The Girl with the Camera

Terry makes me hold the phone

and record every moment of him

beating the crap out of her.

That’s my job,

though I never applied for it.

I could throw it at him.

I mean,

I could use the phone to crack his skull open,

smash his brains to bits,

instead of recording what he’s doing –

beating Mum

with such steam

you’d think it was an Olympic sport he was training for.

I gag

a little bit

whenever he glances into the lens.

Or maybe he’s looking at me,

making sure I am

    holding the phone steady,

doing my job.

I don’t want to let him down,

or I can guess what’ll happen:

it’ll be my belly under his foot,

my face against his fist.

Or worse,

Mum’ll get it again.

Afterwards he goes out,

    down the pub

    to his mates,

who all think he’s a right laugh,

            a right geezer

for having a bird who cooks and cleans,

wipes his arse

if he asks her to.

And Mum?

She heads for the bathroom,

locks the door and cleans herself up,

then into the bedroom where she

covers the bruises with a turtleneck and too much foundation.

That’ll make him mad too.

Can’t she learn a lesson?

When she comes into the kitchen

I’m sitting there

at the table,

pretending to finish off my French homework,

verbs drills,

lists of words

that start the same

but end

            differently

depending on who’s doing the talking.

And I wonder whether my life could be like verb
endings,

whether things here would be better if Mum
weren’t such a

wimp all the time.

Like,

if she was someone braver,

would Terry give up and go away

and hurt someone else instead?

Would we get to have happy endings

sometimes

instead of a constant stream of shit?

‘You want some toast? Cereal?’ she asks,

really gently,

and I hug her,

scared it’ll hurt her,

but so sorry for not stopping Terry.