104,
138–39,
146,
155,
157,
159,
277n13Slavery,
3,
12,
23,
32,
119,
197,
200,
201,
206,
211; African,
4,
42; in
A Harlot’s Progress,
123–24,
291n26; Holocaust and,
100; literary archaeology of,
71; representations of,
130,
133; writing of,
135,
293n1;
see also Plantation Jews, in slavery fiction;
Port Jews, in slavery fictionSmall Place, A (Kincaid),
299n9
Souls of Black Folk and Up from Slavery, The,
206
Spanish Jewry, Golden Age of,
38Spanish Portuguese Jewish Nation of the Caribbean,
137Sranan Tongo language,
141“St. Clair Avenue West” (Philip),
214–16,
232Stefan Mahler (fictional character),
186–92Stephan Stern (fictional character),
258Suriname,
3,
18,
91,
103,
207,
237,
244; Beracha Ve Shalom synagogue in,
69,
153,
156; Black-Jewish relations in,
155; creolization in,
141–42; Jewish history in,
137–42,
148–56,
294n8; Jewish settlement in,
3,
18,
29,
30,
69,
91,
97; Jodensavanne in,
30,
69,
97,
141,
153,
155,
244,
270,
293n5Surinamese Sephardism, Dutch and,
149Synagogue of Blessing and Peace and Loving Deeds,
51Syrian Jewish characters,
78,
82
Ten Lost Tribes of Israel,
1Testimony, in
L’étoile noire,
221–32Tiepolo’s Hound (Walcott),
22,
36–37,
39,
46,
85,
109,
199,
281n15; synagogues in,
69; triangulation and Sephardism,
61–65;
see also Pissarro, Camille
Tittmoning internment camp,
217Trading diaspora, of Sephardic Jews,
4–5,
102–3Triangulation,
199; Sephardism and,
61–65Trinidad,
23,
206; Black Power in,
182,
184; Calypso Jews in,
1–3,
176,
176–80,
186–200; calypso shtetl in,
1,
21,
176,
180–86Trinidad Theatre Workshop,
105Tristes Tropiques (Lévi-Strauss),
184
Tropical Secrets: Holocaust Refugees in Cuba (Engle),
177
Two Women Chatting by the Sea, St. Thomas (Pissarro),
59,
59
Underground Railroad,
213,
214United Congregation of Israelites,
12United States (U.S.),
76,
139; Black antisemitism in,
209; Black-Jewish relations and,
5,
13–17,
99,
277n14; Harpers Ferry and,
47; Latino/a writing in,
38; Salem witch trials in,
111,
113;
see also African AmericansUnited States Holocaust Museum,
15,
217University of the West Indies,
184
Vichy aux Antilles (
Vichy in the Antilles) (Petit),
185
View of Kelly’s Estate (Belisario),
30
“Visit to the Secret Annex, A” (Cliff),
241–42,
254
Walcott, Derek,
5,
29,
33,
35,
97–98,
199,
202,
207–8,
300n7,
301n16; “An Interview,”
203; “Jean Rhys,”
58,
92; “The Muse of History,”
48;
Omeros,
46; parents of,
52,
62–63; Pissarro relating to,
51–57; “The Royal Palms,”
46,
281n12;
see also Drums and Colours;
Tiepolo’s HoundWest Indian Federation,
106,
108White, Black, and Jewish (Walker),
94
White Witch of Rosehall, The (de Lisser),
27
“Who Owns Anne Frank?” (Ozick),
307n28Wide Sargasso Sea (Rhys),
306n16
World at War, The (documentary),
206,
247,
248