STREET MUSIC

I judge matters

differently now:

Captain David McDowell,

cultivated publisher

and editor,

told me in 1949

he fought the Nazis

at Monte Cassino.

An infantryman, half way up

the bloody mountain,

almost shot in half,

screamed in pain all night.

At dawn David ordered

a corporal to shoot the soldier,

whoever he was.

When the corporal refused the order,

David shot

and killed the corporal.

He was one of thousands

slaughtered on the mountain.

I did not whisper or shout

when I was told the story,

“Murderer! Murderer!”

I thought, “It happens,

war is war.”

David spoke French and Italian

without his Southern accent.

He telephoned me to go to

William Carlos Williams’ funeral

at a Rutherford church.

In attendance Bill’s sons,

grandchildren, beautiful

old ladies, ex-girlfriends

and Fanny.

I looked for asphodels

green among the flowers.

I did not recognize

a single attending poet.

I cannot count all

the babies

Bill pulled into America,

among them American poets

he freed from idols—

a few English bastards.

W.C. Williams resolved the conflict

between form and freedom in verse,

stepped lines.

When I drive near Rutherford,

where Bill was born,

along the Passaic River,

still mourning

for what’s past

I feel I’m driving a double-deck bus

along the Tiber in Rome.

I’m dreaming, void of guile,

we’re near the Isola Tiberina

the bus loaded with poets

some cold sober

some drunk some high.

I hear dozens of languages

and dialects—

cobbled, tar,

and dirt music

wherever a shoed, sandaled,

or naked foot has trod.

Montale beside me,

I hear Rimbaud say,

“Je suis un autre.”

Denise Levertov says,

“We’re all here

on this queen of long roads

because of Bill’s love of love,

his secret, American stuff

for all of us.”

We’re on the A-Line

to Michelangelo.

Bill pushes his way

from the back of the bus,

tells me, “Stop!”

He steps down,

disappears in the night

to help a soldier

screaming in pain.

Each of us has his or her reason

to know who’s screaming.

The poets head back home,

to their lives and graves

the most serious appear

the personification of frivolity,

all of them write poetry

that would be impoverished

without nonsense.