The Scoundrel
Survival Guide,
Appendix I:
Works Cited

Which Tragedy Was Which?
Or: A Brief History of Mistakes That Have Been Made, Literarily

By Mary Porter-Malcolm

The One about the Eponymous Governess, Her Much Older Love Interest, the Madwoman in the Attic, the Ghostly Voice Echoing across the Moors, and Alex’s Essay Test:

The One about Codependent Drama Queens Heathcliff and Cathy, Who Inflict Their Relationship Issues on Everyone around Them:

The One about the Cruel and Philandering Husband Who Has No Skill at Subterfuge:

The One Where She Names Her Baby Sorrow and Later Turns Stabby:

The One in Which Being Poor but Pretty Is a Recipe for Disaster, Especially When Your Friends are the Worst and Society Is a Shark Tank (but More Vicious):

The One about Whales, Obsession, Testosterone Poisoning, Phrenology, and Ten Thousand Other Digressions That Will Test Your Patience to the Breaking Point:

The One about the Innocent Abroad Marrying the Sleazy European Fortune Hunter with the Mistress, Even Though Isabel Archer Had Way Better Options:

The One about Cecil the Snobby Fiancé and the Au Naturel Guy She Goes for Instead, with Bonus Italian Scenery:

The One about a Pretentious Geezer Named Casaubon Who Tries to Hide That He’s Full of It by Browbeating His Much Younger (and Cleverer) Wife, Dorothea:

The Ones with Sleepwalking, Doppelgangers, Secret Societies, Cursed Jewels, and the Birth of the Detective Genre:

The One with the Slut-Shaming Double Standard and the Scarlet A That Is Not a Monogram:

The One Where the Handsome Mill Owner Sees the Object of His Affection at a Train Station with Another Man Late at Night and Assumes the Worst, but Everything Turns Out Okay in the End:

The One with the Tragic Waste of a Wedding Cake:

The One in Which the Heroine Is TSTL:

The Collected Works of Jane Austen: