Dal arrived at a quarter to twelve, looking as if his visit to Mantata’s sister, Olivia Hudson, had worn him down a little. On the walk to The Gage, a nearby gastropub, he said, “She’s a tough old broad. Tougher than her kid and maybe even tougher than her brother. She’s got it all under control. The church. The service. When I left, she was lining up a choir.”
I selected a light lunch, a seared sea scallops salad, while Dal tore into a grilled rib-eye sandwich. We were out of the restaurant at twenty after twelve. By twelve-thirty, I was at my hotel, withdrawing the cash from the safe. Fifteen minutes later, we were in the maroon Z-car on our way to Lincoln Park.
“I don’t like the idea of you spending any time hanging around that statue by yourself,” Dal said.
“Nat will run if he sees you. Anyway, you’re going to be close. And I have the famous air horn to strike fear in evil hearts.”
It was nearing one p.m. when he brought the car to a stop beside a knee-high wall of piled stones on North Stockton Drive. Because we did not want to risk Nat seeing Dal or the familiar maroon Z-car, we had not taken Lincoln Park West, as Nat had suggested. That street offered an unobstructed view of the statue of Shakespeare. Instead we’d traveled north on Stockton, the parallel street that ran along the other side of the narrow Grandmother’s Garden.
From where we were parked, foliage in the garden partially hid the car from the view of anyone near the statue, which was a good thing. But it also meant that Dal would not be able to observe all the activity at the meeting scene, which was not such a good thing.
“Is that him?” Dal asked.
Someone was sitting on a bench facing the statue.
I checked my watch. Two minutes to one. “I might as well find out.”
I opened the door.
“Got your air horn?” Dal asked.
“Yep,” I said, amused by how much faith he had in it.
As soon as I reached the sidewalk leading to the statue, I saw that the man seated on the bench was not Nat. He was a rotund white man in his middle to late years, dressed in black. Black suit, black shirt. Ditto socks and shoes. He had a cherubic face surrounded by white hair on top and a matching Monty Woolley under his nose. One of his hands rested on the bench; the other held a black walking stick.
A primly dressed young woman and ten children, a mixed bag of preschool-age boys and girls, entered the garden area from Lincoln Park West and gathered around the statue. Some began climbing on the bard of Avon. A tiny girl sat on his lap.
Nat was nowhere to be seen.
“A little late, Susanna,” the man in black chided the woman. His voice was a rich, theatrical baritone.
“We stopped to watch a game of horseshoes,” the woman replied. “And how are you today, Durwood? Enjoying the park, as always?”
He looked up at the overcast sky. “ ‘True is it that we have seen better days,’ ” he said.
“I know that one,” the woman said, evidently pleased with herself. “The duke in As You Like It.”
The kids were creating quite a ruckus. The woman—their teacher, I presumed—tried to quiet them down, without much success.
I wondered where the hell Nat was and if I was being stood up.
It was ten after one.
The man in black looked at me and, referring to the kids, said, “Full of sound and fury, eh?”
I managed to come up with a smile. Then I saw that his pale plump hand was resting on a spiral notebook I’d last seen on a table at Nero’s Wonder Lounge.
Walking toward him, I said, “This may sound like a strange question.…”
“Say no more. The answer is yes, I am the thespian Durwood Candless.”
“Of course,” I said, as if I knew who Durwood Candless was. “I’ve enjoyed your performances.”
“My Falstaff?”
Behind me, the young woman was threatening to remove the kids from the park if they didn’t behave.
“I’ve yet to have that pleasure,” I said to the actor. “I was wondering about your notebook.”
“Oh!” He looked down at it as if he’d forgotten it was there beneath his hand. “This isn’t mine. It belongs to a young man who comes here often. He seems as fond of this tribute to the Bard as I. I was talking to him just a few minutes ago. Did you know that this statue is the first in which the great man was properly attired for his time? The collar. The cape. The leggings tied with bows.”
“It’s one heck of a statue,” I said. “The young man. Is his name Nat?”
“Yes. You know him?”
“I was supposed to meet him here.”
“Well, as I said, we were sitting here talking when he stood suddenly and ran off, over there toward the conservatory.”
