MANY OF THE GREATEST NAMES in the mystery genre have appeared on the pages of The Best American Mystery Stories during its fourteen-year history, including Elmore Leonard, Michael Connelly, James Lee Burke, Dennis Lehane, Laura Lippman, Jeffery Deaver, and Lawrence Block. Too, many of the major authors of literary fiction have contributed outstanding work to the series, including John Updike, Jay McInerney, Roxanna Robinson, Russell Banks, Alice Munro, and, of course, the incomparable Joyce Carol Oates. I would make the argument, however, that one of the greatest strengths of the series has been the stories of relatively little-known writers who have graced its pages, many of whom have gone on to enjoy warm critical attention as well as popular success.
Stories by these authors are seldom found in the pages of such acclaimed purveyors of contemporary fiction as The New Yorker, The Atlantic, or Harper's Magazine. Most of the early work by these hugely talented writers has been discovered in the pages of literary journals, those labors of love produced in such modest numbers that very few readers ever get to see them, and a few in electronic magazines.
Here was the introduction to a large readership of Scott Wolven, whose "Controlled Burn" was initially published in Harpur Palate and collected in the 2003 edition of The Best American Mystery Stories. This, and subsequent stories also published in BAMS, got him a book contract with Scribner's (Controlled Burn: Stories of Prison, Crime, and Men).
Tom Franklin's "Poachers" was found in the pages of Texas Review and appeared in BAMS 1999. The story went on to win the Edgar Allan Poe Award from the Mystery Writers of America and a book contract from William Morrow for Poachers: Stories; it was later selected for The Best American Mystery Stories of the Century. Franklin has gone on to write several novels, including Crooked Letter, Crooked Letter, which was nominated for an Edgar as the Best Novel of 2010.
"All Through the House" by Christopher Coake was chosen for BAMS 2004 after its first publication in The Gettysburg Review; it became the centerpiece of his Houghton Mifflin Harcourt collection, We're in Trouble.
It is profoundly gratifying and humbling to know that this series can have such a powerful impact on the world of mystery fiction and the enormously talented writers who toil in its gardens. One can only wonder if some of the contributors to this volume will go on to follow in the footsteps of Coake, Franklin, and Wolven to find similar much-deserved success in their mystery writing careers.
While it is redundant for me to write it again, since I have already done so in each of the previous fourteen volumes of this series, it falls into the category of fair warning to state that many people regard a "mystery" as a detective story. I regard the detective story as one subgenre of a much bigger genre, which I define as any short work of fiction in which a crime, or the threat of a crime, is central to the theme or the plot. While I love good puzzles and tales of pure ratiocination, few of these are written today as the mystery genre has evolved (for better or worse, depending on your point of view) into a more character-driven form of literature, with more emphasis on the why of a crime's commission than on the who or how. The line between mystery fiction and general fiction has become more and more blurred in recent years, producing fewer memorable detective stories but more significant literature.
It is a pleasure, as well as a necessity, to thank Harlan Coben for agreeing to be the guest editor for the 2011 edition of The Best American Mystery Stories. Putting aside virtually everything on his very crowded plate, he delivered the work on schedule, thereby causing champagne corks to pop and hats to be flung in the air at Houghton Mifflin Harcourt as the very tight deadlines have been met. Sincere thanks as well to the previous guest editors, begin ning with Robert B. Parker, who started it all in 1997, followed by Sue Grafton, Ed McBain, Donald E. Westlake, Lawrence Block, James Ellroy, Michael Connelly, Nelson DeMille, Joyce Carol Oates, Scott Turow, Carl Hiaasen, George Pelecanos, Jeffery Deaver, and Lee Child.
While I engage in a relentless quest to locate and read every mystery/crime/suspense story published, I live in terror that I will miss a worthy story, so if you are an author, editor, or publisher, or care about one, please feel free to send a book, magazine, or tearsheet to me c/o The Mysterious Bookshop, 58 Warren Street, New York, NY 10007. If it first appeared electronically, you must submit a hard copy. It is vital to include the author's contact information. No unpublished material will be considered, for what should be obvious reasons. No material will be returned. If you distrust the postal service, enclose a self-addressed, stamped postcard, on which I will acknowledge receipt of your story.
To be eligible, a story must have been written by an American or a Canadian and first published in an American or Canadian publication in the calendar year 2011. The earlier in the year I receive the story, the more fondly I regard it. For reasons known only to the blockheads who wait until Christmas week to submit a story published the previous spring, this happens every year, causing much gnashing of teeth as I read a stack of stories while my wife and friends are trimming the Christmas tree or otherwise celebrating the holiday season. It had better be a damned good story if you do this. Because of the very tight production schedule for this book, the absolute firm deadline is December 31. If the story arrives two days later, it will not be read. Sorry.
O. P.