MF YOU TALK to some of the students who studied Jeet Kune Do directly with Bruce Lee, you will discover they all agree that he could easily hit an opponent with a single punch or kick. He had developed his speed, power, and ability to close the distance to such a high degree that he could reach an opponent at will. Lee had a strong intuitive sense of the right moment to make his move, when a person’s mind was elsewhere and unprepared to deal with his attack.

SDA/SAA

These amazing feats that Lee’s students personally witnessed are examples of Jeet Kune Do’s Single Direct Attack (SDA). SDA represents the simplest manner of attacking an opponent. At the same time many factors must work together in order to make it effective. Moreover, it is the most challenging to master and to pull off successfully.

When employing SDA, a fighter executes only one technique, which is intended to land accurately on the target with the proper speed and power. A direct attack means that a person executes the technique in the most direct manner possible, usually along a straight path to the target. For example, a fighter employing SDA would execute a finger jab from the initial front hand position right to the opponent’s eyes in a straight line.

A variation of SDA is known as Single Angulated Attack (SAA). In SAA the solo technique is fired from an angle—for example, while shifting slightly to the outside of an opponent’s punch. The technique still moves along a direct path to the target, but does so from an angle because of different body positioning. To illustrate, suppose that an opponent, in unmatched lead, shoots a lead straight punch. You can step aside to move to the outside of the punch. As you do so, you fire your own lead punch, which slides across the opponent’s arm into his face. Your shift in body positioning requires you to punch from an off-angle to the face.

There are certain elements that must work in harmony with each other, in order for either SDA or SAA to actually work. We examine these below:

Lee acknowledged the difficulty of successfully using simple attacks. Therefore, he encouraged attacking an opponent’s lead leg or hand first. This would provoke a reaction on the part of the opponent and allow time to then pull off the simple attack.

For instance, when your opponent relaxes his or her guard and thereby exposes a specific target area, you can fire a punch, kick, knee strike, or elbow strike at that target area. If your opponent is distracted or thinking of something else, that offers a good opportunity to strike as well. Another time when it is appropriate to strike is when your opponent shifts position to execute a feint. You can land your strike at a target area that is exposed as a result. Also, you can strike when your opponent is in the midst of recovering after attacking you, because your opponent has not stabilized his or her position for an effective defense. Yet another opportune time to strike is when your opponent is preparing to attack, because his or her intention and hand movement are focused more on attack than on defense. In all these cases you need to develop a good, intuitive sense of the right moment to launch your attack.

SDA can be executed in a strictly offensive manner—for example, when you decide to advance toward your opponent at an opportune moment. You can also use SDA as a counteroffensive measure, for instance, when your opponent rushes at you and you launch a strike in response.

There are generally two effective means of accomplishing SDA. One is attacking from a state of immobility. This can work especially well after a series of feints and false attacks that lulls an opponent into expecting a more complex movement. The sudden and unannounced simple attack can catch your opponent completely off guard.

The other method is attacking from a variation of rhythm or cadence. For instance, you can change the rhythm and cadence by progressively slowing down your movements. Then, when your opponent has adjusted to your pace, you can launch a single strike at very high speed, catching your opponent unawares. Similarly, when opponents become set in tempo to your movements, a slight hesitation on your part can cause them to inadvertently open a way to your simple attack.

Examples of Single Direct Attack

Technically speaking, any lead or rear tool technique, whether it be a punch, kick, elbow strike, or knee strike, can be utilized for SDA. Even other tools, such as a forearm strike or a head butt, can be employed for SDA under the right circumstances. In his notes Bruce Lee identified certain specific tools that he believed represented good examples of SDA.

You can employ the lead shin/knee side kick in two basic ways. One is as an offensive action in which you strike your opponent when the moment presents itself. The other is as a counteroffensive move in which you strike when your opponent advances toward you or tries to attack you.

In addition to these specific techniques that are contained in Lee’s notes, there are other techniques that lend themselves well to SDA. These are as follows:

Examples of Single Angular Attack

The main difference between the SDA and the SAA is that the latter is not delivered in a straightforward line. Rather, it is fired from an off-angle, usually as you position your body away from your opponent. The following are some examples of SAA using either punches or kicks.

You can utilize the kick as part of an offensive maneuver in which you initiate the side step and then fire the kick at your opponent. You can also use this kick as a counter. For instance, if your opponent advances toward you, you can move laterally and fire the kick at his or her sternum.

Undoubtedly the proper cultivation of your fighting tools is essential if you are to achieve any success using SDA. You must learn the correct mechanics and form of each punch, kick, or other strike. You have to be able to strike the target accurately when it presents itself. Your strike must have sufficient power behind it to have an effect on your opponent. It must also be fired with great speed so that it lands before your opponent can react. Finally, you must make sure you are at the proper distance to reach your opponent. Correct footwork and mobility are needed to enable you to move into range. Practicing with a partner holding focus mitts or with a sparring partner helps greatly in developing these essential qualities.