“Just a few minutes ago, you say?”
“Yes.”
I looked in the direction he was indicating with his cane. Minutes. One minute would have been too late.
Durwood Candless’s attention had drifted to something just to the right of my crotch. A little boy stood there, staring at me. “It is him,” he said.
“Matthew,” the teacher called, “the gentlemen are talking. Come here.”
“But it’s him!” Matthew said. “The black guy from the morning show. The one my dad calls a no-talent asshole.”
“Matthew!” the teacher almost screeched, silencing the other kids. “Don’t ever use language like that. You apologize immediately to the gentleman.”
“Why? It was my dad who said it.” The others were gawking at the kid now.
“If you don’t apologize immediately, Matthew, I will put you in Ms. Ordway’s group.”
Matthew hesitated, his deceptively cherubic face registering alarm. Then he gave up. Sniffling and staring at my knees, he said, “I’m sorry my dad said you’re an asshole.”
“I’m sorry, too,” I said.
“This is so embarrassing,” the teacher said to me.
“Don’t give it another thought,” I told her. “It’s just one of the joys of being in the public eye.”
She gave me an awkward smile, then gathered the brood, including Matthew. “There will be consequences,” she informed them. “We’re heading back to school now. No more climbing on the statue today. No recitation from Mr. Candless. No visit to the playground. All thanks to Matthew’s rudeness.”
The kids looked bummed as they walked away.
Durwood Candless looked a little bummed, too, watching them go. “I’d planned Polonius’s ‘Neither a borrower nor a lender’ speech,” he said.
If that was a hint, I had neither the time nor the inclination to act on it. “Do you know why my friend Nat rushed away?” I asked.
“Uh,” the actor said, refocusing. “Clearly he was seeking to avoid the fellow who chased after him.”
I stared at him, wondering if he was amusing himself at my expense. “The fellow,” I said, calm as the day. “Tell me about him.”
“There were three of them, actually. They pulled up in their dark green chariot right over there.” The cane was now pointing at a spot where the sidewalk met Lincoln Park West. “One of the males rushed after Nat. The other male and the lady stayed with the auto. I gathered by their proximity that they were a couple.”
“Could you describe them?”
“Indeed so. The young woman was lovely enough to be the modern incarnation of the Bard’s dark lady, and the two men, were they thespians, I would have cast as Rosencrantz and Guildenstern.”
“By ‘dark lady,’ you mean she was black?”
He mock sighed and touched his heart. “More a sweet caramel.”
“And the men?”
“Caucasian. The shorter one, who pursued Nat, was stocky, the taller had a lean and hungry look. But regardless, there was a sameness to them. Hair. Coloring. As I said, they fit the characters of Prince Hamlet’s false friends from childhood.”
“Did the stocky man catch up with Nat?”
“Not that I saw. They both disappeared from view behind the conservatory. Then the other two got into their auto and drove off, north toward Fullerton Parkway, where I suppose they turned right. Assuming they were following the others.”
This was not good news, and I must have showed it.
“Cheer up, dear boy.” He held up the notebook. “Your friend will be returning for this.”
“Probably not today,” I said. “But I can take it to him.”
“Excellent,” he said, handing it to me. “The night air and morning dew would treat it badly.”
I thanked him, promised to catch his next performance as Falstaff, and retired to Dal and the car.
“That doesn’t look like a red folder,” he said.
Working in live TV trains you in stretching information or condensing it. I brought him up to date in only three sentences.
“You figure it’s the same guys who shot up this car at Nero’s?”
“The description fits them better than the private eyes. And I doubt either of them would be doing any running.”
“So the killers picked up a girlfriend. Wonder what her story is.”
I was wondering the same thing. I knew a beautiful woman the color of caramel, but I couldn’t believe Adoree would be joyriding with the pair who’d killed and tortured two men. Then again, she’d heard about my criminal activity from someone she knew.
“So? What now, boss?”
“Either they’ve got him or he’s escaped,” I said. “But we might as well circle the park and see if by some stroke of luck the green car is still around.”
Starting the car, Dal said, “Might be luckier for us if it isn’t.”