CHAPTER SIXTEEN

     
     I
     Detective-Officer Mary Rorke had left Apartment 365 near the top of the Savoy Babylon Hotel, locking the door behind her. She had gone to dinner.
     Viola, seated in her favourite chair by the window, reading, waited for ten minutes. Then, closing her book, she went into the bedroom and came out carrying a beautifully fitted manicure case adorned with silver and enamel and the name of a Bond Street firm. She opened it, and adjusted a nail file between two harmless-looking studs attached to the lid. Next, she inserted a different kind of key in the silver lock and turned it gently.
     A spot of red light appeared inside what looked like a bottle of nail varnish.
     Then, taking a small torch from her purse, she switched off all the lamps, went to the window, glanced at her luminous wrist-watch, and seeming to take a sight on some distant spot visible in the darkness, stepped back, pace by pace.
     She flashed the light—three times, a pause—twice; then waited, watching.
     Whatever she watched for didn't appear.
     She repeated the signal.
     And, this time, an answer came. From the top of a distant building, high up just under the cupola which crowned it, came three flashes, a pause, then two flashes.
     Viola moved over to where the manicure set stood on a table. She spoke softly:
     “Sister Viola reporting. Is Our Lady ready?”
     “She has been informed,” came the high sing-song of Caspar, clearly as though he had stood in the room. “Kindly wait, Sister Viola.”
     There followed an interval, silent, and then:
     “Yes, child?”—in the golden tones of Sumuru. “Have you seduced him yet?”
     “Almost, Madonna.”
     “You sound sad, Viola. You have not given too much too soon?”
     “You know I could never do that, Madonna. I am sad because I have to do what you ordered me to do.”
     “Unless you mean that he has become distasteful to you I fail to understand. I believed—and I am rarely wrong—that you were happy to be with him. I should approve. That was why I threw you into his arms. There must be some unions of affinity, if we are to produce a perfect race.”
     “I love him, Madonna.”
     “That is good news, Viola. If you can win him to the truth this will be even better news. In the position he occupies (which I can improve) he will be invaluable to us. Why are you sad?”
     Viola hesitated. She was biting her lip.
     “I asked a question, child.”
     “Yes, dear Madonna! I should hate to think that Tony was weak enough to accept a creed in which he truly didn't believe—for my sake.”
     “You are troubled by strange scruples! How many men, now usefully enrolled in our Order, have been won to it by hunger for a woman? Re-study Chapter Ten of Tears, Viola. You will find—if you have forgotten—that it deals with desire as the force which rules the world. You should be proud to wield so great a power—the power of Helen of Troy—a power which belongs to women, alone.”
     “Yes, Madonna.”
     “Tell me—have you induced him to speak to Drake Roscoe?”
     “I believe he has done so—to-day.”
     “If he is successful, I can deal with the rest. Sister Blanche is expecting you. Silvestre will be standing by. If he fails, you must resume seduction. Or—you can give him up. I should be disappointed.”
     “I won't—give him up, Madonna.”
     “I know that, Viola. You have proved your mettle too often to falter, now, in winning a man you want for yourself, as well as for the Order. Good night, child. Give Caspar the signal. I am always with you.”
     Viola turned the key in the silver lock and withdrew it. She replaced the nail file. Then, picking up the little flashlight, she stepped back three paces, and flashed the signal.
     An answering signal came from under the distant cupola, and—
     “Hullo, Miss Stayton,” said a crisp voice. “All in the dark?”
     Drake Roscoe stood just behind her in the lobby.
     II
     Viola's training served her well. She recovered poise almost at once.
     “The light failed, Mr. Roscoe. I was looking for the phone. I'm afraid I didn't hear you come in.”
     “I shouldn't have crept in like a mouse, Miss Stayton. But apparently your doorbell had failed, as well! Let's see if they've put things right again.” He flicked some switches. “Ah! all's well!”
     As the room was flooded with sudden light:
     “Hullo!” he went on, looking around, “I must have been mistaken. I could have sworn I heard you talking to somebody!”
     Viola smiled, dropped back in the chair near the window.
     “Perhaps you heard me cursing! I was just about to work on my nails, Mr. Roscoe, when the light failed.”
     She opened the manicure case, then glanced up and closed it again.
     “Don't let me interrupt you.”
     “Please sit down, Mr. Roscoe. If you care to talk to me I'm quite ready to listen.”
     Drake Roscoe sat down, watching her. He was smiling. Viola was distractingly pretty, from her wavy hair down to her slim, dainty feet. Impossible to condemn Tony McKeigh for falling for a girl like this. Viola stood up and offered an open cigarette case, nearly full; a feminine thing inlaid with mother-o'-pearl.
     He was about to take one. Then he changed his mind, shot a swift look at Viola's face.
     “Thank you, Miss Stayton. But mostly I stick to cigars!”
     Viola sat down again and lighted one of her own cigarettes composedly.
     “It occurred to you they might be doped?” she said it as casually as though doped cigarettes were a commonplace “Well, they're not. I have pleaded guilty to all that I have done, and I admit that I drugged Mr. McKeigh's tobacco But it was a harmless drug.”
