image Nothingness

355

The space between heaven and earth—

isn't it like a bellows?

Empty without bending,

the more it moves,

the more it puts out.

Daodejing 5

356

Leaves fall constantly and mix with evening rain.

I comfort myself by singing “Red Silk” aloud.

My feelings are full, but I don't mind being friendless.

I cultivate emptiness and throw suffering on the waves.

The carriages of old men are heard outside my gates.

Taoist scrolls are piled up beside my pillow.

In the end, plain people go to the cloudy heavens—

green water, blue mountains, transcended in one time.

“Worried Thoughts,” Yu Xuanji (844–869)

357

Wind blowing over water

is the image of spreading.

The ancient kings

made offerings to god

and built temples.

Yijing, Image of hexagram 59: Spreading

358

I enter the ancient temple in early morning.

as the rising sun grazes the high trees.

I follow a twisting path to a secluded place

where a meditation hall is surrounded by flowering woods.

The mountain light stirs the delighted birds.

My heart is as empty as this reflecting pool.

Ten thousand sounds become completely still:

all that's heard is the bell that rings the hours.

“Inscription behind the Meditation Hall of Poshan Temple,” Chang Jian (708–765)

359

Don't fear slowing; fear stopping.

Proverb

360

Tao courses by using the empty.

So deep! It seems to be

the ancestor of all things!

Daodejing 4

361

The space between heaven and earth—

isn't it like a bellows?

Empty without bending,

the more it moves, the more it puts out.

Daodejing 5

362

You came from the east to visit me,

the rain of Baling still on your clothes.

I ask why you have come, and you say:

“To buy an ax to chop mountain trees.”

How deep and steady the flowers bloom.

How fledgling swallows swoop and soar.

Yesterday is gone, and now it's spring.

Look how white our temples have turned!

“Meeting Feng Zhe in Chang'an,” Wei Yingwu (737–792)

363

Mountain monks sit playing chess.

Above the game, bamboo shadows clear.

No one sees them among the bamboo—

they only hear the chess pieces click.

“By the Pond,” Bai Juyi (772–846)

364

Autumn skies, a full moon again.

One night in-a-thousand at the city gate:

that's how we meet again in Jiangnan—

so unbelievable that it only happens in dreams.

Winds startle hidden magpies from the trees.

Insects shiver in the cold wet grass.

But travelers can always join in drinking wine:

lingering only in fear of the morning bell.

“Old Friends of the River Country Meeting by Chance and Gathering at an Inn,” Dai Shulin (732–789)

365

Thirty spokes join at one hub—

an entire cart depends

on that empty space.

Turn clay into a bowl—

its usefulness comes

from its empty space.

Cut doors and windows into a room,

that room is useful

because of those empty spaces.

Therefore, what is solid

may be beneficial,

but what is empty

is useful.

Daodejing 11