LEFT, RIGHT, FREEFALL, STARFISH

Lying on his left side

he’s the monk he dreamed of becoming

during all those chaste weekends

sectioned by bells,

his only sins being to meditate too long

on the penis and testicles of the Cerne Abbas giant

and put one ear to the flimsy partition

while in the watches

Brother John grunted and grew so restless.

True, he took a lively interest

in Old Irish accounts of chastity tests

but rejoiced at courses and conferences

when his allocation was a spare cell,

reminding him of all he did not need

and could have renounced long since,

and he learned faith and doubt

are by no means mutually exclusive.

On his right side

he’s grateful not to have been born a woman

distraught at losing her longed-for child,

then muses on how the pursuits of his body

have empowered him, obstructed him

for more than sixty years.

Ah! When passion is so searing

as to be monastic, his limbs

so tangled with hers he no longer knows

which belongs to whom, until she turns away

with a single moan, sated, and ushers

herself into his lap…

He savours the silence,

the final inadequacy of words,

sleeps and enters into the courts of merriment,

until he wakes in the morning smiling

at what he no longer clearly remembers.

Prone,

he crushes his elbows and crotch

and disturbs his troublesome kneecaps.

They all grow Brobdingnagian

and his discomfort soon waylays his thinking.

True, there are those who speak

of hunkering down, and comfort,

and everything being gathered in,

but few of his thoughts are uplifting

and he seldom escapes what he must become:

glinting clods, clay, tilth, ash, mulch.

Face down, he’s about to be shot by a masked gunman.

Or else he’s on the battlefield,

a man already left for dead.

Chilly, and lying low, he’s crouching

like a fearful, flat-eared rabbit,

afraid of suffocating like a baby.

Supine,

he’s his boy-self on the top of the bunk again

so close to the pale blue ceiling

he can flatten his palms against it.

And now, listening to the larks

and pressing his palms together

(the head-and heart-line of his working hand

are one and the same) he believes

he will be ready to meet his Maker.

He’s as exposed as a yoga master

and knows he always must be.

Immaterial now beneath the roof-tree of the sky,

he could almost float away…

In the Western Isles, he recalls,

a makar used to lie on his back to compose.

He placed a large stone on his stomach

and stared into the dark.