     “How did you know it was harmless?”
     “Our Lady told me so. Our Lady never lies. I destroyed her photograph because she ordered me to destroy it—”
     “Yes. That brings me to an interesting point,” Roscoe interrupted. “What was there about that photograph which made her so anxious to suppress it?”
     “I don't know,” Viola answered quietly.
     “Could it have been—I'm merely guessing—that it clearly showed one of her ears?”
     Drake Roscoe, watching, saw that he had scored a hit. Viola flinched. In spite of her excellent self-control, he saw her start. Tony McKeigh was right. The lovely Sumuru had no lobes to her ears. It was a defect which would in no way detract from her beauty, a curious formation which only a physiognomist would be likely to notice.
     And it hadn't been visible in the destroyed photograph; for it was not mentioned in the physiognomy chart appended by Scotland Yard.
     Viola recovered herself in a flash.
     “Why do you say one of her ears, Mr. Roscoe? Whatever can Our Lady's ears have to do with it?”
     “Just an idea that occurred to me. Ears are a sure means of identification, you know. No doubt modern surgery can alter their shape, as it alters the shapes of noses, but ears are less easy to treat surgically.”
     “Is that so?” Viola forced a smile. “As you are here, Mr. Roscoe, perhaps you will allow me to ask you a question?”
     “Go ahead.”
     “How long am I to stay confined in this apartment? You have no real evidence against me, so far as I know, to justify it. Except for the liberty I took in destroying a compromising photograph, there is only his own word to support a charge of drugging Mr. McKeigh. There was no robbery committed. The incident might be explained, if I cared to explain it, in an entirely different way.”
     Drake Roscoe watched her admiringly. His heart was warming to Viola Stayton. She was a game little fighter.
     “I had come to a similar conclusion,” he told her. “McKeigh has helped me, I must add. You have helped me, too ... I propose to set you free, Miss Stayton.”
     Viola stood up.
     “Truly? You mean it?”
     “Yes, I mean it. I'm asking McKeigh to take care of you, wherever you want to go. You can leave some time tomorrow....”
     III
     Drake Roscoe, having locked the door of 365, didn't return at once to his own, adjoining, apartment. He took the elevator down to the main floor. A police car, although in no way identified as one, always stood by outside. Roscoe got in, and was driven off.
     It was late when he came back to the Savoy Babylon.
     Tony McKeigh stood staring out of the window, apparently fascinated by the panorama of glittering Manhattan. He turned as Roscoe opened the door.
     “Hullo, there! I began to think you had been making a tour of the night spots. In accordance with your esteemed instructions, I have stuck to my homework. You will find all data neatly filed and indexed on your desk.”
     “Good for you,” Roscoe smiled grimly. “I have certainly toured some night spots, but not those you may have in mind. Sumuru hasn't been running quite true to form, and I'm taking a leaf out of her own book. The reporters were allowed to gorge themselves on Anna's one court appearance, so that all the United States is now familiar with Anna's charming face. Mrs. Esterhazy will be shadowed from the moment she steps ashore at Cherbourg.”
     “I wondered why you didn't bring Mrs. E. ashore here, right away.”
     Drake Roscoe lighted a cigar.
     “That would have been running true to form—as I did by having Anna arrested.”
     “But what about the kid!”
     “We could have got hold of the child and still let Anna slip away.”
     Tony McKeigh relighted his pipe, which had just gone out.
     “It's quite possible,” he remarked, “that without knowing it, I have become slightly nutty. Because the point of your last observation entirely escapes me. Why let Anna go?”
     “For the same reason that a decoy duck is let go—to snare bigger ducks. But, at the time, I wasn't ready. To-morrow I shall be. You remember that bail was refused. But an attorney, who will say he is acting for Anna's parents, is making another application in the morning—and the court will grant it. A perfect convoy of detectives will surround Anna wherever she goes.”
     “You believe that, sooner or later, she'll go to Sumuru?”
     “Or communicate with her—yes.”
     “And I believe she'll slip through your fingers—like Sally Obershaw and the Duchesse de Severac.”
     “She may. But she's more possible use at large than she is locked up. I have come to the same conclusion about Viola—”
     “What! Really?”
     “Really. Viola will be your pidgin, Mac. I have a hunch she won't run away from you! You must cling to her like a lion-hearted limpet! A flock of agents will be covering both of you. Make your own plans for keeping her in sight. Marry her, if you like.”
     “You seem to be inspired by a sense of urgency.”
     “I am!” Roscoe snapped. “The net's closing in on Sumuru. She made a mistake when she came here! I don't underestimate her—and I figure she knows and will run for it any day, now—Hullo!”
     The phone buzzed. Roscoe took the call.
     “Yes—Drake Roscoe here.... Oh—Dr. Richborough!... What's that? Your consultant arrived ahead of time. Yes, I have it all. Good God! Yes, you were right to notify me, Doctor.”
     When he hung up, Drake Roscoe turned a haggard look on Tony McKeigh.
     “Steve Mason has just committed suicide. He threw himself out of the window soon after midnight—”